Located in Colorado. We would love to travel for you!
Example of a mid-sized minimalist women's carpeted walk-in closet design in Denver with open cabinets and white cabinets

Goals While their home provided them with enough square footage, the original layout caused for many rooms to be underutilized. The closed off kitchen and dining room were disconnected from the other common spaces of the home causing problems with circulation and limited sight-lines. A tucked-away powder room was also inaccessible from the entryway and main living spaces in the house. Our Design Solution We sought out to improve the functionality of this home by opening up walls, relocating rooms, and connecting the entryway to the mudroom. By moving the kitchen into the formerly over-sized family room, it was able to really become the heart of the home with access from all of the other rooms in the house. Meanwhile, the adjacent family room was made into a cozy, comfortable space with updated fireplace and new cathedral style ceiling with skylights. The powder room was relocated to be off of the entry, making it more accessible for guests. A transitional style with rustic accents was used throughout the remodel for a cohesive first floor design. White and black cabinets were complimented with brass hardware and custom wood features, including a hood top and accent wall over the fireplace. Between each room, walls were thickened and archway were put in place, providing the home with even more character.

Design-build remodel in Wakefield, MA, featuring a kitchen with a bar area and mudroom space. (#ProjectEclecticEnvy) This remodel showcases painted frameless cabinetry in Rookwood Green, with a white textured subway tile backsplash, seamlessly integrated into a U-shaped layout with a peninsula for seating. The appliance suite in matte black adds contrast, accented with brass and German bronze hardware. A Silgranit apron sink with a fabric skirt and a brass bridge faucet introduce traditional charm. The bar area features a medium gray quartz countertop that mimics concrete, a highly textured geometric backsplash, and a concealed framed television. The mudroom space includes custom built-in storage with a stained bench top and continues the bar area’s backsplash tile. An 8” charcoal hexagon floor tile and Hygge & West Piedmont Wallpaper in Pine - a large-scale patterned wallpaper featuring foxes, birds, and florals - tie the space together with bold character.

Located in Colorado. We will travel. Storage solution provided by the Closet Factory. Budget varies.
Example of a mid-sized arts and crafts attached garage design in Denver

