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Originally built in 1892, this quaint log cabin has undergone a transformative renovation while preserving its charming character. Located near the Little Deschutes River in Central Oregon, within the historic Vandert Homestead, the home now boasts bright, open spaces for everyday living, complete with flexible aluminum clad folding doors.
Working alongside contractor Bales Inc., architect Jeff Klein from Klein Architecture led the renovation with the goal of opening the once dark interior to natural light and the surrounding landscape. Central to the design was transforming a deteriorating garage into a new functional sunroom, creating a light-filled space that reorients the cabin design toward the patio and natural environment.
Restoring a Historic Cabin with Aluminum Clad Folding Doors
outdoor living with aluminum clad folding door
A Revamped Cabin Design for Indoor-Outdoor Living
The former garage is now a transitional space between the cabin and a natural stone patio. Positioned along the south elevation, the sunroom captures daylight throughout the day while acting as a buffer between the interior and exterior environments. A revised roof assembly was developed to resolve previous drainage failures. Working with framers, the design team incorporated a sloping roof system with a waterproof membrane to direct water away from the structure.
This approach not only protected the log walls but also created access to a rooftop deck from the upper level, adding functional outdoor space without expanding the building footprint.
“It was also critical to transform the existing dark, segmented interior spaces by physically opening them up to the new sunroom,” says Klein. “NanaWall systems offered the ideal solution for what we were after.”
historical homestead interior
Improving Spatial Flow, From the Kitchen to the Sunroom
The kitchen remained largely intact during the renovation, retaining many of the elements that had defined the cabin’s character for decades. Features such as the farmhouse sink, concrete countertops, butcher-block island, and built-in seating were retained, creating a perfect blend of old and new.
What changed was how the kitchen connects to the surrounding rooms. The layout now flows naturally into an adjacent dining area before extending into the newly added sunroom, delivering a seamless transition from the interiors to the outdoors through aluminum clad folding doors.
Historic log cabin with clad folding doors and windows
A Light-Filled Sunroom Designed for Gatherings with Aluminum Clad Windows and Doors
The newly added sunroom became the centerpiece of the cabin design. Designed as a bright, welcoming space, it connects the historic cabin to the natural stone patio beyond. Interior designer Sue Olson helped create the room's atmosphere by choosing finishes and furnishings that complement the cabin's rustic materials while keeping the space open and inviting.
The sunroom captures sunlight throughout the day and serves as a flexible space for dining, relaxing, and entertaining. The addition was designed to sit comfortably alongside the existing log structure while introducing expansive glazing and aluminum clad folding doors that draw daylight deep into the home.
NanaWall aluminum clad folding doors and windows
Aluminum Clad Folding Doors Open the Sunroom to the Patio
A NanaWall aluminum clad folding glass door opens the south wall of the sunroom, creating a direct connection to the natural stone patio. Spanning more than thirteen feet wide and nearly eight feet tall, the system allows the entire façade to open when the panels are folded back. Specified with pine wood frames and simulated divided lites, the door complements the cabin’s traditional materials while introducing the flexibility of modern indoor-outdoor living.
When closed, the door frames the view while bringing daylight into the sunroom. When open, the space seamlessly flows into the patio. Plus, customized with double glazed panels, these aluminum clad systems offer an insulated barrier that keeps cold weather out and keeps comfortable interiors year-round.
“The NanaWall system was the ideal solution for the proposed design,” says Klein. “The result is a seamless connection between the sheltered interior area and the openness of the outdoor environment.”
aluminum clad folding windows
A Folding Window Creates an Indoor-Outdoor Bar
Complementing the folding door and indoor-outdoor cabin design, a NanaWall aluminum clad folding window was installed at bar height along the sunroom wall facing the patio. Stretching more than thirteen feet across and just over four feet in height, the opening transforms the wall into a casual indoor-outdoor serving counter.
Specified with matching pine wood frames and simulated divided lites, the system folds away easily, creating an indoor-outdoor bar that encourages interaction between the sunroom and patio. When open, the counter becomes a flexible gathering point for meals, drinks, and conversation, allowing those inside and outside to share the space comfortably.
“The NanaWall door and window systems played a pivotal role in achieving our design objectives,” says Klein. “The connection between the indoor and outdoor environment has become seamless.”
inoor-outdoor living with clad folding windows and doors
The Flexible Design Solution for Every Home Style
Beyond creating large openings, the NanaWall aluminum clad folding doors were chosen for how well they integrate with the cabin’s traditional architecture while delivering modern functionality. The wood clad panels, specified with simulated divided lites, reflect the style and charm of classic window detailing, while panels that fold outward maximize usable space inside the cabin.
Minimal frames maximize glass area, drawing natural light deeper into the sunroom and adjacent spaces. Paired with higher weather performance sills, the systems are built to withstand the region’s climate while allowing the sunroom to shift easily between a sheltered interior space and an open-air extension of the patio.
Additionally, NanaWall aluminum clad systems feature clip-on cladding technology that allows the wood to breathe in environments where temperatures are extremely hot, humid, or cold. This, in turn, aligns with the renovation’s goal of resolving prior drainage and moisture issues.
outdoor living with NanaWall aluminum clad systems
Final Thoughts: Historic Cabin Design Reimagined for Modern Living
Today, the Vandevert Homestead perfectly blends old-time charm with modern living. The renovation maintains the historic character of the original log structure while introducing brighter, more connected spaces that better engage with the surrounding landscape.
With the transformation of the garage into a light-filled sunroom and flexible NanaWall aluminum clad folding doors, everyday living now flows naturally between the kitchen, dining area, sunroom, and patio. The result is a cabin that feels both timeless and renewed, where historic craftsmanship remains intact while the home experience is lighter, more open, and closely tied to the natural beauty of Central Oregon.

