These two adjoining girls' rooms — a show-stopping nursery and a dreamy toddler bedroom — are among the most enchanting children's spaces imaginable. Each room has its own distinct personality while sharing a thread of botanical wonder, soft femininity, and elevated design that refuses to talk down to its young inhabitants. These are spaces designed not just for children, but with genuine artistry — rooms that will inspire wonder for years to come. The Nursery Step into this nursery and feel immediately transported into a secret garden at dusk. The design decision that sets the entire room apart is breathtakingly bold: a large-scale dark floral wallpaper — blooming with oversized peonies, roses, and wildflowers in dusty pink, peach, sage, and cream against a deep slate blue ground — wraps every wall from chair rail to ceiling, creating an immersive, almost painterly environment that feels simultaneously dramatic and deeply soft. The ceiling is painted a warm, powdery pink that picks up the blush tones within the wallpaper perfectly — a "fifth wall" design moment that makes the room feel like a complete, considered installation rather than a decorated room. The transition from wallpapered walls to pink ceiling at the crown molding line is seamless and intentional, wrapping the baby in a floral garden overhead and all around. Anchoring the room with genuine design authority is a spectacular gold and crystal chandelier — its circular brass frame hung with vertical crystal rods that catch and scatter light like a garden in rain — elevating the nursery from charming to genuinely luxurious. Beneath it, a natural oak arched spindle crib sits against the wallpapered feature wall, its warm honey wood grain providing organic contrast to the moody floral backdrop. Pink velvet pillows and a soft crib mobile of plush clouds and moons complete the crib vignette with gentle whimsy. A boucle glider chair and matching stacked ottoman in cream provide the nursing corner, paired with a small brass side table for midnight essentials. A soft blush pink area rug anchors the seating area and echoes the ceiling color. Linen drapery panels in soft ivory frame the windows without competing with the wallpaper, their pinch-pleat heading adding a refined tailoring detail. The Toddler Bedroom The connecting bedroom takes the botanical theme in a softer, sunnier direction — all blush pink walls (matching ceiling and walls in the same warm rose tone for a cocooning effect), botanical print drapery in cream with red and green wildflowers, and brass curtain hardware that ties to the nursery's gold palette. A gold spindle crib — the metallic version of the nursery's wooden one — grounds the room with warmth, while a sage green upholstered glider provides a reading corner. A white dresser with brass hardware doubles as a changing table, topped with art prints and a Matisse-inspired framed poster in a gold frame that adds a touch of grown-up gallery sensibility. Floating acrylic shelves hold a curated collection of board books at child-height — a detail that communicates that this room was designed for a child who will love and use it, not just admire it. A whimsical wicker llama toy basket, an indoor olive tree, and a fluffy white boucle child's armchair complete a room that balances magic with livability.

These two adjoining girls' rooms — a show-stopping nursery and a dreamy toddler bedroom — are among the most enchanting children's spaces imaginable. Each room has its own distinct personality while sharing a thread of botanical wonder, soft femininity, and elevated design that refuses to talk down to its young inhabitants. These are spaces designed not just for children, but with genuine artistry — rooms that will inspire wonder for years to come. The Nursery Step into this nursery and feel immediately transported into a secret garden at dusk. The design decision that sets the entire room apart is breathtakingly bold: a large-scale dark floral wallpaper — blooming with oversized peonies, roses, and wildflowers in dusty pink, peach, sage, and cream against a deep slate blue ground — wraps every wall from chair rail to ceiling, creating an immersive, almost painterly environment that feels simultaneously dramatic and deeply soft. The ceiling is painted a warm, powdery pink that picks up the blush tones within the wallpaper perfectly — a "fifth wall" design moment that makes the room feel like a complete, considered installation rather than a decorated room. The transition from wallpapered walls to pink ceiling at the crown molding line is seamless and intentional, wrapping the baby in a floral garden overhead and all around. Anchoring the room with genuine design authority is a spectacular gold and crystal chandelier — its circular brass frame hung with vertical crystal rods that catch and scatter light like a garden in rain — elevating the nursery from charming to genuinely luxurious. Beneath it, a natural oak arched spindle crib sits against the wallpapered feature wall, its warm honey wood grain providing organic contrast to the moody floral backdrop. Pink velvet pillows and a soft crib mobile of plush clouds and moons complete the crib vignette with gentle whimsy. A boucle glider chair and matching stacked ottoman in cream provide the nursing corner, paired with a small brass side table for midnight essentials. A soft blush pink area rug anchors the seating area and echoes the ceiling color. Linen drapery panels in soft ivory frame the windows without competing with the wallpaper, their pinch-pleat heading adding a refined tailoring detail. The Toddler Bedroom The connecting bedroom takes the botanical theme in a softer, sunnier direction — all blush pink walls (matching ceiling and walls in the same warm rose tone for a cocooning effect), botanical print drapery in cream with red and green wildflowers, and brass curtain hardware that ties to the nursery's gold palette. A gold spindle crib — the metallic version of the nursery's wooden one — grounds the room with warmth, while a sage green upholstered glider provides a reading corner. A white dresser with brass hardware doubles as a changing table, topped with art prints and a Matisse-inspired framed poster in a gold frame that adds a touch of grown-up gallery sensibility. Floating acrylic shelves hold a curated collection of board books at child-height — a detail that communicates that this room was designed for a child who will love and use it, not just admire it. A whimsical wicker llama toy basket, an indoor olive tree, and a fluffy white boucle child's armchair complete a room that balances magic with livability.