Staging a home for sale or for a major transition is a strange in-between state. You are still living in the space, but you are also preparing it to impress strangers, support showings, and remain functional until the final move-out day. That tension between “home” and “product” is where storage quietly becomes one of your smartest tools. Used well, storage lets you reduce clutter, protect important items, and create the kind of rooms that photograph beautifully and feel calm when buyers walk through the door. A staged move is rarely just about shifting boxes from one address to another. It is about managing timing, presentation, and stress at the same time. When storage is built into the plan from day one, the entire process feels less rushed and more strategic. Rooms open up gradually, essentials stay accessible, and you never feel like you are drowning in half-packed chaos. Understanding how to use storage as a staging partner, not just a place to dump excess stuff, is what turns a messy transition into a controlled, professional-looking move. Why Storage Is the Backbone of Every Staged Move Visual space is emotional space. When every surface is covered, and every corner is full, buyers feel crowded before they have even evaluated the layout. Storage gives you a way to pull back without making drastic decisions about what to keep or donate. Seasonal décor, bulky furniture, duplicate items, archives, and personal collections can be moved out early, so the home reads cleaner and more open while still feeling lived-in. That balance between warmth and simplicity is exactly what good staging tries to achieve. In more complex situations, such as live-work properties or home offices, storage becomes even more important. You may need to keep a business running while also presenting a polished environment to viewers. Partnering with local movers in Boston makes it easier to shift equipment, files, and nonessential pieces into storage in phases, so work can continue while the visible areas of the property stay controlled and presentable. How Staging and Storage Work Together to Control Visual Impact Staging works best when every object in a room has a clear purpose. A sofa frames a conversation. A table suggests gathering. A lamp softens the mood. Everything else that is not essential to that story competes for attention. Storage supports staging by giving you a clean staging bench off-site, where nonessential items can wait without being constantly shuffled between rooms or piled into overstuffed closets. The art lies in deciding what stays and what goes. Family photos, extensive collections, excess seating, and rarely used appliances often move into storage first. What remains should be enough to show scale, comfort, and function without revealing the full weight of daily life. Commercial properties go through a similar filtering process. Extra desks, surplus equipment, outdated signage, and inactive files often move out early so the active workspace feels lean, efficient, and future-ready before a relocation supported by commercial movers takes place. Strategic Timing of Storage before the Actual Move The worst time to think about storage is when boxes are already stacked in the hallway. In a staged move, storage decisions ideally begin as soon as you know the property will be listed or the space will be transitioned. That might be a month or more before the main moving date. Starting early gives you time to sort, label, and prioritize instead of throwing things together in a panic. An early storage phase also helps you test how the home feels with less in it. You may discover that removing a few large pieces transforms a cramped room into an open, inviting space. For commercial spaces, early storage lets operations continue with fewer interruptions. Departments can send nonessential items out in waves. When the main relocation comes, much of the excess is already safely stored, and what remains is easier for a commercial movers Boston team to handle with speed and care. The Emotional Psychology behind Letting Storage Hold Your Belongings Letting belongings leave the house ahead of you can feel unsettling. There is always a quiet fear that once something is out of sight, it will be forgotten, damaged, or harder to reclaim. That is why some people resist using storage even when they know it would make the staging process easier. Acknowledging that emotion instead of dismissing it helps you plan more honestly and avoids last-minute regret. The reality is that good storage is not a black hole; it is a temporary pause. When items are packed thoughtfully, labeled clearly, and placed in an environment you trust, they become easier to manage than when they are tucked into random cupboards or stacked in spare rooms. For many people, living with fewer visible possessions during staging actually reduces tension. The home feels lighter and easier to maintain. Businesses notice the same effect when storage removes outdated equipment and clutter from the floor. The workspace looks more focused, and staff can concentrate on current tasks instead of navigating around accumulated history. Protecting Assets While They Live in Storage Sending belongings into storage is only a good idea if they come back in the same or better condition. That is where quality control matters. Furniture, textiles, electronics, files, and artwork each have different vulnerabilities. Moisture, temperature swings, dust, and rough handling can all damage them in ways that only become obvious later. Choosing the right type of storage and packing accordingly is central to the genius of using storage as part of a staged move rather than as a desperate overflow container. Climate-controlled units, padded wrapping, elevated pallets, careful stacking, and clearly marked boxes all reduce risk. The goal is to handle items fewer times, not more. When storage is integrated into the move plan, belongings can travel directly from the home to storage and later from storage to the new address with minimal extra movement. Many owners coordinate those transfers through a well trusted movers in Boston, so the same team that moves items out early also manages their final delivery, preserving continuity and accountability. How Storage Reduces Risk during Multi-Phase Moves Few staged moves happen in a single clean step. There are often gaps between listing and selling, between selling and closing, between closing and final move-out. If renovations, inspections, or office reconfigurations are involved, the timeline becomes even more layered. Storage absorbs those gaps, so you are not forced to live among towers of boxes or stack equipment in hallways waiting for the next phase. By treating storage as a flexible middle ground, you can move things out gradually while still having access when needed. For example, archived files can go first, followed by