Governor's House Dining Room by Lisa Tharp. 2019 Bulfinch Award - Interior Design. Photo by Michael J. Lee
Inspiration for a transitional light wood floor and gray floor enclosed dining room remodel with white walls, a standard fireplace and a stone fireplace

In this complete rebuild of a mid-century modern home, the design flows from an analysis of the varied site conditions already present and reinforces key relationships to the site while establishing new ones. From a relocated street level entry, a careful sequence follows the slope and curates the vertical movement through the home from earthbound experience to the open sky and panoramic views. Each level takes on a different purpose - first, establishing new ties to the street, then anchoring family spaces to the south-facing garden, turning inwardly focused at the sleeping level, and ultimately dissolving at the top level living spaces and roof deck to reveal panoramic connections to the city and bay. Image by Joe Fletcher.

This is a two-barn composition inserted into the slope. The façade orientations capture site-specific views and ample cross ventilation, simultaneously providing protection from fierce winter climate. The footprint saves trees and protects existing wetland resources.

Over mimosas included with the Sky’s the Limit package, we found the perfect whimsical grasscloth wallpaper for the backdrop to the purposefully, curated collection of accessories. We started with her existing accessories and weaved in new selections from our on-site 1969 Shasta camper.

Home to the 26th President of the United States, Theodore Roosevelt, the Sagamore Hill National Historic Site is undergoing a three-year, $7.2 million rehabilitation project, including upgrades to the mechanical and electrical systems and lighting, as well as restoration of historic windows, doors, siding and porches to historic preservation standards. Often referred to as the “Summer White House,” where President Roosevelt would host VIPs from the U.S. and the world during his presidency, the Queen Anne-style home has undergone a patchwork of renovation projects over the years. The current rehabilitation is aimed at avoiding ongoing smaller scale site work in the future. For replacement of the impressive wraparound porch, the National Park Service (NPS) selected Accoya wood, a Cradle to Cradle-certified material that is durable and stable, and is guaranteed against rot and decay for 50 years in exterior use. In addition, Accoya does not shrink or swell, making it an ideal material for a variety of exterior applications. “In caring for such an important property, we needed to ensure that we used the highest quality, environmentally friendly products that were sympathetic to the environment,” said Susan Sarna, museum curator for the NPS. “In addition, given the negative impact that renovation works have on visitor experience, we wanted to use a product that would allow us to reduce ongoing maintenance at the site.” Building Type: National Historic Site – Residential Client: U.S. National Park Service

DESIGN BUILD REMODEL | Master Bath Transformation | FOUR POINT DESIGN BUILD INC | Part Ten This completely transformed 3,500+ sf family dream home sits atop the gorgeous hills of Calabasas, CA and celebrates the strategic and eclectic merging of contemporary and mid-century modern styles with the earthy touches of a world traveler! AS SEEN IN Better Homes and Gardens | BEFORE & AFTER | 10 page feature and COVER | Spring 2016 To see more of this fantastic transformation, watch for the launch of our NEW website and blog THE FOUR POINT REPORT, where we celebrate this and other incredible design build journey! Launching September 2016. Photography by Riley Jamison #masterbathroom #remodel #LAinteriordesigner #builder #dreamproject #oneinamillion

Governor's House Study by Lisa Tharp. 2019 Bulfinch Award - Interior Design. Photo by Michael J. Lee
Inspiration for a transitional built-in desk light wood floor and gray floor study room remodel with white walls

The Watonga residence was commissioned by a woman with a big heart for animal fostering. She wanted a house that felt private from the street but visually and physically connected to the backyard. The house needed to consider the typology and scale of the existing neighborhood, and it needed durable materials to accommodate little paws. Finally, it had to support an environmentally conscientious life. The house was intentionally placed on the short end of an irregularly shaped lot, allowing the living spaces to open up to a large native landscape and adjacent lot containing a significant tree grove. This siting allowed for a passive orientation where window walls face north and exposure to the south and west is minimal. The interior is light-filled, capturing expansive landscape views of an established oak grove to the North and bayou views to the East. A carefully choreographed entry vestibule and screen shield create interior privacy from the street. A two-story volume fills the center of the home with warm, southern light. A palette of tile, Texas stone, and concrete are used for budget friendly durability. The house is derived from a simple diagram with utilitarian functions placed in the stone box and living in a minimal gabled roof that supports solar panel orientation and rainwater collection. At its core, this home is designed for family, foster dogs, well-curated music, and Aggie game days.

This East Austin house is both an exhibition space and a home to its curators. At the street front, the façade of the 100 year-old home is relatively unchanged and matches the character of the surrounding neighborhood. Inside, the intersection of old / new construction, public / private zones, art / life creates a layered experience that pushes the suburban form towards a more urban typology. When the gallery is not in use, the living room and dining room spill out into the public spaces. Large pocket doors close off the private spaces during gallery hours to divide home from exhibit. A pecan tree at the heart of the site informs the footprint of the 900 sf addition. The gallery wraps around the resulting courtyard and main gallery entrance. Vestiges of the historic home punctuate the contemporary interior and remind visitors of the intrinsic value of the old materials. Salvaged long leaf pine used at the floors and walls brings warmth to the entry, and is seen again at the courtyard soffit. Photography by: Casey Woods

Interior Design, Interior Architecture, Custom Furniture Design, AV Design, Landscape Architecture, & Art Curation by Chango & Co. Photography by Ball & Albanese

Interior Design, Interior Architecture, Custom Millwork Design, Furniture Design, Art Curation, & Landscape Architecture by Chango & Co. Photography by Ball & Albanese