This accessory dwelling unit has laminate flooring and a luminous skylight for an open and spacious living feeling. The kitchenette features gray, shaker style cabinets, a white granite counter top and has brass kitchen faucet matched wtih the kitchen drawer pulls. And with a stainless steel oven and mini-refrigerator this kitchenette provides all of the essentials.
The kitchenette also features a pantry area located behind the white paneled doors and has extra wood shelving for those needed most items.
With a wall mounted flat screen TV and a flashy burnt orange entry doorway, you should be set and ready to host!

Download our free ebook, Creating the Ideal Kitchen. DOWNLOAD NOW
A tired primary bathroom, with varying ceiling heights and a beige-on-beige color scheme, was screaming for love. Squaring the room and adding natural materials erased the memory of the lack luster space and converted it to a bright and welcoming spa oasis. The home was a new build in 2005 and it looked like all the builder’s material choices remained. The client was clear on their design direction but were challenged by the differing ceiling heights and were looking to hire a design-build firm that could resolve that issue.
This local Glen Ellyn couple found us on Instagram (@kitchenstudioge, follow us ?). They loved our designs and felt like we fit their style. They requested a full primary bath renovation to include a large shower, soaking tub, double vanity with storage options, and heated floors. The wife also really wanted a separate make-up vanity. The biggest challenge presented to us was to architecturally marry the various ceiling heights and deliver a streamlined design.
The existing layout worked well for the couple, so we kept everything in place, except we enlarged the shower and replaced the built-in tub with a lovely free-standing model. We also added a sitting make-up vanity. We were able to eliminate the awkward ceiling lines by extending all the walls to the highest level. Then, to accommodate the sprinklers and HVAC, lowered the ceiling height over the entrance and shower area which then opens to the 2-story vanity and tub area. Very dramatic!
This high-end home deserved high-end fixtures. The homeowners also quickly realized they loved the look of natural marble and wanted to use as much of it as possible in their new bath. They chose a marble slab from the stone yard for the countertops and back splash, and we found complimentary marble tile for the shower. The homeowners also liked the idea of mixing metals in their new posh bathroom and loved the look of black, gold, and chrome.
Although our clients were very clear on their style, they were having a difficult time pulling it all together and envisioning the final product. As interior designers it is our job to translate and elevate our clients’ ideas into a deliverable design. We presented the homeowners with mood boards and 3D renderings of our modern, clean, white marble design. Since the color scheme was relatively neutral, at the homeowner’s request, we decided to add of interest with the patterns and shapes in the room.
We were first inspired by the shower floor tile with its circular/linear motif. We designed the cabinetry, floor and wall tiles, mirrors, cabinet pulls, and wainscoting to have a square or rectangular shape, and then to create interest we added perfectly placed circles to contrast with the rectangular shapes. The globe shaped chandelier against the square wall trim is a delightful yet subtle juxtaposition.
The clients were overjoyed with our interpretation of their vision and impressed with the level of detail we brought to the project. It’s one thing to know how you want a space to look, but it takes a special set of skills to create the design and see it thorough to implementation. Could hiring The Kitchen Studio be the first step to making your home dreams come to life?
Find the right local pro for your project

