Search results for "Manipulate" in Home Design Ideas

Plantation shutters are a type of window treatment. It may be made of wood or faux wood.
The louvers mounted in a solid frame and are manipulated by a tilt rod which could is mostly be hidden at the back or in the middle of the shutter.
Know more about this product by visiting our website www.beltwayblinds.com

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The images may not be reproduced, copied, transmitted or manipulated without the written permission of Cheryl A. O'Brien.
Use of any image as the basis for another photographic concept or illustration (digital, artist rendering or alike) is a violation of the United States and International Copyright laws. All images are copyrighted © 2001 - 2014 Cheryl A. O'Brien.

Gavin Dale is a registered building designer of works primarily focused within the rural landscape of western New South Wales. Origami House looks at the core idea of the iconic Australian rural shed in an exposed environment. Open spaces that contain the necessary activities of daily life that can be easily manipulated to provide for large family gatherings or quieter spaces of reflection. The residence sets out primarily to achieve the expectations of the clients and reinforce the rural context of corrugated iron and raw and robust building materials. Two rectangular ‘tubes’ were aligned to the North then slid apart. This provided for unobstructed views combined with effective cross ventilation. The gabled roof line folds along a branched ridge, which in turn creates a vanishing point for the internal timber lined ceilings. The simple palette of grey metal, Barestone and radial sawn timber blends with the subdued basalt geology and agricultural landscape. This robust exterior is warmed internally by local crushed granite rammed earth thermal mass spline walls. These walls separate bedroom and living spaces that reach out beyond the façade to integrate with the landscaping and provide the robust shelter and protection from the elements.
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Plantation shutters are a type of window treatment. It may be made of wood or faux wood.
The louvers mounted in a solid frame and are manipulated by a tilt rod which could is mostly be hidden at the back or in the middle of the shutter.
Know more about this product by visiting our website www.beltwayblinds.com

This home is dedicated to the idea that beauty can be found in the artistic expression of hand-made processes. The project included rigorous material research and close partnership with local craftspeople in order to realize the final architecture. The timeless quality of this collaboration is most visible in the ribbon stair and the raked stucco walls on the exterior facade. Working hand in hand with local artisans, layers of wood and plaster were stapled, raked, sanded, bent, and laminated in order to realize the curve of the stair and the precise lines of the facade.
In contrast to the manipulation of materials, a garden courtyard and spa add an intimate experience of nature within the heart of the home. The concealed space is a case study in contrast from the lush vegetation against the stark steel, to the shallow hot plunge and six-foot deep cold plunge. The result is a home that elevates the integrity of local craft and the refreshment of nature’s touch to augment a lifestyle dedicated to health, artistry, and authenticity.

Plantation shutters are a type of window treatment. It may be made of wood or faux wood.
The louvers mounted in a solid frame and are manipulated by a tilt rod which could is mostly be hidden at the back or in the middle of the shutter.
Know more about this product by visiting our website www.beltwayblinds.com

"Gavin Dale is a registered building designer of works primarily focused within the rural landscape of western New South Wales.
Origami House looks at the core idea of the iconic Australian rural shed in an exposed environment. Open spaces that contain the necessary activities of daily life that can be easily manipulated to provide for large family gatherings or quieter spaces of reflection.
The residence sets out primarily to achieve the expectations of the clients and reinforce the rural context of corrugated iron and raw and robust building materials.
Two rectangular ‘tubes’ were aligned to the North then slid apart. This provided for unobstructed views combined with effective cross ventilation. The gabled roof line folds along a branched ridge, which in turn creates a vanishing point for the internal timber lined ceilings.
The simple palette of grey metal, Barestone and radial sawn timber blends with the subdued basalt geology and agricultural landscape. This robust exterior is warmed internally by local crushed granite rammed earth thermal mass spline walls. These walls separate bedroom and living spaces that reach out beyond the façade to integrate with the landscaping and provide the robust shelter and protection from the elements."

Anchored by two simple but bold agrarian volumes linked by a transparent connector, the architecture is conceived as abstractions of common ranch structures: pure forms which have been articulated in an architectural language that manipulates mass through subtraction.
Residential architecture by CLB in Jackson, Wyoming.

At times, the most remarkable spaces emerge when we begin with a clean slate. In this particular project, we had the privilege to design a completely custom home, starting from scratch for our client. They simply entrusted us with a piece of land, and from that point forward, we handled everything. Our primary objective for this project was to craft an exceptional, contemporary, and practical dream home for a family of four. By creatively manipulating height variations at the front of the house, we conceived the standout element of the home: the impressive windows that showcase the bespoke steel spinal staircase.

