The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Paul Burk
Example of an ornate beige three-story exterior home design in DC Metro

Lake Front Country Estate Kitchen, designed by Tom Markalunas, built by Resort Custom Homes. Photography by Rachael Boling
Eat-in kitchen - huge traditional l-shaped light wood floor eat-in kitchen idea in Other with a farmhouse sink, flat-panel cabinets, white cabinets, granite countertops, white backsplash, subway tile backsplash, stainless steel appliances and an island

Small elegant bathroom photo in San Francisco

This is an example of a traditional landscaping in Seattle.

photos: Kyle Born
Living room - eclectic light wood floor living room idea in New York with a standard fireplace, no tv and multicolored walls

Light-filled home office with plaid wallcovering, wood desk, and cozy chair near windows.
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Our clients on this project were inspired by their travels to Asia and wanted to mimic this aesthetic at their DC property. We designed a water feature that effectively masks adjacent traffic noise and maintains a small footprint.

Wall paint: Simply White, Benjamin Moore; chandelier: Harlow Smoked, Triple Seven Home; table and bench: Craigslist; chairs: Homestead Seattle; rug: Sonoma Jewels Rug, Abacasa; wall art: The Island, Minted; sheep’s skin throw: Black Sheep (White Light); hardwood floor: Southern Pecan Natural, Home Depot Design: Annabode + Co Photo: Allie Crafton © 2016 Houzz

Brantley Photography
Bedroom - contemporary medium tone wood floor bedroom idea in Miami with green walls

Shea McGee
Laundry room - coastal laundry room idea in Salt Lake City

Small elegant ceramic tile kitchen photo in Other with white cabinets

Barry Grossman Photography
Trendy master carpeted bedroom photo in Miami with no fireplace and gray walls

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Corners in the kitchen prove to be a storage challenge. This easy reach wall cabinet is ideal for viewing and accessing plates and glasses.
Example of a minimalist home design design in Richmond

This hall bath, prior to the remodel, was a 2 part bath with tub and toilet in one, and the vanity in the other part separated by a wall with a door. We turned it into one sinlge space. and with the use of handmade (irregular) subway tile and Carrara marble turned it into a monochromatic yet fresh and elegant hall bath with a soothing Spa-like ambience. Here you see how the herringbone band is carried across into and around the tub area. Photo: Sabine Klingler Kane, KK Design Koncepts, Laguna Niguel, CA

The reconfiguration of the master bathroom opened up the space by pairing a platform shower with a freestanding tub. The open shower, wall-hung vanity, and wall-hung water closet create continuous flooring and an expansive feeling. The result is a welcoming space with a calming aesthetic.

Inquire About Our Design Services When we first started talking in the spring of 2015, I was impressed. She was witty, realistic, and understood that as much as she loves my shows on HGTV, design does not does not happen in 43 minutes! She told me about her space, and how she felt that her bedroom seemed “blah” to her. She had no retreat. Molly desperately longed for a place that she could spend time in, read in, play in and above all, relax in. What we did: Many people are terrified of hiring a designer. Rightfully so, they are investing a pretty penny in their homes. They want to make sure that everything, down to the last floral arrangement, is to their liking, because they will have to live it (and pay for it). Unfortunately, a client can unintentionally stifle a designer’s creativity through micro-management. This can produce lackluster results and ultimately cause more time (and money) to be spent on a project than is really necessary. With Molly, that was never an issue. Before she even showed me the room in question, she said that I could have full creative license to do what I needed to do to her bedroom. SAY WHAAH!? With Molly giving me complete creative freedom, I planned everything out and got down to business. The result: Bite-your-bottom-lip sexy. I don’t get jealous of too many of my clients’ spaces, but this one still takes my breath away every time I look at the pics! The craziest part was that by adding more furniture, it actually made the space feel larger. Molly and her husband Patrick loved the finished space, and promised me I will be back to finish the rest of the house! Here’s the highlights of the rest of the project: I came up with a space plan with three options. Next, we reviewed mood boards and fabric schemes that would work for both Molly and her hubby Patrick. We started with the bed. My goal was to add edge to its otherwise traditional style. We decided to spice things up by painting the trim work in the room black. We built in layers of lighting with dimmers. In a bedroom everything should be on dimmers, right? Right. We designed and customized bedding, chairs and window treatments. Together with Molly, we selected the most perfect wallpaper. This geometric “grasscloth” adds so much depth and dimension that was just missing before. What I love: That light fixture. I mean it is really, really amazing in person. The porcupine mirror. This thing came packaged like it was the hope diamond, and everyone was terrified to handle it. But it really became a highlight of the room.

photography by Rob Karosis
Example of a large classic l-shaped medium tone wood floor kitchen design in Portland Maine with a farmhouse sink, shaker cabinets, white cabinets, granite countertops, white backsplash, ceramic backsplash and stainless steel appliances