This was a major remodel where the kitchen was completely gutted, flooring and soffits were removed and all the electrical in the kitchen had to be reworked and brought up to code. We used Waypoint Living Spaces for the perimeter cabinets and used a riser and crown molding to connect the cabinets to the ceiling. We chose Medallion Cabinetry for the island because the customer had her heart set on a green painted island. The hardware we used is from the Mulholland collection by Amerock. The customers have large family gathers and it was very important for them to have an island that was moveable. We used casters from Richelieu to create and island that could move easily, as well as having brakes to keep the island in place when they wanted. Giallo Traversella granite was used on the perimeter countertops to tie together the greens and beige tones of the cabinetry and we used John Boos, walnut butcher block countertop for the island to compliment wood tones from the existing millwork in the home. The customer provided me with an inspiration picture for a backsplash, she knew she wanted a glass patterned backsplash. Ceramic Tiles International had released their Debut Petal mosaic tile and the customer loved it. Prior to the remodel, the kitchen was very dark and very crowded, it did not function in a way that worked for my customer. We added under cabinet LED lights, one general ceiling fixture and LED Brio Disc lights with dimming capabilities so the customers could adjust the lighting to their specific needs. Light fixtures were updated in the hallways as well as the kitchen. My customer didn’t know exactly what they wanted as far as plumbing was concerned. They wanted products that were durable and easy to maintain. I chose the Blanco Performa undermount sink in the Truffle color due to is durability and the color complimented the other materials. We used Moen’s Arbor single handle pull down spray faucet and transitional soap dispenser due to its simplistic design, functionality and warranty. We used a ¾ horsepower Insinkerator disposal and a deluxe Steamball strainer basket. The customer originally had Parquet flooring and they liked the look of real hardwood. Madeira 5” planks in Dark Gunstock oak was chosen for its color and durability. The flooring brought in warm neutral tones to compliment other materials. My customer wanted a larger window, but they had some safety concerns. We addressed their concerns by providing a larger Awning style window, using tempered glass and double locks.

This was a major remodel where the kitchen was completely gutted, flooring and soffits were removed and all the electrical in the kitchen had to be reworked and brought up to code. We used Waypoint Living Spaces for the perimeter cabinets and used a riser and crown molding to connect the cabinets to the ceiling. We chose Medallion Cabinetry for the island because the customer had her heart set on a green painted island. The hardware we used is from the Mulholland collection by Amerock. The customers have large family gathers and it was very important for them to have an island that was moveable. We used casters from Richelieu to create and island that could move easily, as well as having brakes to keep the island in place when they wanted. Giallo Traversella granite was used on the perimeter countertops to tie together the greens and beige tones of the cabinetry and we used John Boos, walnut butcher block countertop for the island to compliment wood tones from the existing millwork in the home. The customer provided me with an inspiration picture for a backsplash, she knew she wanted a glass patterned backsplash. Ceramic Tiles International had released their Debut Petal mosaic tile and the customer loved it. Prior to the remodel, the kitchen was very dark and very crowded, it did not function in a way that worked for my customer. We added under cabinet LED lights, one general ceiling fixture and LED Brio Disc lights with dimming capabilities so the customers could adjust the lighting to their specific needs. Light fixtures were updated in the hallways as well as the kitchen. My customer didn’t know exactly what they wanted as far as plumbing was concerned. They wanted products that were durable and easy to maintain. I chose the Blanco Performa undermount sink in the Truffle color due to is durability and the color complimented the other materials. We used Moen’s Arbor single handle pull down spray faucet and transitional soap dispenser due to its simplistic design, functionality and warranty. We used a ¾ horsepower Insinkerator disposal and a deluxe Steamball strainer basket. The customer originally had Parquet flooring and they liked the look of real hardwood. Madeira 5” planks in Dark Gunstock oak was chosen for its color and durability. The flooring brought in warm neutral tones to compliment other materials. My customer wanted a larger window, but they had some safety concerns. We addressed their concerns by providing a larger Awning style window, using tempered glass and double locks.

This was a major remodel where the kitchen was completely gutted, flooring and soffits were removed and all the electrical in the kitchen had to be reworked and brought up to code. We used Waypoint Living Spaces for the perimeter cabinets and used a riser and crown molding to connect the cabinets to the ceiling. We chose Medallion Cabinetry for the island because the customer had her heart set on a green painted island. The hardware we used is from the Mulholland collection by Amerock. The customers have large family gathers and it was very important for them to have an island that was moveable. We used casters from Richelieu to create and island that could move easily, as well as having brakes to keep the island in place when they wanted. Giallo Traversella granite was used on the perimeter countertops to tie together the greens and beige tones of the cabinetry and we used John Boos, walnut butcher block countertop for the island to compliment wood tones from the existing millwork in the home. The customer provided me with an inspiration picture for a backsplash, she knew she wanted a glass patterned backsplash. Ceramic Tiles International had released their Debut Petal mosaic tile and the customer loved it. Prior to the remodel, the kitchen was very dark and very crowded, it did not function in a way that worked for my customer. We added under cabinet LED lights, one general ceiling fixture and LED Brio Disc lights with dimming capabilities so the customers could adjust the lighting to their specific needs. Light fixtures were updated in the hallways as well as the kitchen. My customer didn’t know exactly what they wanted as far as plumbing was concerned. They wanted products that were durable and easy to maintain. I chose the Blanco Performa undermount sink in the Truffle color due to is durability and the color complimented the other materials. We used Moen’s Arbor single handle pull down spray faucet and transitional soap dispenser due to its simplistic design, functionality and warranty. We used a ¾ horsepower Insinkerator disposal and a deluxe Steamball strainer basket. The customer originally had Parquet flooring and they liked the look of real hardwood. Madeira 5” planks in Dark Gunstock oak was chosen for its color and durability. The flooring brought in warm neutral tones to compliment other materials. My customer wanted a larger window, but they had some safety concerns. We addressed their concerns by providing a larger Awning style window, using tempered glass and double locks.

