Prototype for an urban home in Minneapolis. Lot size 40'x120'
Mid-sized contemporary gray two-story mixed siding exterior home idea in Minneapolis

Inspiration for a bathroom remodel in Newark

COR-1200-CAR-AQU - Coral - Bamboo Pendant - 48 - Caramel (Side A) - Aqua (Side B) Coral is based on one of the geometric polyhedra that have interested David since he was a boy. The intricate form is made from just one single component repeated 60 times. Originally designed purely as an experiment, it only became a light later when David tried to find a use for it by putting a bulb inside. This was a pivotal moment. What followed was a whole new direction in exploring lighting structures made from minimal shell-like skins which also act as patterned shadow- makers. FLO-0800-NAT-ORA - Floral - Bamboo Pendant - 32 - Natural (Side A) - Orange (Side B) Floral designed three years after Coral light, is based on a geometric polyhedra forms. The intricate form is made from just one single component repeated 60 times. Floral was designed to offer a softer more decorative offering alongside Coral which is more structured. KOU-0750-NAT-YEL - Kōura - Bamboo Pendant - 30 - Natural (Side A) - Yellow (Side B) Koura was inspired by woven baskets and also from the curled form of the New Zealand native fresh water shrimp, koura, which is its Maori name. Like our other lights Koura is available in a wide range of sizes from small and intimate to very large and dramatic HIN-0900-NAT-NAT - Hīnaki - Bamboo Pendant - 36 - Natural Hinaki (1995) could be classed as David’s first exploration into lighting. In 1995 he made a prototype based on fish traps which are called hinaki by Maori, though often the name is used specifically for an eel trap. They were made from woven vines, some in amazingly beautiful forms. He set it aside for many years, only to develop it later (2011) after Coral had gained international attention. NIK-HALF-NAT-NAT - Nīkau - Bamboo Pendant - Half - Natural Nikau is the only indigenous palm tree in New Zealand, named apparently because unlike the coconut palm familiar to Polynesians, it has no nuts. The fronds from the palm were traditionally used for thatching and weaving. It has a large bulb at the top of its trunk and its leaves overlap in the criss-cross patterns which inspired this light.