Search results for "Structured program" in Home Design Ideas
MH ArchitectsAs the Donum name means “Gift of the Land,” the 150 acre site serves as the generator of the program and building forms. Located in Sonoma County’s Carneros wine-growing region, Donum Estate’s primary design objective was to create an elegant set of dispersed winery buildings which frame an open-air sculpture garden featuring artists such as Ai Weiwei, Keith Haring and Fernando Botero.
Donum Estate produces only single-vineyard, estate wines from vineyards in Carneros, Russian River Valley and Anderson Valley. The bayside site is surrounded by rolling hills with views of the coastal range in the distance. The winemaking program takes advantage of the site’s high exposure to humid marine air by focusing on Pinot Noir and Chardonnay varietals.
The new Production and Hospitality Buildings pay homage to a dairy previously located on the site by observing a pattern of relatively small, white structures with gable roofs. While both buildings nestle themselves amongst the world-class art in the landscape, the Hospitality Building carries the art theme within the gallery-like interior. A series of enormous skylites define the north side of the vaulted ceiling of the Great Room and generous floor-to-ceiling sliding glass doors capitalize on the surrounding views. The exterior is characterized by board-and-batten siding that vary in width and spacing, lending an appearance of undulating topography upon otherwise flat walls.
Like the Hospitality Building, the Production Building was locating on the footprint of a previous building to minimize impact on the site. The hillside footprint encouraged a traditional gravity-assisted program for winemaking with the Fermentation Room and Crush Pad housed above and the Barrel Storage Rooms contained within an elongated underground concrete box below. As the Fermentation Room is not conditioned, the skin of the building is delineated by staggered courses of horizontal metal panels with different patterns of perforations. The ethereal nature of the building perimeter generates playful light patterns within the building and evokes a dematerialized surface on the exterior.
While both the Production Building and Hospitality Building have been designed to augment any visitor’s experience at the Donum Estate, the structures also strive to focus attention outward to the immediate landscape and surrounding horizon. As wine ultimately comes from the grapes grown on the land, the vineyards are celebrated through framed vignettes and backdrops to world-class art.
MH ArchitectsAs the Donum name means “Gift of the Land,” the 150 acre site serves as the generator of the program and building forms. Located in Sonoma County’s Carneros wine-growing region, Donum Estate’s primary design objective was to create an elegant set of dispersed winery buildings which frame an open-air sculpture garden featuring artists such as Ai Weiwei, Keith Haring and Fernando Botero.
Donum Estate produces only single-vineyard, estate wines from vineyards in Carneros, Russian River Valley and Anderson Valley. The bayside site is surrounded by rolling hills with views of the coastal range in the distance. The winemaking program takes advantage of the site’s high exposure to humid marine air by focusing on Pinot Noir and Chardonnay varietals.
The new Production and Hospitality Buildings pay homage to a dairy previously located on the site by observing a pattern of relatively small, white structures with gable roofs. While both buildings nestle themselves amongst the world-class art in the landscape, the Hospitality Building carries the art theme within the gallery-like interior. A series of enormous skylites define the north side of the vaulted ceiling of the Great Room and generous floor-to-ceiling sliding glass doors capitalize on the surrounding views. The exterior is characterized by board-and-batten siding that vary in width and spacing, lending an appearance of undulating topography upon otherwise flat walls.
Like the Hospitality Building, the Production Building was locating on the footprint of a previous building to minimize impact on the site. The hillside footprint encouraged a traditional gravity-assisted program for winemaking with the Fermentation Room and Crush Pad housed above and the Barrel Storage Rooms contained within an elongated underground concrete box below. As the Fermentation Room is not conditioned, the skin of the building is delineated by staggered courses of horizontal metal panels with different patterns of perforations. The ethereal nature of the building perimeter generates playful light patterns within the building and evokes a dematerialized surface on the exterior.
While both the Production Building and Hospitality Building have been designed to augment any visitor’s experience at the Donum Estate, the structures also strive to focus attention outward to the immediate landscape and surrounding horizon. As wine ultimately comes from the grapes grown on the land, the vineyards are celebrated through framed vignettes and backdrops to world-class art.
MH ArchitectsAs the Donum name means “Gift of the Land,” the 150 acre site serves as the generator of the program and building forms. Located in Sonoma County’s Carneros wine-growing region, Donum Estate’s primary design objective was to create an elegant set of dispersed winery buildings which frame an open-air sculpture garden featuring artists such as Ai Weiwei, Keith Haring and Fernando Botero.