Quartz formation occurs very briefly through direct contact of magma with surface temperature. at least 12% of each mineral volume on the planet is composed of it. This mineral is found in almost all igneous, metamorphic and sedimentary rocks, in addition to being one of the main granite components. In addition to durability, the material allows they create different compositions of colors and patterns, ranging from natural tones such as whites, blacks and browns, to golds and blues. There is also the possibility of manipulating the material, creating a unique design for each project. Quartz countertops have the advantage of, due to their natural properties, require less effort to keep the product flawless. Another advantage is that quartz is a non-porous material, that is,
Its texture does not allow the growth of bacteria and is stain resistant, protecting the surface and providing cleaning for the environment. Thanks to this feature, a quartz countertop does not require waterproofing. Who doesn't love a bench like this?
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Gavin Dale is a registered building designer of works primarily focused within the rural landscape of western New South Wales. Origami House looks at the core idea of the iconic Australian rural shed in an exposed environment. Open spaces that contain the necessary activities of daily life that can be easily manipulated to provide for large family gatherings or quieter spaces of reflection. The residence sets out primarily to achieve the expectations of the clients and reinforce the rural context of corrugated iron and raw and robust building materials. Two rectangular ‘tubes’ were aligned to the North then slid apart. This provided for unobstructed views combined with effective cross ventilation. The gabled roof line folds along a branched ridge, which in turn creates a vanishing point for the internal timber lined ceilings. The simple palette of grey metal, Barestone and radial sawn timber blends with the subdued basalt geology and agricultural landscape. This robust exterior is warmed internally by local crushed granite rammed earth thermal mass spline walls. These walls separate bedroom and living spaces that reach out beyond the façade to integrate with the landscaping and provide the robust shelter and protection from the elements.

Robern medicine cabinets have interior power sources and mirrored doors to manipulate your view. The Nuheat thermostat for heated floors is just above the lightswitch near the door.

Plantation shutters are a type of window treatment. It may be made of wood or faux wood.
The louvers mounted in a solid frame and are manipulated by a tilt rod which could is mostly be hidden at the back or in the middle of the shutter.
Know more about this product by visiting our website www.beltwayblinds.com

Gavin Dale is a registered building designer of works primarily focused within the rural landscape of western New South Wales. Origami House looks at the core idea of the iconic Australian rural shed in an exposed environment. Open spaces that contain the necessary activities of daily life that can be easily manipulated to provide for large family gatherings or quieter spaces of reflection. The residence sets out primarily to achieve the expectations of the clients and reinforce the rural context of corrugated iron and raw and robust building materials. Two rectangular ‘tubes’ were aligned to the North then slid apart. This provided for unobstructed views combined with effective cross ventilation. The gabled roof line folds along a branched ridge, which in turn creates a vanishing point for the internal timber lined ceilings. The simple palette of grey metal, Barestone and radial sawn timber blends with the subdued basalt geology and agricultural landscape. This robust exterior is warmed internally by local crushed granite rammed earth thermal mass spline walls. These walls separate bedroom and living spaces that reach out beyond the façade to integrate with the landscaping and provide the robust shelter and protection from the elements.

"Gavin Dale is a registered building designer of works primarily focused within the rural landscape of western New South Wales.
Origami House looks at the core idea of the iconic Australian rural shed in an exposed environment. Open spaces that contain the necessary activities of daily life that can be easily manipulated to provide for large family gatherings or quieter spaces of reflection.
The residence sets out primarily to achieve the expectations of the clients and reinforce the rural context of corrugated iron and raw and robust building materials.
Two rectangular ‘tubes’ were aligned to the North then slid apart. This provided for unobstructed views combined with effective cross ventilation. The gabled roof line folds along a branched ridge, which in turn creates a vanishing point for the internal timber lined ceilings.
The simple palette of grey metal, Barestone and radial sawn timber blends with the subdued basalt geology and agricultural landscape. This robust exterior is warmed internally by local crushed granite rammed earth thermal mass spline walls. These walls separate bedroom and living spaces that reach out beyond the façade to integrate with the landscaping and provide the robust shelter and protection from the elements."