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art.
Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout.
A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors.
The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth.
A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space.
After photos: Bernardo Grijalva and Fiorito Interior Design
Cabinetry: custom by Schmitz Woodwork
Countertops: Primordia and Calcatta Maximus by Caesarstone
Backsplash: Elements in Miami Sand Pearl by Lunada Bay
Island pendants: Simple Sanders by Shades of Light
Stools: Essex by Lazar in Brisa fabric by Ultrafabrics
Dining table: Emerson Wave by Saloom
Dining chairs: Essex by Lazar
Dining lighting: Triad chandelier by Kichler
Dining rug: Soho Smoke by Jaunty Inc.
Sitting area sofa and ottoman: Corvo by Lazar
Sitting area swivel chair: Noah by Lazar
Sitting area rug: Soho Stone by Jaunty Inc.
Motorized shades: Hunter Douglas
Entry console: Reed by Uttermost
Entry light: Re by Visual Comfort
Fireplace: Haisa cut and polished marble by Icontile
Wall paint: Mascarpone by Benjamin Moore

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art.
Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout.
A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors.
The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth.
A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space.
After photos: Bernardo Grijalva and Fiorito Interior Design
Cabinetry: custom by Schmitz Woodwork
Countertops: Primordia and Calcatta Maximus by Caesarstone
Backsplash: Elements in Miami Sand Pearl by Lunada Bay
Island pendants: Simple Sanders by Shades of Light
Stools: Essex by Lazar in Brisa fabric by Ultrafabrics
Dining table: Emerson Wave by Saloom
Dining chairs: Essex by Lazar
Dining lighting: Triad chandelier by Kichler
Dining rug: Soho Smoke by Jaunty Inc.
Sitting area sofa and ottoman: Corvo by Lazar
Sitting area swivel chair: Noah by Lazar
Sitting area rug: Soho Stone by Jaunty Inc.
Motorized shades: Hunter Douglas
Entry console: Reed by Uttermost
Entry light: Re by Visual Comfort
Fireplace: Haisa cut and polished marble by Icontile
Wall paint: Mascarpone by Benjamin Moore

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art.
Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout.
A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors.
The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth.
A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space.
After photos: Bernardo Grijalva and Fiorito Interior Design
Cabinetry: custom by Schmitz Woodwork
Countertops: Primordia and Calcatta Maximus by Caesarstone
Backsplash: Elements in Miami Sand Pearl by Lunada Bay
Island pendants: Simple Sanders by Shades of Light
Stools: Essex by Lazar in Brisa fabric by Ultrafabrics
Dining table: Emerson Wave by Saloom
Dining chairs: Essex by Lazar
Dining lighting: Triad chandelier by Kichler
Dining rug: Soho Smoke by Jaunty Inc.
Sitting area sofa and ottoman: Corvo by Lazar
Sitting area swivel chair: Noah by Lazar
Sitting area rug: Soho Stone by Jaunty Inc.
Motorized shades: Hunter Douglas
Entry console: Reed by Uttermost
Entry light: Re by Visual Comfort
Fireplace: Haisa cut and polished marble by Icontile
Wall paint: Mascarpone by Benjamin Moore

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art.
Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout.
A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors.
The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth.
A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space.
After photos: Bernardo Grijalva and Fiorito Interior Design
Cabinetry: custom by Schmitz Woodwork
Countertops: Primordia and Calcatta Maximus by Caesarstone
Backsplash: Elements in Miami Sand Pearl by Lunada Bay
Island pendants: Simple Sanders by Shades of Light
Stools: Essex by Lazar in Brisa fabric by Ultrafabrics
Dining table: Emerson Wave by Saloom
Dining chairs: Essex by Lazar
Dining lighting: Triad chandelier by Kichler
Dining rug: Soho Smoke by Jaunty Inc.
Sitting area sofa and ottoman: Corvo by Lazar
Sitting area swivel chair: Noah by Lazar
Sitting area rug: Soho Stone by Jaunty Inc.
Motorized shades: Hunter Douglas
Entry console: Reed by Uttermost
Entry light: Re by Visual Comfort
Fireplace: Haisa cut and polished marble by Icontile
Wall paint: Mascarpone by Benjamin Moore

