The bathroom floors included a stone medallion consisting of three marbles Bianco Dolomitti, Crema Marfil, and Amarillo Negras. The tub and skirt were composed of Crema Marfil while Bianco Dolomiti was used for the soap niches on the walls. Stone Fabricated and Installed by Natural Stone Institute member, SMG Stone Company, Inc.

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgment as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work, and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Landscape Contractor/ Installer Landscape Workshop, Carbondale, CO Stone Installer JD Masonry, Arvada, CO Stone Suppliers Coldspring, Cold Spring, MN Gallegos Corporation, Vail, CO Through a collective dialogue between landscape, architecture and interior design, a new vision reimagines the disturbed site into a livable landscape, emblematic of our American West. The residence – an ensemble of structures designed in a modern ranch vernacular – is effortlessly unified through layered, interconnected outdoor gathering spaces and regional materials that elaborates upon the experience of moving between structures, heightening and renewing one’s sense of place. Upon entering the courtyard, one is immediately aware of seamless and unfolding relationships between architecture and landscape through a sophisticated, regional palette of natural stone, water, and plants. Set upon architectural focal points, two perpendicular sandstone paths descend into the space and converge upon a monolithic, hand-carved granite fountain. The design of the fountain is purposefully quiet, both in its detailing and operation. The feature includes a recessed interior, allowing water to become still before it reaches the surface, with lightly cleft sides, allowing the water to delicately bounce as it descends into the geometric lower granite basin. The landscape architect’s selection of various stone material extends the tones of the home’s granite walls and contextual surroundings into the garden, but also be detailed in a manner that balances rural and modern qualities. The majority of the paving is constructed of rectilinear gray sandstone with a natural finish and snapped edges, laid in a staggered running bond organization. Throughout the garden, thoughtful attention was also given to the configuration and layout of terraces, pathways, and steps. In doing so, this ensured that the edges of the terrace and its interface to other elements were designed so that no “leftover” stone paver pieces would be found. Within the central courtyard, split-faced stone stairs descend into a rectilinear plinth of lawn, punctuated by a carved granite fire pit. Leveraging the property’s existing topographic relief, a shallow infinity-edge dipping pool abstracts the transparent and cavity-like pools found throughout the Rocky Mountains. The design purposefully achieves the illusion of a larger water feature with the distant pond and offers a refreshing recreational element. Containing the infinity edge, a designed granite escarpment emerges from the meadow, juxtaposing the geometric water feature and providing informal seating ledges. The site’s prior use required the landscape architect to incorporate a highly technical and complex sub-surface structural system. The initial geotechnical report identified the building envelopes rested on 12 feet of man-placed fill. Assuming a 1 percent settlement, the team faced concerns that the terraces would settle up to 12 inches. In response, a grid of structural micro-piles provides the necessary foundation for the construction of terraces immediately outside of the architecture, under the water features and site walls. The solution enabled the crisp detailing and design resolution of the architectural structures to seamlessly connect with the horizontal stone terraces.

More than five years after Gallegos first looked at preliminary drawings and provided budgets for a private residence in Vail, Colorado, the project is complete and is a stunning representation of modern architecture and masonry craftsmanship. The owners desired their home to be appointed with hand selected, one-of-a-kind materials that would withstand the test of time. Meant to entertain guests as though they were at a five-star resort, the residence features a spa, massage rooms, glass pool and exquisite views of the Gore Range. The contractor asked Gallegos to provide pricing and expert guidance on material selections and installation methods for the stucco, exterior stone veneer, and interior marbles, granites, and exotic stones. Their work is prevalent in all rooms and decks of this stunning residence. The exterior stone veneer was sourced out of China, something Gallegos has done numerous times without issues. This time was different. About halfway through the exterior stone fabrication and installation, China closed the quarry, declaring that it was in a tourist region. This sent Gallegos scrambling, with forty percent of the exterior cladding installation complete and no budget to remove and replace the installed material. They were extremely lucky to find a similar material in Vietnam that was close enough in color and texture to blend in with the original material and not lose time. The interior stones and other exterior and interior materials were primarily sourced through suppliers in Italy. The natural marbles and granites were installed in either a vein match or a book match pattern.