This was a major remodel where the kitchen was completely gutted, flooring and soffits were removed and all the electrical in the kitchen had to be reworked and brought up to code. We used Waypoint Living Spaces for the perimeter cabinets and used a riser and crown molding to connect the cabinets to the ceiling. We chose Medallion Cabinetry for the island because the customer had her heart set on a green painted island. The hardware we used is from the Mulholland collection by Amerock. The customers have large family gathers and it was very important for them to have an island that was moveable. We used casters from Richelieu to create and island that could move easily, as well as having brakes to keep the island in place when they wanted. Giallo Traversella granite was used on the perimeter countertops to tie together the greens and beige tones of the cabinetry and we used John Boos, walnut butcher block countertop for the island to compliment wood tones from the existing millwork in the home. The customer provided me with an inspiration picture for a backsplash, she knew she wanted a glass patterned backsplash. Ceramic Tiles International had released their Debut Petal mosaic tile and the customer loved it. Prior to the remodel, the kitchen was very dark and very crowded, it did not function in a way that worked for my customer. We added under cabinet LED lights, one general ceiling fixture and LED Brio Disc lights with dimming capabilities so the customers could adjust the lighting to their specific needs. Light fixtures were updated in the hallways as well as the kitchen. My customer didn’t know exactly what they wanted as far as plumbing was concerned. They wanted products that were durable and easy to maintain. I chose the Blanco Performa undermount sink in the Truffle color due to is durability and the color complimented the other materials. We used Moen’s Arbor single handle pull down spray faucet and transitional soap dispenser due to its simplistic design, functionality and warranty. We used a ¾ horsepower Insinkerator disposal and a deluxe Steamball strainer basket. The customer originally had Parquet flooring and they liked the look of real hardwood. Madeira 5” planks in Dark Gunstock oak was chosen for its color and durability. The flooring brought in warm neutral tones to compliment other materials. My customer wanted a larger window, but they had some safety concerns. We addressed their concerns by providing a larger Awning style window, using tempered glass and double locks.

This was a major remodel where the kitchen was completely gutted, flooring and soffits were removed and all the electrical in the kitchen had to be reworked and brought up to code. We used Waypoint Living Spaces for the perimeter cabinets and used a riser and crown molding to connect the cabinets to the ceiling. We chose Medallion Cabinetry for the island because the customer had her heart set on a green painted island. The hardware we used is from the Mulholland collection by Amerock. The customers have large family gathers and it was very important for them to have an island that was moveable. We used casters from Richelieu to create and island that could move easily, as well as having brakes to keep the island in place when they wanted. Giallo Traversella granite was used on the perimeter countertops to tie together the greens and beige tones of the cabinetry and we used John Boos, walnut butcher block countertop for the island to compliment wood tones from the existing millwork in the home. The customer provided me with an inspiration picture for a backsplash, she knew she wanted a glass patterned backsplash. Ceramic Tiles International had released their Debut Petal mosaic tile and the customer loved it. Prior to the remodel, the kitchen was very dark and very crowded, it did not function in a way that worked for my customer. We added under cabinet LED lights, one general ceiling fixture and LED Brio Disc lights with dimming capabilities so the customers could adjust the lighting to their specific needs. Light fixtures were updated in the hallways as well as the kitchen. My customer didn’t know exactly what they wanted as far as plumbing was concerned. They wanted products that were durable and easy to maintain. I chose the Blanco Performa undermount sink in the Truffle color due to is durability and the color complimented the other materials. We used Moen’s Arbor single handle pull down spray faucet and transitional soap dispenser due to its simplistic design, functionality and warranty. We used a ¾ horsepower Insinkerator disposal and a deluxe Steamball strainer basket. The customer originally had Parquet flooring and they liked the look of real hardwood. Madeira 5” planks in Dark Gunstock oak was chosen for its color and durability. The flooring brought in warm neutral tones to compliment other materials. My customer wanted a larger window, but they had some safety concerns. We addressed their concerns by providing a larger Awning style window, using tempered glass and double locks.

This contemporary kitchen features the NEW Stainless Steel Drawers and Roll-Out Shelves from Dura Supreme Cabinetry. The Bria (frameless) cabinets in Dura Supreme's "White" and Wired-Foil cabinets in Dura Supreme's "Wired-Mercury" are a great combination of cabinetry for creating the clean sleek look of this modern two-tone kitchen design. Dura Supreme Cabinetry is excited to introduce NEW Stainless Steel Drawers and Roll-Out Shelves for their Bria Cabinetry (Frameless / Full-Access product line). For a limited time, this new metal drawer system is available exclusively from Dura Supreme as they partnered with Blum to be the first American manufacturer to bring it to market. Dura Supreme’s Stainless Steel Drawers and Roll-Out Shelves are an attractive option for any kitchen design. Sleek, double-wall, stainless steel sides are only ½” thick and work with many of Dura Supreme’s wood drawer accessories, as well as the coordinating gray metal accessories designed specifically for Stainless Steel drawers. Concealed, undermount glides are integrated into the sides and are self-closing with a soft-close feature. Our new Stainless Steel drawer option provides a contemporary alternative to our classic Maple dovetailed drawer. For homeowners that favor Transitional or Contemporary styling, this sleek, high-performance drawer system will be ideal! Request a FREE Dura Supreme Brochure: http://www.durasupreme.com/request-brochure Find a Dura Supreme Showroom in your area: http://www.durasupreme.com/dealer-locator Want to become a Dura Supreme Dealer? Go to: http://www.durasupreme.com/new-dealer-inquiry To view a video and more info about this product go to: http://www.durasupreme.com/storage-solutions/stainless-steel-drawers-roll-outs