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art.
Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout.
A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors.
The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth.
A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space.
After photos: Bernardo Grijalva and Fiorito Interior Design
Cabinetry: custom by Schmitz Woodwork
Countertops: Primordia and Calcatta Maximus by Caesarstone
Backsplash: Elements in Miami Sand Pearl by Lunada Bay
Island pendants: Simple Sanders by Shades of Light
Stools: Essex by Lazar in Brisa fabric by Ultrafabrics
Dining table: Emerson Wave by Saloom
Dining chairs: Essex by Lazar
Dining lighting: Triad chandelier by Kichler
Dining rug: Soho Smoke by Jaunty Inc.
Sitting area sofa and ottoman: Corvo by Lazar
Sitting area swivel chair: Noah by Lazar
Sitting area rug: Soho Stone by Jaunty Inc.
Motorized shades: Hunter Douglas
Entry console: Reed by Uttermost
Entry light: Re by Visual Comfort
Fireplace: Haisa cut and polished marble by Icontile
Wall paint: Mascarpone by Benjamin Moore

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art.
Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout.
A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors.
The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth.
A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space.
After photos: Bernardo Grijalva and Fiorito Interior Design
Cabinetry: custom by Schmitz Woodwork
Countertops: Primordia and Calcatta Maximus by Caesarstone
Backsplash: Elements in Miami Sand Pearl by Lunada Bay
Island pendants: Simple Sanders by Shades of Light
Stools: Essex by Lazar in Brisa fabric by Ultrafabrics
Dining table: Emerson Wave by Saloom
Dining chairs: Essex by Lazar
Dining lighting: Triad chandelier by Kichler
Dining rug: Soho Smoke by Jaunty Inc.
Sitting area sofa and ottoman: Corvo by Lazar
Sitting area swivel chair: Noah by Lazar
Sitting area rug: Soho Stone by Jaunty Inc.
Motorized shades: Hunter Douglas
Entry console: Reed by Uttermost
Entry light: Re by Visual Comfort
Fireplace: Haisa cut and polished marble by Icontile
Wall paint: Mascarpone by Benjamin Moore

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art.
Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout.
A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors.
The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth.
A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space.
After photos: Bernardo Grijalva and Fiorito Interior Design
Cabinetry: custom by Schmitz Woodwork
Countertops: Primordia and Calcatta Maximus by Caesarstone
Backsplash: Elements in Miami Sand Pearl by Lunada Bay
Island pendants: Simple Sanders by Shades of Light
Stools: Essex by Lazar in Brisa fabric by Ultrafabrics
Dining table: Emerson Wave by Saloom
Dining chairs: Essex by Lazar
Dining lighting: Triad chandelier by Kichler
Dining rug: Soho Smoke by Jaunty Inc.
Sitting area sofa and ottoman: Corvo by Lazar
Sitting area swivel chair: Noah by Lazar
Sitting area rug: Soho Stone by Jaunty Inc.
Motorized shades: Hunter Douglas
Entry console: Reed by Uttermost
Entry light: Re by Visual Comfort
Fireplace: Haisa cut and polished marble by Icontile
Wall paint: Mascarpone by Benjamin Moore

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art.
Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout.
A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors.
The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth.
A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space.
After photos: Bernardo Grijalva and Fiorito Interior Design
Cabinetry: custom by Schmitz Woodwork
Countertops: Primordia and Calcatta Maximus by Caesarstone
Backsplash: Elements in Miami Sand Pearl by Lunada Bay
Island pendants: Simple Sanders by Shades of Light
Stools: Essex by Lazar in Brisa fabric by Ultrafabrics
Dining table: Emerson Wave by Saloom
Dining chairs: Essex by Lazar
Dining lighting: Triad chandelier by Kichler
Dining rug: Soho Smoke by Jaunty Inc.
Sitting area sofa and ottoman: Corvo by Lazar
Sitting area swivel chair: Noah by Lazar
Sitting area rug: Soho Stone by Jaunty Inc.
Motorized shades: Hunter Douglas
Entry console: Reed by Uttermost
Entry light: Re by Visual Comfort
Fireplace: Haisa cut and polished marble by Icontile
Wall paint: Mascarpone by Benjamin Moore

