Having a small child, loving to entertain and looking to declutter and kid-proof the gathering spaces of their home in the quaint village of Rockville Centre, Long Island, a stone’s throw from Manhattan, our client’s main objective was to have their living room and den transformed with a family friendly home makeover with mid-century modern tones boasting a formal, yet relaxed spirit Stepping into the home we found their living room and den both architecturally well appointed yet in need of modern transitional furniture pieces and the pops of color our clients admired, as there was a substantial amount of cool, cold grays in the rooms. Decor Aid designer Vivian C. approached the design and placement of the pieces sourced to be kid-friendly while remaining sophisticated and practical for entertaining. “We played off of the clients love for blush pinks, mid-century modern and turquoise. We played with the use of gold and silver metals to mix it up.” In the living room, we used the prominent bay window and its illuminating natural light as the main architectural focal point, while the fireplace and mantels soft white tone helped inform the minimalist color palette for which we styled the room around. To add warmth to the living room we played off of the clients love for blush pinks and turquoise while elevating the room with flashes of gold and silver metallic pieces. For a sense of play and to tie the space together we punctuated the kid-friendly living room with an eclectic juxtaposition of colors and materials, from a beautifully patchworked geometric cowhide rug from All Modern, to a whimsical mirror placed over an unexpected, bold geometric credenza, to the blush velvet barrel chair and abstract blue watercolor pillows. “When sourcing furniture and objects, we chose items that had rounded edges and were shatter proof as it was vital to keep each room’s decor childproof.” Vivian ads. Their vision for the den remained chic, with comfort and practical functionality key to create an area for the young family to come together. For the den, our main challenge was working around the pre-existing dark gray sectional sofa. To combat its chunkiness, we played off of the hues in the cubist framed prints placed above and focused on blue and orange accents which complement and play off of each other well. We selected orange storage ottomans in easy to clean, kid-friendly leather to maximize space and functionality. To personalize the appeal of the den we included black and white framed family photos. In the end, the result created a fun, relaxed space where our clients can enjoy family moments or watch a game while taking in the scenic view of their backyard. For harmony between the rooms, the overall tone for each room is mid-century modern meets bold, yet classic contemporary through the use of mixed materials and fabrications including marble, stone, metals and plush velvet, creating a cozy yet sophisticated enough atmosphere for entertaining family and friends and raising a young children. “The result od this family friendly room was really fantastic! Adding some greenery, more pillows and throws really made the space pop.” Vivian C. Decor Aid’s Designer

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

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This home outside of Philadelphia was designed to be family friendly and comfortable space and is just the place to relax and spend family time as well as have enough seating for entertaining. The living room has a large sectional to cozy up with a movie or to entertain. The historic home is bright and open all while feeling collected, comfortable and cozy. The applied box molding on the living room wall adds a subtle pattern all while being a striking focal point for the room. The grand foyer is fresh and inviting and uncluttered and allows for ample space for guests to be welcomed to the home. The kitchen was refreshed to include a contrasting toned island, blue backsplash tile and bright brass fixtures and lighting

To stay or to go? This is the question our clients are still pondering. Yet, as their youngest child heads off to college, they are ready to enjoy their new kitchen or feature it in a real estate listing. Since they were unsure of their plans, we decided a pull and replace renovation was the logical — and most economical—choice. While all appliances remain in their same locations, we were able to make easy adjustments with cabinetry to update the space: convert a desk to a beverage center; increase the size of the island; install an island countertop with overhang for seating; and lengthen the perimeter cabinetry and add a tip-up, on-counter cabinet to house small appliances. The color palette was based on introducing warm grays to the space while ensuring the existing Brazilian cherry floor remained compatible with the new design. A combination of light gray and dark gray painted cabinetry (Medallion, Irish Crème and Frappe) updates the space, along with bronze finishes. A unique hex-patterned white tile backsplash with contrasting gray grout on the perimeter adds interest yet keeps the focus on the island. We installed the understated Cambria Whitehall on the perimeter with the vivid Cambria Skara Brae on the island. We worked closely with the stone fabricator to ensure the Skara Brae’s veining pattern matched the client’s vision. Above the island countertop, we installed two oversized pendants to add intensity and beauty as you enter the room.

Tom Stringer of Tom Stringer Design Partners designed the beautiful Living Room for the 2014 DreamHome, featuring furniture and accessories from Baker Knapps & Tubbs, Benjamin Moore, CAI Designs, Dessin Fournir Companies, Donghia, Inc., Edelman Leather, Holly Hunt, John Rosselli & Associates, LALIQUE, Mike Bell, Inc. & Westwater Patterson, Remains Lighting, Richard Norton Gallery, LLC, Samuel & Sons Passementerie, Schumacher/Patterson, Flynn & Martin, and Watson Smith Carpet – Rugs – Hard Surfaces. Other resources: Tom Stringer’s Personal Collection. Explore the Living Room further here: http://bit.ly/1m2qKKK

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St. Charles Sport Model - Tradition Collection Pricing, floorplans, virtual tours, community information & more at https://www.robertthomashomes.com/

