This project updated an elegant house from the firm of Royal Berry Wills. The house sits on a gracious and deep double-lot straddling the Weston/Wellesley line. Handsome proportions and simple details outside conceal more refinement inside. The entry facade was modest while the rear dining room bay added personality. The clients, active during the week and prolific entertainers during the weekend needed a home that enables graceful entertaining while being comfortable and manageable. Our renovation made the home comfortable and easy to manage while supporting and preserving the large rooms of the original house that are well suited for large gatherings. At the front facade, our addition subordinates itself to the main house. At the garden facade, the grand scale of the new whole takes cues from the original Royal Berry Wills house to address the grandeur and depth of the back garden. builder: The Hartwright Company design team: Tim Hess, Chip Dewing, Matt Emond all for DSA Architects Interior Decorator: Mally Skok photographs: Michael J.Lee, Tim Hess

The clients for this house, descendants of a timber farming family, wanted a weekend house on their property in the Piney Woods. They imagined spending weekends and holidays year-round in a house suitable for three generations at once, including aging parents and children side-by-side. The house, taking clues from the historic 'dogtrot' prototype, sets two bars (a two-story bedroom wing and a one-story living wing) straddling an open porch that buffers rowdiness at night and accommodates everyone for meals and games around the clock. The porch is high, screened and louvered for breezes and against the sun in the summer, with operable translucent panels on the north side that close to deflect winter winds. The house, sited along the verge of the woods and the pasture, recalls the structure of the trees in its design while letting in filtered light (as in the woods) to interior spaces. The house was the cover article for the "TexasArchitect" issue on East Texas. I have sense designed a renovation for the owners mid-century modern house in the city. Paul Hester, Photographer

At one end, the original marble fireplace is framed by cabinetry and light emanating soffits which give it a lively new context. At the opposite end of the room, a rhythmically organized green wall defines the entry to the dining room. The lighting in these spaces reinforces the overall design concept: modern recessed down lights and indirect lighting are combined with more transitional wall sconces and Viennese chandeliers to create a synthesis of old and new. Modern classics by Le Corbusier in black leather site across from one another while the Hill House chair by Charles Rennie Mackintosh straddle the windows. An original Art Deco poster sits atop the marble fireplace.

Master Bedroom with Red Bed Frame and custom drapery and bedding.
Bedroom - traditional master light wood floor bedroom idea in Charlotte

This project updated an elegant house from the firm of Royal Berry Wills. The house sits on a gracious and deep double-lot straddling the Weston/Wellesley line. Handsome proportions and simple details outside conceal more refinement inside. The entry facade was modest while the rear dining room bay added personality. The clients, active during the week and prolific entertainers during the weekend needed a home that enables graceful entertaining while being comfortable and manageable. Our renovation made the home comfortable and easy to manage while supporting and preserving the large rooms of the original house that are well suited for large gatherings. At the front facade, our addition subordinates itself to the main house. At the garden facade, the grand scale of the new whole takes cues from the original Royal Berry Wills house to address the grandeur and depth of the back garden. builder: The Hartwright Company design team: Tim Hess, Chip Dewing, Matt Emond all for DSA Architects Interior Decorator: Mally Skok photographs: Michael J.Lee, Tim Hess

This project updated an elegant house from the firm of Royal Berry Wills. The house sits on a gracious and deep double-lot straddling the Weston/Wellesley line. Handsome proportions and simple details outside conceal more refinement inside. The entry facade was modest while the rear dining room bay added personality. The clients, active during the week and prolific entertainers during the weekend needed a home that enables graceful entertaining while being comfortable and manageable. Our renovation made the home comfortable and easy to manage while supporting and preserving the large rooms of the original house that are well suited for large gatherings. At the front facade, our addition subordinates itself to the main house. At the garden facade, the grand scale of the new whole takes cues from the original Royal Berry Wills house to address the grandeur and depth of the back garden. builder: The Hartwright Company design team: Tim Hess, Chip Dewing, Matt Emond all for DSA Architects Interior Decorator: Mally Skok photographs: Michael J.Lee, Tim Hess

This project updated an elegant house from the firm of Royal Berry Wills. The house sits on a gracious and deep double-lot straddling the Weston/Wellesley line. Handsome proportions and simple details outside conceal more refinement inside. The entry facade was modest while the rear dining room bay added personality. The clients, active during the week and prolific entertainers during the weekend needed a home that enables graceful entertaining while being comfortable and manageable. Our renovation made the home comfortable and easy to manage while supporting and preserving the large rooms of the original house that are well suited for large gatherings. At the front facade, our addition subordinates itself to the main house. At the garden facade, the grand scale of the new whole takes cues from the original Royal Berry Wills house to address the grandeur and depth of the back garden. builder: The Hartwright Company design team: Tim Hess, Chip Dewing, Matt Emond all for DSA Architects Interior Decorator: Mally Skok photographs: Michael J.Lee, Tim Hess

