Located near the foot of the Teton Mountains, the site and a modest program led to placing the main house and guest quarters in separate buildings configured to form outdoor spaces. With mountains rising to the northwest and a stream cutting through the southeast corner of the lot, this placement of the main house and guest cabin distinctly responds to the two scales of the site. The public and private wings of the main house define a courtyard, which is visually enclosed by the prominence of the mountains beyond. At a more intimate scale, the garden walls of the main house and guest cabin create a private entry court. A concrete wall, which extends into the landscape marks the entrance and defines the circulation of the main house. Public spaces open off this axis toward the views to the mountains. Secondary spaces branch off to the north and south forming the private wing of the main house and the guest cabin. With regulation restricting the roof forms, the structural trusses are shaped to lift the ceiling planes toward light and the views of the landscape. A.I.A Wyoming Chapter Design Award of Citation 2017 Project Year: 2008

The Architect House is located on a breathtaking five-acre property in Great Falls, VA. This modern home was designed to shape itself into the site and landscape. By doing so each indoor space individually responds to the corresponding outdoor space. The entire house is then able to knit itself together with spaces that freely flow together from inside and out. The orientation of the house allows sunlight to tell the time of the day while you are inside. Upon entering you see straight through a central atrium and into the landscape beyond. Natural light and views of nature are captured from every angle inside the home. The modern exterior design of the house utilizes a linear brick at the base of the house that anchors it to the land. Gray and cedar colored modern architectural panel siding alternate patterns on all facades of the house, accentuating the different volumes. These volumes are then capped off by low sloping metal panel roofs. Exposed steel beans and columns are utilized to create long spans of covered outdoor spaces that then easily recede into the backdrop of the landscape. The design of this modern home is in harmony with the site and landscape creating a warm welcoming feeling and one that conveys that the house belongs there.

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Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability. The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior. Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.

Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability. The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior. Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.

Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability. The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior. Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.

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This staircase makes a bold design statement through restraint and precision. Thick squared-off white oak treads appear to float between dramatic, black-painted stringers, while horizontal 1/2" round bars create an open, minimal balustrade. The uniform open risers allow natural light to cascade down to the basement level, transforming the stairwell into a light-transmitting vertical shaft. The design thoughtfully responds to the surrounding spaces, connecting levels without interrupting sightlines or blocking light flow. The result is a staircase that feels almost sculptural in its simplicity, proving that sometimes less truly is more. 1976-2026 © Century Stair Company

dale cohen designstudio has gathered her favorite artists, designers and purveyors in an installation at the Sag Harbor architectural landmark The Watchcase Project by Cape Advisors. Populating a Watchcase Townhouse with vibrant visual practitioners, Dale has composed a series of rooms that speak to the exquisite quality of space, light, and scale in the Watchcase Project. She has selected a group of artists mostly from the East End. She has responded to the rooms, staircases, and walls by applying kinetic color and imagery with a contemporary take. And Dale recruited Annie Coggan and Caleb Crawford to do their own room they’ve named the Melville Room. They gathered a series of their work, a practice called Didactic Decorative Objects and inspired by the Sag Harbor Whaling Museum. Researching the work of Herman Melville, who speaks of Sag Harbor is his epic Moby Dick. The art installation is accompanied by design greats, FritzHansen, Vitra, vintage Knoll and Swedish design company Overman, contemporary and vintage rugs by Doris Leslie Blau, mohair rug by Sacco, fabrics by Fischbacher for Stark and Knoll Luxe, and pillows from Maharam, all to make a dynamic conversation in a domestic setting. This is not typical beach-house decor.

Trendy dining room photo in San Francisco

Photo: Alexandra Crafton © 2017 Houzz

This staircase makes a bold design statement through restraint and precision. Thick squared-off white oak treads appear to float between dramatic, black-painted stringers, while horizontal 1/2" round bars create an open, minimal balustrade. The uniform open risers allow natural light to cascade down to the basement level, transforming the stairwell into a light-transmitting vertical shaft. The design thoughtfully responds to the surrounding spaces, connecting levels without interrupting sightlines or blocking light flow. The result is a staircase that feels almost sculptural in its simplicity, proving that sometimes less truly is more. 1976-2026 © Century Stair Company

Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability. The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior. Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.

