Search results for "Respond" in Home Design Ideas

The Architect House is located on a breathtaking five-acre property in Great Falls, VA. This modern home was designed to shape itself into the site and landscape. By doing so each indoor space individually responds to the corresponding outdoor space. The entire house is then able to knit itself together with spaces that freely flow together from inside and out.
The orientation of the house allows sunlight to tell the time of the day while you are inside. Upon entering you see straight through a central atrium and into the landscape beyond. Natural light and views of nature are captured from every angle inside the home.
The modern exterior design of the house utilizes a linear brick at the base of the house that anchors it to the land. Gray and cedar colored modern architectural panel siding alternate patterns on all facades of the house, accentuating the different volumes. These volumes are then capped off by low sloping metal panel roofs. Exposed steel beans and columns are utilized to create long spans of covered outdoor spaces that then easily recede into the backdrop of the landscape.
The design of this modern home is in harmony with the site and landscape creating a warm welcoming feeling and one that conveys that the house belongs there.

This staircase makes a bold design statement through restraint and precision. Thick squared-off white oak treads appear to float between dramatic, black-painted stringers, while horizontal 1/2" round bars create an open, minimal balustrade. The uniform open risers allow natural light to cascade down to the basement level, transforming the stairwell into a light-transmitting vertical shaft.
The design thoughtfully responds to the surrounding spaces, connecting levels without interrupting sightlines or blocking light flow. The result is a staircase that feels almost sculptural in its simplicity, proving that sometimes less truly is more.
1976-2026 © Century Stair Company

Doylestown Health Logo hand carved in bluestone as a garden paver.
Throughout its 94-year history, under the governance and stewardship of founders, The Village Improvement Association of Doylestown (VIA), Doylestown Hospital has responded to the healthcare needs of the greater Bucks County community.
Starting as an emergency and maternity hospital in the 1920s, over the years Doylestown Hospital has expanded its clinical services, invested in cutting-edge technologies and developed wide-ranging health programs. Today, Doylestown Health is a nationally-acclaimed, comprehensive regional healthcare system.
Learn more about the VIA: https://via-doylestown.org/
Learn more about doylestown health: https://www.doylestownhealth.org/
In collaboration with Landscape Design Group Inc.
Landscape Design by Landscape Design Group, Inc.
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The Faulkner family home is a large detached property in an idyllic setting in the village of Saltford, near Bath. Although purchased in good order overall, the existing kitchen did not work for them as a family and as such needed a complete redesign.
Having researched possible contractors, Jen and Dave Faulkner had heard good things about Mobius’ work and decided to engage them to help with a complete overhaul of the kitchen and dining area of their home.
Mobius worked closely with Mrs Faulkner to ensure the design, look, finish and practical elements were in line with their needs as a family. The work involved a full refit of the kitchen and dining area including electrics, plumbing, tiling, bespoke joinery and decoration, and the results are spectacular.
Mrs Faulkner said: “All the Mobius team were amazing to work with. My ideas and needs were listened to and suggestions were made to help finalise the design. The work was completed on time, to an exceptionally high standard and with no hidden costs. The outcome is better than we’d anticipated.”
When asked about the overall experience and what she would say to others considering engaging Mobius, Mrs Faulkner responded: “Do it! Don’t hesitate.”
We hope that they enjoy their new family-friendly kitchen for many years to come!