Two Birds Photography
Kids' room - transitional kids' room idea in Chicago

**Spatial Composition & Architectural Volume** The room is organized around a single, decisive architectural gesture: a full-height sliding glazed wall that dissolves the boundary between the sleeping chamber and an enclosed garden court. The composition is fundamentally horizontal — a low-slung bed platform anchoring the right-hand foreground, a seating vignette calibrated to the left, and between them an uninterrupted sightline drawn through the aperture to the ivy-clad boundary wall beyond. This lateral emphasis is reinforced overhead by a recessed shadow-gap ceiling detail and a stepped perimeter cove that reads as a floating plane, subtly compressing the volume at its edges while lifting it at centre. The glazing itself is elegantly restrained: slim black-framed sliders set within a warm timber reveal, the sill deep enough to function as a threshold rather than a mere junction — an architectural pause between interior and exterior. Circulation is generous and diagonal, the ottoman and lounge chair angled to acknowledge both the bed and the view, establishing a soft triangulation of use. The tall marquetry armoire at the right terminates the composition vertically, providing the single strong axis of ascent in an otherwise recumbent plan, and its sculptural crown — a bronze group of standing figures — punctuates the ceiling zone with deliberate counterpoint. **Materiality, Color & Texture** The palette is an exercise in tonal modulation within a narrow chromatic band: greige, taupe, dove, mushroom, all carried on warm grey undertones with no true white and no true black save the slender window mullions. Textural variation, rather than colour contrast, performs the compositional work. The curtains — likely a slubbed silk or textured linen-viscose blend — hang in deep pinch-pleat falls whose vertical striation animates the flanking walls, while the grasscloth wallcovering behind the armoire introduces a fine, dry, horizontal weave. Against these soft-focus surfaces, the armoire delivers the room's most emphatic tactile statement: a hand-carved, faceted diamond-relief pattern in pale limed oak, bleached almost to bone, whose faceted geometry catches and fragments light. Upholstery in supple dove-grey leather on the chair and bench is offset by a crushed-velvet cushion and a finely pleated bolster at the bedhead, layering matte against lustre. Metallics are used sparingly and warmly — antiqued brass sabots on the furniture legs, a brushed bronze plinth-form side table — while the bed's pale coverlet, incised with a fine embroidered arabesque and studded buttoning, contributes a subtle graphic line. Underfoot, a hand-knotted rug in mottled silver-sage over honed stone completes a gradient from cool floor to warm wall. **Lighting, Atmosphere & Style Profile** Natural light is the primary luminous instrument here, admitted as a broad, diffuse northern wash through the glazed wall and rendered soft by the surrounding foliage, which filters and greens the light before it enters. The absence of visible decorative fixtures is intentional: illumination is concealed within the ceiling cove and shadow gaps, implying an evening register of low, indirect ambient light supplemented by discreet task sources. This restraint sustains an atmosphere of hushed, cloistered calm — a sanctuary sensibility in which the garden functions as a living tapestry, its verdant saturation supplying the room's only chromatic release. Stylistically, the scheme reads as Soft Minimalism inflected with Contemporary Continental luxury: a lineage traceable to mid-century French decorative tradition — Jean-Michel Frank's plinths, Royère's rounded silhouettes — reinterpreted through a modernist discipline of tonal reduction and planar clarity. The result is neither austere nor decorative but precisely balanced: a quiet, artisanal luxe in which craft (the carved oak, the cast bronze, the hand-finished textiles) supplies the ornament that colour deliberately withholds.

I was recently contacted by a client who had just moved into a large Victorian property in the West Cheshire village of Tarvin about renovating their Victorian tiled hallway. Apparently, the floor was in good condition, and it would just be a case of removing what was left of the old sealer, deep cleaning the tiles and then applying a fresh seal. Unless the floor has been regularly maintained with the same sealer it’s important to remove all traces of old sealers before applying fresh. Victorian Hallway Before Cleaning Tarvin Cheshire A lot of the work we do at Tile Doctor can be a lot more involved, often requiring the sourcing of matching replacement tiles and rebuilding large sections of tiled flooring so straight forward clean and seal job is always welcome. To remove what was left of the sealer and the ingrained dirt from the pores of the Victorian tile I dressed the floor with a strong dilution of Tile Doctor Pro-Clean. On this occasion I used a 1:3 dilution with water and applied it to the floor with a mop. I left it to soak into the tile for fifteen minutes before scrubbing so it could get to work breaking down the old sealer. During this time, I set up a weighted floor buffer and fitted a black buffing pad, these pads are designed for scrubbing hard floors and lifting out the dirt. I applied a little water as required during this process to ensure the pad was lubricated. Shortly the cleaning solution darkened as the old sealer and dirt was released from the tile. The soil was rinsed away with water and then removed using a wet vacuum. Once clear the floor was inspected and the process repeated until I was satisfied it was as clean as it could be and free of sealer. I left the floor to dry off overnight and returned the next day to apply a new sealer. Before doing so however I like to use a damp meter to take moisture readings from the floor. This is needed to ensure it is dry enough to seal which is important as any moisture in the tile can affect the sealer and lead to an inconsistent finish. To seal I started with the application of a single coat of Tile Doctor Colour Grow which is a colour intensifying breathable impregnator that soaks into the tile improving appearance and adding protection from within. Any excess sealant was removed by wiping the floor with a microfibre cloth and then it was left to dry for an hour. This was followed with four coats of Tile Doctor Seal and Go Extra which is an acrylic breathable sealer which adds a pleasing subtle shine to the tile. This is an important feature when choosing a sealer for old floors where moisture needs to be allowed to rise through the tile, otherwise it can become trapped under the floor and reach out to the walls causing rising damp. The customer was very happy with the revamped hallway which made the house a lot brighter and welcoming. Before closing I should mention that for aftercare cleaning I recommend Tile Doctor Neutral cleaner which is designed for the daily cleaning for sealed tiles, this is important as most domestic supermarket cleaners are simply too strong and can prematurely erode the sealer. Alastair Robb West Cheshire Tile Doctor