Rivington Street Building is a multi-family residential building in New York City that was designed, developed and constructed from the ground up by Paul A. Castrucci, Architect. In order to successfully take on the roles of developer and contractor, Castrucci utilized his ability to balance budget, schedule and constructability. The building is a part of its community and its facade responds to the human and contextual scale. The base of the building utilizes brick, tying it into the surrounding neighborhood. The top floors of the building break from the contextual base in form and material. The corrugated metal saw tooth roofline is a response to the environment, bringing in soft, northern light while providing roof area for a Photovoltaic array of solar panels. The top floor is connected to a roof garden filled with native plants. The result is a light-filled, dynamic space that is shaped by its relationship to daylight and connections to the exterior. Constructed in 2003, Rivington Street Building is an example of the firm’s energy efficient design that utilizes sustainable methods such as a high-performance envelope, a solar Photovoltaic (PV) array and rainwater collection/grey water system.

The exterior of what looks like a vernacular Hamptons shingle cottage, designed by architect Blaze Makoid, is intentionally deceiving. For the interiors, Axis Mundi typically decided not to play by the rules. Instead of de rigeur nautical artifacts, floppy sofas and wicker furniture, the firm responded to Makoid’s all-white interior envelope by injecting rooms with comfortable modern elegance that’s more contemporary Cap Ferrat than Eastern Long Island. Clean furniture silhouettes—from Cassina, Poltrona Frau and B&B Italia—a Massimo Vitali beach scene, a Moooi chandelier and industrial finishes (such as the steel of the fireplace surround and the anodized aluminum of a sleek Bulthaup kitchen) spark a creative tension between indoors and out. The gray palette provides a quiet backdrop for the nature outside, except for the master suite, where custom oak panels and blue shades create a reassuring warmth conducive to sleep. Size: 1,920 sf Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Architect: Blaze Makoid Architecture Photographer: Mark Roskams © Axis Mundi Design LLC

Our inspiration for this home was an updated and refined approach to Frank Lloyd Wright’s “Prairie-style”; one that responds well to the harsh Central Texas heat. By DESIGN we achieved soft balanced and glare-free daylighting, comfortable temperatures via passive solar control measures, energy efficiency without reliance on maintenance-intensive Green “gizmos” and lower exterior maintenance. The client’s desire for a healthy, comfortable and fun home to raise a young family and to accommodate extended visitor stays, while being environmentally responsible through “high performance” building attributes, was met. Harmonious response to the site’s micro-climate, excellent Indoor Air Quality, enhanced natural ventilation strategies, and an elegant bug-free semi-outdoor “living room” that connects one to the outdoors are a few examples of the architect’s approach to Green by Design that results in a home that exceeds the expectations of its owners. Photo by Mark Adams Media

"I cannot say enough good things about the Innovative Construction team and work product. They remodeled our water-damaged, 1930s basement, and exceeded all of our expectations - before and after photos simply cannot do this project justice. The original basement included an awkward staircase in an awkward location, one bedroom, one bathroom, a kitchen and small living space. We had a difficult time imagining that it could be much more than that. Innovative Construction's design team was creative, and thought completely out of the box. They relocated the stairwell in a way we did not think was possible, opening up the basement to reconfigure the bedroom, bathroom, kitchenette, living space, but also adding an office and finished storage room. The end result is as functional as it is beautiful. As with all construction, particularly a renovation of an old house, there will be inconveniences, it will be messy, and plenty of surprises behind the old walls. The Innovative Construction team maintained a clean and safe work site for 100% of the project, with minimal disruption to our daily lives, even when there was a large hole cut into our main living room floor to accommodate new stairs down to the basement. The team showed creativity and an eye for design when working around some of the unexpected "character" revealed when opening the walls. The team effectively uses technology to keep everyone on the same page about changes, requests, schedules, contracts, invoices, etc. Everyone is friendly, competent, helpful, and responsive. I felt heard throughout the process, and my requests were responded to quickly and thoroughly. I recommend Innovative Construction without reservation."

Located near the foot of the Teton Mountains, the site and a modest program led to placing the main house and guest quarters in separate buildings configured to form outdoor spaces. With mountains rising to the northwest and a stream cutting through the southeast corner of the lot, this placement of the main house and guest cabin distinctly responds to the two scales of the site. The public and private wings of the main house define a courtyard, which is visually enclosed by the prominence of the mountains beyond. At a more intimate scale, the garden walls of the main house and guest cabin create a private entry court. A concrete wall, which extends into the landscape marks the entrance and defines the circulation of the main house. Public spaces open off this axis toward the views to the mountains. Secondary spaces branch off to the north and south forming the private wing of the main house and the guest cabin. With regulation restricting the roof forms, the structural trusses are shaped to lift the ceiling planes toward light and the views of the landscape. A.I.A Wyoming Chapter Design Award of Citation 2017 Project Year: 2008