A yoga shed can be any size you would like. This example shows off one of our 12x10 sheds, but really any size would work well. We would recommend any size greater than 10'x10'. Depends on if you want to use it to store other items as well.

Links ready! Game of Thrones s06e09 Battle of the Bastards On-line. Alright, the long wait has ended, and this is our nice chance anyway to start watching into the rest about Game of Thrones season 6, episode 9 online : Battle of the Bastards. Check this out then, the plot line expected, Ramsay surprises his audience. Jon retaliates. Dany is true to her word. "Battle of the Bastards" is the ninth episode of the sixth season of HBO's fantasy television series Game of Thrones, and the 59th overall. It was written by series co-creators David Benioff and D. B. Weiss, and directed by Miguel Sapochnik. It is scheduled to air on June 19, 2016. Additional information looks fantastic, "Battle of the Bastards" was written by the series' creators David Benioff and D. B. Weiss. Some elements in the episode are based on the forthcoming sixth novel in the A Song of Ice and Fire series, The Winds of Winter, which author George R. R. Martin had hoped to have completed before the sixth season began airing. "Battle of the Bastards" was directed by Miguel Sapochnik. Sapochnik previously directed the fifth season episodes "The Gift" and "Hardhome". Game of Thrones (season 6) looks amazing, The sixth season of the fantasy drama television series Game of Thrones was ordered by HBO on April 8, 2014, together with the fifth season, and premiered on April 24, 2016. In contrast to the previous seasons, it largely consists of original content currently not found in George R. R. Martin's A Song of Ice and Fire series. Fantastic enough, Jaime Lannister returns to King's Landing with Myrcella Baratheon's corpse. Tensions escalate between Tommen Baratheon, Cersei Lannister, and the Faith Militant and the High Sparrow, as the latter refuses to let Tommen visit Margaery in prison or Cersei attend Myrcella's funeral. Jaime and the Tyrell army attempt to liberate Margaery and Loras, only to find Margaery has become a follower of the High Sparrow and Tommen has forged an alliance with the Faith Militant. Tommen relieves Jaime from the Kingsguard, sending him to Riverrun to assist House Frey in reclaiming it from the "Blackfish" Brynden Tully. Cersei is unconcerned about their separation, as she has named the reanimated Gregor Clegane to defend her in her trial by combat; however, Tommen decrees that trial by combat is to be abolished and replaced by trial by the Faith. At Riverrun, Jaime finds that the Blackfish is determined to not surrender the castle and is willing to wait out a siege. Brienne is allowed to enter Riverrun in order to persuade the Blackfish to surrender, but he refuses to abandon his ancestral home. Jaime forces Edmure Tully, held captive by the Freys, to order the Tully forces to surrender. Brienne and Podrick flee, while the Blackfish dies fighting the Lannisters. In the Riverlands, Sandor "The Hound" Clegane is revealed to have survived his wounds and assists a peaceful community in building a sept. After the villagers are slaughtered by outlaws affiliated with the Brotherhood Without Banners, the Hound pursues the Brotherhood. He kills some of the outlaws and encounters Ser Beric Dondarrion and Thoros of Myr executing the others. 100% working here: http://tinyurl.com/hzkaudn http://tinyurl.com/htqfqms After Doran Martell receives word of Myrcella's death, Ellaria Sand kills him and seizes control of Dorne, with the Sand Snakes also killing his heir Trystane. Are you ready finally? Start watching for it then, Game of Thrones season 6, episode 9 : Battle of the Bastards online.