Gallegos was contacted by a client about a project where stone was not just to be an accent material, but the main visual and perceived structural element to create a timeless architectural composition. To further the endeavor: all veneers and dimension stone must be locally sourced and sustainably quarried. The design called for a moss rock veneer with cut stone trim. Sourcing the sandstone moss rock was simple because there were several local quarries to use. The problem was with the trim pieces. Gallegos selected Colorado Buff sandstone for the trim since the buff body was a good contrast to the moss rock and it is a stone that can be cut to size. One main concern with any sedimentary stone is hitting what is known as a “dry” layer in the ledge. This is an area in the stone between sedimentary layers that has not solidified or cemented. It is still granular and can lead to future stone failure as water penetrates these layers and creates freeze/thaw issues. To avoid this, they used an epoxy injected into the dry layers to help solidify the material and prevent any future failures. The client also wanted sustainable materials for their countertops and bathrooms. Many of the interior stones were either reclaimed materials or were sourced from Colorado quarries – Calacatta Lincoln was used extensively. Gallegos sourced tiles from reclamation projects in Europe and Asia for use in the master bath and front entry areas. For many of the countertops, the owner’s interior designer spent hours looking through remnants and applied several throughout the residence. Willow Court is a spectacular and dramatic nod to stone masonry, something the owner, architect, and builder can be proud of and, for the most part, was built with the environment in mind.

Formerly the workshop of mid-century artisans, this manufacturing building in NYC's SoHo neighborhood was transformed into an 11,000 sf townhouse. The home features a full level spa, two-story living room, six bedrooms, eleven bathrooms, and rooftop addition with pool. Neighboring buildings were underpinned to lower the cellar to accommodate the spa which features dry stacked stone walls that blend into the swimming pool and hot tub and are featured throughout the entire level. The architect’s vision was to have visual recognition that the space was below ground. Thinking about the striations of the earth beneath its surface, he was inspired by the Therme Baths and Spa in Zurich where all the walls are clad with narrow strips of Vals quartzite. After seeing a rendering, the stone supplier advised that only certain stones could survive constant submersion in pool water and the stone should not have the cleft face he had originally imagined due to bacteria issues. Honed, Super Grey granite with white veining was used – the slabs cut into long 3” wide strips installed at random lengths to accentuate the concept of layering as found in the Earth. The kitchen was designed to feel more like a furnished room to integrate with the family room. The architect addressed this through materials and the design of the over-sized island. The countertop is the only veined stone in the kitchen – a beautiful single slab of Super White marble. The island is clad in mirror-polished stainless steel, transforming it into a beautiful piece of furniture that blends into the space. A two-story living room with 22' ceilings created a problem of comfortable scale. The key was the fireplace – the strongest vertical element in the room. By using horizontal vein-cut slabs of light-colored Driftwood marble, the scale of the space instantly became more intimate.

Formerly the workshop of mid-century artisans, this manufacturing building in NYC's SoHo neighborhood was transformed into an 11,000 sf townhouse. The home features a full level spa, two-story living room, six bedrooms, eleven bathrooms, and rooftop addition with pool. Neighboring buildings were underpinned to lower the cellar to accommodate the spa which features dry stacked stone walls that blend into the swimming pool and hot tub and are featured throughout the entire level. The architect’s vision was to have visual recognition that the space was below ground. Thinking about the striations of the earth beneath its surface, he was inspired by the Therme Baths and Spa in Zurich where all the walls are clad with narrow strips of Vals quartzite. After seeing a rendering, the stone supplier advised that only certain stones could survive constant submersion in pool water and the stone should not have the cleft face he had originally imagined due to bacteria issues. Honed, Super Grey granite with white veining was used – the slabs cut into long 3” wide strips installed at random lengths to accentuate the concept of layering as found in the Earth. The kitchen was designed to feel more like a furnished room to integrate with the family room. The architect addressed this through materials and the design of the over-sized island. The countertop is the only veined stone in the kitchen – a beautiful single slab of Super White marble. The island is clad in mirror-polished stainless steel, transforming it into a beautiful piece of furniture that blends into the space. A two-story living room with 22' ceilings created a problem of comfortable scale. The key was the fireplace – the strongest vertical element in the room. By using horizontal vein-cut slabs of light-colored Driftwood marble, the scale of the space instantly became more intimate.