H. Mendel Photography
Example of a mid-sized transitional l-shaped dark wood floor and brown floor eat-in kitchen design in New York with an undermount sink, glass-front cabinets, white cabinets, marble countertops, white backsplash, stone slab backsplash, stainless steel appliances, an island and white countertops

Home to the 26th President of the United States, Theodore Roosevelt, the Sagamore Hill National Historic Site is undergoing a three-year, $7.2 million rehabilitation project, including upgrades to the mechanical and electrical systems and lighting, as well as restoration of historic windows, doors, siding and porches to historic preservation standards. Often referred to as the “Summer White House,” where President Roosevelt would host VIPs from the U.S. and the world during his presidency, the Queen Anne-style home has undergone a patchwork of renovation projects over the years. The current rehabilitation is aimed at avoiding ongoing smaller scale site work in the future. For replacement of the impressive wraparound porch, the National Park Service (NPS) selected Accoya wood, a Cradle to Cradle-certified material that is durable and stable, and is guaranteed against rot and decay for 50 years in exterior use. In addition, Accoya does not shrink or swell, making it an ideal material for a variety of exterior applications. “In caring for such an important property, we needed to ensure that we used the highest quality, environmentally friendly products that were sympathetic to the environment,” said Susan Sarna, museum curator for the NPS. “In addition, given the negative impact that renovation works have on visitor experience, we wanted to use a product that would allow us to reduce ongoing maintenance at the site.” Building Type: National Historic Site – Residential Client: U.S. National Park Service

The Watonga residence was commissioned by a woman with a big heart for animal fostering. She wanted a house that felt private from the street but visually and physically connected to the backyard. The house needed to consider the typology and scale of the existing neighborhood, and it needed durable materials to accommodate little paws. Finally, it had to support an environmentally conscientious life. The house was intentionally placed on the short end of an irregularly shaped lot, allowing the living spaces to open up to a large native landscape and adjacent lot containing a significant tree grove. This siting allowed for a passive orientation where window walls face north and exposure to the south and west is minimal. The interior is light-filled, capturing expansive landscape views of an established oak grove to the North and bayou views to the East. A carefully choreographed entry vestibule and screen shield create interior privacy from the street. A two-story volume fills the center of the home with warm, southern light. A palette of tile, Texas stone, and concrete are used for budget friendly durability. The house is derived from a simple diagram with utilitarian functions placed in the stone box and living in a minimal gabled roof that supports solar panel orientation and rainwater collection. At its core, this home is designed for family, foster dogs, well-curated music, and Aggie game days.

Interior Architecture, Interior Design, Construction Administration, Art Curation, and Custom Millwork, AV & Furniture Design by Chango & Co. Photography by Jacob Snavely Featured in Architectural Digest

This is a new construction home for two brothers, both of whom are artists. Perched above Cape Cod Bay & Provincetown, the design utilizes the 'dune shack' vocabulary common in the outer Cape, but with a more modern take. We minimize its footprint on the delicate dune site, while providing carefully curated views of the environment & Provincetown beyond.

Home to the 26th President of the United States, Theodore Roosevelt, the Sagamore Hill National Historic Site is undergoing a three-year, $7.2 million rehabilitation project, including upgrades to the mechanical and electrical systems and lighting, as well as restoration of historic windows, doors, siding and porches to historic preservation standards. Often referred to as the “Summer White House,” where President Roosevelt would host VIPs from the U.S. and the world during his presidency, the Queen Anne-style home has undergone a patchwork of renovation projects over the years. The current rehabilitation is aimed at avoiding ongoing smaller scale site work in the future. For replacement of the impressive wraparound porch, the National Park Service (NPS) selected Accoya wood, a Cradle to Cradle-certified material that is durable and stable, and is guaranteed against rot and decay for 50 years in exterior use. In addition, Accoya does not shrink or swell, making it an ideal material for a variety of exterior applications. “In caring for such an important property, we needed to ensure that we used the highest quality, environmentally friendly products that were sympathetic to the environment,” said Susan Sarna, museum curator for the NPS. “In addition, given the negative impact that renovation works have on visitor experience, we wanted to use a product that would allow us to reduce ongoing maintenance at the site.” Building Type: National Historic Site – Residential Client: U.S. National Park Service

Interior Design, Interior Architecture, Custom Furniture Design, AV Design, Landscape Architecture, & Art Curation by Chango & Co. Photography by Ball & Albanese

A transformation of a modest raised ranch into a modern oasis. I was the interior designer and general contractor from mechanicals to finishing. It’s also my personal home. The interior design style is that of modern minimalist meets organic modern. I wanted a space that reduced distractions and let the eyes, head, and soul rest. Where everything inside the home has a specific use and purpose. The objects in our home are fewer but each hold a great personal value. You might expect to see this airy aesthetic, with its gallery white walls, in California or New York. Not nestled in a modest 50 year old neighborhood in Omaha, Nebraska. Creating a minimal aesthetic is one of the trickiest design styles to pull off. It is more than just less stuff and lots of white. It means sticking to these design principals: -weaving in an abundance of textures -incorporating natural finishes -keenly curating art -giving extra attention to scale -limiting purely decorative items -maximizing natural light This style is not to be confused with the frugality of reductive design. I have incorporated many elevated basics that create an aesthetic of quiet luxury: -architectural bead for trim-less doors -first-of-its kind interior door hardware made of terrazzo -historical marble found in landmark interiors like the NY Public Library -premium flush air vents that disappear out of site -luxury appliances from GE Café and Signature -elegant and resilient terrazzo field tiles Ours was not a simple interior remodel and addition: -gutted and remodeled the existing 2,000 SF -added on approximately another 1,000 SF -moved and installed all new major mechanicals i.e. heating, plumbing and electrical. -knocked through foundation walls to extend the space back -dug down and built up