seasonal décor, then surplus furniture. As each stage ends, fewer items remain to be shifted on the final date. This phased approach reduces the risk of rushed, late-night packing sessions, careless stacking, and damaged items. It also makes it easier for commercial moving crews to work efficiently because they are handling a manageable volume of goods at each phase rather than everything at once. Using Storage to Maintain Clean Show-Ready Conditions One of the hardest parts of staging is keeping the property consistently show-ready. Every viewing becomes its own small event. Floors need to be cleared, surfaces wiped, and personal items tucked away. When too many belongings remain in the home, each showing takes a heavy amount of effort. Storage cuts that workload dramatically by taking nonessentials completely off the stage. With fewer items to move and hide, maintaining a neutral, inviting look becomes much more realistic. You are not scrambling to stuff things into closets or push items under the bed. Instead, the home sits closer to show condition all the time, and the final touches before a viewing are minimal. In commercial environments, using storage helps maintain a professional appearance for clients and staff, even while the space is being prepared for a larger transition. Active tools and furniture stay in play, while inactive pieces quietly support the future from storage. Storage as a Strategic Tool in Business Relocation Planning For businesses, storage is more than a convenience; it is part of risk management. Office relocations and staged commercial moves have to juggle lease deadlines, equipment deliveries, IT cutovers, and staffing realities. Trying to shift everything in one move often results in downtime, lost files, and strained teams. Storage turns the move into a series of controlled steps instead of a single disruptive jump. Unused furniture, archived documents, and non-critical inventory can be moved into storage weeks ahead of the main relocation. As the new space becomes ready, items can move out of storage and directly into position. This reduces double-handling and keeps the old and new locations from filling with half-unpacked material. A business that coordinates these flows with professional commercial movers in Boston usually experiences smoother transitions, because storage is treated as a working part of the operational plan rather than a leftover problem. The Hidden Cost Benefits of Proper Storage Planning On paper, storage looks like an extra expense. In reality, poorly managed moves cost far more. When everything is rushed into boxes at the last minute, items are damaged, misplaced, or transported multiple times. Extra labor hours, emergency packing supplies, replacement furniture, and extended timelines quickly outweigh the cost of well-used storage. Staging without storage also tends to keep homes and offices crowded longer, which can hurt impressions and, in the case of a sale, influence offers. When storage is integrated from the beginning, you minimize waste. You handle items fewer times, you know where things are, and you avoid paying people to shift the same objects repeatedly. Staged homes that look better often sell faster or draw stronger interest, which helps recover investment on the back end. Businesses benefit from less downtime, safer handling of equipment, and predictable work schedules. Those gains are why many clients prefer partnering with a commercial moving company in Boston that understands storage as a cost-control tool, not just a place to park overflow. Conclusion The true genius of using storage during a staged home move is that it quietly rewrites the rules of transition. Instead of treating space as something that must absorb every box and belonging until the last possible moment, you treat storage as a flexible extension of the home or office. This shift in thinking opens rooms, clears sightlines, and makes every phase of the move more intentional. Staging becomes easier, maintenance becomes lighter, and the stress of living in a half-moved environment drops noticeably. When storage is chosen carefully, used early, and coordinated with the overall moving plan, it protects both physical assets and emotional energy. Buyers and visitors see a calm, collected space. You experience a less chaotic path from “here” to “there.” Whether you are selling a home, repositioning a business, or managing a complex phased relocation, storage can turn a disruptive event into a managed, almost elegant process. For people who want that level of control and care during a staged move, Stairhopper movers have built a strong reputation by treating storage, timing, and transport as parts of one connected strategy. Their team is known for listening closely, planning around real-life constraints, and moving both residential and commercial clients through transitions with calm, steady execution. They approach every project as a partnership, aligning storage use, staging needs, and final delivery so that what matters most arrives safely, on schedule, and with as little disruption as possible. Frequently Asked Questions Q1. When should I arrange storage for a staged home move? Ideally, four to six weeks before listing or transition, so clearing, packing, and staging can happen gradually without rushed decisions or last-minute stress. Q2. Is climate-controlled storage necessary for staged moves? It is highly recommended for wood furniture, electronics, artwork, and documents, since temperature and humidity swings can quietly damage materials over time. Q3. How does storage help keep a home show-ready? By moving nonessential items off-site, daily tidying becomes simpler, and each room can stay closer to a staged condition between viewings or inspections. Q4. Can storage reduce the length of the final moving day? Yes. When many items are moved into storage in advance, the final moving day focuses on essentials, which shortens timelines and reduces physical and mental strain. Q5. Is storage useful for short-term business relocations? Even in short relocations, storage helps prevent overcrowded offices and allows departments to move in phases without interrupting everyday operations. Q6. How do I decide what should go into storage first? Start with rarely used items, seasonal décor, surplus furniture, and archived materials, then work toward pieces that are visually distracting or make rooms feel cramped. Q7. Will using storage make it harder to find things later? Not if packing and labeling are done carefully. Clear categories, room-based labels, and simple inventories make stored items easier to locate than when scattered at home. Q8. Does storage still make sense if my move happens in one day? Yes, because staging and preparation begin well before that day. Storage keeps the home functional and attractive during the weeks leading up to the final move.