Windlestraw is a picturesque Edwardian manor hotel overlooking the Tweed Valley, near Walkerburn in the Scottish Borders area of Scotland. One of the bathrooms in the manor was in the process of being refurbished when two layers of floor tiles were removed, unveiling an original Marble tiled floor dating back to the 1920s.
After the top layers of tile had been removed the Marble was still covered in old adhesive and cement and although Marble is known for its quality and durability the hotel owner didn’t want the building contractor to proceed any further in case they damaged it. The owner was keen to restore the Marble floor as an original feature so we were called in to set the situation right.
To restore the floor I used two processes known as milling and burnishing. Milling literally involves grinding down uneven or rough surfaces using very coarse, diamond encrusted pads. The pads are usually used to resolve lippage issues on natural stone but in this case we needed to use the very coarse abrasive pads to grind off the adhesive and cement. I used a set of three coarse milling pads rinsing with water between each pad and starting with a 50 grit pad, before moving on to 100 and 200 grit pads. This process was very effective and ground off the cement and adhesive, while also removing any lippage in the tiles to leave a completely flat surface.
Milling leaves the surface of the Marble tiles clean but in a rough condition and this is where the second process Burnishing comes in. Similar to milling, burnishing focuses on achieving a polished finish with the application of ever finer grades of polishing pads and is often used to bring back the polish on Limestone and Travertine as well as Marble. Moving on to the burnishing, I worked my way through the four diamond encrusted pad system lubricating with a little water and again rinsing between each pad to remove the slurry. The grits go from Coarse (400 grit), Medium (800 grit), Fine (1500 grit) and then eventually Very Fine (3000 grit) and come in a 17” pad for use on a rotary floor machine and were applied twice in sequence to achieve a fantastic polished shine.
The floor was given a final rinse and then dried with a wet-vacuum before we proceeded to seal the floor using Tile Doctor Shine Powder which is a crystallizing powder that is applied directly to the floor and worked in using a buffing pad fitted to a rotary machine.
Shine Powder provides a very high shine (as you can see from the photos), along with a tough durable finish. On top of this, it is suitable for sealing all natural stone, including, of course, Marble, along with Limestone, Granite, Slate and Travertine.
The customer was absolutely delighted with the results as were we although it’s now up to them to ensure the bathroom fitters take appropriate care when completing the room which I’m sure will look absolutely fantastic when complete and no doubt add to the allure of this magnificent hotel in the Scottish Borders.
Thomas Wilson
Edinburgh Tile Doctor

Rodwin Architecture and Skycastle Homes
Location: Boulder, CO, United States
This LEED Platinum certified modern farmhouse is our first “regenerative home,” producing more energy than it consumes. This 3,900 s.f. custom home uses passive solar design, 10.2kW of solar photovoltaics, a ground source heat pump, double wall well-insulated exterior envelope, high performance doors and windows, to achieve a HERS negative 8 rating and Energy Star v.3.0 certification. The interior has low-VOC finishes and custom built-in FSC-certified wood and beetle kill pine cabinets throughout. The site is designed to be very low water use, incorporating permaculture and urban farming, with raised planting beds and a passive solar chicken coop/greenhouse. What makes this project special is its combination of extraordinary sustainability with conventionally attractive, cost-effective design tailored to the owner’s needs.

Entre todas las decisiones de programa de Casa Lacum, el estudio de arte es quizás la más personal: un espacio hecho únicamente para crear, resuelto por RBA Residences con el mismo cuidado material que el resto de la residencia. Ubicado en un área totalmente acristalada, recibe luz natural de manera constante durante todo el día, algo casi indispensable en cualquier espacio pensado para la práctica artística.
Como pieza central, un caballete de madera sostiene una obra en proceso, mientras una mesa auxiliar con ruedas mantiene organizados los pinceles, pigmentos y demás utensilios de trabajo. Este mobiliario, funcional pero elegido con cuidado estético, muestra cómo los arquitectos para diseñar una casa de lujo logran resolver programas muy específicos sin perder coherencia visual con el resto del proyecto.
Los muros mezclan piedra clara con paneles de madera vertical, siguiendo el mismo lenguaje material que se repite en toda Casa Lacum. A un lado, una estantería abierta exhibe una selección cuidada de piezas de cerámica y libros, que suman textura y carácter al espacio sin caer en exceso decorativo.
Cerca del área de trabajo, un olivo interior introduce un elemento vegetal dentro del estudio, en línea con la presencia constante de la naturaleza que se repite en cada rincón de la residencia. Los ventanales de piso a techo, que enmarcan la vegetación de afuera, evitan que el estudio se sienta desconectado del paisaje que lo rodea, aunque sea uno de los espacios más introspectivos de la casa.
Un sillón de líneas orgánicas, tapizado en tonos crema con textiles de patrón artesanal, ofrece un lugar de descanso dentro del mismo estudio, perfecto para pausas de observación entre sesiones de trabajo creativo. Este tipo de espacio, poco frecuente en el programa habitual de una residencia, muestra la capacidad de las constructoras de casas de lujo para adaptar por completo un proyecto a los intereses particulares de quien lo habita.
El estudio de arte de Casa Lacum confirma que el diseño orgánico no se queda solo en los materiales visibles, sino que también se expresa en cómo la arquitectura responde a las necesidades más personales de quienes viven ahí.