These two adjoining girls' rooms — a show-stopping nursery and a dreamy toddler bedroom — are among the most enchanting children's spaces imaginable. Each room has its own distinct personality while sharing a thread of botanical wonder, soft femininity, and elevated design that refuses to talk down to its young inhabitants. These are spaces designed not just for children, but with genuine artistry — rooms that will inspire wonder for years to come. The Nursery Step into this nursery and feel immediately transported into a secret garden at dusk. The design decision that sets the entire room apart is breathtakingly bold: a large-scale dark floral wallpaper — blooming with oversized peonies, roses, and wildflowers in dusty pink, peach, sage, and cream against a deep slate blue ground — wraps every wall from chair rail to ceiling, creating an immersive, almost painterly environment that feels simultaneously dramatic and deeply soft. The ceiling is painted a warm, powdery pink that picks up the blush tones within the wallpaper perfectly — a "fifth wall" design moment that makes the room feel like a complete, considered installation rather than a decorated room. The transition from wallpapered walls to pink ceiling at the crown molding line is seamless and intentional, wrapping the baby in a floral garden overhead and all around. Anchoring the room with genuine design authority is a spectacular gold and crystal chandelier — its circular brass frame hung with vertical crystal rods that catch and scatter light like a garden in rain — elevating the nursery from charming to genuinely luxurious. Beneath it, a natural oak arched spindle crib sits against the wallpapered feature wall, its warm honey wood grain providing organic contrast to the moody floral backdrop. Pink velvet pillows and a soft crib mobile of plush clouds and moons complete the crib vignette with gentle whimsy. A boucle glider chair and matching stacked ottoman in cream provide the nursing corner, paired with a small brass side table for midnight essentials. A soft blush pink area rug anchors the seating area and echoes the ceiling color. Linen drapery panels in soft ivory frame the windows without competing with the wallpaper, their pinch-pleat heading adding a refined tailoring detail. The Toddler Bedroom The connecting bedroom takes the botanical theme in a softer, sunnier direction — all blush pink walls (matching ceiling and walls in the same warm rose tone for a cocooning effect), botanical print drapery in cream with red and green wildflowers, and brass curtain hardware that ties to the nursery's gold palette. A gold spindle crib — the metallic version of the nursery's wooden one — grounds the room with warmth, while a sage green upholstered glider provides a reading corner. A white dresser with brass hardware doubles as a changing table, topped with art prints and a Matisse-inspired framed poster in a gold frame that adds a touch of grown-up gallery sensibility. Floating acrylic shelves hold a curated collection of board books at child-height — a detail that communicates that this room was designed for a child who will love and use it, not just admire it. A whimsical wicker llama toy basket, an indoor olive tree, and a fluffy white boucle child's armchair complete a room that balances magic with livability.