Jennifer and Dan have lived in their Deer Park Illinois home for 15 years, slowly making minor fixes like painting and decorating; but they had a new plan for their kitchen the entire time. An awkwardly placed garage door, and an island cooktop with a terrible downdraft made a full-scale kitchen remodel an absolute must. Jennifer had many ideas in mind and wanted to work with a company that could provide high-end work, while partnering with a designer that would tailor the kitchen to her ideas. She was intrigued by the phrase “Common Sense Remodeling” in Advance Design’s feature she discovered while perusing an issue of the community’s Quintessential Barrington Magazine. Doing further research on the company’s website, as she looked through project profiles and read about Advance Design’s “Common Sense Remodeling” philosophy, she promptly scheduled an appointment to see if the people and ideas she read about were truly who they said they were. The more she read, the more she knew that the “Common Sense” approach to remodeling they described was exactly the type of company she was looking for. The partnership was sealed after an initial consultation with Owner Todd Jurs and Project Designer Michelle Lecinski. They displayed a combination of friendliness, professionalism and respect that was unmatched by any of the other companies Jennifer talked to. She knew that with Advance Design, she would be able to retain the vision that she had in mind with high-quality craftsmanship. “I reached out to Advance Design because of the ‘Common Sense Remodeling’ tagline,” Jennifer said. “That’s what lingered for me”. “Advance Design was the most respectful- of the house and of my design ideas, and the most professional of the handful of companies that looked at my project”. Soon after the meeting Jennifer began working with Michelle on the project design. They quickly developed chemistry. Jennifer loved how Michelle researched and located every detail that Jennifer wanted for the kitchen. Between the two of them, every concept and idea was worked through and perfected. “Jennifer had definite ideas about what she wanted the new kitchen to look like, she just didn’t know how to bring it all together. We worked together really well to make her ideas into the practical reality necessary for a well-functioning kitchen, with the look and feel that she had envisioned”, says Michelle. “Michelle was wonderful in using the CAD system she would show me new drawings every time we changed the layout while working through the design,” Jennifer said. “She was a really wonderful partner in execution, she made sure everything happened quickly and easily.” The finished design drew out elements of Jennifer’s style and personality. The pair call the look “sophisticated farmhouse” to describe the kitchen renovation to family and friends. The result was a beautifully crafted, authentic-feeling space that satisfied Jennifer’s dreams 15 years in the making. The whole project consisted of a kitchen remodel, mudroom upgrade with powder room, and garage entry relocation. “The projects I personally like the best, are the ones that put the client’s dreams on display,” Project Designer Michelle said. “And this is one of those projects.” The main focal point of the kitchen is custom zinc and brass ventilation hood with a vintage sheen, which was hand made to order by a small company in Indiana named Vogler Metalworking. “It’s like sculpture, a true work of art”, says Jennifer. Your eye is immediately drawn towards this elegant yet practical hood that eliminated the home’s downdraft problem and added a striking conversation piece at the same time. The carpenters had to use special gloves when transporting and installing it, so they didn’t smudge it with fingerprints. The beautiful hood centers proudly over the stunning black enamel and brass LaCornue Range. “I had a friend who had a LaCornue range and after learning how easy it was to cook perfect meals, I was convinced I wanted to have one”, says Jennifer. This unique, breathtaking combination anchors the entire kitchen and is apparent immediately as you walk into the great room the surrounds the space. DuraSupreme Crestwood cabinets with a Kendall Panel add function and sophistication. A custom gray paint color paired with a storm blue was developed so that the new kitchen looked like it belonged to the existing space. Unlacquered brass faucets and hardware were important to Jennifer because she wanted the living finishes to age over time. Remarkable brass diamond mesh cabinet door inserts imported from the UK continue to add this one-of-a-kind kitchen renovation; giving it a “you won’t see this everywhere” quality. The use of old railcar flooring for the coffee bar countertop and reclaimed oak for the open shelving gives an authenticity to the space uncommon in kitchens today. Jennifer and Michelle fell in love with the Limestone Grey Stone while they were investigating unique island countertop ideas. They liked the fact that the limestone as a living finish will age and change over time. Calcutta Miel Quartz countertops made for an excellent pairing around the perimeter, as it’s durable and perfect for cooking preparations. A textured white subway tile backsplash that runs to the ceiling keeps your eye moving towards the open shelving, and to the main focal point of the stunning range hood combination. “The kitchen functions beautifully, and it’s gorgeous,” beams Jennifer as she gestures with both hands while smiling ear to ear. “The most important thing was I wanted a kitchen that had a wonderful flow, cooked beautiful meals and was a great gathering place for family and friends, and this space does that perfectly! Beauty wise, it turned out exactly how I had envisioned. I felt the function part was the hardest part, and that was nailed”! Relocating the garage entry to the new mudroom was a huge priority and has finally separated the family’s arriving home functions from their kitchen. Now coats and shoes and bags have their own area for dropping once members arrive home. Matching gray DuraSupreme cabinetry helped create gorgeous, purposeful lockers for the family. A reclaimed vintage sink and custom wall paper were added to the tiny powder room to beautify the once previously only functional space. Advance Design was even able to create a custom space for their dog to sleep while the family is away. “It was unbelievable that a project of this size was completed in such a short time, and I think that’s because of the large amount of planning and preparation that went into it,” Jennifer marveled, “When we started, we were ready, and everything was prepared”. When it came to execution, Project Manager Justin Davis and his crew were quick, accessible, and organized. Projects like this kitchen are typically completed in as little as 8-10 weeks. Jennifer’s kitchen however despite the relocation of some challenging HVAC in a soffit and moving of an exterior door was completed remarkably fast in part because the team was working with an existing tile floor that ran throughout the first floor that the client really loved. “You get to know these people really well because they’re living in your house while you’re living in your house. They were so fast and really good, it didn’t take as long as even planned” reported Jennifer. “I would text Justin and he always responded almost immediately. I got to know all the guys who were working in our house and they were all wonderful people”. Details in a customized kitchen like this one require skill and care from the people who install it. “All the guys on the job were skilled at what the did. I wanted small details like little feet to look like furniture, that is where their carpentry skill came in to make these all perfect”, said Jennifer. “The tile guys were wonderful. They even let me determine how I wanted the texture with the grout to appear for a salt and pepper look; now that is a very skilled trade person making it custom”. In Jennifer’s interview, she continued to reference Advance Design’s “Common Sense Remodeling”, so I took a minute to ask her exactly what that phrase meant to her and how it played out in her experience with her project and the Advance Design team. Here is what she said: “I was intrigued about Common Sense Remodeling and in my head that there would be clear costs and prices, great communication between the design team, the execution team and me”, said Jennifer. They did deliver on that, it was so clear about the cost breakdown, what I could expect from everyone who came to my house, and everything that we had ordered. That to me is the Common Sense”! It’s great to see a client take literally our assertion that a well-planned remodeling project is simply “Common Sense”! She anticipated each step of the way would be clear, concise, and predictable, all the while protecting the outcome due to the careful upfront planning. “Advance Design delivered on their ‘Common Sense Remodeling’ promise,” Jennifer said. “From the design team, to the execution team - everything was straight forward like I imagined. The project turned out exactly how I envisioned, I enjoyed this process and absolutely would recommend Advance Design Studio to anyone.”