Asked by her client to review a typically mundane South Hampton ‘50s saltbox because “the last designer they talked to said they would have to add on to make the house anything,” Ms. Cohen approached the renovation in exactly the opposite manner. To refine the small building footprint, precise architectural gestures were used with a series of finely calibrated moments make the space more gracious and welcoming. Architectural acts were bold in concept but not in actual construction work; such as capturing the car garage to add a hyper modern sunroom/den along with a powder room and laundry. Reconfiguring one side of the house’s roofline to manipulate the space into a sensational master suite saved the north side of the house from remaining an un-useful attic space. This inner sanctum of bedroom and master bath is reminiscent of a Hampton’s beachscape in all its elegance and minimalism. The only square footage actually added was a tiny 4X4 corner as an addition to the front entry, oddly an essential piece of real estate to make an actual vestibule. All these refinements make for a crafted, articulate result rather than bowing to the bigger is better theme, which is more prevalent in the Hamptons.
The function of the plan and the accompanying finishes are impressive. The Jack and Jill bathroom, an invention of the American post-war housing boom, was outfitted in handsome walnut Duravit vanity cabinets and neutral finishes. The master bath, with its expansive skylights, might be mistaken for a conceptual art installation due to its evocative marble countertop in striped ethereal hues. Finally, Ms. Cohen uses wallpaper like a museum curator, hanging an iconic Knoll pattern to punctuate the dining/media space.
Each room in the house was sculpted via a palette of watercolor blue of varying saturations. Fabrics were culled from the greats of modernist textiles, Maharam’s Quatrefoil pattern in blue and Knoll classic Sway pattern in sea shades. The blue on white “beach” scheme runs from a soft cotton candy sky in the girl’s room to an immersive David Sutherland Park Bark wallpaper in the powder room. This intellectual inquiry as to what are the true colors at the beach belays the sophistication that surpasses the usual nautical curse of the average beach house. Out of the corner of your eye, in almost every quadrant of the house, is a burst of colorful expression and delight; this serves as Ms. Cohen’s painterly gift to the client.
Ms. Cohen’s hidden strength is her ability to choreograph a seating area. Whether it is a formal living room or the ultimate hang out spot, each space has the right amount of distance, intimacy and dare I say intrigue to make the arrangements inviting. Each conversation, because it really looks like a fine chat can be had, has an elegant side table ready for duty and all tête-à-têtes are regulated to a sumptuous area rugs. Habitants in Ms. Cohen’s world only work through deep discourse.

Gavin Dale is a registered building designer of works primarily focused within the rural landscape of western New South Wales. Origami House looks at the core idea of the iconic Australian rural shed in an exposed environment. Open spaces that contain the necessary activities of daily life that can be easily manipulated to provide for large family gatherings or quieter spaces of reflection. The residence sets out primarily to achieve the expectations of the clients and reinforce the rural context of corrugated iron and raw and robust building materials. Two rectangular ‘tubes’ were aligned to the North then slid apart. This provided for unobstructed views combined with effective cross ventilation. The gabled roof line folds along a branched ridge, which in turn creates a vanishing point for the internal timber lined ceilings. The simple palette of grey metal, Barestone and radial sawn timber blends with the subdued basalt geology and agricultural landscape. This robust exterior is warmed internally by local crushed granite rammed earth thermal mass spline walls. These walls separate bedroom and living spaces that reach out beyond the façade to integrate with the landscaping and provide the robust shelter and protection from the elements.

Making a real impression by designing & building with exceptional people is exactly the effect JL Design & the client as owner-builder have achieved with “Scarborough House” in Scarborough, NSW. The brief required the dwelling to take maximum advantage of stunning views over the ocean & nearby escarpment cliffs. The residence was also to be a contemporary modernist four bedroom family dwelling, maximising built external living & pool areas. The client was extensively involved with the overall design, & carried out material selection, interior detailing and selection of fixtures and fittings. This collective method guaranteed a result where the client as the builder, through continued personal investment throughout the design and construction achieved a stunning result. The concrete, steelwork, windows, timber & various forms of cladding, joinery and concealed lighting are all custom made hand crafted elements. The design called for minimal tolerances, requiring a high level of skill and cooperation between trades. “Scarborough House” features BlueScope Colorbond monument matt ribbed wall cladding with rendered & ‘rendered look’ areas in off-white. A vertical feature hardwood timber screen to the side of the entry softens the ‘industrial’ feel, giving a modernist external appearance. Carefully calculated overhangs allow a passive solar solution to heating & cooling, with efficient reverse-cycle air conditioning required only during weather extremes. Internally, timber floors to the upper living areas give a feel of comfort & warmth. The warm, substantial character of the dwelling is carefully composed by means of the clarity of the detailing, a palette of tactical natural materials and the careful manipulation of light.

“Fashion is well known as a reliable reflection of cultural trends and historical events. On a personal level, it has become my creative vehicle for exploring the emotional roller coaster of life.
My inspiration arose from contemplating the dichotomy between the perception of women as fragile, delicate creatures, and the reality that most women are defined by resiliency and steely resolve. I employ a juxtaposition of extremes such as lightness and gravity, suppleness and intransigence, to convey feminine sensibilities.
Crafted of steel and embellished with flourishes of wire mesh, screening, cut-outs and bits of found objects, the dresses are at once both elegant and imposing. I like the duplicitous nature of steel which can be manipulated to appear feminine and soft while actually maintaining its strength and rigidity—an expression in contrasts and complements.”
-Donna McCullough
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