The Whistle Hill Lot 9 Residence is a defining example of RWH Architect’s vision for a new architectural era in Southern New Hampshire. With its bold geometry, refined material palette, and thoughtfully layered rooflines, this home embodies contemporary living while setting a fresh design standard for the region.
From the moment you approach the residence, the interplay of stone accents, vertical elements, and expansive windows establishes a striking yet inviting presence. Inside, a two-story entryway welcomes guests with light and volume, introducing an interior designed for both comfort and sophistication. The open-concept first floor seamlessly integrates the kitchen, great room, and dining/breakfast area, all flowing naturally toward a covered patio that extends the living space outdoors. A walk-in pantry, a private den, and a mudroom with built-in bench and hooks—conveniently located off the two-car attached garage, one bay featuring an oversized door—enhance the home’s functional rhythm. An expansive basement provides room for future recreation or storage, ensuring the home continues to evolve with the family who lives in it.
The second floor hosts four well-proportioned bedrooms, including a master suite designed as a private retreat. The suite features a generous walk-in closet and a luxurious soaking tub, paired with thoughtfully arranged natural light to create a sense of calm and rejuvenation. Two full bathrooms and one half bathroom support the needs of modern family living while maintaining architectural cohesion throughout the home.
Designing this residence presented several challenges that ultimately pushed the architectural expression forward. One key challenge was blending multiple rooflines into a unified modern aesthetic without losing the clarity of the home’s form. RWH resolved this by composing a series of carefully layered planes, each one calibrated to complement the others, resulting in a dynamic yet harmonious silhouette. Another challenge involved balancing the mix of exterior materials—such as stone, horizontal siding, and broad window openings—while maintaining a sense of order and visual stability. This was achieved by aligning materials with structural elements and strengthening vertical features, creating rhythm and cohesion across the façade. A further challenge was delivering an open, light-filled interior despite the structural demands of a two-story entry and several cantilevered forms. RWH overcame this through advanced framing techniques and discreet structural steel placement, allowing for expansive glazing and generous interior spans while preserving the home’s clean, uncluttered aesthetic.
The Whistle Hill Lot 9 Residence stands as a testament to forward-thinking residential design and the evolution of architectural expectations in the area. Through innovative solutions, intentional detailing, and a commitment to elevating everyday living, RWH Architect has created a home that not only meets the needs of modern families but also sets a new benchmark for contemporary architecture in the region.

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art.
Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout.
A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors.
The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth.
A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space.
After photos: Bernardo Grijalva and Fiorito Interior Design
Cabinetry: custom by Schmitz Woodwork
Countertops: Primordia and Calcatta Maximus by Caesarstone
Backsplash: Elements in Miami Sand Pearl by Lunada Bay
Island pendants: Simple Sanders by Shades of Light
Stools: Essex by Lazar in Brisa fabric by Ultrafabrics
Dining table: Emerson Wave by Saloom
Dining chairs: Essex by Lazar
Dining lighting: Triad chandelier by Kichler
Dining rug: Soho Smoke by Jaunty Inc.
Sitting area sofa and ottoman: Corvo by Lazar
Sitting area swivel chair: Noah by Lazar
Sitting area rug: Soho Stone by Jaunty Inc.
Motorized shades: Hunter Douglas
Entry console: Reed by Uttermost
Entry light: Re by Visual Comfort
Fireplace: Haisa cut and polished marble by Icontile
Wall paint: Mascarpone by Benjamin Moore