In 1949, one of mid-century modern’s most famous NW architects, Paul Hayden Kirk, built this early “glass house” in Hawthorne Hills. Rather than flattening the rolling hills of the Northwest to accommodate his structures, Kirk sought to make the least impact possible on the building site by making use of it natural landscape. When we started this project, our goal was to pay attention to the original architecture--as well as designing the home around the client’s eclectic art collection and African artifacts. The home was completely gutted, since most of the home is glass, hardly any exterior walls remained. We kept the basic footprint of the home the same—opening the space between the kitchen and living room. The horizontal grain matched walnut cabinets creates a natural continuous movement. The sleek lines of the Fleetwood windows surrounding the home allow for the landscape and interior to seamlessly intertwine. In our effort to preserve as much of the design as possible, the original fireplace remains in the home and we made sure to work with the natural lines originally designed by Kirk.

This project presented unique opportunities that are not often found in residential landscaping. The homeowners were not only restoring their 1840's era farmhouse, a piece of their family’s history, but also enlarging and updating the home for modern living. The landscape designers continued this idea by creating a space that is a modern day interpretation of an 1840s era farm rather then a strict recreation. The resulting design combines elements of farm living from that time, as well as acknowledging the property’s history as a horse farm, with staples of 21st century landscapes such as space for outdoor living, lighting, and newer plant varieties. Guests approach from the main driveway which winds through the property and ends at the main barn. There is secondary gated driveway just for the homeowners. Connected to this main driveway is a narrower gravel lane which leads directly to the residence. The lane passes near fruit trees planted in broken rows to give the illusion that they are the remains of an orchard that once existed on the site. The lane widens at the entrance to the gardens where there is a hitching post built into the fence that surrounds the gardens and a watering trough. The widened section is intended as a place to park a golf cart or, in a nod to the home’s past, tie up horses before entering. The gravel lane passes between two stone pillars and then ends at a square gravel court edged in cobblestones. The gravel court transitions into a wide flagstone walk bordered with yew hedges and lavender leading to the front door. Directly to the right, upon entering the gravel court, is located a gravel and cobblestone edged walk leading to a secondary entrance into the residence. The walk is gated where it connects with the gravel court to close it off so as not to confuse visitors and guests to the main residence and to emphasize the primary entrance. An area for a bench is provided along this walk to encourage stopping to view and enjoy the gardens. On either side of the front door, gravel and cobblestone walks branch off into the garden spaces. The one on the right leads to a flagstone with cobblestone border patio space. Since the home has no designated backyard like most modern suburban homes the outdoor living space had to be placed in what would traditionally be thought of as the front of the house. The patio is separated from the entrance walk by the yew hedge and further enclosed by three Amelanchiers and a variety of plantings including modern cultivars of old fashioned plants such as Itea and Hydrangea. A third entrance, the original front door to the 1840’s era section, connects to the patio from the home’s kitchen, making the space ideal for outdoor dining. The gravel and cobblestone walk branching off to the left of the front door leads to the vegetable and perennial gardens. The idea for the vegetable garden was to recreate the tradition of a kitchen garden which would have been planted close to the residence for easy access. The vegetable garden is surrounded by mixed perennial beds along the inside of the wood picket fence which surrounds the entire garden space. Another area designated for a bench is provided here to encourage stopping and viewing. The home’s original smokehouse, completely restored and used as a garden shed, provides a strong architectural focal point to the vegetable garden. Behind the smokehouse is planted lilacs and other plants to give mass and balance to the corner and help screen the garden from the neighboring subdivision. At the rear corner of the garden a wood arbor was constructed to provide a structure on which to grow grapes or other vines should the homeowners choose to. The landscape and gardens for this restored farmhouse and property are a thoughtfully designed and planned recreation of a historic landscape reinterpreted for modern living. The idea was to give a sense of timelessness when walking through the gardens as if they had been there for years but had possibly been updated and rejuvenated as lifestyles changed. The attention to materials and craftsmanship blend seamlessly with the residence and insure the gardens and landscape remain an integral part of the property. The farm has been in the homeowner’s family for many years and they are thrilled at the results and happy to see respect given to the home’s history and to its meticulous restoration.

In 1949, one of mid-century modern’s most famous NW architects, Paul Hayden Kirk, built this early “glass house” in Hawthorne Hills. Rather than flattening the rolling hills of the Northwest to accommodate his structures, Kirk sought to make the least impact possible on the building site by making use of it natural landscape. When we started this project, our goal was to pay attention to the original architecture--as well as designing the home around the client’s eclectic art collection and African artifacts. The home was completely gutted, since most of the home is glass, hardly any exterior walls remained. We kept the basic footprint of the home the same—opening the space between the kitchen and living room. The horizontal grain matched walnut cabinets creates a natural continuous movement. The sleek lines of the Fleetwood windows surrounding the home allow for the landscape and interior to seamlessly intertwine. In our effort to preserve as much of the design as possible, the original fireplace remains in the home and we made sure to work with the natural lines originally designed by Kirk.

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