The pictures below detail the renovation of a Porcelain Tiled Floor I completed at a property in Ipswich. Installed throughout the Kitchen and into the adjacent WC the porcelain tile and grout were in a very dirty state and the client was desperate to get them clean. The situation wasn’t helped by their two dogs with grubby paws. She had tried all the usual household cleaners she could find, and nothing seemed to work. Unfortunately, household cleaners can make the problem worse due the strong chemicals they contain. I visited the property to survey the floor and was able to reassure the client that although the grout was heavily stained it could be renovated by recolouring it with a Tile Doctor Grout Colourant. I was confident we would soon be able to get the floor looking great again and demonstrated the process I would use on a small part of the floor. The demonstration went well and happy with the result we agreed a date for my return the following week to complete the work which should be completed in a single day. Returning on the agreed date we started by protecting the by applying a clear silicone sealant to the MDF skirting boards and kitchen base units. We left this to dry for an hour before proceeding with the cleaning. The Porcelain tile and grout was cleaned with a strong dilution of Tile Doctor Pro-Clean using 3 parts cleaner to 5 parts water. The solution was applied to the tile and grout and then left to soak in for ten minutes before being worked in using a rotary machine fitted with a Black Scrubbing Pad. Tile Doctor Pro-Clean is a concentrated, multi-purpose high-alkaline cleaner which is designed for deep cleaning tile, stone and grout of dirt and grease and can also remove sealers. Pads can struggle to reach into the recesses of the grout line so once I was finished with the tile, I hand scrubbed the grout with a wire brush. The floor was then rinsed with water and the resultant slurry extracted off the floor with wet vacuum. The floor took about three hours to deep clean which was just the right timing for us to have lunch whilst the floor dried. The grout was much improved by the cleaning process but as suspected there were too many deep-seated stains to be able to guarantee a consistent finish. So as previously agreed with the client we set about colouring the grout using a light grey colourant. This took most of the afternoon as there was a lot of grout. The Porcelain tiles were the non-porous type that won’t take a sealer and the colourant acts as a barrier over the grout protecting it and making it easy to clean so once I was done colouring there was no need to apply a sealer. My client was relieved to have the floor looking clean and presentable again. For aftercare I recommended that moving forward it would be best to use Tile Doctor Neutral Tile Cleaner which is a pH neutral cleaner. This will ensure that with regular cleaning the floor will keep clean and the grout won’t be compromised by overly strong products. Bruce Copping Suffolk Tile Doctor

Large country u-shaped medium tone wood floor kitchen photo in Milwaukee with white cabinets and a peninsula

Todd Douglas Photography
Elegant freestanding desk dark wood floor study room photo with beige walls

Minimalist dark wood floor kitchen photo in San Francisco

Wood-look tile floor using porcelain plank tiles in a herringbone pattern.
Living room - traditional porcelain tile living room idea in Sacramento

This property was in theLadbroke Grove area of West London near Kensington. The client had found an old and probably original black and white checkered pattern Victorian tiled floor under their cork tiled flooring. They also reported that it was badly damaged so I thought it would be best if I paid them a visit first to see how extensive the damage was and whether it was repairable. The floor was in a quite a state, the tiles were covered in glue from the cork and had several areas had been back filled with cement. I reassured them that the damage could be rectified, and that it would be possible to completely restore the floor back to a good standard. I would have to remove the glue, remove the cement that had been used to level the floor and replace with reclaimed tiles to match. They were relieved to find out it could be done and happy with my quote I was instructed to go ahead with the work. We started by taping up the skirting boards to protect the woodwork. With this done attention was turned to the glue which was softened using a strong dilution of Tile Doctor Remove and Go so it could be carefully scraped off. Multiple techniques and tools were needed to remove the glue including hand-held scrappers and a black pad fitted to a buffing machine. For the stubborn areas steam was applied to help lift the adhesive out the tile. Once all the glue was removed the floor was rinsed and the alkaline cleaner neutralised with Tile Doctor Grout Clean Up which further cleaned the tiles and removed old traces of grout from the floor. Old floors like this generally don’t have a damp proof membrane underneath so the acids in the Grout Clean-up also counter any efflorescent salts trapped in the tile. Once this was completed the slurry was removed with a wet vacuum and left to fully dry out overnight. The following day focus turned to repairing the areas of the floor where the tiles were missing or broken. The main issue being the cemented areas, we see this a lot with Victorian Hallways and generally what happens is a heating engineer digs out the floor to install pipework. Not being tilers, your average plumber then repairs the floor with a self-levelling cement that brings the level up to the surface of the tile so it can be covered with lino, carpet of in this case cork. The sub floor was then rebuilt with rapid setting self-levelling compound but this time to below the level of the tile. Once the new base was dry it was a just a question of re-tiling with the replacement tiles to match the original checkered pattern. The replacement reproduction tiles were sourced from Original Features in Crouch End North London. After grouting we left the floor to dry out over the weekend. When we returned to seal the floor our first step was to check the floor was dry using a moisture meter. This is critical as the sealant will not cure correctly if there is too much moisture in the floor. In this case the extra two days we had allowed had done its job and the test had confirmed it was ready to accept a sealer. The client wanted the floor finish not to be too shiny once sealed so we opted to seal with two coats of Tile Doctor Seal and Go Extra. This is good choice for old Victorian floors such as this example as it’s special acrylic-based formula allows for moisture vapour transmission which as mentioned previously is a concern where no damp proof membrane has been installed. I’m please to confirm my clients were delighted with the result, as you can see from the pictures the black and white floor restoration makes for a dramatic entrance well in keeping with the style of the property. For aftercare I recommended the use of Tile Doctor Neutral Tile Cleaner which will keep the tiles in good condition going forward without damaging the new sealer. Jackson Davis Central London Tile Doctor