What man wouldn't love this space?! Matching hangers make all the difference. Located in Colorado. We will travel. Storage solution provided by the Closet Factory. Budget varies.

This VIP Design Day project transformed two key spaces in a DC-area home — a dining room and powder room — into rooms that feel both curated and livable. The dining room balances warm walnut tones, mixed seating, and bold artwork against moody gray walls and classic wainscoting, creating a space that's elegant without being precious. The powder room makes a strong first impression with floor-to-ceiling botanical wallpaper, a navy reeded vanity, Calacatta marble countertop, and antique brass fixtures layered with vintage equestrian art. Margaret Carroll Interiors specializes in architecture-informed interior design for homes in Washington DC, Maryland, and Virginia. Every project integrates spatial thinking with intentional material selection — the result is interiors that look professionally designed and feel deeply personal. This project is an example of our VIP Design Day service, a focused one-day design experience for homeowners ready to elevate specific rooms quickly and decisively. Services: Residential Interior Design · VIP Design Day · Space Planning · Furniture Selection · Art Curation Location: Washington DC Metro Area · Maryland · Virginia · DMV

The refrigerator and pantry were relocated making way for a beverage bar complete with refrigeration and a bar sink. Located out of the way of the kitchen work triangle, this dedicated space supports everything from morning coffee to cocktail prep for the adjoining dining room.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Even a small addition can improve the layout of your home! It only took adding a footprint of 155 square feet to transform our clients kitchen to the one of their dreams. By bumping out the back of the home, we were able to relocate the kitchen, giving them the island they hoped for and new windows looking out to the backyard. The old kitchen then got divided up to create a mudroom space just off of the garage and added space for the central dining room. The dining room also includes a pantry closet and separate coffee bar with built-in beverage fridge, providing even more storage. In the family room, we added walls to create a new opening into the dining room to help define the spaces. A new front window provides the missing sightline to the front yard and the relocated patio door greets you into the new screened in porch. Upstairs, we stacked the addition over the kitchen to give our clients a larger primary bathroom with plenty of storage and a large shower.

