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FINNE ArchitectsThe Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
UserCasey Dunn
Example of a cottage dark wood floor and brown floor great room design in Austin with green walls
Example of a cottage dark wood floor and brown floor great room design in Austin with green walls
FINNE ArchitectsThe Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
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UserA custom handmade wall covering recalls historical canopy beds transforming the bed now to the scale of the space. Vancouver's Stanley Park provides the tonal inspiration set underneath a luminous gold sky.
Photo by:
David Mitchell
Doug Simon ARCHITECTUREPhoto by Ed Golich
Inspiration for a mid-sized timeless front door remodel in San Diego with a blue front door
Inspiration for a mid-sized timeless front door remodel in San Diego with a blue front door
Orange Coast Interior DesignSJC Dramatic Remodel
Inspiration for a contemporary powder room remodel in Orange County with a drop-in sink, black cabinets, black walls and gray countertops
Inspiration for a contemporary powder room remodel in Orange County with a drop-in sink, black cabinets, black walls and gray countertops
Kyle Hunt & Partners, IncorporatedJames Kruger, LandMark Photography
Interior Design: Martha O'Hara Interiors
Architect: Sharratt Design & Company
Bedroom - mid-sized traditional master carpeted and beige floor bedroom idea in Minneapolis with blue walls and no fireplace
Bedroom - mid-sized traditional master carpeted and beige floor bedroom idea in Minneapolis with blue walls and no fireplace
Zabala Erickson, LLCA delightful bath, fitting for the rugged mountains of western Montana. Earth tones enlivened with greens, slates, and blues recall the local streams and rivers. Copper, hand hammered and free in form suggest an individuality that is central to mountain culture. Construction by Continental Construction. Photography by Kim Sargent Photography.
Interiors by Maite GrandaProject Feature in: Luxe Magazine & Luxury Living Brickell
From skiing in the Swiss Alps to water sports in Key Biscayne, a relocation for a Chilean couple with three small children was a sea change. “They’re probably the most opposite places in the world,” says the husband about moving
from Switzerland to Miami. The couple fell in love with a tropical modern house in Key Biscayne with architecture by Marta Zubillaga and Juan Jose Zubillaga of Zubillaga Design. The white-stucco home with horizontal planks of red cedar had them at hello due to the open interiors kept bright and airy with limestone and marble plus an abundance of windows. “The light,” the husband says, “is something we loved.”
While in Miami on an overseas trip, the wife met with designer Maite Granda, whose style she had seen and liked online. For their interview, the homeowner brought along a photo book she created that essentially offered a roadmap to their family with profiles, likes, sports, and hobbies to navigate through the design. They immediately clicked, and Granda’s passion for designing children’s rooms was a value-added perk that the mother of three appreciated. “She painted a picture for me of each of the kids,” recalls Granda. “She said, ‘My boy is very creative—always building; he loves Legos. My oldest girl is very artistic— always dressing up in costumes, and she likes to sing. And the little one—we’re still discovering her personality.’”
To read more visit:
https://maitegranda.com/wp-content/uploads/2017/01/LX_MIA11_HOM_Maite_12.compressed.pdf
Rolando Diaz
Melissa Miranda Interior DesignSam Balukonis
Large transitional ceramic tile and multicolored floor sunroom photo in Boston with a skylight
Large transitional ceramic tile and multicolored floor sunroom photo in Boston with a skylight
Soda Pop Design Inc.Custom design by Cynthia Soda of Soda Pop Design Inc. in Toronto, Canada. Photography by Stephani Buchman Photography.
Inspiration for a transitional medium tone wood floor and brown floor hallway remodel in Toronto with beige walls and no fireplace
Inspiration for a transitional medium tone wood floor and brown floor hallway remodel in Toronto with beige walls and no fireplace
Align Design LLCHandmade, Rookwood tile with glazed edges provide a clean transition the shower wall.
A new transom window over the vanity provides extra light and openness to the space.
NLH Landscape ArchitectsPhotos by NLH Landscape Architects
Inspiration for a timeless exterior home remodel in Chicago
Inspiration for a timeless exterior home remodel in Chicago
NLH Landscape ArchitectsPhotos by NLH Landscape Architects
Design ideas for a traditional landscaping in Chicago.
Design ideas for a traditional landscaping in Chicago.
WoodCo?: Lauren Keller | Luxury Real Estate Services, LLC
Reclaimed Wood Flooring - Sovereign Plank Wood Flooring - https://www.woodco.com/products/sovereign-plank/
Reclaimed Hand Hewn Beams - https://www.woodco.com/products/reclaimed-hand-hewn-beams/
Reclaimed Oak Patina Faced Floors, Skip Planed, Original Saw Marks. Wide Plank Reclaimed Oak Floors, Random Width Reclaimed Flooring.
AVID Audio Visual Installation & DesignInspiration for a transitional medium tone wood floor and brown floor living room remodel in Minneapolis with white walls, a standard fireplace and a brick fireplace
FINNE ArchitectsThe Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
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