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgment as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work, and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Landscape Contractor/ Installer Landscape Workshop, Carbondale, CO Stone Installer JD Masonry, Arvada, CO Stone Suppliers Coldspring, Cold Spring, MN Gallegos Corporation, Vail, CO Through a collective dialogue between landscape, architecture and interior design, a new vision reimagines the disturbed site into a livable landscape, emblematic of our American West. The residence – an ensemble of structures designed in a modern ranch vernacular – is effortlessly unified through layered, interconnected outdoor gathering spaces and regional materials that elaborates upon the experience of moving between structures, heightening and renewing one’s sense of place. Upon entering the courtyard, one is immediately aware of seamless and unfolding relationships between architecture and landscape through a sophisticated, regional palette of natural stone, water, and plants. Set upon architectural focal points, two perpendicular sandstone paths descend into the space and converge upon a monolithic, hand-carved granite fountain. The design of the fountain is purposefully quiet, both in its detailing and operation. The feature includes a recessed interior, allowing water to become still before it reaches the surface, with lightly cleft sides, allowing the water to delicately bounce as it descends into the geometric lower granite basin. The landscape architect’s selection of various stone material extends the tones of the home’s granite walls and contextual surroundings into the garden, but also be detailed in a manner that balances rural and modern qualities. The majority of the paving is constructed of rectilinear gray sandstone with a natural finish and snapped edges, laid in a staggered running bond organization. Throughout the garden, thoughtful attention was also given to the configuration and layout of terraces, pathways, and steps. In doing so, this ensured that the edges of the terrace and its interface to other elements were designed so that no “leftover” stone paver pieces would be found. Within the central courtyard, split-faced stone stairs descend into a rectilinear plinth of lawn, punctuated by a carved granite fire pit. Leveraging the property’s existing topographic relief, a shallow infinity-edge dipping pool abstracts the transparent and cavity-like pools found throughout the Rocky Mountains. The design purposefully achieves the illusion of a larger water feature with the distant pond and offers a refreshing recreational element. Containing the infinity edge, a designed granite escarpment emerges from the meadow, juxtaposing the geometric water feature and providing informal seating ledges. The site’s prior use required the landscape architect to incorporate a highly technical and complex sub-surface structural system. The initial geotechnical report identified the building envelopes rested on 12 feet of man-placed fill. Assuming a 1 percent settlement, the team faced concerns that the terraces would settle up to 12 inches. In response, a grid of structural micro-piles provides the necessary foundation for the construction of terraces immediately outside of the architecture, under the water features and site walls. The solution enabled the crisp detailing and design resolution of the architectural structures to seamlessly connect with the horizontal stone terraces.