Example of a 1950s home design design in Seattle

Dining Room, Red Wall & Ceiling Glaze/Faux, Gold Transitional Ceiling & Gold Leafed "marble veins" in Center Red Ceiling Laguna Niguel, CA Interior Designer, Shan Luvisa of Obvious Flair www.obviousflair.com Shan asked for an elegant red faux finish to coordinate with her chosen fabrics in this room. She also wanted a very subtle veined effect on the center portion of the red ceiling, and glazed to match the rest of the red. It was a lovely effect; it's elegance lasts and lasts. Our client absolutely loved her soft suede-like walls. This room was designed in 2001 - back in the day of old-school film in cameras! The date stamp showed these finishes were performed in 2001. I have seen this circumstance over and over..... A well-designed & exceptionally performed faux finish will last for MANY years. A well-chosen finish is rarely tiring. Our clients tend to grow into them; they fall in love with these great finishes each time they enter an area. A Story: A few years ago, I entered a home in a prominent area in Newport Beach called One Ford Road in which we had added extensive finishes throughout for the original owner when the home was newly built. We were called in to perform touchups by this home's current and fourth owner, readying the house to put it on the market for Owner #5! All of our faux finishes throughout were still intact, and in fact were key selling points to the home; which had one the Gold Award for the ASID/OC Home Under 3,500 square feet designed by the late Stephen L. Stein of SLS Designs in 2001. Another Story: Interior Art was called into see a new home in Coto de Caza, CA years ago; our new client a busy real estate agent in the area. He asked me what I could do to their new home to create a dazzling space for his wife. He made it his point to let me know of his promise to his wife that he would make it extraordinarily comfortable for her. My client was in the dog house, bigtime. He sheepishly explained he needed to save his marriage by vowing to his wife he'd NEVER make her move again. She was tired of moving; this home was the 11th house they'd lived in within the past 10 years! We suggested approximately $30,000 in artistic/faux finishes. They said yes to all of it, "Whatever Julie wants", my client said. Once we completed adding artistic & faux details throughout, both of my clients were extraordinarily happy - their comments, "Everything is so beautiful; it feels so comfortable. You've made our house into a home." To my surprise; within the year, my client called me and excitedly told me, "Julie is about to kill me! I just sold the house!" My client had one of HIS clients walk through his home. "Jackie, she gave me an offer I couldn't refuse! I just set a record! I sold my house for the highest $$ amount per square foot in Coto de Caza! She saw the house, went wild for it, turned to me and said, 'whatever it costs, I don't care, I HAVE to have this house' ." His buyer felt an emotional pull towards the house. "It was because of your finishes, Jackie". I was thrilled to hear his excitement, and afraid for his wife. My client did, indeed find a beautiful, much bigger home for his wife in another part of Coto de Caza, which presented us with a whole new canvas to play with throughout. I've witnessed countless of these stories firsthand. Interior Art's finishes which we performed well over 10 years ago are still fresh and remain an elegant addition to a beautiful space. The longevity of these finishes is a consideration on choosing your wall colors/artistic details. The upgrades will pay off, both emotionally and in equity.

This 3 BR, 3 1/2 bath home allows the owners to live on one level most of the time. The Master Suite is on the main level along with the Living Room, Kitchen, Dining, pantries, Sun Room and service areas. The upper level houses two ample bedrooms while the lower level supports a rec center, media room, wine cellar, shop and full wet bar. Conceived as a Great Room house, the main level is designed as one seamless space that flows onto an ample deck overlooking the rear yard. We also incorporated a variety of green building techniques - photo-voltaic shingles on the roof of the garage to generate a portion of the home's energy, a super insulated building envelope, rain water harvesting, high performance windows and doors, a high efficiency heat pump, low flow bath & kitchen fixtures, Energy Star appliances and LED lighting - that greatly reduced this structure's carbon footprint. All of the strategies amounted to a 30% reduction in the energy consumption in this home relative to comparable structures.

Inspiration for a small contemporary backyard concrete paver patio remodel in Los Angeles with a fire pit

