You are walking quietly through the tall grass next to a wide river, brown and fast moving from fresh floods. The hot sun setting slowly overhead. Just as the sun begins to touch the horizon, the whole sky is brushed in a rich orange hue. You emerge from the grass to be greeted by your first sight of African lions in their natural habitat and a Serengeti sunset that will stay with you for the rest of your life. This was the moment that began this project, inspiring the client to recreate that moment for their sport hunting trophy room in their home. The goal was to be able to recreate that experience as closely as possible, while also ensuring that every mount in the collection had the ideal amount and type of light directed at it. Nature exhibits an infinite amount of unique color and light environments. From rich color in every hue and temperature, to light of all different intensities and quality. In order to deliver the client’s expectations, we needed a solution that can reflect the diverse lighting environments the client was looking to recreate. Using a Ketra lighting system, controlled through a Lutron HomeWorks QS system, tied in seamlessly to an existing Lutron HomeWorks Illumination system, we were able to meet all of these challenges. Tying into the existing system meant that we could achieve these results in the space that the client was focused on without having to replace the whole system. In that focused space, creating dynamic lighting environments was central to several elements of the design, and Ketra’s color temperature settings enabled us to be extremely flexible while still providing high quality light in all circumstances. Using a large track system consisting of 30 S30 lamps, each individually addressed, we were able to create the ideal lighting settings for each mount. Additionally, we designed the system so that it can be set to match the unique warm standard Edison-style bulbs in the main chandelier, it can be set to a “Natural” mode that replicates the outdoor conditions throughout the day, or it can simulate the exact color temperature progression of that unforgettable Serengeti sunset. Control of the lighting environment and a smooth transition to the lighting systems in the rest of the home was also a priority. As a result, we installed 3 Lutron motorized shades in the space to account for ambient light, and 6 A20 lamps in an adjacent bar area to create a natural transition to the rest of the lighting system. This ensures that all of the lighting transitions, whether from the rest of the home to the trophy room or the trophy room to the outside, are continuous and smooth. The end result is an impressive and flexible display space with an added “wow factor” that is out of this hemisphere!

You are walking quietly through the tall grass next to a wide river, brown and fast moving from fresh floods. The hot sun setting slowly overhead. Just as the sun begins to touch the horizon, the whole sky is brushed in a rich orange hue. You emerge from the grass to be greeted by your first sight of African lions in their natural habitat and a Serengeti sunset that will stay with you for the rest of your life. This was the moment that began this project, inspiring the client to recreate that moment for their sport hunting trophy room in their home. The goal was to be able to recreate that experience as closely as possible, while also ensuring that every mount in the collection had the ideal amount and type of light directed at it. Nature exhibits an infinite amount of unique color and light environments. From rich color in every hue and temperature, to light of all different intensities and quality. In order to deliver the client’s expectations, we needed a solution that can reflect the diverse lighting environments the client was looking to recreate. Using a Ketra lighting system, controlled through a Lutron HomeWorks QS system, tied in seamlessly to an existing Lutron HomeWorks Illumination system, we were able to meet all of these challenges. Tying into the existing system meant that we could achieve these results in the space that the client was focused on without having to replace the whole system. In that focused space, creating dynamic lighting environments was central to several elements of the design, and Ketra’s color temperature settings enabled us to be extremely flexible while still providing high quality light in all circumstances. Using a large track system consisting of 30 S30 lamps, each individually addressed, we were able to create the ideal lighting settings for each mount. Additionally, we designed the system so that it can be set to match the unique warm standard Edison-style bulbs in the main chandelier, it can be set to a “Natural” mode that replicates the outdoor conditions throughout the day, or it can simulate the exact color temperature progression of that unforgettable Serengeti sunset. Control of the lighting environment and a smooth transition to the lighting systems in the rest of the home was also a priority. As a result, we installed 3 Lutron motorized shades in the space to account for ambient light, and 6 A20 lamps in an adjacent bar area to create a natural transition to the rest of the lighting system. This ensures that all of the lighting transitions, whether from the rest of the home to the trophy room or the trophy room to the outside, are continuous and smooth. The end result is an impressive and flexible display space with an added “wow factor” that is out of this hemisphere!

Projector unrolls from the ceiling, offers both standard and wide screen imagery.
Home theater - huge traditional open concept carpeted and black floor home theater idea in Los Angeles with beige walls and a media wall

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Example of a large 1950s gender-neutral carpeted and beige floor walk-in closet design in Sydney with flat-panel cabinets and light wood cabinets

Pondless Waterfall Pondless Waterfalls are simply a re-circulating waterfall and/or stream without the presence of a pond. You can enjoy the sight and sound of running water without the maintenance of a pond. The waterfall is undoubtedly the most beautiful and favored feature in a water garden. If space is lacking in your yard or you have safety concerns with a pond, go Pondless! The name basically explains it all. It’s a waterfall and stream, without the pond. So why would you want a waterfall without a pond? The truth is that a Pondless Waterfall isn’t for everyone, but it can be a great alternative for someone who isn’t quite sure if a pond is right for their family. Safety Because there is no pool of water, a Pondless Waterfall is a great option if you are concerned about safety issues associated with a traditional pond. Cost Cost can be a big factor when considering the type of pond you want to build. In most cases, the price of a Pondless waterfall will be less than a pond, because there is less labor involved, as well as less rock and materials. Operating costs are also less. Because you’re not dealing with an established ecosystem, it’s not necessary to run the pump 24/7. Space The small size of the Pondless Waterfall means you can build and enjoy a beautiful waterfall anywhere in your yard. Maintenance - Taking care of your Pondless Waterfall is easy. Filling the reservoir every few weeks to compensate for water loss because of evaporation is all that’s required. Flexibility Perhaps the best part of the Pondless Waterfall is the possibility for the future. If you change your mind later, wishing you’d build a pond, that’s ok! If you leave enough room around the base of the waterfall, it’s easy to add a pond onto a Pondless Waterfall. Complete System It might be difficult to imagine a waterfall and stream without a pond. Where does the water go? A Pondless Waterfall works much like a regular pond. The hole, deeper than a normal pond, is dug then lined with rock and gravel, and filled with water. The water is then circulated from beneath the rocks and gravel by a pump that sits on the bottom, inside a Snorkel Vault and Centipede Module. A pipe runs from there up to a BioFalls Filter and into an overflowing waterfall, where it falls back into the reservoir. Since the water level never pools above the level of the rock and gravel fill, it give the appearance of a waterfall without a pond, when in fact, the “pond” is there but not visible. The Pondless Waterfall has made many water-lovers who were previously unable to indulge in the sweet sounds of falling water, very happy. It’s a great alternative for those who are trying to get their feet wet, or looking to fit a little bit of paradise into their own backyard. In other words, when all else fails … go Pondless!