Donum Estate produces only single-vineyard, estate wines from vineyards in Carneros, Russian River Valley and Anderson Valley. The bayside site is surrounded by rolling hills with views of the coastal range in the distance. The winemaking program takes advantage of the site’s high exposure to humid marine air by focusing on Pinot Noir and Chardonnay varietals.
The new Production and Hospitality Buildings pay homage to a dairy previously located on the site by observing a pattern of relatively small, white structures with gable roofs. While both buildings nestle themselves amongst the world-class art in the landscape, the Hospitality Building carries the art theme within the gallery-like interior. A series of enormous skylites define the north side of the vaulted ceiling of the Great Room and generous floor-to-ceiling sliding glass doors capitalize on the surrounding views. The exterior is characterized by board-and-batten siding that vary in width and spacing, lending an appearance of undulating topography upon otherwise flat walls.
Like the Hospitality Building, the Production Building was locating on the footprint of a previous building to minimize impact on the site. The hillside footprint encouraged a traditional gravity-assisted program for winemaking with the Fermentation Room and Crush Pad housed above and the Barrel Storage Rooms contained within an elongated underground concrete box below. As the Fermentation Room is not conditioned, the skin of the building is delineated by staggered courses of horizontal metal panels with different patterns of perforations. The ethereal nature of the building perimeter generates playful light patterns within the building and evokes a dematerialized surface on the exterior.
While both the Production Building and Hospitality Building have been designed to augment any visitor’s experience at the Donum Estate, the structures also strive to focus attention outward to the immediate landscape and surrounding horizon. As wine ultimately comes from the grapes grown on the land, the vineyards are celebrated through framed vignettes and backdrops to world-class art.
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Studio IndustrielleThe program consists of a detached Guest House with full Kitchen, Living and Dining amenities, Carport and Office Building with attached Main house and Master Bedroom wing. The arrangement of buildings was dictated by the numerous majestic oaks and organized as a procession of spaces leading from the Entry arbor up to the front door. Large covered terraces and arbors were used to extend the interior living spaces out onto the site.
All the buildings are clad in Texas limestone with accent bands of Leuders limestone to mimic the local limestone cliffs in the area. Steel was used on the arbors and fences and left to rust. Vertical grain Douglas fir was used on the interior while flagstone and stained concrete floors were used throughout. The flagstone floors extend from the exterior entry arbors into the interior of the Main Living space and out onto the Main house terraces.
Misiaszek Turpin pllcThe 7,600 square-foot residence was designed for large, memorable gatherings of family and friends at the lake, as well as creating private spaces for smaller family gatherings. Keeping in dialogue with the surrounding site, a palette of natural materials and finishes was selected to provide a classic backdrop for all activities, bringing importance to the adjoining environment.
In optimizing the views of the lake and developing a strategy to maximize natural ventilation, an ideal, open-concept living scheme was implemented. The kitchen, dining room, living room and screened porch are connected, allowing for the large family gatherings to take place inside, should the weather not cooperate. Two main level master suites remain private from the rest of the program; yet provide a complete sense of incorporation. Bringing the natural finishes to the interior of the residence, provided the opportunity for unique focal points that complement the stunning stone fireplace and timber trusses.
Photographer: John Hession
KZ ArchitectureThe project involved a large program that would yield a massive home on a limited and restricted site. The design strategy involved deconstructing the volume into pavilions that could generate a dialogue between built form and landscape and create intimate connections between the golf course and the living spaces.
Robin Hill
KZ ArchitectureThe project involved a large program that would yield a massive home on a limited and restricted site. The design strategy involved deconstructing the volume into pavilions that could generate a dialogue between built form and landscape and create intimate connections between the golf course and the living spaces.
Robin Hill
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Structure in micro embossed MD F worked with laser in order to get a tufted effect definitely soft. A refined program prepared designed paying attention to the smallest details starting from the tempered glass top lacquered in the same colour as the structure.
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Mark S. Garff, Landscape ArchitectIn Seattle's Fremont neighborhood SCJ Studio designed a new landscape to surround and set off a contemporary home by Coates Design Architects. The narrow spaces around the tall home needed structure and organization, and a thoughtful approach to layout and space programming. A concrete patio was installed with a Paloform Bento gas fire feature surrounded by lush, northwest planting. A horizontal board cedar fence provides privacy from the street and creates the cozy feeling of an outdoor room among the trees. LED low-voltage lighting by Kichler Lighting adds night-time warmth.