## Spatial Composition & Architectural Volume This is a kitchen conceived less as a service zone than as a precisely calibrated architectural volume, resolved through an L-configuration of full-height cabinetry that terminates against a monolithic island set on an intentional diagonal to the orthogonal grid of the herringbone flooring. The island's waterfall treatment — a slab returning to the floor in a single unbroken plane — functions as both a peninsular counter and a piece of quasi-sculptural infrastructure, its overhang generating a shallow banquette-adjacent seating zone without resorting to a conventional breakfast bar. Above, a coffered soffit executed in flush drywall with a continuous cove-lit reveal establishes a datum line that both compresses and defines the working core, while the adjacent tray ceiling reads as a distinct volume, spatially decoupling the kitchen from the living room beyond. That threshold is the composition's most disciplined gesture: a wide cased opening framed in mitered rift-cut oak paneling, its architrave articulated as a shadow-gapped reveal rather than applied trim, drawing a deep enfilade sightline through to the window wall, its Roman shades, and the mid-rise cityscape beyond. Millwork here performs structurally as well as visually — the oak-clad pilasters and the fluted, hand-carved textural panel at right operate as pseudo-columnar elements, organizing the plan into legible bays. ## Materiality, Color & Texture The palette is constructed on a deliberate dialectic between two wood registers. The envelope employs a pale, quarter-sawn white oak with a honeyed, faintly amber undertone, its figure suppressed and its finish matte, functioning as a luminous neutral ground. Against this, the cabinetry deploys a deeply fumed or ebonized ash — likely a heavily lacquered, open-grain veneer — where the cathedral figuring is exaggerated into near-graphic striation and the high-gloss sheen produces a lacquered, almost Art Deco lustre. This contrast of value (blonde against bitter chocolate) and of sheen (matte against specular) is the project's principal tension. Mediating between them is the stone: a white quartzite or dolomitic marble with soft grey-taupe veining and a distinctly warm, cream-adjacent field, book-matched across the full-height backsplash and repeated on the island slab, its subtly honed surface refusing the glare of a polished finish. Metallic accents are restrained and consistently warm — satin brass on the pendant canopies and stool footrails, blackened bronze on the hardware, glazing frames, and the stools' slender tubular frames. Textiles introduce a low-frequency counterpoint: nubby bouclé upholstery on the sectional, a striated woven sheer at left, ikat-patterned cushions, and a tonal blue-grey geometric rug that supplies the only chromatic departure from the room's ochre-to-espresso spectrum. ## Lighting, Atmosphere & Style Profile The lighting scheme is layered with unusual rigor. Daylight is admitted obliquely, filtered through the plaid-toned Roman shades of the adjacent living room, so the kitchen receives it secondhand — soft, directional, and already warmed. Artificial light works in three tiers: the recessed cove uplighting that grazes the soffit and dissolves the ceiling's edges; concealed under-cabinet illumination that renders the stone backsplash as a glowing plane; and the pair of spun-brass disc pendants suspended on slender blackened stems, whose downward-facing diffusers deliver a controlled pool of task light while their polished undersides register as small suns in the composition. The absence of visible downlight clutter is notable and disciplined. The resulting atmosphere is enveloping and low-glare — cosseting rather than clinical — with a distinctly residential, almost salon-like decorum reinforced by the framed genre painting hung casually on the oak paneling, a curatorial gesture that domesticates the kitchen decisively. Stylistically, the project reads as **Warm Modernist Luxe**, drawing on the vocabulary of high-craft European cabinetry and mid-century Milanese interiors: the grain-forward veneers, brass discs, and slender bronze seating carry a whisper of 1970s Italian sophistication, while the flush detailing, shadow-gap reveals, and rigorous suppression of ornament situate it firmly in contemporary practice. It is tailored rather than austere — a demonstration that minimalist discipline and material sensuality need not be adversaries.