**I. Spatial Composition & Architectural Volume** This is a pre-war Manhattan dining room whose proportions have been surgically clarified rather than reinvented. The room reads as a compressed rectilinear volume, its ceiling plane articulated by a shallow dropped soffit and a single exposed transverse beam — a candid acknowledgment of the building's structural grid, left legible rather than concealed behind a coved plaster surround. That beam performs a quiet spatial function: it registers the threshold between the dining zone and the adjoining passage at right, where a sliver of herringbone parquet and a second curtained aperture extend the sightline into a further room, relieving the enclosure and establishing a discreet enfilade. The composition is emphatically axial and symmetrical — chandelier, floral centerpiece, pedestal table and central window mullion align on a single spine — yet the symmetry is deliberately imperfect: the flanking chairs are turned inward on the diagonal, the sideboard weights the left wall, and the artwork on the right hangs off-axis. The result is a Beaux-Arts discipline softened by a decorator's asymmetry. Most consequential is the pelmet, a deep upholstered box valance carried nearly wall-to-wall, which annexes the window into a single monumental glazed field and visually raises the ceiling by drawing the eye above the actual head height of the sash. **II. Materiality, Color & Texture** The palette is a study in monochromatic warmth held within a narrow tonal band of buff, oatmeal, flax and champagne, with saturation kept deliberately low so that texture carries the burden of variety. Underfoot, a wall-to-wall seagrass or sisal matting with a coarse basketweave provides the room's tactile bass note — hard-wearing, faintly agricultural, and set in productive tension with the refined silk-and-linen sheen of the curtains and pelmet. The chairs are a masterstroke of dual upholstery: matte sand-toned fabric on the outside back and a subtle self-striped ottoman weave on the seat and inner face, a device that renders the seating both plush and graphic. Against this envelope of pale neutrals, two dark accents supply the necessary chromatic gravity: the deeply carved, pierced-apron rosewood or mahogany center table, almost Anglo-Indian in its fretwork and baluster pedestal, and the ebonized klismos-splayed chair legs that echo it. The left wall introduces a painted, dry-brushed Gustavian-style commode with lozenge-fretwork doors, its chalky grey-green a cool counterpoint, while gilt frames, a burnished picture light and the silvered chandelier thread a metallic warmth through the whole. **III. Lighting, Atmosphere & Style Profile** Daylight is the room's primary illuminant and it is handled with restraint: the curtains are dressed open but the roman-like sheer inner treatment diffuses the light into a milky, north-facing wash that flattens shadow and flatters the neutral surfaces. Artificial lighting is layered and entirely decorative in expression — the tall, attenuated candle-arm chandelier, hung low and generously scaled, functions as sculpture and as the room's compositional keystone, while two swing-arm brass picture lights provide directional accents that anchor the art as evening focal points. There is no visible downlighting or recessed apparatus; the mood is candlelit, hushed and faintly nocturnal even in daytime. Stylistically the room resolves into what might be termed **Refined Neutral Traditionalism** — an American-classical, Bilhuber-adjacent idiom that marries eighteenth-century Swedish and Anglo-colonial furniture archetypes with contemporary tailoring, tonal upholstery and humble natural-fiber flooring. Its sophistication lies precisely in that calibration: heirloom silhouettes stripped of pattern and color noise, so that carving, weave and gilding become the sole ornamental language.