The intrigue of the home’s powerful facade lies in the locally sourced puddingstone archway inviting you in. The custom designed bronze door with leaded sidelights opens into the foyer from underneath the covered walkway to the right, in essence hidden from the street. The wide-open central expanse allows one a sneak preview of the stone patio and back yard beyond, highlighting the 120-foot-tall Beech tree that has been thriving on the site for over two hundred years. The challenge of designing this 6,300 square foot home and pool house was the narrow but deep one-acre lot. John Meyer’s master planning of a strong front elevation hides the “sideways configuration” of the floorplan. To the left of the archway is a 3-car garage below an entertainment room, with a master bedroom suite on the top floor bridging the main house behind the central eyebrow over the archway. The sense of having been on the site for decades was the intent of the design abundant in the use of stone and masonry. The carved stonework shapes the main and secondary archways as full ovals. Slate detailing is set between the sunburst oval window, balancing interest with the keystones framing the five windows across the bridge. Rough cut boulders give weight to the structure’s base, while straight runs of stone border the shingles under the roof’s eaves and shaped stones guide corner edges downward along the retaining walls. The granite steps and bluestone patio lead one back to the lighted base of the Beech tree, terrace and on-axis pool area beyond. The roof is double thick slate, and the circular drive is crushed stone with granite edging. Like the longevity of the Beech tree, this unique design will stand proudly in its neighborhood for years to come.

More than five years after Gallegos first looked at preliminary drawings and provided budgets for a private residence in Vail, Colorado, the project is complete and is a stunning representation of modern architecture and masonry craftsmanship. The owners desired their home to be appointed with hand selected, one-of-a-kind materials that would withstand the test of time. Meant to entertain guests as though they were at a five-star resort, the residence features a spa, massage rooms, glass pool and exquisite views of the Gore Range. The contractor asked Gallegos to provide pricing and expert guidance on material selections and installation methods for the stucco, exterior stone veneer, and interior marbles, granites, and exotic stones. Their work is prevalent in all rooms and decks of this stunning residence. The exterior stone veneer was sourced out of China, something Gallegos has done numerous times without issues. This time was different. About halfway through the exterior stone fabrication and installation, China closed the quarry, declaring that it was in a tourist region. This sent Gallegos scrambling, with forty percent of the exterior cladding installation complete and no budget to remove and replace the installed material. They were extremely lucky to find a similar material in Vietnam that was close enough in color and texture to blend in with the original material and not lose time. The interior stones and other exterior and interior materials were primarily sourced through suppliers in Italy. The natural marbles and granites were installed in either a vein match or a book match pattern.

Tucker Design Awards celebrate the innovation and vision that designers bring to their projects through the specification and use of natural stone materials. For members of the Natural Stone Institute, acknowledgment as a contributor to a Tucker Design Awards winning project is a genuine tribute to their traditional values, physicality of work, and dedication to precise specifications required in the realization of such accomplished architectural design. Landscape Architect Design Workshop, Aspen, CO Landscape Contractor/ Installer Landscape Workshop, Carbondale, CO Stone Installer JD Masonry, Arvada, CO Stone Suppliers Coldspring, Cold Spring, MN Gallegos Corporation, Vail, CO Through a collective dialogue between landscape, architecture and interior design, a new vision reimagines the disturbed site into a livable landscape, emblematic of our American West. The residence – an ensemble of structures designed in a modern ranch vernacular – is effortlessly unified through layered, interconnected outdoor gathering spaces and regional materials that elaborates upon the experience of moving between structures, heightening and renewing one’s sense of place. Upon entering the courtyard, one is immediately aware of seamless and unfolding relationships between architecture and landscape through a sophisticated, regional palette of natural stone, water, and plants. Set upon architectural focal points, two perpendicular sandstone paths descend into the space and converge upon a monolithic, hand-carved granite fountain. The design of the fountain is purposefully quiet, both in its detailing and operation. The feature includes a recessed interior, allowing water to become still before it reaches the surface, with lightly cleft sides, allowing the water to delicately bounce as it descends into the geometric lower granite basin. The landscape architect’s selection of various stone material extends the tones of the home’s granite walls and contextual surroundings into the garden, but also be detailed in a manner that balances rural and modern qualities. The majority of the paving is constructed of rectilinear gray sandstone with a natural finish and snapped edges, laid in a staggered running bond organization. Throughout the garden, thoughtful attention was also given to the configuration and layout of terraces, pathways, and steps. In doing so, this ensured that the edges of the terrace and its interface to other elements were designed so that no “leftover” stone paver pieces would be found. Within the central courtyard, split-faced stone stairs descend into a rectilinear plinth of lawn, punctuated by a carved granite fire pit. Leveraging the property’s existing topographic relief, a shallow infinity-edge dipping pool abstracts the transparent and cavity-like pools found throughout the Rocky Mountains. The design purposefully achieves the illusion of a larger water feature with the distant pond and offers a refreshing recreational element. Containing the infinity edge, a designed granite escarpment emerges from the meadow, juxtaposing the geometric water feature and providing informal seating ledges. The site’s prior use required the landscape architect to incorporate a highly technical and complex sub-surface structural system. The initial geotechnical report identified the building envelopes rested on 12 feet of man-placed fill. Assuming a 1 percent settlement, the team faced concerns that the terraces would settle up to 12 inches. In response, a grid of structural micro-piles provides the necessary foundation for the construction of terraces immediately outside of the architecture, under the water features and site walls. The solution enabled the crisp detailing and design resolution of the architectural structures to seamlessly connect with the horizontal stone terraces.