The photograph is composed as a deliberate enfilade study, framing the dining room through a deep, mahogany-cased cased opening that functions as both proscenium and threshold. This heavy portal — with its substantial reveal, plinth-like jambs and crisply mitered head casing — establishes a strong rectilinear armature that compresses the foreground and, by contrast, releases the eye into the luminous volume beyond. The plan reads as a classic pre-war apartment sequence: an axial sightline runs from the gallery floor, across the field of the dining room, and terminates at the window wall, where a curtained bay borrows daylight from the street. The ceiling is articulated by shallow beam drops or applied soffits — a coffer-adjacent treatment that registers the building's structural grid while lending the room a subtle sense of enclosure and datum. Geometry is orchestrated around opposing figures: the orthogonal rigor of casings, valance, beam lines and picture frames set against the centralized circular table, whose radial symmetry anchors the room's midpoint directly beneath the chandelier. Furnishings are held in a loose, non-touching arrangement, with generous circulation clearance at the perimeter, so that the room's volume — rather than its contents — remains the primary subject. Secondary sightlines to the left, toward a mirrored console and gilt-framed panel, and to the right, toward a picture-lit artwork, quietly widen the perceived footprint and imply adjacent rooms beyond the frame. The material narrative is built on a controlled tonal ascent from dark to light. The foreground is dominated by richly figured, warm-red mahogany millwork and a chevron-laid oak parquet whose bleached, honeyed grain reads with a slight gray wash — a directional pattern that visually propels the viewer toward the interior. Within the dining room, the palette shifts to a low-saturation envelope of chalky off-white plaster walls and putty-toned textiles: floor-length linen or silk-blend drapery panels with a faint slubbed weave, gathered beneath a tailored, flat-front upholstered valance whose crisp horizontal band imparts an atelier precision. Underfoot, a natural sisal or seagrass rug with a linen tape border introduces a coarse, granular tactility that grounds the refined upholstery above; its woven, matte texture is deliberately calibrated against the smoother satin sheen of the dining chairs' subtly striped fabric. The room's tonal fulcrum is the antique carved pedestal table — a near-black, deeply modeled Anglo-Indian or Colonial Revival piece whose pierced apron, scrolled tripod base and paw feet supply the composition's only ornamental exuberance and its darkest value. Accents are chosen for restraint: silvered leaf on the console's fretwork facing, water-gilt on the framed panel, polished nickel or silver on the chandelier and the flower vessel, and the cool white of massed oriental lilies. Undertones remain uniformly warm — greige, ecru, taupe, oatmeal — with cool relief supplied only by the metals and the daylight itself. Lighting is layered with quiet discipline. Natural light enters as a diffused, north-facing wash through a sheer-veiled window, its intensity softened by roller or Roman shading so that the glazing reads as a luminous plane rather than a view; this creates a gentle contre-jour that silhouettes the chandelier and the table's carved base. The multi-arm chandelier — a silvered, pagoda-crested fixture with slender candle sleeves and faceted drops — serves as sculptural punctuation more than as a working source, its warm 2700K glow registering as ambient sparkle. Accent illumination is deployed with curatorial intent: a picture light grazes the framed work at right, while the recessed downlights and the darkened foreground casings produce a chiaroscuro that heightens the sense of arrival. The cumulative atmosphere is one of hushed formality — composed, aerated, and almost monastic in its refusal of visual noise. Stylistically, the room synthesizes into what might be termed Transitional Classicism, or Warm Neutral Modern Traditional: the bones and millwork are unmistakably pre-war Beaux-Arts-derived, yet the flat-front valances, unadorned wall planes, natural-fiber flooring and simplified parson-back chairs reflect a contemporary editorial sensibility. The single antique table operates as a considered anachronism — a note of patinated gravitas within an otherwise pared-back, texturally driven interior — demonstrating a designer's confidence in restraint punctuated by one authoritative gesture.

Riad Tile
Bathroom - contemporary cement tile floor and pink floor bathroom idea in Santa Barbara

Detail of LED wall sconce with white glass tile background
Inspiration for a small contemporary kids' white tile and glass tile porcelain tile and gray floor alcove bathtub remodel in New York with flat-panel cabinets, dark wood cabinets, a two-piece toilet, green walls and an integrated sink

This remodeled bedroom was upgraded to an elegant and sophisticated master retreat. Using metallic plasters and various techniques of application with this beautiful repeat stencil pattern, this accent wall is a stunning focal feature of this master bedroom. Copyright © 2016 The Artists Hands

This 30" x 24" abstract acrylic painting has been done in shades of cobalt blue, sky blue, citrine, chartreuse, white, soft sea green, and royal blue. Finished in gloss varnish to protect the piece from dust and UV light for years to come. Can be hung vertically or horizontally. Gorgeous vivid rich colors in a great contemporary style.

Inspiration for a mid-sized eclectic l-shaped enclosed kitchen remodel in Boston with an undermount sink, shaker cabinets, yellow cabinets, soapstone countertops and stainless steel appliances

Custom Surface Solutions (www.css-tile.com) - Owner Craig Thompson (512) 430-1215. This project shows a new construction master bathroom with two showers, and wall mounted vanities. Shower wall tile and vanity wall wainscots and floor base tile is 6" x 18" Carrera Marble on offset subway pattern. Shower floors are 5/8" Carrera Marble mosaic tile. All exposed edges including windows, shower walls, top wainscots and floor base are custom bull-nose profiled. Shower floor is custom mud set with SchluterSystems waterproofing and drain system.