Woodwerd
Inspiration for a large contemporary open concept family room remodel in Austin with gray walls

The ground floor volumes wrapped in an elongated hand-fired brick, emphasizing the horizontality of the architecture that lays solidly on the land. (Photography by: Matthew Millman)

The owner of this recently purchased property in the Berkshire village of Twyford had inherited a Jerusalem limestone floor that had been installed throughout the ground floor including the Kitchen. The previous owner hadn’t maintained the stone floor very well and as a result it had become dull, patchy and the new owner was finding it impossible to keep clean. The floor was becoming a problem for them and they had been considering ripping it all up and getting it replaced. However due to the size of the floor and potential cost of replacing it they searched for other solutions and contacted Tile Doctor to see if it could be renovated. I scheduled an appointment with the owners to survey the floor and it wasn’t long before I realised that we could achieve a great result by polishing the Limestone using a set of diamond burnishing pads. To prove how well I thought the floor would clean up I offered to complete a demo within the small utility room. This was arranged and completed a week later, as I expected once I had finished the demo the floor looked fantastic, more importantly the client was ecstatic with the results and couldn’t wait to book us in to complete the rest of the house. It was a large floor so I estimated the process would take 4-5 days to complete and would need to work in sections starting with the kitchen then progressing into the study and cloakroom, dining room and finishing off with the entrance hall. Thankfully I had an empty house to work in which helped as I could start sealing the area I worked on the prior day. The limestone had become quite pitted in the high traffic area, these pits had filled up with soil and become unsightly. My first task was to deep clean the dirt filled pits and grout, to do this I used a strong dilution of Tile Doctor Pro Clean and a stiff nylon brush making sure I could get into the pits releasing the dirt, then vacuuming up all the chemical slurry as I went along. The next task was to fill these pits I used a two-part epoxy filler that matched the colour of the stone. Once the filler had dried, I worked through the hand burnishing blocks from 100 grit to 400 and I smoothed out the areas that had been filled. Now the holes/pits had been filled I continued with the restoration of the floor by moving onto the burnishing process using diamond encrusted floor burnishing pads. This involves honing the Limestone with a set of burnishing pads starting at 400-grit. The pads are applied to the floor with a heavy floor buffing machine using water to lubricate the process. The pad is run over each tile around three times and the fine slurry this process generates is rinsed off afterwards with water and then extracted with a wet vacuum. You then move onto the 800-grit and then 1500-grit slowly building back the appearance of the stone. As I had worked in sections/rooms at a time I was able to allow a full day drying time before sealing. Happy with the depth of colour from the pad system I opted to seal the floor with two coats of Tile Doctor Ultra-Seal. I had a range of sealers to choose from an in this case I felt Ultra-Seal would be most suited as it doesn’t change the natural appearance of the Limestone yet will provide years of protection and make it much easier to keep clean. The owners were over the moon with how the limestone now looked and relieved that their problem floor had been restored. For aftercare cleaning I recommended Tile Doctor Stone Soap which is designed for maintaining the patina on polished stone floors. Dennis Buckland Berkshire Tile Doctor

