Example of a mountain style kitchen design in Salt Lake City

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Photography by Melissa Oivanki/Oivanki Photography
Inspiration for a bedroom timeless girl medium tone wood floor kids' bedroom remodel in Nashville with pink walls

Twelve foot island with 9' granite counter top and 3' bamboo cutting surface at end. Microwave built in under counter top. One dishwasher installed in island and second in main bank of cabinets opposite.

Converting a standard builder grade deck to a fabulous outdoor living space, 3 Twelve General Contracting constructed the new decks and roof cover. All lumber, TREX decking and railing supplied by Timber Town Atlanta. Stone for fireplace supplied by Lowes Home Improvement.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

1st Place, National Design Award Winning Kitchen. Remodeling in Warwick, NY. From a dark, un-inspiring kitchen (see before photos), to a bright, white, custom kitchen. Dark wood floors, white carrera marble counters, solid wood island-table and much more. Photos - Ken Lauben

Our designer has achieved a stylish look by combining dark cabinets and light-colored marbles.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Two young boys share the second bedroom and their closet organization system helps keep their things neatly stored. Photographer: Tyler Chartier
Example of a mid-sized arts and crafts carpeted closet design in San Francisco with blue walls

The key to this project was to create a kitchen fitting of a residence with strong Industrial aesthetics. The PB Kitchen Design team managed to preserve the warmth and organic feel of the home’s architecture. The sturdy materials used to enrich the integrity of the design, never take away from the fact that this space is meant for hospitality. Functionally, the kitchen works equally well for quick family meals or large gatherings. But take a closer look at the use of texture and height. The vaulted ceiling and exposed trusses bring an additional element of awe to this already stunning kitchen. Project specs: Cabinets by Quality Custom Cabinetry. 48" Wolf range. Sub Zero integrated refrigerator in stainless steel. Project Accolades: First Place honors in the National Kitchen and Bath Association’s 2014 Design Competition

This beautiful farmhouse kitchen in soft grey tones bridge the gap between old and new. Thermador appliances work hard for the avid cooks who live here. Design by Jarrett Design, LLC. Cabinetry by Plain & Fancy Cabinetry. Counters by Bucks County Soapstone. Matt Villano Photography

The new South Cliff Residence features luxury amenities including a 40 foot lap pool, pool house, large terrace, home gym, completely private study, and a large creative studio space suited to the owners’ needs. Numerous glass panels stretch from the floor to the soaring twelve foot tall ceilings throughout the main level, and vaulted ceilings at the second level have been fine tuned to the owners’ preferences.

The new South Cliff Residence features luxury amenities including a 40 foot lap pool, pool house, large terrace, home gym, completely private study, and a large creative studio space suited to the owners’ needs. Numerous glass panels stretch from the floor to the soaring twelve foot tall ceilings throughout the main level, and vaulted ceilings at the second level have been fine tuned to the owners’ preferences.

Our client purchased a disused lakefront residential plot on the border between Euclid and Willowick, Ohio. They asked Architecture Office to design a weekend retreat for them that emphasizes its striking view of Lake Erie. This two-story vacation home opens to a breezeway that provides cross-ventilation and airflow to the second floor’s kitchen and living area. On the ground floor, the master bedroom features an en suite bathroom and walk-in closet. A storage space that is accessible from the house’s exterior sits behind this closet. A second bedroom—intended for Airbnb guests—features an en suite bathroom, closet and separate entrance. A staircase ascends from the breezeway to a combined living area and kitchen. This open space is anchored by a twelve foot window that faces Lake Erie. The house is oriented perpendicular to Lake Erie to optimize views of the lake from the master and second bedrooms. We refurbished a previously existing deck on the property to incorporate it into the site. A gravel driveway leads to a space cleared to accommodate a garage at a future date. The house is clad in horizontal corrugated aluminum siding to provide a minimalist aesthetic. The cladding and a standing seam metal roof protects the house from frequent storms and high winds off the lake.

Our client purchased a disused lakefront residential plot on the border between Euclid and Willowick, Ohio. They asked Architecture Office to design a weekend retreat for them that emphasizes its striking view of Lake Erie. This two-story vacation home opens to a breezeway that provides cross-ventilation and airflow to the second floor’s kitchen and living area. On the ground floor, the master bedroom features an en suite bathroom and walk-in closet. A storage space that is accessible from the house’s exterior sits behind this closet. A second bedroom—intended for Airbnb guests—features an en suite bathroom, closet and separate entrance. A staircase ascends from the breezeway to a combined living area and kitchen. This open space is anchored by a twelve foot window that faces Lake Erie. The house is oriented perpendicular to Lake Erie to optimize views of the lake from the master and second bedrooms. We refurbished a previously existing deck on the property to incorporate it into the site. A gravel driveway leads to a space cleared to accommodate a garage at a future date. The house is clad in horizontal corrugated aluminum siding to provide a minimalist aesthetic. The cladding and a standing seam metal roof protects the house from frequent storms and high winds off the lake.

French country chateau, Villa Coublay, is set amid a beautiful wooded backdrop. Native stone veneer with red brick accents, stained cypress shutters, and timber-framed columns and brackets add to this estate's charm and authenticity. A twelve-foot tall family room ceiling allows for expansive glass at the southern wall taking advantage of the forest view and providing passive heating in the winter months. A largely open plan design puts a modern spin on the classic French country exterior creating an unexpected juxtaposition, inspiring awe upon entry.

Our client purchased a disused lakefront residential plot on the border between Euclid and Willowick, Ohio. They asked Architecture Office to design a weekend retreat for them that emphasizes its striking view of Lake Erie. This two-story vacation home opens to a breezeway that provides cross-ventilation and airflow to the second floor’s kitchen and living area. On the ground floor, the master bedroom features an en suite bathroom and walk-in closet. A storage space that is accessible from the house’s exterior sits behind this closet. A second bedroom—intended for Airbnb guests—features an en suite bathroom, closet and separate entrance. A staircase ascends from the breezeway to a combined living area and kitchen. This open space is anchored by a twelve foot window that faces Lake Erie. The house is oriented perpendicular to Lake Erie to optimize views of the lake from the master and second bedrooms. We refurbished a previously existing deck on the property to incorporate it into the site. A gravel driveway leads to a space cleared to accommodate a garage at a future date. The house is clad in horizontal corrugated aluminum siding to provide a minimalist aesthetic. The cladding and a standing seam metal roof protects the house from frequent storms and high winds off the lake.

Our client purchased a disused lakefront residential plot on the border between Euclid and Willowick, Ohio. They asked Architecture Office to design a weekend retreat for them that emphasizes its striking view of Lake Erie. This two-story vacation home opens to a breezeway that provides cross-ventilation and airflow to the second floor’s kitchen and living area. On the ground floor, the master bedroom features an en suite bathroom and walk-in closet. A storage space that is accessible from the house’s exterior sits behind this closet. A second bedroom—intended for Airbnb guests—features an en suite bathroom, closet and separate entrance. A staircase ascends from the breezeway to a combined living area and kitchen. This open space is anchored by a twelve foot window that faces Lake Erie. The house is oriented perpendicular to Lake Erie to optimize views of the lake from the master and second bedrooms. We refurbished a previously existing deck on the property to incorporate it into the site. A gravel driveway leads to a space cleared to accommodate a garage at a future date. The house is clad in horizontal corrugated aluminum siding to provide a minimalist aesthetic. The cladding and a standing seam metal roof protects the house from frequent storms and high winds off the lake.