Beach style bathroom photo in Los Angeles

Buying term papers from academic writing services and freelance writers is becoming a popular deal. Therefore, former and current professors are entering this industry to write papers for money more and more often. Such services as CourseworkService.com are becoming popular among students all over the world. An interesting fact is that they hire not only former graduates but also out-of-work academics. When professors find a compromise about cheating Jennifer Sunseri, a former assistant professor, lost her job in 2009. She has been looking for a job for almost three years. At long last, she had abandoned all hope of finding a new job and started working as an academic writing service creating papers for college students. Jenifer says, “I realize that it is legal, but highly unethical especially regarding the fact that I am a former professor. For me this is an equivalent of prostitution. But I have been living in a tight situation for years without an opportunity to visit a doctor or pay my bills. I am 53, and I have no kids to help me when I am out-of-work.” She has been a tutor in Texas Tech since 1998, where she established a Slavic folklore course. Jenifer didn’t have any publications during her working years at Texas Tech, so when the time has come to apply for a venture, she realized that she has no chances and left. She moved to her sister and her mom and now she is living in her studio apartment with her two cats. Sunseri was worried when she lost her job even though she has master’s degrees in Slavic linguistics and technical communications. “I thought that my educator’s and writer’s skills will be useful,” she said. “However, I was shocked at the quantity of applications for an instructor at the local college, as well as for the office manager, or an adjunct at the local institution. Even an effort to apply for a substitute teacher failed. I cannot believe that those who have academic background, experience and a degree are in less demand than those have not.” When Ph.D. and master’s degrees lose their magical power, people with academic background have no choice but to start their term paper writing career. Once professors become unemployed, one may say that they feel themselves like high school graduates looking for a part-time job. However, you will be surprised, but according to statistics sometimes those with high school or college diplomas are more welcome than people with higher education. The reason is that a lot of new job places in America were created at times of economic recovery and, therefore, they are low-paying and require specialists with lower skills. It turns to be that it is much easier to learn a less-educated worker and train him/her in a particular way suitable for a certain company or service than to teach a higher-educated worker all over again. In addition, higher educated job candidates are more selective about their choice. How to become a ghostwriter if you have been punishing others for paper cheating Jenifer was not fastidious. She was looking for a job that would correspond her skills and finally decided to try herself as an online editor. While searching for an editing job, she ran against term paper writing service. This company asked her to send examples of her works and complete a test task. She has been accepted as a ghostwriter. In fact, term paper writing services gladly accept people with higher education and offer them to write papers of all kinds for money. Jenifer says that her first assignments for sale included a 5-page paper on public debt, 10-page paper on linguistics, and an editing work of someone else’s 20-page paper. All these assignments brought her about $150. Jenifer reports that it is possible to turn a useful penny by writing academic papers. Jenifer realized that ghostwriting is a good source of income after she read an article about an anonymous academic writer who earned almost $70,000 a year writing papers for high school and college students. “Currently this business becomes more and more popular. During finals and midterms, we have a lot of work to do since there are a lot of students ready to pay for a custom paper and submit it as their own,” he says. “It is no wonder that students use writing services. I have seen a lot of their writings, and I realize why they are so desperate about writing their assignments. Some of them are unable to compose a grocery list without additional help. They really need it. We help them pass a course, that’s all.” Jenifer says that this work helped her be on form and develop her core skills like writing and researching all the time. She was unemployed for a long time and was afraid that her skills might become lower due to a lack of practice. However, at a writing company she never stops practicing. She claims that this is a hard work mostly because you have to be meet urgent deadlines. The other challenge was a paper that she couldn’t complete once. The problem was not in a lack of competency, but in ethics. She discovered that it was an order for a student from her former place of work, Tech University. She says that she felt weird about completing this work and refused to write it. “I became angry when I realized that I am going to serve a kid who is partying in Florida, while being a former faculty member of the university he is attending.” Currently, Jenifer is working as a Russian translator. However, she is not abandoning academic writing industry even though she feels a little awkward about helping students to cheat. It is not that bad that unemployable professors have an opportunity to earn for living being ghostwriters even though it is not very ethical. Ironically, a place of work like academic writing company that makes out-of-job educators feel that they are performing a crime assisting students in cheating seems to be the only place in the job market that values their experience in the sphere of education.

Location: New York, NY, United States This Loft was tastefully renovated back in the '90s, but was due for an update and an expansion of the kitchen and dining areas to accommodate the client's cooking skills and entertaining needs. EnlargIing the island and adding cabinetry to delineate the office, bar and dining areas was a priority. The bathroom was updated to feel like a tranquil spa with beautiful new tile, plumbing fixtures and cabinets. Our biggest challenge was coordinating the entire renovation while our client was out of town for the Summer! Photographed by: James Salomon

This tower style linen cabinet, was commissioned by a customer looking to finish off their bathroom renovation with a custom made-to-fit linen cabinet that would match with their vanity. We designed and built this nearly 7 foot tall cabinet for the customer using traditional joinery methods, using rabbets and dados to hold the shelves in place for a very solid finished piece. Decorative molding and trim was added to the bottom of the cabinet and the legs provide a pleasing negative space under the tall cabinet. Prefabricated molding, that matched the customer's vanity, was added to the top of the piece for added effect. The piece was sealed and then finished with a white cabinet enamel. Decorative knobs were added to also match the vanity in the bathroom.