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art.
Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout.
A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors.
The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth.
A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space.
After photos: Bernardo Grijalva and Fiorito Interior Design
Cabinetry: custom by Schmitz Woodwork
Countertops: Primordia and Calcatta Maximus by Caesarstone
Backsplash: Elements in Miami Sand Pearl by Lunada Bay
Island pendants: Simple Sanders by Shades of Light
Stools: Essex by Lazar in Brisa fabric by Ultrafabrics
Dining table: Emerson Wave by Saloom
Dining chairs: Essex by Lazar
Dining lighting: Triad chandelier by Kichler
Dining rug: Soho Smoke by Jaunty Inc.
Sitting area sofa and ottoman: Corvo by Lazar
Sitting area swivel chair: Noah by Lazar
Sitting area rug: Soho Stone by Jaunty Inc.
Motorized shades: Hunter Douglas
Entry console: Reed by Uttermost
Entry light: Re by Visual Comfort
Fireplace: Haisa cut and polished marble by Icontile
Wall paint: Mascarpone by Benjamin Moore

This request came from a client who lives in the Newcastle district of Jesmond who was unhappy with the appearance of their Textured Porcelain floor tiles. The problem was that the Porcelain Tiles were grouted in whilst the underfloor heating was switched on. This resulted in the grout drying out quicker than expected and the tiler struggled to get the excess grout off the tiles. To rectify the problem, the tiler tried to get the dried grout off with acid, but it didn’t work, and the floor was left looking dark and dull. Unable to rectify the problem the client was left with a disappointing pale floor and had searched around the internet for a solution.
Normally grout smears like these (aka Grout Haze) can be removed with an acidic product and Tile Doctor sell Grout Clean-up specially for this purpose. However, some grouts contain acid resistant polymers which need to broken down first. Fortunately, we have a solution for everything tile related and the system we use does not affect the main grout lines only the excess grout. I called in to do a site visit and having surveyed the problem I was confident it could resolved, I gave them a price for the work and agreed a date to return to do the job.
My first task was to spray the tiles with Tile Doctor Remove and Go, this was left to soak into the tile for around ten minutes before being scrubbed in. Remove and Go is a coatings remover that is safe to use on tile and grout; normally we use it to remove old sealers but in this case I applied it to break down the polymers. To work the product into the tile I use a buffing machine fitted with a black scrubbing pad, the mechanical advantage this gives makes the job a lot quicker. Then the slurry generated is rinsed off with water and removed with a wet vacuum. The floor was then left to dry for 30 minutes.
We were then able to remove the excess grout which was done by applying Tile Doctor Grout Clean-Up which I mentioned earlier. The process was the same, i.e. using the buffing machine and a wet vacuum to scrub the floor and extract the soil. The floor was rinsed with water to remove any trace of the products used and dried as much as possible using the wet vacuum. The underfloor heating really helped at this point to dry out the floor.
Once the floor was fully dry including the grout lines a single thin coat of Tile Doctor Colour Grow sealer was applied. The tiles were textured porcelain, so the dirt gets trapped into the textured surface if it is not sealed. We usually find one coat of Tile Doctor Colour Grow is more than enough for this, anything that hadn’t soaked in after three to five minutes was then polished off with clean dry cloths.
The client was very happy with the floor and pleased that the excess grout had been cleaned up and the floor looked as it should. Before leaving I recommended the use a pH Neutral tile cleaner for general cleaning such as Tile Doctor Neutral Tile Cleaner. There is no point sealing the tiles only to have it stripped off later with the use of a bleach based cleaner.
Raf Barrett
Tyneside Tile Doctor