**I. Spatial Composition & Architectural Volume** This is a galley-adjacent service zone — most likely a scullery or butler's pantry annexed to a primary kitchen — and its power derives from compression rather than expanse. The composition is organized along a single working wall that terminates abruptly in a full-height stainless volume, creating a deliberate collision of cabinetry rhythm and monolithic mass. The upper millwork establishes the governing geometry: a run of glazed-front wall cabinets with recessed shaker-profile stiles and rails, capped by a substantial crown assembly that reads as architectural cornice rather than applied trim. Within the second bay, the designer has inserted a period-correct plate rack with fluted vertical dividers and open glassware shelving, converting storage into ordered display and introducing a fine-grain vertical striation that counterpoints the broader panel field below. The base run answers with inset drawer fronts and applied-molding door panels, its cabinetry set on a shallow toe recess that lets the volume appear to float rather than plinth. The sightline is intentionally foreshortened: the eye travels the countertop plane eastward, is arrested by the refrigerator's tall stainless slab, then released through a sliver of hallway and door casing at the far right — a compressed reveal that implies circulation beyond and prevents the corridor from reading as a dead end. Ceiling height is inferred rather than shown, the cabinetry's soffit-scaled crown suggesting generous vertical proportion held in check by the room's narrow footprint. **II. Materiality, Color & Texture** The palette is a study in achromatic warmth, restrained to four principal materials and disciplined in its saturation. Cabinetry is finished in a soft greige-white — a putty-leaning off-white with faint green-grey undertone — applied in a low-sheen eggshell that absorbs rather than reflects, allowing the millwork profiles to be read through shadow rather than gloss. The backsplash is a honed marble subway field, laid in running bond with tight joints; its veining is delicate, feathered, and grey-toned, providing textural incident without pattern assertion. This continues seamlessly into the countertop, a thick marble slab with a squared eased edge and an integrated undermount trough sink, the material continuity from horizontal to vertical plane reinforcing the wall as a single stone-clad surface. Against this cool mineral field, the stainless steel refrigerator introduces an industrial register — brushed, directional, faintly grey-violet in its reflected light — while polished nickel hardware (bin pulls, cup pulls, knobs, and a wall-mounted bridge faucet with cross handles) supplies punctuating specular highlights at a consistent scale. The floor is the room's tonal anchor: white oak in a herringbone lay, fumed or grey-washed to a driftwood tone that reveals open grain and medullary ray figure. Small warm accents — a butcher-block cutting board with worn patina, amber glass bottles, a persimmon-toned bowl, the pale green of a champagne label — function as chromatic acupuncture within an otherwise desaturated field. **III. Lighting, Atmosphere & Style Profile** Illumination is layered and largely concealed. Ambient daylight enters obliquely from the left, raking across the marble backsplash at a low angle that mobilizes the honed surface's subtle relief and casts the cabinet door profiles into legible shadow. Undercabinet linear lighting washes the countertop and backsplash with a warm, low-kelvin pool, while the refrigerator's interior glazing performs as an unexpected internal lantern — a glowing vitrine that punctures the stainless slab and becomes the composition's focal luminance. This device is the image's most sophisticated gesture: it recasts a utilitarian appliance as an illuminated cabinet of curiosities, echoing the glass-front upper millwork on the opposite wall and completing a diagonal dialogue of lit transparency across the room. The resulting atmosphere is quiet, tempered, and quietly bourgeois — an interior of custodial calm rather than spectacle. Stylistically, the project synthesizes as a **contemporary Anglo-American scullery vernacular**: classical inset millwork and plate-rack joinery inherited from the pre-war service kitchen, reinterpreted through professional-grade stainless equipment, honed rather than polished stone, and a wire-brushed herringbone floor. Call it Refined Utilitarianism — a design position in which historical typology supplies the grammar, industrial hardware supplies the punctuation, and the near-monochrome palette allows craft, profile, and light to carry the entire expressive burden.

Gorgeous master bath finished with Dal-Tile's Fabrique porcelain tile in the color Noir Linen polished. Tile size is 12"x24" installed in a brick joint pattern. The floor boasts underfloor heating on a timed thermostat.

