This double-height living space is organized around a clear structural and material logic. Exposed timber trusses define the vaulted, 31-foot ceiling, with expressed connections and exposed steel plates emphasizing load paths and joinery. Vertical and horizontal wood paneling is carefully proportioned to align with window heads and rails, reinforcing visual order across the elevation. A large, multi-part window wall and glazed doors are precisely framed in wood to bring daylight deep into the room and establish a direct relationship to the landscape beyond. The restrained palette—natural wood, painted shiplap, and simple plaster—allows the structure and detailing to remain legible, resulting in a room that is both spatially generous and architecturally disciplined.

This outdoor living project was a full outdoor kitchen and landscape design-build commission focused on creating a more intentional, connected landscape around a home with strong architectural character. Terraces, outdoor rooms, circulation, and planting were redesigned to feel cohesive from arrival through the rear garden. Hardscape, grading, drainage, and planting were planned as one composition, resulting in a quieter, more settled outdoor environment aligned with the architecture. Stonework, restrained detailing, and a calm planting palette give the space permanence, while improved site logic and planting structure create clearer movement, better function, and a refined outdoor living experience.

View into the kitchen from the living room now that the dividing wall was knocked down and a peninsula was built into it's place. A cabinet was added on the backside of the peninsula facing the living room for extra storage for either space. Since it was not possible for a cabinet to be added into that corner on the kitchen side, it wasn't logical to waste that entire corner so the cabinet was installed from the other direction.

The proposal analyzes the site as a series of existing flows or “routes” across the landscape. The negotiation of both constructed and natural systems establishes the logic of the site plan and the orientation and organization of the new home. Conceptually, the project becomes a highly choreographed knot at the center of these routes, drawing strands in, engaging them with others, and propelling them back out again. The project’s intent is to capture and harness the physical and ephemeral sense of these latent natural movements as a way to promote in the architecture the wanderlust the surrounding landscape inspires. At heart, the client’s initial family agenda--a home as antidote to the city and basecamp for exploration--establishes the ethos and design objectives of the work. Photography - Bruce Damonte

Example of a large transitional l-shaped dark wood floor and brown floor eat-in kitchen design in Boston with a drop-in sink, shaker cabinets, yellow cabinets, solid surface countertops, white backsplash, subway tile backsplash, stainless steel appliances and a peninsula

The structure defines the logic of the product, where the metal core is sometimes evident, others partly concealed, thereby giving the sofa or armchair an absolutely informal appearance. The Structure collection is made with metal legs which can be painted anthracite grey, white, dove-grey, amaranth, black or green, and these colors can be chosen to contrast with the upholstery, which is available in leather or fabric, thus creating an unexpected styling effect. This item is available with a multitude of options and customizations, please call or e-mail to inquire.

This outdoor living project was a full outdoor kitchen and landscape design-build commission focused on creating a more intentional, connected landscape around a home with strong architectural character. Terraces, outdoor rooms, circulation, and planting were redesigned to feel cohesive from arrival through the rear garden. Hardscape, grading, drainage, and planting were planned as one composition, resulting in a quieter, more settled outdoor environment aligned with the architecture. Stonework, restrained detailing, and a calm planting palette give the space permanence, while improved site logic and planting structure create clearer movement, better function, and a refined outdoor living experience.

The proposal analyzes the site as a series of existing flows or “routes” across the landscape. The negotiation of both constructed and natural systems establishes the logic of the site plan and the orientation and organization of the new home. Conceptually, the project becomes a highly choreographed knot at the center of these routes, drawing strands in, engaging them with others, and propelling them back out again. The project’s intent is to capture and harness the physical and ephemeral sense of these latent natural movements as a way to promote in the architecture the wanderlust the surrounding landscape inspires. At heart, the client’s initial family agenda--a home as antidote to the city and basecamp for exploration--establishes the ethos and design objectives of the work. Photography - Bruce Damonte

Surrounded by trees to the north and old farm buildings, the Agnew Farmhouse naturally took shape to capture the expansive southern views of the prairie on which it resides. Inspired from the rural venacular of the property, the home was designed for an engaged couple looking to spend their days on the family farm. Built next to the original house on the property, a story of past, present, and future continues to be written. The south facing porch is shaded by the upper level and offers easy access from yard to the heart of the home. North Dakota offers challenging weather, so naturally a south-west facing garage to melt the snow from the driveway is often required. This also allowed for the the garage to be hidden from sight as you approach the home from the NE. Respecting its surroundings, the home emphasizes modern design and simple farmer logic to create a home for the couple to begin their marriage and grow old together. Cheers to what was, what is, and what's to come... Tim Anderson