This gorgeous, nature-inspired Great Room—comprised of the kitchen, dining area, and sitting room—was reimagined for some wonderful repeat clients, beginning with a small, treasured piece of art.
Their large 1950s ranch house nestled into a gentle hill surrounded by orchards of fragrant orange, lemon, and cherry trees initially featured a too-small kitchen adjacent to a warren of small spaces with low ceilings serving as a dining and sitting area. They dreamed of a more spacious, light-filled layout.
A complete redesign of the home not only resolved spatial constraints but also embraced the beauty of the home’s natural surroundings. By removing walls and creating an open-plan layout, we enhanced the flow and connectivity between the kitchen, dining, and sitting areas, seamlessly integrating the outdoors with the indoors.
The relocated kitchen now faces the backyard, to facilitate outdoor entertaining and features a large island, serving as a welcoming focal point for both cooking and socializing. I designed a distinctive ceiling feature above the island, crafted from planks of the adjacent vaulted ceiling, mirroring the shape of the island below. This feature adds architectural interest and visually connects the flat kitchen plane with the vaulted plank ceiling of the sitting area, creating a harmonious sense of continuity and warmth.
A beautiful, prized painting of a bird on a branch created the direction for the color and texture palette. An intriguing yellow-green-tan background in the art guided my choices for the backsplash tile (an iridescent version mimics light glinting on water) and countertops. The kitchen's soothing color palette features various shades of natural green, while the dining area introduces feather-blue tones through chair upholstery and rug. Just steps away, the inviting sitting area features a rebuilt fireplace clad in cut, polished Haisa marble tiles in a vertical pattern. The soft, generous seating creates a comfortable spot for movie nights or cozying up by the fire on a cold winter evening. The elegant, simple silhouettes of the furniture enhance the serene and calming atmosphere of the space.
After photos: Bernardo Grijalva and Fiorito Interior Design
Cabinetry: custom by Schmitz Woodwork
Countertops: Primordia and Calcatta Maximus by Caesarstone
Backsplash: Elements in Miami Sand Pearl by Lunada Bay
Island pendants: Simple Sanders by Shades of Light
Stools: Essex by Lazar in Brisa fabric by Ultrafabrics
Dining table: Emerson Wave by Saloom
Dining chairs: Essex by Lazar
Dining lighting: Triad chandelier by Kichler
Dining rug: Soho Smoke by Jaunty Inc.
Sitting area sofa and ottoman: Corvo by Lazar
Sitting area swivel chair: Noah by Lazar
Sitting area rug: Soho Stone by Jaunty Inc.
Motorized shades: Hunter Douglas
Entry console: Reed by Uttermost
Entry light: Re by Visual Comfort
Fireplace: Haisa cut and polished marble by Icontile
Wall paint: Mascarpone by Benjamin Moore

The Whistle Hill Lot 9 Residence is a defining example of RWH Architect’s vision for a new architectural era in Southern New Hampshire. With its bold geometry, refined material palette, and thoughtfully layered rooflines, this home embodies contemporary living while setting a fresh design standard for the region.
From the moment you approach the residence, the interplay of stone accents, vertical elements, and expansive windows establishes a striking yet inviting presence. Inside, a two-story entryway welcomes guests with light and volume, introducing an interior designed for both comfort and sophistication. The open-concept first floor seamlessly integrates the kitchen, great room, and dining/breakfast area, all flowing naturally toward a covered patio that extends the living space outdoors. A walk-in pantry, a private den, and a mudroom with built-in bench and hooks—conveniently located off the two-car attached garage, one bay featuring an oversized door—enhance the home’s functional rhythm. An expansive basement provides room for future recreation or storage, ensuring the home continues to evolve with the family who lives in it.
The second floor hosts four well-proportioned bedrooms, including a master suite designed as a private retreat. The suite features a generous walk-in closet and a luxurious soaking tub, paired with thoughtfully arranged natural light to create a sense of calm and rejuvenation. Two full bathrooms and one half bathroom support the needs of modern family living while maintaining architectural cohesion throughout the home.
Designing this residence presented several challenges that ultimately pushed the architectural expression forward. One key challenge was blending multiple rooflines into a unified modern aesthetic without losing the clarity of the home’s form. RWH resolved this by composing a series of carefully layered planes, each one calibrated to complement the others, resulting in a dynamic yet harmonious silhouette. Another challenge involved balancing the mix of exterior materials—such as stone, horizontal siding, and broad window openings—while maintaining a sense of order and visual stability. This was achieved by aligning materials with structural elements and strengthening vertical features, creating rhythm and cohesion across the façade. A further challenge was delivering an open, light-filled interior despite the structural demands of a two-story entry and several cantilevered forms. RWH overcame this through advanced framing techniques and discreet structural steel placement, allowing for expansive glazing and generous interior spans while preserving the home’s clean, uncluttered aesthetic.
The Whistle Hill Lot 9 Residence stands as a testament to forward-thinking residential design and the evolution of architectural expectations in the area. Through innovative solutions, intentional detailing, and a commitment to elevating everyday living, RWH Architect has created a home that not only meets the needs of modern families but also sets a new benchmark for contemporary architecture in the region.
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