Photography by: Miranda Estes Photography
Studio TOOPdesign: Carrie Preston (Studio TOOP) and Jasper Helmantel (Cruydt Hoeck), 2011
location: Appeltern, NL
status: built in 2012 by Appeltern Model Garden Complex
photos: Jolanthe Lalkens, June 2013
Designed as assignment from both the Dutch gardening magazine Groei & Bloei and the television and radio nature program Vara's Vroege Vogels, this garden serves as a model of how homeowners can incorporate lots of plant life and wildlife into the design but without sacrificing practicality or aesthetics. The garden is deliberately contemporary in its style to emphasize that nature-rich gardens need not look a certain way - insects and birds don't care if the lines are straight or curved.
At the same time the garden makes use of affordable, simple, no-nonsense materials. The 40x60 cm paving stones are one of the most common and affordable paving options in the Netherlands, available en masse for free on the Internet. Conceptually we imagined a garden completely paved with the tiles (as to many gardens are) and what would happen if took out some of these stones, used them to build benches and structure and added plants where the tiles had been. In the construction of the benches we include other materials such as bamboo sticks and insulation bricks that create habitat for insects such as solitary bees.
The plant palette is based on a selection of native and host plants in combination with the 26 plants plan set up by Groei & Boei -- a list of plants aimed at making the use of more plants in gardens accessible and less intimidating. The choice for the number 26 corresponds with the number of letters in the alphabet in line with the famous Dutch garden designer Mien Ruy's comment that if we only need 26 letters to create a whole language, we should be able to combine and mix 26 plants to express far more than we think.
Dynia ArchitectsThis vacation home, situated on a three acre wooded site, is an addition to the original modest house and garage. The program called for the addition of approximately 3,000 square feet to include living, dining, kitchen, and master bedroom space. A pavilion was created to the west of the existing house, with an internal bridge that spans a water element and connects both structures.
This strategy of separation allowed exploration of a new architecture that combined the timber tradition of the mountains with contemporary elements like expansive glass and an open plan. This is expressed by the great weight of the timber frame structure, which takes the form of two girder trusses that rest upon stone masses. On the west the truss is positioned outside the glass wall of the house. This creates a sense of depth that allows the building to dissolve into the landscape, and on a practical note, provides sun screening.
A.I.A. Wyoming Chapter Design Award of Merit 2001
Project Year: Pre-2005
Dynia ArchitectsThis vacation home, situated on a three acre wooded site, is an addition to the original modest house and garage. The program called for the addition of approximately 3,000 square feet to include living, dining, kitchen, and master bedroom space. A pavilion was created to the west of the existing house, with an internal bridge that spans a water element and connects both structures.
This strategy of separation allowed exploration of a new architecture that combined the timber tradition of the mountains with contemporary elements like expansive glass and an open plan. This is expressed by the great weight of the timber frame structure, which takes the form of two girder trusses that rest upon stone masses. On the west the truss is positioned outside the glass wall of the house. This creates a sense of depth that allows the building to dissolve into the landscape, and on a practical note, provides sun screening.
A.I.A. Wyoming Chapter Design Award of Merit 2001
Project Year: Pre-2005
SieMatic Seattle/ Summers Studio
SieMatic FloatingSpaces panel system offers many elegant variations for fluid transitions between rooms and their functions, going beyond the usual kitchen designs. Panels and shelves can be planned down to the millimeter in nearly any surface offered in the versatile SieMatic program ranges. Panels can be individually assembled, structured, and coordinated according to interior architectural requirements.
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Mark S. Garff, Landscape ArchitectIn Seattle's Fremont neighborhood SCJ Studio designed a new landscape to surround and set off a contemporary home by Coates Design Architects. The narrow spaces around the tall home needed structure and organization, and a thoughtful approach to layout and space programming. A concrete patio was installed with a Paloform Bento gas fire feature surrounded by lush, northwest planting. A horizontal board cedar fence provides privacy from the street and creates the cozy feeling of an outdoor room among the trees. LED low-voltage lighting by Kichler Lighting adds night-time warmth.
Photography by: Miranda Estes Photography
OMNIA Group ArchitectsThe comfortable elegance of this French-Country inspired home belies the challenges faced during its conception. The beautiful, wooded site was steeply sloped requiring study of the location, grading, approach, yard and views from and to the rolling Pennsylvania countryside. The client desired an old world look and feel, requiring a sensitive approach to the extensive program. Large, modern spaces could not add bulk to the interior or exterior. Furthermore, it was critical to balance voluminous spaces designed for entertainment with more intimate settings for daily living while maintaining harmonic flow throughout.