Accessed by way of a backlit onyx clad elevator, the home’s lower level is paved with matched vein-cut travertine, traveling to three unique rooms. The caretaker’s bathroom contains vein-cut Palissandro Blue marble with a distinct linear pattern that covers the floor, walls, ceiling, and vanity, merging into shower walls shaped in unique marble picture frame moldings. The bungalow bathroom is clad in dark Pietra d’Avola limestone, and the guest’s bathroom has a travertine clad shower with a bathtub made from one single block of travertine.

A new home for their growing family prompted owners to construct a seven bedroom – eleven bath, eclectic Italian renaissance-style home, featuring natural stone prominently throughout. Beginning in the entrance foyer, a diagonal checkerboard pattern of Italian white Carrara and grey Bardiglio marbles trimmed with Bardiglio borders spreads out across the majority of the first floor traveling through corridors and filling the kitchen, dining room, and great room. This paving was installed on traditional drypack mortar beds with tight 1/16" joints. This honed marble paving then transitions into flamed finish Blue Nobile limestone on the exterior. Bardiglio and Carrara marbles used on the interior floor are also on all the counter tops in the kitchen area including a feature island, and the dining room table. Three fireplace surrounds also received natural stone: two with Italian Arabescato Cervaiole marble, and one with Italian Portoro marble. All eleven bathrooms in the home are clad in marble, with each uniquely different. Marbles used in these rooms were Piana Carrara, Fior Di Pesco Capria, Grigio Carnico, Arabescato Cervaioli, Nero Marquina, Aliveri Grey, Thassos White, and St. Laurent Noir. Of these eleven bathrooms, one is the showpiece of the residence, the Master Bath. With its walls clad in Arabescato Cervaioli book matched at key points, and its floor a combination of Arabescato Cervaioli, Aliveri Grey, and Nero Marquina cut into geometric patterns, it surrounds one completely in natural stone. Even the sink interiors are clad in marble. This home was not originally intended to have as much natural stone in it, but as many do after being exposed to natural stone’s beauty, the owners fell in love with it and expanded its presence. Villa Florence is a great example of what can be accomplished with a homeowner who found the passion for natural stone.