As seen in this photo, the front to back view offers homeowners and guests alike a direct view and access to the deck off the back of the house. In addition to holding access to the garage, this space holds two closets. One, the homeowners are using as a coat closest and the other, a pantry closet. You also see a custom built in unit with a bench and storage. There is also access to a powder room, a bathroom that was relocated from middle of the 1st floor layout. Relocating the bathroom allowed us to open up the floor plan, offering a view directly into and out of the playroom and dining room.

In this project the goal was to have an open space between the dining room and kitchen. We have removed a wall dividing the kitchen and dining room, removed a wet-bar in dining room, removed a coat closet in dining room, added an island in kitchen, relocated the cooktop to the Island, relocated the sink and fridge. See Before photos

CSU transformed this kitchen into a timeless masterpiece. We said goodbye to outdated aesthetics and welcomed a fresh, modern look that combines functionality with elegance. Starting with the heart of the kitchen, the painted White Dove cabinetry brings a bright and airy feel, enhancing the sense of space and openness. Complemented by luxurious quartzite countertops, the kitchen surfaces are not only stunning but also durable and easy to maintain, ensuring they withstand the test of time. The focal point of the kitchen is the meticulously crafted tile backsplash. The herringbone pattern over the stove adds a touch of sophistication and texture. Paired with the warmth of hardwood flooring, seamlessly filled in where cabinets were relocated, this kitchen exudes a cozy yet contemporary ambiance. With the sink moved from its awkward corner space, the kitchen's flow is enhanced, making meal prep and cleanup a breeze. The new, farmhouse sink is perfectly positioned to optimize functionality and style. With polished nickel faucets and amazing gold pendants, every detail exudes luxury and refinement. The ventilation system was upgraded from a downdraft to a sleek recirculating hood, ensuring optimal air quality while maintaining a seamless aesthetic. The new design embraces the practicality of a redesigned layout, transitioning from a double-height peninsula to an L-shaped configuration, maximizing counter space and efficiency. Cabinets have been skillfully relocated to accommodate a new slide-in range, complete with convenient spice cabinets on each side, ensuring the culinary essentials are always within reach. With our meticulous attention to detail and dedication to quality craftsmanship, this kitchen remodel is not just a renovation but a transformational experience, tailored to the owners' unique styles and needs. Say hello to a kitchen that is as functional as it is beautiful, a space where memories are made, and culinary dreams come to life.