This staircase makes a bold design statement through restraint and precision. Thick squared-off white oak treads appear to float between dramatic, black-painted stringers, while horizontal 1/2" round bars create an open, minimal balustrade. The uniform open risers allow natural light to cascade down to the basement level, transforming the stairwell into a light-transmitting vertical shaft.
The design thoughtfully responds to the surrounding spaces, connecting levels without interrupting sightlines or blocking light flow. The result is a staircase that feels almost sculptural in its simplicity, proving that sometimes less truly is more.
1976-2026 © Century Stair Company

The Architect House is located on a breathtaking five-acre property in Great Falls, VA. This modern home was designed to shape itself into the site and landscape. By doing so each indoor space individually responds to the corresponding outdoor space. The entire house is then able to knit itself together with spaces that freely flow together from inside and out.
The orientation of the house allows sunlight to tell the time of the day while you are inside. Upon entering you see straight through a central atrium and into the landscape beyond. Natural light and views of nature are captured from every angle inside the home.
The modern exterior design of the house utilizes a linear brick at the base of the house that anchors it to the land. Gray and cedar colored modern architectural panel siding alternate patterns on all facades of the house, accentuating the different volumes. These volumes are then capped off by low sloping metal panel roofs. Exposed steel beans and columns are utilized to create long spans of covered outdoor spaces that then easily recede into the backdrop of the landscape.
The design of this modern home is in harmony with the site and landscape creating a warm welcoming feeling and one that conveys that the house belongs there.

This staircase makes a bold design statement through restraint and precision. Thick squared-off white oak treads appear to float between dramatic, black-painted stringers, while horizontal 1/2" round bars create an open, minimal balustrade. The uniform open risers allow natural light to cascade down to the basement level, transforming the stairwell into a light-transmitting vertical shaft.
The design thoughtfully responds to the surrounding spaces, connecting levels without interrupting sightlines or blocking light flow. The result is a staircase that feels almost sculptural in its simplicity, proving that sometimes less truly is more.
1976-2026 © Century Stair Company

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This staircase makes a bold design statement through restraint and precision. Thick squared-off white oak treads appear to float between dramatic, black-painted stringers, while horizontal 1/2" round bars create an open, minimal balustrade. The uniform open risers allow natural light to cascade down to the basement level, transforming the stairwell into a light-transmitting vertical shaft.
The design thoughtfully responds to the surrounding spaces, connecting levels without interrupting sightlines or blocking light flow. The result is a staircase that feels almost sculptural in its simplicity, proving that sometimes less truly is more.
1976-2026 © Century Stair Company

Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability.
The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior.
Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.

Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability.
The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior.
Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.

Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability.
The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior.
Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.

Good design must reflect the personality of the client. So when siblings purchased studios in Downtown by Philippe Starck, one of the first buildings to herald the revitalization of Manhattan’s Financial District, the aim was to create environments that were truly bespoke. The brother’s tastes jibed synchronously with the insouciant idea of France’s most popular prankster converting a building that once housed the buttoned-up offices of JP Morgan Chase. His collection of Takashi Murakami works, the gallery-like centerpiece of the main area, announces his boldness and flair up front, as do furnishings by Droog, Moooi and, of course Starck, as well as hide rugs and upholstery, and a predominantly red palette. His sister was after something soothing and discreet. So Axis Mundi responded with a neutrals and used glass to carve out a bedroom surrounded by drapes that transform it into a golden cocoon. Hide (albeit less flamboyantly applied) evokes a familial commonality, and built-in furniture and cabinetry optimize space restrictions inherent in studio apartments.
Design Team: John Beckmann, with Richard Rosenbloom
Photography: Mikiko Kikuyama
© Axis Mundi Design LLC

Good design must reflect the personality of the client. So when siblings purchased studios in Downtown by Philippe Starck, one of the first buildings to herald the revitalization of Manhattan’s Financial District, the aim was to create environments that were truly bespoke. The brother’s tastes jibed synchronously with the insouciant idea of France’s most popular prankster converting a building that once housed the buttoned-up offices of JP Morgan Chase. His collection of Takashi Murakami works, the gallery-like centerpiece of the main area, announces his boldness and flair up front, as do furnishings by Droog, Moooi and, of course Starck, as well as hide rugs and upholstery, and a predominantly red palette. His sister was after something soothing and discreet. So Axis Mundi responded with a neutrals and used glass to carve out a bedroom surrounded by drapes that transform it into a golden cocoon. Hide (albeit less flamboyantly applied) evokes a familial commonality, and built-in furniture and cabinetry optimize space restrictions inherent in studio apartments.
Design Team: John Beckmann, with Richard Rosenbloom
Photography: Mikiko Kikuyama
© Axis Mundi Design LLC