Rodwin Architecture & Skycastle Homes Location: Boulder, Colorado, USA Interior design, space planning and architectural details converge thoughtfully in this transformative project. A 15-year old, 9,000 sf. home with generic interior finishes and odd layout needed bold, modern, fun and highly functional transformation for a large bustling family. To redefine the soul of this home, texture and light were given primary consideration. Elegant contemporary finishes, a warm color palette and dramatic lighting defined modern style throughout. A cascading chandelier by Stone Lighting in the entry makes a strong entry statement. Walls were removed to allow the kitchen/great/dining room to become a vibrant social center. A minimalist design approach is the perfect backdrop for the diverse art collection. Yet, the home is still highly functional for the entire family. We added windows, fireplaces, water features, and extended the home out to an expansive patio and yard. The cavernous beige basement became an entertaining mecca, with a glowing modern wine-room, full bar, media room, arcade, billiards room and professional gym. Bathrooms were all designed with personality and craftsmanship, featuring unique tiles, floating wood vanities and striking lighting. This project was a 50/50 collaboration between Rodwin Architecture and Kimball Modern

Large transitional gray one-story mixed siding house exterior idea with a hip roof and a shingle roof

AirField installed an AirPave grass fire lane for their porous flexible paving at Baptist Trinity Residential Hospice, creating a beautiful, functional, ecological friendly solution to facility access. An installation of an AirField Systems grass fire lane at Baptist Trinity Residential Hospice brings green building benefits and incredible strength to a beautiful new facility. A time lapse photo series highlight the installation process of the 6,747 PSI sand filled 100% recycled geocell technology, providing the strength of asphalt and concrete while relieving some of the burden of costly storm sewers and drainage. This new installation highlights the benefits of paving with grass, as well as the comparative ease of installation. Concrete and asphalt surfaces occupy twice the area of buildings and are the most detrimental to clean water. Concrete and asphalt surfaces dominate the landscape of our urban environments and prevent rainwater from being filtered naturally. They send harmful polluted water straight into our streams, rivers and lakes. In urban America, concrete and asphalt pavements produce two thirds of our excess water runoff. They are responsible for significant hydrocarbon pollutants on our ground and in our water, causing ground water decline, and resulting in local water shortages. These concrete and asphalt surfaces also create huge increases in temperature known as the urban “heat island effect”. The pollution caused by impervious surfaces deteriorate the quality of our storm water runoff and create large overflows that our storm sewer systems cannot handle. It is also important to realize that the urban forest force is drastically diminishing, causing CO2 levels to rise, which in turn causes global warming. With all the negative influences of impervious pavements now is the time to turn our attention to alternatives for the benefit of the environment. From fire lanes, overflow, and event parking, to temporary and stadium parking, reinforced grass parking systems deliver the same strength and durability of asphalt and concrete without the negative affects mentioned above. These incredibly strong geocells reinforce grass parking, prevent rutting from traffic, protect turf roots, and promote beautiful grass. Reinforced grass parking structures, also know as grass pavements, enhance the environment by naturally filtering auto and truck liquids such as oil drippings, antifreeze overflows and many other leaks and spills. They also help with air pollutants after they have been knocked to the ground by rainwater and greatly reduce hot surface temperatures thus fighting global warming and the “heat island effect”. Grass pavements allow our groundwater to be naturally replenished, the roots of trees to breathe, and they help our streams and rivers flow cleanly in dry hot summers. A large part of the solution to urban environmental problems is under our feet. By paying appropriate attention to the everyday materials on which we walk and drive, we can replenish renewable resources, restore the natural regenerative processes, and produce a cleaner, healthier, safer, more sustainable world in which we must live. Porous pavements are potentially the most important development in urban watersheds since the invention of storm sewers. By routing rainwater directly into the earth as nature intended, the need for costly storm water structures can be drastically reduced. Reinforced grass parking has built in permeable spaces through which water and air can pass. Although some porous paving materials are nearly indistinguishable from nonporous materials in construction and superficial appearance, their environmental effects are qualitatively exponential. They allow air, water and heat to dissipate into the environment naturally helping to save the planet. AirField reinforced grass parking provides beauty and comfort, and with the unbeatable price and performance of AirDrain you can’t go wrong. AirDrain is the reinforced grass pave system the industry has trusted for years !!! Airfield Systems, LLC 8028 North May Avenue Oklahoma City, OK 73120 405-359-3775 Installer – GREENPRO Landscapes Kevin James 9847 Stewart Rd Arlington, TN 38002