The intrigue of the home’s powerful facade lies in the locally sourced puddingstone archway inviting you in. The custom designed bronze door with leaded sidelights opens into the foyer from underneath the covered walkway to the right, in essence hidden from the street. The wide-open central expanse allows one a sneak preview of the stone patio and back yard beyond, highlighting the 120-foot-tall Beech tree that has been thriving on the site for over two hundred years. The challenge of designing this 6,300 square foot home and pool house was the narrow but deep one-acre lot. John Meyer’s master planning of a strong front elevation hides the “sideways configuration” of the floorplan. To the left of the archway is a 3-car garage below an entertainment room, with a master bedroom suite on the top floor bridging the main house behind the central eyebrow over the archway. The sense of having been on the site for decades was the intent of the design abundant in the use of stone and masonry. The carved stonework shapes the main and secondary archways as full ovals. Slate detailing is set between the sunburst oval window, balancing interest with the keystones framing the five windows across the bridge. Rough cut boulders give weight to the structure’s base, while straight runs of stone border the shingles under the roof’s eaves and shaped stones guide corner edges downward along the retaining walls. The granite steps and bluestone patio lead one back to the lighted base of the Beech tree, terrace and on-axis pool area beyond. The roof is double thick slate, and the circular drive is crushed stone with granite edging. Like the longevity of the Beech tree, this unique design will stand proudly in its neighborhood for years to come.

No greater compliment of a material is possible than when stone is selected for a historic property renovation within a home rich in tradition and with a celebrated past. This new feature stair addition to a private residence in Toronto, Canada, has an equally compelling story to tell. Originally envisioned as a wall-supported, cantilevered stone stair, the owner boldly accepted a unique solution for their showpiece element. The 19-tread stair would be designed with 550 lb. solid stone treads, and fully liberated from traditional supports and the adjacent rubble wall. To say, “it would float” is not an exaggeration. The stair would be designed as a monolithic beam spanning 16.5 feet, 10 feet high and 41 inches wide. Aesthetically bold, with a reduced tone from pure black, the basalt stone was the perfect contrast for the white modern interior of the home. The 3-1/2" tension cables played the most important role by resisting the large bending moment generated by the stone load and stair geometry. Fabrication required precise coordination and care to ensure perfect alignment of the interlocking key, and the corresponding cable holes. The fabrication challenge was achieving the highest level of accuracy in notching, coring, and replicating each tread identically. Expert precision and skill were key to nesting each tread in sequence and simultaneously with the strands. Meticulous alignment and exacting tolerance assured the true performance and aesthetics were delivered. Hydraulic post-tensioning pulled each cable to 120 kiloNewtons or 27,000 lbs, infusing strength and structural integrity. Removing the temporary support and testing was the last critical step—it was the first time the stone stair would be self-supporting. The “floating” stair is an ultimate achievement and example of innovation, material strength, fabrication quality, installation precision, and expert coordination. A perfect final chapter to a historical journey and modern ode to stone as structure.

This private residence involved construction of a modern architectural style estate property in Highland Park, Texas. Dee Brown Inc’s role came into play late in the project, when corrections were needed to some specialty stonework. The home’s center is formed around the main entry. The floorplan is largely open, but parallel core wall areas serve to define the foyer, kitchen, dining, and living areas. As key areas, the architect put special focus on materials selection for the core walls. It was decided that Indiana limestone would be the finish, and that the cladding panels would all have unique continuous horizontal grooves. Material was received and installed by the original subcontractor. Upon seeing the completed work, it was evident to the architect and owner that grooves in the fabricated material were not consistent, and that the installation process had left numerous chips to the panels. It was at this point that the partially completed work was removed, and the second fabricator/installer was contacted. Dee Brown Inc ordered the Indiana limestones slabs. There, special care was taken to hold tight tolerances to the horizontal grooves as well as to the typical cut-to-size aspects. Erection of these mechanically set panels was done very carefully. The result was a clean finished product with none of the tolerance and chipping issues of the original installation. Dee Brown, Inc also created and installed special stone finishes at the adjacent half-bath. Semi-precious white onyx was transformed into a lavatory top/bowl assembly, water-closet wall cladding, and even tissue and towel holders.