Great spacious bathroom with lot of amenities. Photographer: Jon Upson
Large elegant master beige tile and porcelain tile drop-in bathtub photo in San Diego with an undermount sink, raised-panel cabinets, medium tone wood cabinets, granite countertops, beige walls and a two-piece toilet

Tucked away in the backwoods of Torch Lake, this home marries “rustic” with the sleek elegance of modern. The combination of wood, stone and metal textures embrace the charm of a classic farmhouse. Although this is not your average farmhouse. The home is outfitted with a high performing system that seamlessly works with the design and architecture. The tall ceilings and windows allow ample natural light into the main room. Spire Integrated Systems installed Lutron QS Wireless motorized shades paired with Hartmann & Forbes windowcovers to offer privacy and block harsh light. The custom 18′ windowcover’s woven natural fabric complements the organic esthetics of the room. The shades are artfully concealed in the millwork when not in use. Spire installed B&W in-ceiling speakers and Sonance invisible in-wall speakers to deliver ambient music that emanates throughout the space with no visual footprint. Spire also installed a Sonance Landscape Audio System so the homeowner can enjoy music outside. Each system is easily controlled using Savant. Spire personalized the settings to the homeowner’s preference making controlling the home efficient and convenient.

The photograph is constructed as a deliberate act of framing — an enfilade view captured through a threshold, in which the aperture of a doorway becomes both proscenium and compositional device. The image is organized around a strong vertical tripartite division: a dark stile of paneled millwork at the left edge, the luminous rectangle of the adjacent sitting room at center, and a substantial pier of figured hardwood joinery at right, terminating in a plinth-like pedestal. This asymmetrical clamping of the bright volume between two dark masses produces a pronounced sense of compression and release, a Wrightian sequencing in which the constricted, wood-lined passage funnels the eye toward the softer, higher-key room beyond. The architectural vocabulary within that inner volume is restrained and orthogonal: crisp painted plaster planes, a shallow soffit or dropped beam crossing the ceiling to modulate the overhead datum, and a simple flat-stock baseboard that reads as a quiet ground line rather than an ornamental flourish. The sightline is layered and telescopic — foreground jamb, mid-ground seating group, background artwork on the far wall — establishing depth through overlapping planes rather than perspectival theatrics. Underfoot, a herringbone-laid oak parquet in the passage gives way to a large-format sisal rug bound in linen tape, its rectilinear geometry reinforcing the axis while softening the transition between circulation and repose. The material argument here is one of calibrated opposition: dense, saturated hardwood against pale, absorptive plaster and textile. The framing joinery — most plausibly a rich mahogany or stained cherry, its cathedral grain and ribbon figure fully legible under raking light — carries a deep oxblood-to-umber tonality and a satin, hand-rubbed sheen that lends the passage a library-like gravity. Against this, the interior room is rendered in a warm off-white with distinctly yellow-ochre undertones, avoiding the clinical chill of a true cool white and instead reading as parchment or unbleached linen. The upholstery — a rolled-arm wing chair and matching ottoman in a camel or buff-toned cotton velvet — supplies the tactile fulcrum of the composition: a napped, light-absorbing pile that contrasts against the coarse, tightly woven boucle of the sisal below and the smooth lacquer of the vertical joinery. Accent notes are sparing and precise: a pale celadon embroidered cushion introduces the only cool chromatic interruption; a rectilinear bench in blond ash with a woven black leather strap deck delivers a graphic, near-Nordic counterpoint; and a monolithic white ceramic vessel atop the pedestal provides a hard, matte punctuation. The abstract work on paper — a gestural monochrome in charcoal, ink and Payne's grey, generously matted behind glass — functions as the room's tonal anchor, its cool achromatics preventing the warm palette from tipping into sentimentality. Sprays of yellow oncidium orchid supply the single high-chroma gesture, echoing the ochre undertone of the walls. The lighting strategy is layered, low-lumen and unapologetically warm, eschewing ambient wash in favor of discrete pools of illumination. A slim linear picture light, bronze-finished and cantilevered from the wall, grazes the artwork with a scalloped throw that reveals the tooth of the paper and establishes the far wall as the room's luminous terminus. A chrome-shaded articulating floor lamp — a modernist task fixture with a distinctly mid-century pedigree — provides a secondary, reflective glint and introduces the only cool metallic in the palette. Daylight enters obliquely and unseen from the left, softly modeling the plaster and the velvet nap without ever flattening the composition; the foreground joinery, meanwhile, sits in deep shadow, its grain caught only in a slow, specular gradient. The cumulative atmosphere is one of hushed, crepuscular intimacy — a room calibrated for reading and retreat rather than reception. Stylistically, the project resolves into a form of Transitional Warm Modernism: the classical proportioning, paneled millwork and rolled-arm seating are drawn from a traditional American vocabulary, yet they are stripped of applied ornament, edited to essentials, and disciplined by the graphic austerity of the abstract art and the blond-and-black bench. It is a sensibility best characterized as quiet luxury — tonal, textural, and materially honest, deriving its authority from the resonance of grain, nap and light rather than from any declarative gesture.