Detail of LED wall sconce with white glass tile background
Inspiration for a small contemporary kids' white tile and glass tile porcelain tile and gray floor alcove bathtub remodel in New York with flat-panel cabinets, dark wood cabinets, a two-piece toilet, green walls and an integrated sink

Lazure for a meditation room in private residence, Maryland
Example of a trendy sunroom design in Baltimore

This dining room operates as a processional volume, choreographed along a deep axial sightline that terminates not in a wall but in a garden — an ivy-clad plane of green glimpsed through full-height glazing. The architecture is fundamentally additive rather than decorative: a coffered, stepped ceiling plane with recessed reveal channels floats above the seating zone, its subtle datum lines describing a rectangular "room within a room" that anchors the table without recourse to enclosing partitions. Flanking this central passage, two millwork pylons — one clad in pale limed oak on the right, one in a fine bone-toned wallcovering on the left — function as vestigial pilasters, compressing the entry threshold before releasing into the loftier dining volume. The floor reinforces this directionality through a wide-plank chevron parquet laid on the primary axis, its herringbone rhythm accelerating the eye toward the terrace. The furniture plan is deliberately non-orthogonal: an elongated oval table on twin cylindrical pedestals softens the room's rectilinear discipline, while the loosely arrayed chairs break parade-ground symmetry in favor of a more inhabited, gestural composition. Deep-set corner windows and a low banquette-height sill with integrated casework at left introduce a secondary spatial episode, a quieter alcove that relieves the room's axial insistence. ## II. Materiality, Color & Texture The palette is a study in warm neutrality calibrated across a narrow tonal band, with contrast delivered through texture rather than hue. The foundational register is greige-to-oatmeal: floor-to-ceiling drapery in a heavy, densely gathered linen falls in pin-sharp cartridge pleats, its matte drape absorbing light and softening the glass wall's hard geometry. Against this, the dining chairs are upholstered in a slubbed, striated fabric — likely a raw silk or abaca-like bast fiber — whose horizontal grain reads almost as bark, and which is set in taut opposition to the ebonized, tapered hardwood frames in the Italian mid-century idiom of Gio Ponti or Ico Parisi. The tabletop, a mottled verdigris-and-bronze stone or fossilized surface, introduces the room's only earth-toned saturation, echoed by the burl-and-walnut plinth supporting a slender fluted bronze sculpture. The oak millwork is limed and open-grained, deliberately dry and tactile beside the high-polish patinated brass of the pendant. Underfoot, a hand-knotted silk rug in cloud-grey with charcoal ombré edges introduces atmospheric perspective — a painterly gradient that dematerializes the floor plane. Chromatic release arrives entirely from two sources: the framed abstract expressionist canvas at right, with its viridian, cobalt and violet gestural detonations, and the living wall of ivy beyond the glass. Both function as color events, not color schemes. ## III. Lighting, Atmosphere & Style Profile Daylight is the primary luminaire here, entering as a broad, north-soft wash through the terrace glazing and diffused further by the ivy screen, which acts as a natural lambrequin filtering glare into a cool, even green-tinted light. Artificial sources are deployed sculpturally rather than functionally: the pendant — a folded, petal-form composition of smoked glass and patinated metal — reads as a suspended object of art, throwing a warm downward pool onto the table while its dark bronze silhouette provides essential visual weight against the white ceiling. Wall-mounted alabaster sconces bracket the room at both thresholds, their translucent stone glowing with a low-lumen, candle-adjacent warmth that establishes perimeter intimacy after dusk. The resulting atmosphere is serene, curated and quietly patrician — a room engineered for extended conversation rather than display. Stylistically, the project synthesizes a **contemporary Soft Minimalism** with a strongly collected **Mid-Century Italian** sensibility: the restraint of the architectural envelope and monochromatic textile program provides a gallery-like neutral ground, upon which a small number of high-character objects — the sculptural pendant, the Ponti-esque seating, the abstract canvas, the exterior stone sculpture — perform as museum-grade punctuation. It is an interior that achieves luxury through material integrity and negative space rather than ornament.