This private residence involved construction of a modern architectural style estate property in Highland Park, Texas. Dee Brown Inc’s role came into play late in the project, when corrections were needed to some specialty stonework. The home’s center is formed around the main entry. The floorplan is largely open, but parallel core wall areas serve to define the foyer, kitchen, dining, and living areas. As key areas, the architect put special focus on materials selection for the core walls. It was decided that Indiana limestone would be the finish, and that the cladding panels would all have unique continuous horizontal grooves. Material was received and installed by the original subcontractor. Upon seeing the completed work, it was evident to the architect and owner that grooves in the fabricated material were not consistent, and that the installation process had left numerous chips to the panels. It was at this point that the partially completed work was removed, and the second fabricator/installer was contacted. Dee Brown Inc ordered the Indiana limestones slabs. There, special care was taken to hold tight tolerances to the horizontal grooves as well as to the typical cut-to-size aspects. Erection of these mechanically set panels was done very carefully. The result was a clean finished product with none of the tolerance and chipping issues of the original installation. Dee Brown, Inc also created and installed special stone finishes at the adjacent half-bath. Semi-precious white onyx was transformed into a lavatory top/bowl assembly, water-closet wall cladding, and even tissue and towel holders.

A new home for their growing family prompted owners to construct a seven bedroom – eleven bath, eclectic Italian renaissance-style home, featuring natural stone prominently throughout. Beginning in the entrance foyer, a diagonal checkerboard pattern of Italian white Carrara and grey Bardiglio marbles trimmed with Bardiglio borders spreads out across the majority of the first floor traveling through corridors and filling the kitchen, dining room, and great room. This paving was installed on traditional drypack mortar beds with tight 1/16" joints. This honed marble paving then transitions into flamed finish Blue Nobile limestone on the exterior. Bardiglio and Carrara marbles used on the interior floor are also on all the counter tops in the kitchen area including a feature island, and the dining room table. Three fireplace surrounds also received natural stone: two with Italian Arabescato Cervaiole marble, and one with Italian Portoro marble. All eleven bathrooms in the home are clad in marble, with each uniquely different. Marbles used in these rooms were Piana Carrara, Fior Di Pesco Capria, Grigio Carnico, Arabescato Cervaioli, Nero Marquina, Aliveri Grey, Thassos White, and St. Laurent Noir. Of these eleven bathrooms, one is the showpiece of the residence, the Master Bath. With its walls clad in Arabescato Cervaioli book matched at key points, and its floor a combination of Arabescato Cervaioli, Aliveri Grey, and Nero Marquina cut into geometric patterns, it surrounds one completely in natural stone. Even the sink interiors are clad in marble. This home was not originally intended to have as much natural stone in it, but as many do after being exposed to natural stone’s beauty, the owners fell in love with it and expanded its presence. Villa Florence is a great example of what can be accomplished with a homeowner who found the passion for natural stone.

More than five years after Gallegos first looked at preliminary drawings and provided budgets for a private residence in Vail, Colorado, the project is complete and is a stunning representation of modern architecture and masonry craftsmanship. The owners desired their home to be appointed with hand selected, one-of-a-kind materials that would withstand the test of time. Meant to entertain guests as though they were at a five-star resort, the residence features a spa, massage rooms, glass pool and exquisite views of the Gore Range. The contractor asked Gallegos to provide pricing and expert guidance on material selections and installation methods for the stucco, exterior stone veneer, and interior marbles, granites, and exotic stones. Their work is prevalent in all rooms and decks of this stunning residence. The exterior stone veneer was sourced out of China, something Gallegos has done numerous times without issues. This time was different. About halfway through the exterior stone fabrication and installation, China closed the quarry, declaring that it was in a tourist region. This sent Gallegos scrambling, with forty percent of the exterior cladding installation complete and no budget to remove and replace the installed material. They were extremely lucky to find a similar material in Vietnam that was close enough in color and texture to blend in with the original material and not lose time. The interior stones and other exterior and interior materials were primarily sourced through suppliers in Italy. The natural marbles and granites were installed in either a vein match or a book match pattern.

Kim Colwell Designed this living room for the Shambhalla Institute. Her specialty is combining her skill as an interior designer with her background as a second generation feng shui master and trained in design psychology. Our projects feel as good as they look. See Kim Colwell Design for full portfolio.