BUTTERFLY GORGEOUSNESS - So many different types of butterflies beautifully depicted in a single glass mosaic mural, who can top that? | Have a custom mosaic idea? We can help, with our brilliant Italian-trained mosaicists and easy-to-install tiled masterpieces. Worldwide shipping available on the complete range of quality handcrafted marble & glass mosaic products. For inquires and more info, contact us: http://mecartworks.com

Want a Luxurious Bathroom Concept? Wood Castle by Radon is what you should see! We can all relate to the movie scenes where the actress enters the luxurious bathroom. A scene that depicts luxury and sheer elegance. Eye-catching tiles, elegant vanity, and shimmering faucets. Doesn’t it feel amazing to see. How about having the same luxury to yourself in your bathroom. There is no denying that we all want to feel and wish to live in such a luxury. Yes, it is even possible with the luxurious concept. So here we are going to see a complete pack of luxury attributes in one single bathroom. Concept- Modern Luxury If you are thinking of revamping your bathroom or designing an interior, try modern luxury. But, of course, as time moves forward, everyone wishes to adapt to modern times. So then why do only others have all the fun? We bring you a full-pack luxurious bathroom. Everything you were looking at in your bathroom concept is right here. Modern luxury is concept-driven from the user's perspective. But, as we know, modern designs never go out of fashion, and modern design makes you stand out. Once you enter into the space, you will experience the subtleness and luxurious aura altogether. Unique interior, stylish vanity units, and modern toilet models make it possible to achieve the "perfect luxury bathroom concept." In case you wonder, what will you get in one concept? It is natural to have doubts in mind. So here are the six stunning elements in design that bring the best in spaces. Stunning Design Elements It never happens that only one thing makes everything possible. Instead, there is a contribution of every element in the design. Thus, the following are the stunning elements in the design concept: Bathroom Vanity ● The name is Elizabeth (EL 4099), a floor-mounted vanity with elegant essence. ● The vanity has three components that contribute to the user-friendly design. It includes the main cabinet, mirror plus shelf, and basin. ● The body of the cabinet is made up of plywood. In addition to this, the frame of the cabinet comes with stainless steel material. ● Blend of black coated stainless steel, and wooden touch brings the best in the design. The ceramic basin has an intriguing factor. The combination of mirror and shelf is designed according to the user's need. ● Functions: The bathroom vanity gives enough room to store all the hygiene products, toiletries, and some medications. Enough room in the bottom cabinet to place towels, hand towels, and cleaning cloths. The vanity is being designed such that it can have multiple uses. The shelves allow us to place personal items in the order and out of sight. Premium Sanitary ware ● Stunning wall-hung sanitary ware of modern style enhances the rhythm in the space. Simple and sophisticated style. ● Fauna wall-hung (WHF 404) is a series of premium sanitary ware with easy and clean flushing. ● The style depicts wall attached rimless design, which also comes with a soft close seat cover. ● The sanitary ware is designed such that it contributes more neat and clean attributes. In addition to this, it promotes more hygiene and clean concept. ● Benefits: less risk of bacteria, parasites, and viruses. Neat and slick design contributes the best in aesthetics and functionality. Blend of Modern Tiles ● Tiles are just the coating material to protect from waterproofing. Instead, they also add more meaning to the spaces. ● Egyptian Beige a wooding-looking tiles which come in 2''x48'' size brings the best in the bathing area. It has been used in the open showering area. ● Besides, the actual size of the tiles is 24''x48''; however, the tiles have been cut from 24''x24'' to 2'x48'' using advanced cutting technology. ● Ruby Nero are the tiles used behind the vanity. It comes in 300 x 300 mm size, which has been crafted by cutting in modern machinery. The Ruby Nero also has one unique element: a cube pattern that makes it more appealing. ● Benefits: The tiles are anti-slippery; thus, it makes it easy to clean the surface. Low maintenance. The cube pattern offers grip application. Less danger of mishaps. Elegant Shimmering Faucets ● The elegant shimmering faucets are being used in the washbasin, head shower, and body jet. ● A Grande Single Lever Mixer with the touch of gold is used as the faucet in the washbasin. Besides, the faucet is made up of brass, and it comes with a gold finish. ● Single lever contributes to making less physical contact while washing the hands. Less physical contact, more hygienic practice. Brass as a material offers strength, good plasticity, and it has corrosion resistance. ● The Overhead rain shower in the bathing area has been placed perfectly. It gives the feeling as if you are bathing in the rain. It comes in 10''x10'' size in gold color. ● It overhead shower also has brass as a material. Thus, it can withstand hot and cold water due to its good plasticity. ● Experts say overhead shower saves more water than the water in the bathtub. Thus, becomes very economical for the user in all aspects. Less body movement and saves your time. Taps and Body Jet ● Each element has something to offer; just like that, there is a total of six body jets in the concept. Concealed Body Jet comes with a gold finish and anti-corrosive elements. ● The body jet has high-quality brass material. It is wall fitted concealed body jet. Besides, it offers an adjustable spray pattern that provides the best showering experience. ● The body jet functions well by offering a full-body shower, as it provides more showering radius to the user. ● Body jet allows ultra-fine droplets to release and delivers a massaging experience. It upholds the rhythm and the speed of water flow proficiently. Thermostatic Diverter ● A thermostatic diverter (THDV-R) in gold color is also being used. It helps to control the water flow and has been made using brass. It gives the option to control the shower, body jets, and spout. ● The thermostatic diverter comes with 3-outlets with high-flow options. It allows you to enjoy the water at the desired temperature. ● Besides, the diverter has the precision quality and offers complete safety to the user. Flexibility to function and operate two outlets simultaneously. ● Grande Plain Spout with Flange(GRA-1023-B) in gold finish contributes to the showering area. ● The flange comes with brass, therefore, offering plasticity and corrosion resistance properties. Allows water to flow easily and can withstand both hot and cold water. ● Flexible to provide high-pressure water without any hindrance. Indoor Landscape ● Gone are the days when people used to plant only in the garden space. Many modern bathrooms have an indoor landscape. ● Hence, we also added plants to maintain and enhance the look of every corner. Indoor planters near the vanity give the essence of being near nature. ● Small planter at the countertop act as a showpiece. The right showpiece always exhibits your style and individuality. A design that speaks and a concept which stands out. Uniqueness is not achieved by just adding materials and blending modern elements. Rather it is accomplished with functionality and aesthetics altogether. Therefore RADON brings the unique concept of bathroom designs in one place. From bathroom vanity to breathtaking faucets designs, all characters in one movie. Once you enter the space, you will not want to come out. Everyone wishes to escape from the chaos. The modern luxurious bathroom concept becomes your escape space in the entire home. A combination of Slip-proof floor tiling, glossiness, and rough textures stand out in their unique way. As a result, we offer an all-in-one bathroom design. We believe in offering you a luxurious space at affordable prices.