When my client had to move from her company office to work at home, she set up in the dining room. Despite her best efforts, this was not the long-term solution she was looking for. My client realized she needed a dedicated space not on the main floor of the home. On one hand, having your office space right next to the kitchen is handy. On the other hand, it made separating work and home life was not that easy. The house was a ranch. In essence, the basement would run entire length of the home. As we came down the steps, we entered a time capsule. The house was built in the 1950’s. The walls were covered with original knotty pine paneling. There was a wood burning fireplace and considering this was a basement, high ceilings. In addition, there was everything her family could not store at their own homes. As we wound though the space, I though “wow this has potential”, Eventually, after walking through the laundry room we came to a small nicely lit room. This would be the office. My client looked at me and asked what I thought. Undoubtedly, I said, this can be a great workspace, but do you really want to walk through this basement and laundry to get here? Without reservation, my client said where do we start? Once the design was in place, we started the renovation. The knotty pine paneling had to go. Specifically, to add some insulation and control the dampness and humidity. The laundry room wall was relocated to create a hallway to the office. At the far end of the room, we designated a workout zone. Weights, mats, exercise bike and television are at the ready for morning or afternoon workouts. The space can be concealed by a folding screen for party time. Doors to an old closet under the stairs were relocated to the workout area for hidden storage. Now we had nice wall for a beautiful console and mirror for storage and serving during parties. In order to add architectural details, we covered the old ugly support columns with simple recessed millwork panels. This detail created a visual division between the bar area and the seating area in front of the fireplace. The old red brick on the fireplace surround was replaced with stack stone. A mantle was made from reclaimed wood. Additional reclaimed wood floating shelves left and right of the fireplace provides decorative display while maintaining a rustic element balancing the copper end table and leather swivel rocker. We found an amazing rug which tied all of the colors together further defining the gathering space. Russet and burnt orange became the accent color unifying each space. With a bit of whimsy, a rather unusual light fixture which looks like roots from a tree growing through the ceiling is a conversation piece. The office space is quite and removed from the main part of the basement. There is a desk large enough for multiple screens, a small bookcase holding office supplies and a comfortable chair for conference calls. Because working from home requires many online meetings, we added a shiplap wall painted in Hale Navy to contrast with the orange fabric on the chair. We finished the décor with a painting from my client’s father. This is the background online visitors will see. The last and best part of the renovation is the beautiful bar. My client is an avid collector of wine. She already had the EuroCave refrigerator, so I incorporated it into the design. The cabinets are painted Temptation Grey from Benjamin Moore. The counter tops are my favorite hard working quartzite Brown Fantasy. The backsplash is a combination of rustic wood and old tin ceiling like porcelain tiles. Together with the textures of the reclaimed wood and hide poofs balanced against the smooth finish of the cabinets, we created a comfortable luxury for relaxing. There is ample storage for bottles, cans, glasses, and anything else you can think of for a great party. In addition to the wine storage, we incorporated a beverage refrigerator, an ice maker, and a sink. Floating shelves with integrated lighting illuminate the back bar. The raised height of the front bar provides the perfect wine tasting and paring spot. I especially love the pendant lights which look like wine glasses. Finally, I selected carpet for the stairs and office. It is perfect for noise reduction. Meanwhile for the overall flooring, I specifically selected a high-performance vinyl plank floor. We often use this product as it is perfect to install on a concrete floor. It is soft to walk on, easy to clean and does not reduce the overall height of the space.

A beautiful transitional design was created by removing the range and microwave and adding a cooktop, under counter oven and hood. The microwave was relocated and an under counter microwave was incorporated into the design. These appliances were moved to balance the design and create a perfect symmetry. Additionally the small appliances, coffee maker, blender and toaster were incorporated into the pantries to keep them hidden and the tops clean. The walls were removed to create a great room concept that not only makes the kitchen a larger area but also transmits an inviting design appeal. The master bath room had walls removed to accommodate a large double vanity. Toilet and shower was relocated to recreate a better design flow. Products used were Miralis matte shaker white cabinetry. An exotic jumbo marble was used on the island and quartz tops throughout to keep the clean look. The Final results of a gorgeous kitchen and bath

Photographer: Evan Joseph Broker: Raphael Deniro, Douglas Elliman Design: Bryan Eure
Inspiration for a mid-sized contemporary guest light wood floor and beige floor bedroom remodel in New York with white walls and no fireplace

Kat Alves-Photography
Small cottage 3/4 multicolored tile and stone tile marble floor doorless shower photo in Sacramento with black cabinets, a one-piece toilet, white walls, an undermount sink, marble countertops and flat-panel cabinets

These homeowners relocated to Indianapolis and wanted a traditional home in the Meridian Hills area that offered family living space off the kitchen. “It’s what we were used to, but we had trouble finding exactly what we were looking for.” They spent a lot of time thinking about the possibilities of a remodel. They had space both within and outside the house that were under-utilized and decided to embark on a significant renovation project. We endeavored to completely rework the current floor plan in hopes of addressing all their needs and wants. Plans included relocating the kitchen, moving the exterior walls by a couple of feet, raising the ceiling, and moving the office. The results of these changes were dramatic. Additionally the family now enjoys a larger and updated entrance with storage and closets that is perfect for their two active daughters and two often muddy labs, a beautiful kitchen with improved functionality that is filled with tons of natural light, as well as a cozy hearth room, ideal for relaxing together as a family. The once neglected screened porch is now a unique and inviting office with workspace for everyone. Once these improvements were made the view to the back of the house was now apparent, the couple decided to enhance their outdoor living space as well. We added a new patio, a custom pergola, water feature and a fire pit. “Now it’s a private spot to relax and connect with the outdoors. It really highlights the style of the house and we love it,” says the homeowner.