This modern condo kitchen remodel straddles the line between trendy and classic. Making use of both contemporary styles and industrial elements, this kitchen pays tribute to the neighborhood’s charms while still looking very modern. We expanded the Kitchen with a tall pantry and extending the countertop past the window to the far wall. We also did a custom island countertop that has a curve to it. Kitchen design & build by 123 Remodeling - Chicago general contractor https://123remodeling.com/

In the divide between the kitchen and family room, we built storage into the buffet. We applied moulding to the columns for an updated and clean look. Sleek and contemporary, this beautiful home is located in Villanova, PA. Blue, white and gold are the palette of this transitional design. With custom touches and an emphasis on flow and an open floor plan, the renovation included the kitchen, family room, butler’s pantry, mudroom, two powder rooms and floors. Rudloff Custom Builders has won Best of Houzz for Customer Service in 2014, 2015 2016, 2017 and 2019. We also were voted Best of Design in 2016, 2017, 2018, 2019 which only 2% of professionals receive. Rudloff Custom Builders has been featured on Houzz in their Kitchen of the Week, What to Know About Using Reclaimed Wood in the Kitchen as well as included in their Bathroom WorkBook article. We are a full service, certified remodeling company that covers all of the Philadelphia suburban area. This business, like most others, developed from a friendship of young entrepreneurs who wanted to make a difference in their clients’ lives, one household at a time. This relationship between partners is much more than a friendship. Edward and Stephen Rudloff are brothers who have renovated and built custom homes together paying close attention to detail. They are carpenters by trade and understand concept and execution. Rudloff Custom Builders will provide services for you with the highest level of professionalism, quality, detail, punctuality and craftsmanship, every step of the way along our journey together. Specializing in residential construction allows us to connect with our clients early in the design phase to ensure that every detail is captured as you imagined. One stop shopping is essentially what you will receive with Rudloff Custom Builders from design of your project to the construction of your dreams, executed by on-site project managers and skilled craftsmen. Our concept: envision our client’s ideas and make them a reality. Our mission: CREATING LIFETIME RELATIONSHIPS BUILT ON TRUST AND INTEGRITY. Photo Credit: Linda McManus Images

Amy Beth Cupp has been decorating all her life starting with the constant rearranging of her bedroom furniture as a child. Her latest project, however, was a bit more ambitious. The floor-to-ceiling renovation of a barn house, believed to be built in the late 1700s, presented the challenge of a lifetime for Amy. “No matter where you stand in the house, you can see the entire place, so I didn’t want it to become too chaotic and confusing visually,” Amy notes. For lighting, Amy selected only a few shapes and repeated them in every space. “I knew I needed barn lights in my barn house. It was a no brainer,” she says. “I like the Original™ Warehouse Pendant Light because it straddles the modern and vintage line perfectly for me.”

Amy Beth Cupp has been decorating all her life starting with the constant rearranging of her bedroom furniture as a child. Her latest project, however, was a bit more ambitious. The floor-to-ceiling renovation of a barn house, believed to be built in the late 1700s, presented the challenge of a lifetime for Amy. “No matter where you stand in the house, you can see the entire place, so I didn’t want it to become too chaotic and confusing visually,” Amy notes. For lighting, Amy selected only a few shapes and repeated them in every space. “I knew I needed barn lights in my barn house. It was a no brainer,” she says. “I like the Original™ Warehouse Pendant Light because it straddles the modern and vintage line perfectly for me.”

We were approached by a San Francisco firefighter to design a place for him and his girlfriend to live while also creating additional units he could sell to finance the project. He grew up in the house that was built on this site in approximately 1886. It had been remodeled repeatedly since it was first built so that there was only one window remaining that showed any sign of its Victorian heritage. The house had become so dilapidated over the years that it was a legitimate candidate for demolition. Furthermore, the house straddled two legal parcels, so there was an opportunity to build several new units in its place. At our client’s suggestion, we developed the left building as a duplex of which they could occupy the larger, upper unit and the right building as a large single-family residence. In addition to design, we handled permitting, including gathering support by reaching out to the surrounding neighbors and shepherding the project through the Planning Commission Discretionary Review process. The Planning Department insisted that we develop the two buildings so they had different characters and could not be mistaken for an apartment complex. The duplex design was inspired by Albert Frey’s Palm Springs modernism but clad in fibre cement panels and the house design was to be clad in wood. Because the site was steeply upsloping, the design required tall, thick retaining walls that we incorporated into the design creating sunken patios in the rear yards. All floors feature generous 10 foot ceilings and large windows with the upper, bedroom floors featuring 11 and 12 foot ceilings. Open plans are complemented by sleek, modern finishes throughout.