Exterior, brick, lime, limewash, painted brick, architectural finish

Want a Luxurious Bathroom Concept? Wood Castle by Radon is what you should see! We can all relate to the movie scenes where the actress enters the luxurious bathroom. A scene that depicts luxury and sheer elegance. Eye-catching tiles, elegant vanity, and shimmering faucets. Doesn’t it feel amazing to see. How about having the same luxury to yourself in your bathroom. There is no denying that we all want to feel and wish to live in such a luxury. Yes, it is even possible with the luxurious concept. So here we are going to see a complete pack of luxury attributes in one single bathroom. Concept- Modern Luxury If you are thinking of revamping your bathroom or designing an interior, try modern luxury. But, of course, as time moves forward, everyone wishes to adapt to modern times. So then why do only others have all the fun? We bring you a full-pack luxurious bathroom. Everything you were looking at in your bathroom concept is right here. Modern luxury is concept-driven from the user's perspective. But, as we know, modern designs never go out of fashion, and modern design makes you stand out. Once you enter into the space, you will experience the subtleness and luxurious aura altogether. Unique interior, stylish vanity units, and modern toilet models make it possible to achieve the "perfect luxury bathroom concept." In case you wonder, what will you get in one concept? It is natural to have doubts in mind. So here are the six stunning elements in design that bring the best in spaces. Stunning Design Elements It never happens that only one thing makes everything possible. Instead, there is a contribution of every element in the design. Thus, the following are the stunning elements in the design concept: Bathroom Vanity ● The name is Elizabeth (EL 4099), a floor-mounted vanity with elegant essence. ● The vanity has three components that contribute to the user-friendly design. It includes the main cabinet, mirror plus shelf, and basin. ● The body of the cabinet is made up of plywood. In addition to this, the frame of the cabinet comes with stainless steel material. ● Blend of black coated stainless steel, and wooden touch brings the best in the design. The ceramic basin has an intriguing factor. The combination of mirror and shelf is designed according to the user's need. ● Functions: The bathroom vanity gives enough room to store all the hygiene products, toiletries, and some medications. Enough room in the bottom cabinet to place towels, hand towels, and cleaning cloths. The vanity is being designed such that it can have multiple uses. The shelves allow us to place personal items in the order and out of sight. Premium Sanitary ware ● Stunning wall-hung sanitary ware of modern style enhances the rhythm in the space. Simple and sophisticated style. ● Fauna wall-hung (WHF 404) is a series of premium sanitary ware with easy and clean flushing. ● The style depicts wall attached rimless design, which also comes with a soft close seat cover. ● The sanitary ware is designed such that it contributes more neat and clean attributes. In addition to this, it promotes more hygiene and clean concept. ● Benefits: less risk of bacteria, parasites, and viruses. Neat and slick design contributes the best in aesthetics and functionality. Blend of Modern Tiles ● Tiles are just the coating material to protect from waterproofing. Instead, they also add more meaning to the spaces. ● Egyptian Beige a wooding-looking tiles which come in 2''x48'' size brings the best in the bathing area. It has been used in the open showering area. ● Besides, the actual size of the tiles is 24''x48''; however, the tiles have been cut from 24''x24'' to 2'x48'' using advanced cutting technology. ● Ruby Nero are the tiles used behind the vanity. It comes in 300 x 300 mm size, which has been crafted by cutting in modern machinery. The Ruby Nero also has one unique element: a cube pattern that makes it more appealing. ● Benefits: The tiles are anti-slippery; thus, it makes it easy to clean the surface. Low maintenance. The cube pattern offers grip application. Less danger of mishaps. Elegant Shimmering Faucets ● The elegant shimmering faucets are being used in the washbasin, head shower, and body jet. ● A Grande Single Lever Mixer with the touch of gold is used as the faucet in the washbasin. Besides, the faucet is made up of brass, and it comes with a gold finish. ● Single lever contributes to making less physical contact while washing the hands. Less physical contact, more hygienic practice. Brass as a material offers strength, good plasticity, and it has corrosion resistance. ● The Overhead rain shower in the bathing area has been placed perfectly. It gives the feeling as if you are bathing in the rain. It comes in 10''x10'' size in gold color. ● It overhead shower also has brass as a material. Thus, it can withstand hot and cold water due to its good plasticity. ● Experts say overhead shower saves more water than the water in the bathtub. Thus, becomes very economical for the user in all aspects. Less body movement and saves your time. Taps and Body Jet ● Each element has something to offer; just like that, there is a total of six body jets in the concept. Concealed Body Jet comes with a gold finish and anti-corrosive elements. ● The body jet has high-quality brass material. It is wall fitted concealed body jet. Besides, it offers an adjustable spray pattern that provides the best showering experience. ● The body jet functions well by offering a full-body shower, as it provides more showering radius to the user. ● Body jet allows ultra-fine droplets to release and delivers a massaging experience. It upholds the rhythm and the speed of water flow proficiently. Thermostatic Diverter ● A thermostatic diverter (THDV-R) in gold color is also being used. It helps to control the water flow and has been made using brass. It gives the option to control the shower, body jets, and spout. ● The thermostatic diverter comes with 3-outlets with high-flow options. It allows you to enjoy the water at the desired temperature. ● Besides, the diverter has the precision quality and offers complete safety to the user. Flexibility to function and operate two outlets simultaneously. ● Grande Plain Spout with Flange(GRA-1023-B) in gold finish contributes to the showering area. ● The flange comes with brass, therefore, offering plasticity and corrosion resistance properties. Allows water to flow easily and can withstand both hot and cold water. ● Flexible to provide high-pressure water without any hindrance. Indoor Landscape ● Gone are the days when people used to plant only in the garden space. Many modern bathrooms have an indoor landscape. ● Hence, we also added plants to maintain and enhance the look of every corner. Indoor planters near the vanity give the essence of being near nature. ● Small planter at the countertop act as a showpiece. The right showpiece always exhibits your style and individuality. A design that speaks and a concept which stands out. Uniqueness is not achieved by just adding materials and blending modern elements. Rather it is accomplished with functionality and aesthetics altogether. Therefore RADON brings the unique concept of bathroom designs in one place. From bathroom vanity to breathtaking faucets designs, all characters in one movie. Once you enter the space, you will not want to come out. Everyone wishes to escape from the chaos. The modern luxurious bathroom concept becomes your escape space in the entire home. A combination of Slip-proof floor tiling, glossiness, and rough textures stand out in their unique way. As a result, we offer an all-in-one bathroom design. We believe in offering you a luxurious space at affordable prices.