The space responds to the client’s desire to change how he entertains, from an intimate evening to a blowout party. Originally three separate units, this condominium has been combined into one cohesive residence. Our primary design goal was to provide spatial continuity with the previous construction, not merely superficial material sameness.
The design utilizes a primary circulation spine that is articulated by a floating ceiling of ash boards above and a basalt floor bound in bronze below. This axis provides order to the primary public spaces, while private spaces (bedrooms and bathrooms) are concealed behind thickened walls and functional buffers. Previously demised rooms have now been opened and expanded to increase the views of the city below.
The public spaces are multifunctional and truly convertible, including pivoting doors that close off zones to enlarge the guest suite, wood paneled walls that mechanically flip to expose speakers like the headlights of a Corvette, televisions that lift out of furniture with the touch of a button, surround sound that is hidden behind acoustical fabric ceilings and entire walls of LED lighting that can be adjusted from serene illumination to a festive scene.
Photography by Ben Benschneider

Good design must reflect the personality of the client. So when siblings purchased studios in Downtown by Philippe Starck, one of the first buildings to herald the revitalization of Manhattan’s Financial District, the aim was to create environments that were truly bespoke. The brother’s tastes jibed synchronously with the insouciant idea of France’s most popular prankster converting a building that once housed the buttoned-up offices of JP Morgan Chase. His collection of Takashi Murakami works, the gallery-like centerpiece of the main area, announces his boldness and flair up front, as do furnishings by Droog, Moooi and, of course Starck, as well as hide rugs and upholstery, and a predominantly red palette. His sister was after something soothing and discreet. So Axis Mundi responded with a neutrals and used glass to carve out a bedroom surrounded by drapes that transform it into a golden cocoon. Hide (albeit less flamboyantly applied) evokes a familial commonality, and built-in furniture and cabinetry optimize space restrictions inherent in studio apartments.
Design Team: John Beckmann, with Richard Rosenbloom
Photography: Mikiko Kikuyama
© Axis Mundi Design LLC

This staircase makes a bold design statement through restraint and precision. Thick squared-off white oak treads appear to float between dramatic, black-painted stringers, while horizontal 1/2" round bars create an open, minimal balustrade. The uniform open risers allow natural light to cascade down to the basement level, transforming the stairwell into a light-transmitting vertical shaft.
The design thoughtfully responds to the surrounding spaces, connecting levels without interrupting sightlines or blocking light flow. The result is a staircase that feels almost sculptural in its simplicity, proving that sometimes less truly is more.
1976-2026 © Century Stair Company

The exterior of what looks like a vernacular Hamptons shingle cottage, designed by architect Blaze Makoid, is intentionally deceiving. For the interiors, Axis Mundi typically decided not to play by the rules. Instead of de rigeur nautical artifacts, floppy sofas and wicker furniture, the firm responded to Makoid’s all-white interior envelope by injecting rooms with comfortable modern elegance that’s more contemporary Cap Ferrat than Eastern Long Island. Clean furniture silhouettes—from Cassina, Poltrona Frau and B&B Italia—a Massimo Vitali beach scene, a Moooi chandelier and industrial finishes (such as the steel of the fireplace surround and the anodized aluminum of a sleek Bulthaup kitchen) spark a creative tension between indoors and out. The gray palette provides a quiet backdrop for the nature outside, except for the master suite, where custom oak panels and blue shades create a reassuring warmth conducive to sleep.
Size: 1,920 sf
Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom
Architect: Blaze Makoid Architecture
Photographer: Mark Roskams
© Axis Mundi Design LLC

Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability.
The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior.
Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.

Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability.
The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior.
Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.
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