This project updated an elegant house from the firm of Royal Berry Wills. The house sits on a gracious and deep double-lot straddling the Weston/Wellesley line. Handsome proportions and simple details outside conceal more refinement inside. The entry facade was modest while the rear dining room bay added personality. The clients, active during the week and prolific entertainers during the weekend needed a home that enables graceful entertaining while being comfortable and manageable. Our renovation made the home comfortable and easy to manage while supporting and preserving the large rooms of the original house that are well suited for large gatherings. At the front facade, our addition subordinates itself to the main house. At the garden facade, the grand scale of the new whole takes cues from the original Royal Berry Wills house to address the grandeur and depth of the back garden. builder: The Hartwright Company design team: Tim Hess, Chip Dewing, Matt Emond all for DSA Architects Interior Decorator: Mally Skok photographs: Michael J.Lee, Tim Hess

This project updated an elegant house from the firm of Royal Berry Wills. The house sits on a gracious and deep double-lot straddling the Weston/Wellesley line. Handsome proportions and simple details outside conceal more refinement inside. The entry facade was modest while the rear dining room bay added personality. The clients, active during the week and prolific entertainers during the weekend needed a home that enables graceful entertaining while being comfortable and manageable. Our renovation made the home comfortable and easy to manage while supporting and preserving the large rooms of the original house that are well suited for large gatherings. At the front facade, our addition subordinates itself to the main house. At the garden facade, the grand scale of the new whole takes cues from the original Royal Berry Wills house to address the grandeur and depth of the back garden. builder: The Hartwright Company design team: Tim Hess, Chip Dewing, Matt Emond all for DSA Architects Interior Decorator: Mally Skok photographs: Michael J.Lee, Tim Hess

Amy Beth Cupp has been decorating all her life starting with the constant rearranging of her bedroom furniture as a child. Her latest project, however, was a bit more ambitious. The floor-to-ceiling renovation of a barn house, believed to be built in the late 1700s, presented the challenge of a lifetime for Amy. “No matter where you stand in the house, you can see the entire place, so I didn’t want it to become too chaotic and confusing visually,” Amy notes. For lighting, Amy selected only a few shapes and repeated them in every space. “I knew I needed barn lights in my barn house. It was a no brainer,” she says. “I like the Original™ Warehouse Pendant Light because it straddles the modern and vintage line perfectly for me.”

Amy Beth Cupp has been decorating all her life starting with the constant rearranging of her bedroom furniture as a child. Her latest project, however, was a bit more ambitious. The floor-to-ceiling renovation of a barn house, believed to be built in the late 1700s, presented the challenge of a lifetime for Amy. “No matter where you stand in the house, you can see the entire place, so I didn’t want it to become too chaotic and confusing visually,” Amy notes. For lighting, Amy selected only a few shapes and repeated them in every space. “I knew I needed barn lights in my barn house. It was a no brainer,” she says. “I like the Original™ Warehouse Pendant Light because it straddles the modern and vintage line perfectly for me.”

The clients for this house, descendants of a timber farming family, wanted a weekend house on their property in the Piney Woods. They imagined spending weekends and holidays year-round in a house suitable for three generations at once, including aging parents and children side-by-side. The house, taking clues from the historic 'dogtrot' prototype, sets two bars (a two-story bedroom wing and a one-story living wing) straddling an open porch that buffers rowdiness at night and accommodates everyone for meals and games around the clock. The porch is high, screened and louvered for breezes and against the sun in the summer, with operable translucent panels on the north side that close to deflect winter winds. The house, sited along the verge of the woods and the pasture, recalls the structure of the trees in its design while letting in filtered light (as in the woods) to interior spaces. The house was the cover article for the "TexasArchitect" issue on East Texas. I have sense designed a renovation for the owners mid-century modern house in the city. Paul Hester, Photographer

Amy Beth Cupp has been decorating all her life starting with the constant rearranging of her bedroom furniture as a child. Her latest project, however, was a bit more ambitious. The floor-to-ceiling renovation of a barn house, believed to be built in the late 1700s, presented the challenge of a lifetime for Amy. “No matter where you stand in the house, you can see the entire place, so I didn’t want it to become too chaotic and confusing visually,” Amy notes. For lighting, Amy selected only a few shapes and repeated them in every space. “I knew I needed barn lights in my barn house. It was a no brainer,” she says. “I like the Original™ Warehouse Pendant Light because it straddles the modern and vintage line perfectly for me.”

We were approached by a San Francisco firefighter to design a place for him and his girlfriend to live while also creating additional units he could sell to finance the project. He grew up in the house that was built on this site in approximately 1886. It had been remodeled repeatedly since it was first built so that there was only one window remaining that showed any sign of its Victorian heritage. The house had become so dilapidated over the years that it was a legitimate candidate for demolition. Furthermore, the house straddled two legal parcels, so there was an opportunity to build several new units in its place. At our client’s suggestion, we developed the left building as a duplex of which they could occupy the larger, upper unit and the right building as a large single-family residence. In addition to design, we handled permitting, including gathering support by reaching out to the surrounding neighbors and shepherding the project through the Planning Commission Discretionary Review process. The Planning Department insisted that we develop the two buildings so they had different characters and could not be mistaken for an apartment complex. The duplex design was inspired by Albert Frey’s Palm Springs modernism but clad in fibre cement panels and the house design was to be clad in wood. Because the site was steeply upsloping, the design required tall, thick retaining walls that we incorporated into the design creating sunken patios in the rear yards. All floors feature generous 10 foot ceilings and large windows with the upper, bedroom floors featuring 11 and 12 foot ceilings. Open plans are complemented by sleek, modern finishes throughout.