The photograph is composed as a deliberate enfilade study, framing the dining room through a deep, mahogany-cased cased opening that functions as both proscenium and threshold. This heavy portal — with its substantial reveal, plinth-like jambs and crisply mitered head casing — establishes a strong rectilinear armature that compresses the foreground and, by contrast, releases the eye into the luminous volume beyond. The plan reads as a classic pre-war apartment sequence: an axial sightline runs from the gallery floor, across the field of the dining room, and terminates at the window wall, where a curtained bay borrows daylight from the street. The ceiling is articulated by shallow beam drops or applied soffits — a coffer-adjacent treatment that registers the building's structural grid while lending the room a subtle sense of enclosure and datum. Geometry is orchestrated around opposing figures: the orthogonal rigor of casings, valance, beam lines and picture frames set against the centralized circular table, whose radial symmetry anchors the room's midpoint directly beneath the chandelier. Furnishings are held in a loose, non-touching arrangement, with generous circulation clearance at the perimeter, so that the room's volume — rather than its contents — remains the primary subject. Secondary sightlines to the left, toward a mirrored console and gilt-framed panel, and to the right, toward a picture-lit artwork, quietly widen the perceived footprint and imply adjacent rooms beyond the frame. The material narrative is built on a controlled tonal ascent from dark to light. The foreground is dominated by richly figured, warm-red mahogany millwork and a chevron-laid oak parquet whose bleached, honeyed grain reads with a slight gray wash — a directional pattern that visually propels the viewer toward the interior. Within the dining room, the palette shifts to a low-saturation envelope of chalky off-white plaster walls and putty-toned textiles: floor-length linen or silk-blend drapery panels with a faint slubbed weave, gathered beneath a tailored, flat-front upholstered valance whose crisp horizontal band imparts an atelier precision. Underfoot, a natural sisal or seagrass rug with a linen tape border introduces a coarse, granular tactility that grounds the refined upholstery above; its woven, matte texture is deliberately calibrated against the smoother satin sheen of the dining chairs' subtly striped fabric. The room's tonal fulcrum is the antique carved pedestal table — a near-black, deeply modeled Anglo-Indian or Colonial Revival piece whose pierced apron, scrolled tripod base and paw feet supply the composition's only ornamental exuberance and its darkest value. Accents are chosen for restraint: silvered leaf on the console's fretwork facing, water-gilt on the framed panel, polished nickel or silver on the chandelier and the flower vessel, and the cool white of massed oriental lilies. Undertones remain uniformly warm — greige, ecru, taupe, oatmeal — with cool relief supplied only by the metals and the daylight itself. Lighting is layered with quiet discipline. Natural light enters as a diffused, north-facing wash through a sheer-veiled window, its intensity softened by roller or Roman shading so that the glazing reads as a luminous plane rather than a view; this creates a gentle contre-jour that silhouettes the chandelier and the table's carved base. The multi-arm chandelier — a silvered, pagoda-crested fixture with slender candle sleeves and faceted drops — serves as sculptural punctuation more than as a working source, its warm 2700K glow registering as ambient sparkle. Accent illumination is deployed with curatorial intent: a picture light grazes the framed work at right, while the recessed downlights and the darkened foreground casings produce a chiaroscuro that heightens the sense of arrival. The cumulative atmosphere is one of hushed formality — composed, aerated, and almost monastic in its refusal of visual noise. Stylistically, the room synthesizes into what might be termed Transitional Classicism, or Warm Neutral Modern Traditional: the bones and millwork are unmistakably pre-war Beaux-Arts-derived, yet the flat-front valances, unadorned wall planes, natural-fiber flooring and simplified parson-back chairs reflect a contemporary editorial sensibility. The single antique table operates as a considered anachronism — a note of patinated gravitas within an otherwise pared-back, texturally driven interior — demonstrating a designer's confidence in restraint punctuated by one authoritative gesture.