The result home is wide, approached by a winding drive terminating at a prominent facade embracing the motor court. Stone walls feather grade to the front façade, beginning the masonry theme dressing the structure. A second theme of true Pennsylvania timber-framing is also introduced on the exterior and is subsequently revealed in the formal Great and Dining rooms. Timber-framing adds drama, scales down volume, and adds the warmth of natural hand-wrought materials. The Great Room is literal and figurative center of this master down home, separating casual living areas from the elaborate master suite. The lower level accommodates casual entertaining and an office suite with compelling views. The rear yard, cut from the hillside, is a composition of natural and architectural elements with timber framed porches and terraces accessed from nearly every interior space flowing to a hillside of boulders and waterfalls.
The result is a naturally set, livable, truly harmonious, new home radiating old world elegance. This home is powered by a geothermal heating and cooling system and state of the art electronic controls and monitoring systems.
Maryland Building Industry AssociationRutter Project Management won for Walnut Creek in Ellicott City, MD. The Community consists of 160 one-acre cluster lots on well and septic. The original parcel included a forest recycling center, an airport, a nursery, a graveyard, several family owned homes and structures, streams, forest, and several high pressure gas main crossings from three different companies, an enormous obstacle in the development of the property.Unique to this project was the ability to avoid impacts to stream buffers and forest areas. With the purchase of additional density through the Howard County Density Exchange Program, the project is responsible for the permanent preservation of more than 524 acres of land. By importing density, and preserving 17 properties throughout western Howard County, the overall existing community now benefits by having 21 percent more land preserved than the original parcel included.
BASWA acoustic North AmericaThis adaptive reuse of the ground and basement floors of an 1860s industrial structure integrates interior and exterior, existing and new, work and living, in a dense urban neighborhood using salvaged and low-cost everyday materials. Removing portions of the original rear yard extension and first floor enabled the installation of a garden, whose reflective surfaces animate and bring light deep into the interior. Organized on three levels, working spaces occupy the front, interfacing with living spaces that open toward the garden. The Loft’s strategic deletions and insertions construct a new sense of its urban site, reinterpreting its visible and invisible histories, and repurposing spaces and elements to allow new programs and relationships to emerge. The reuse of original materials from the existing space’s demolition defines new material assemblies, expressing an approach to sustainability that accesses the richness of history and place.*
*Architizer.com
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Columbus, OH
Structural Remodeling
Franklin County's Heavy Timber Specialists | Best of Houzz 2020!
BASWA acoustic North AmericaThis adaptive reuse of the ground and basement floors of an 1860s industrial structure integrates interior and exterior, existing and new, work and living, in a dense urban neighborhood using salvaged and low-cost everyday materials. Removing portions of the original rear yard extension and first floor enabled the installation of a garden, whose reflective surfaces animate and bring light deep into the interior. Organized on three levels, working spaces occupy the front, interfacing with living spaces that open toward the garden. The Loft’s strategic deletions and insertions construct a new sense of its urban site, reinterpreting its visible and invisible histories, and repurposing spaces and elements to allow new programs and relationships to emerge. The reuse of original materials from the existing space’s demolition defines new material assemblies, expressing an approach to sustainability that accesses the richness of history and place.*
*Architizer.com
BASWA acoustic North AmericaThis adaptive reuse of the ground and basement floors of an 1860s industrial structure integrates interior and exterior, existing and new, work and living, in a dense urban neighborhood using salvaged and low-cost everyday materials. Removing portions of the original rear yard extension and first floor enabled the installation of a garden, whose reflective surfaces animate and bring light deep into the interior. Organized on three levels, working spaces occupy the front, interfacing with living spaces that open toward the garden. The Loft’s strategic deletions and insertions construct a new sense of its urban site, reinterpreting its visible and invisible histories, and repurposing spaces and elements to allow new programs and relationships to emerge. The reuse of original materials from the existing space’s demolition defines new material assemblies, expressing an approach to sustainability that accesses the richness of history and place.*
*Architizer.com
Misiaszek Turpin pllc The 7,600 square-foot residence was designed for large, memorable gatherings of family and friends at the lake, as well as creating private spaces for smaller family gatherings. Keeping in dialogue with the surrounding site, a palette of natural materials and finishes was selected to provide a classic backdrop for all activities, bringing importance to the adjoining environment.
In optimizing the views of the lake and developing a strategy to maximize natural ventilation, an ideal, open-concept living scheme was implemented. The kitchen, dining room, living room and screened porch are connected, allowing for the large family gatherings to take place inside, should the weather not cooperate. Two main level master suites remain private from the rest of the program; yet provide a complete sense of incorporation. Bringing the natural finishes to the interior of the residence, provided the opportunity for unique focal points that complement the stunning stone fireplace and timber trusses.
Photographer: MTA
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