Sam Oberter
Inspiration for a contemporary kitchen remodel in Philadelphia

Normal closet spaces not only lack imagination, but storage as well. Remodel any closet space with this customizable closet system. The shelves, shoe cubbies, drawers, and other accessories give you an easy way to organize all of your clothes and shoes. The closet system is comprised of solid wood in a gorgeous cherry finish and nickle-finished steel components. You can easily reconfigure the layout to meet your current storage needs, and you can add or remove additional components to customize the closet system as desired.

Create a functional and attractive storage space in your master closet with this customizable closet system. The classic midnight live (black) color provides a traditional yet updated appearance to any bedroom space. The storage shelves, shoe cubbies, closet rods, and other organizational systems allow you to keep your clothing and footwear beautifully organized in the closet. You can easily customize the closet system to meet your current storage needs, or the available space in the closet.

Maximize the storage potential of your household closet with this customizable closet system. The solid shelves, closet rods, pull-out baskets, and other components combine to create a customized storage system that will optimize every inch of space. You can always reconfigure the storage system, and add or remove accessories to fit into any closet space. The solid wood shelves (shown here) is finished in a chocolate pear color while the nickel-finished hardware complements the dark wood.

This 1930's Barrington Hills farmhouse was in need of some TLC when it was purchased by this southern family of five who planned to make it their new home. The renovation taken on by Advance Design Studio's designer Scott Christensen and master carpenter Justin Davis included a custom porch, custom built in cabinetry in the living room and children's bedrooms, 2 children's on-suite baths, a guest powder room, a fabulous new master bath with custom closet and makeup area, a new upstairs laundry room, a workout basement, a mud room, new flooring and custom wainscot stairs with planked walls and ceilings throughout the home. The home's original mechanicals were in dire need of updating, so HVAC, plumbing and electrical were all replaced with newer materials and equipment. A dramatic change to the exterior took place with the addition of a quaint standing seam metal roofed farmhouse porch perfect for sipping lemonade on a lazy hot summer day. In addition to the changes to the home, a guest house on the property underwent a major transformation as well. Newly outfitted with updated gas and electric, a new stacking washer/dryer space was created along with an updated bath complete with a glass enclosed shower, something the bath did not previously have. A beautiful kitchenette with ample cabinetry space, refrigeration and a sink was transformed as well to provide all the comforts of home for guests visiting at the classic cottage retreat. The biggest design challenge was to keep in line with the charm the old home possessed, all the while giving the family all the convenience and efficiency of modern functioning amenities. One of the most interesting uses of material was the porcelain "wood-looking" tile used in all the baths and most of the home's common areas. All the efficiency of porcelain tile, with the nostalgic look and feel of worn and weathered hardwood floors. The home’s casual entry has an 8" rustic antique barn wood look porcelain tile in a rich brown to create a warm and welcoming first impression. Painted distressed cabinetry in muted shades of gray/green was used in the powder room to bring out the rustic feel of the space which was accentuated with wood planked walls and ceilings. Fresh white painted shaker cabinetry was used throughout the rest of the rooms, accentuated by bright chrome fixtures and muted pastel tones to create a calm and relaxing feeling throughout the home. Custom cabinetry was designed and built by Advance Design specifically for a large 70” TV in the living room, for each of the children’s bedroom’s built in storage, custom closets, and book shelves, and for a mudroom fit with custom niches for each family member by name. The ample master bath was fitted with double vanity areas in white. A generous shower with a bench features classic white subway tiles and light blue/green glass accents, as well as a large free standing soaking tub nestled under a window with double sconces to dim while relaxing in a luxurious bath. A custom classic white bookcase for plush towels greets you as you enter the sanctuary bath. Joe Nowak

Project Developer Mary Englert Designer Kate Adams
Large trendy l-shaped medium tone wood floor eat-in kitchen photo in DC Metro with green backsplash, an island and beige countertops

Christian Maloof
Small transitional carpeted home office photo in Detroit with gray walls

Jay Greene Photography
Kitchen - transitional l-shaped light wood floor kitchen idea in Baltimore with an undermount sink, gray cabinets, marble countertops, white backsplash, stone tile backsplash, paneled appliances, an island and white countertops

Aloe Ferox, Iris, Anigozanthos, Agapanthus Design- Harry Thompson, Torrey Pines Landscape Co., Inc A San Diego Home and Garden 2014 award winner Maintenance- Torrey Pines Landscape Co., Inc, A CLCA award winner Photo-Martin Mann

Inspiration for a timeless backyard concrete patio remodel in Richmond with a fire pit

Ian Dawson, C&I Studios
Bathroom - small modern bathroom idea in Baltimore

Erin Lau
This is an example of a traditional landscaping in Seattle.