AirField installed an AirPave grass fire lane for their porous flexible paving at Baptist Trinity Residential Hospice, creating a beautiful, functional, ecological friendly solution to facility access. An installation of an AirField Systems grass fire lane at Baptist Trinity Residential Hospice brings green building benefits and incredible strength to a beautiful new facility. A time lapse photo series highlight the installation process of the 6,747 PSI sand filled 100% recycled geocell technology, providing the strength of asphalt and concrete while relieving some of the burden of costly storm sewers and drainage. This new installation highlights the benefits of paving with grass, as well as the comparative ease of installation. Concrete and asphalt surfaces occupy twice the area of buildings and are the most detrimental to clean water. Concrete and asphalt surfaces dominate the landscape of our urban environments and prevent rainwater from being filtered naturally. They send harmful polluted water straight into our streams, rivers and lakes. In urban America, concrete and asphalt pavements produce two thirds of our excess water runoff. They are responsible for significant hydrocarbon pollutants on our ground and in our water, causing ground water decline, and resulting in local water shortages. These concrete and asphalt surfaces also create huge increases in temperature known as the urban “heat island effect”. The pollution caused by impervious surfaces deteriorate the quality of our storm water runoff and create large overflows that our storm sewer systems cannot handle. It is also important to realize that the urban forest force is drastically diminishing, causing CO2 levels to rise, which in turn causes global warming. With all the negative influences of impervious pavements now is the time to turn our attention to alternatives for the benefit of the environment. From fire lanes, overflow, and event parking, to temporary and stadium parking, reinforced grass parking systems deliver the same strength and durability of asphalt and concrete without the negative affects mentioned above. These incredibly strong geocells reinforce grass parking, prevent rutting from traffic, protect turf roots, and promote beautiful grass. Reinforced grass parking structures, also know as grass pavements, enhance the environment by naturally filtering auto and truck liquids such as oil drippings, antifreeze overflows and many other leaks and spills. They also help with air pollutants after they have been knocked to the ground by rainwater and greatly reduce hot surface temperatures thus fighting global warming and the “heat island effect”. Grass pavements allow our groundwater to be naturally replenished, the roots of trees to breathe, and they help our streams and rivers flow cleanly in dry hot summers. A large part of the solution to urban environmental problems is under our feet. By paying appropriate attention to the everyday materials on which we walk and drive, we can replenish renewable resources, restore the natural regenerative processes, and produce a cleaner, healthier, safer, more sustainable world in which we must live. Porous pavements are potentially the most important development in urban watersheds since the invention of storm sewers. By routing rainwater directly into the earth as nature intended, the need for costly storm water structures can be drastically reduced. Reinforced grass parking has built in permeable spaces through which water and air can pass. Although some porous paving materials are nearly indistinguishable from nonporous materials in construction and superficial appearance, their environmental effects are qualitatively exponential. They allow air, water and heat to dissipate into the environment naturally helping to save the planet. AirField reinforced grass parking provides beauty and comfort, and with the unbeatable price and performance of AirDrain you can’t go wrong. AirDrain is the reinforced grass pave system the industry has trusted for years !!! Airfield Systems, LLC 8028 North May Avenue Oklahoma City, OK 73120 405-359-3775 Installer – GREENPRO Landscapes Kevin James 9847 Stewart Rd Arlington, TN 38002