Example of a classic kitchen design in Cornwall

The project’s starting point was to understand the building’s original post and beam structure and to use that internal logic to formulate a sympathetic remodel. With an emphasis on the upper back unit, the owner’s private residence within this recently purchased Edward Killingsworth triplex, the first order of business was to strip the excess out and to return the complex to something that resembled the original. With a limited budget, the tact was to restore where possible, and to insert where needed, but always with a sympathetic eye. The kitchen quickly became the primary focus and it was soon realized that by removing the division between the existing galley and family room that the essence of the structural system could be revealed. Once opened the datum of the layered beams was adhered to with the kitchen reinforcing this overhead water line. The primary internal wall was then highlighted with a new wood veneer with the refrigerator recessed (borrowing a bit of space from the master closet) and the existing heater chromed.

Christopher Manson-Hing AIA
Photo of a mid-sized coastal partial sun hillside outdoor basketball/tennis/multi-game court in Santa Barbara for summer.

The proposal analyzes the site as a series of existing flows or “routes” across the landscape. The negotiation of both constructed and natural systems establishes the logic of the site plan and the orientation and organization of the new home. Conceptually, the project becomes a highly choreographed knot at the center of these routes, drawing strands in, engaging them with others, and propelling them back out again. The project’s intent is to capture and harness the physical and ephemeral sense of these latent natural movements as a way to promote in the architecture the wanderlust the surrounding landscape inspires. At heart, the client’s initial family agenda--a home as antidote to the city and basecamp for exploration--establishes the ethos and design objectives of the work. Photography - Bruce Damonte

The proposal analyzes the site as a series of existing flows or “routes” across the landscape. The negotiation of both constructed and natural systems establishes the logic of the site plan and the orientation and organization of the new home. Conceptually, the project becomes a highly choreographed knot at the center of these routes, drawing strands in, engaging them with others, and propelling them back out again. The project’s intent is to capture and harness the physical and ephemeral sense of these latent natural movements as a way to promote in the architecture the wanderlust the surrounding landscape inspires. At heart, the client’s initial family agenda--a home as antidote to the city and basecamp for exploration--establishes the ethos and design objectives of the work. Photography - Bruce Damonte

Surrounded by trees to the north and old farm buildings, the Agnew Farmhouse naturally took shape to capture the expansive southern views of the prairie on which it resides. Inspired from the rural venacular of the property, the home was designed for an engaged couple looking to spend their days on the family farm. Built next to the original house on the property, a story of past, present, and future continues to be written. The south facing porch is shaded by the upper level and offers easy access from yard to the heart of the home. North Dakota offers challenging weather, so naturally a south-west facing garage to melt the snow from the driveway is often required. This also allowed for the the garage to be hidden from sight as you approach the home from the NE. Respecting its surroundings, the home emphasizes modern design and simple farmer logic to create a home for the couple to begin their marriage and grow old together. Cheers to what was, what is, and what's to come... Tim Anderson

Surrounded by trees to the north and old farm buildings, the Agnew Farmhouse naturally took shape to capture the expansive southern views of the prairie on which it resides. Inspired from the rural venacular of the property, the home was designed for an engaged couple looking to spend their days on the family farm. Built next to the original house on the property, a story of past, present, and future continues to be written. The south facing porch is shaded by the upper level and offers easy access from yard to the heart of the home. North Dakota offers challenging weather, so naturally a south-west facing garage to melt the snow from the driveway is often required. This also allowed for the the garage to be hidden from sight as you approach the home from the NE. Respecting its surroundings, the home emphasizes modern design and simple farmer logic to create a home for the couple to begin their marriage and grow old together. Cheers to what was, what is, and what's to come... Tim Anderson

"The idea for Maua was a long time in my head: a round, tight shell with a comfortable, casual form inserted. The back reminds me of petals; Maua means flower in Swahili. The chair is a combination of a tight-round and casually loose shapes. The back is round, so you can take all seating positions. The pillow slides out, too. The shape of the base has a logical continuation of the formal language." Designer Gerard van den Berg