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Example of a mid-sized transitional enclosed living room design in DC Metro with gray walls
Example of a mid-sized transitional enclosed living room design in DC Metro with gray walls

1800 Model - Village Collection
Pricing, floorplans, virtual tours, community information & more at https://www.robertthomashomes.com/

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.
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Living room - small 1950s formal and enclosed light wood floor and brown floor living room idea in Minneapolis with white walls, no fireplace and no tv

Sunlight Virtual Tours & Photo Creations
Mid-sized arts and crafts dark wood floor kitchen/dining room combo photo in Atlanta with white walls
Mid-sized arts and crafts dark wood floor kitchen/dining room combo photo in Atlanta with white walls

Dramatic contemporary bedroom features modern furnishings and smart home automation from Control4 to enhance the ambiance and add the ultimate in convenience. In-ceiling speakers broadcast the music of your choice using a whole-home audio solution, powered by Control4. The recessed smart lighting lighting and light fixtures are designed to create the perfect personalized ambiance. Other automation options may include automatically closing the blinds for privacy, programmable thermostat control for comfort and energy management, home security system integration, and full A/V control. And everything can be controlled from virtually anywhere - including the comfort of your bed using your Control4 app with a smart phone or tablet device or right from the TV screen.

Virtual Studio Innovations
Freestanding desk home office photo in Atlanta with a standard fireplace
Freestanding desk home office photo in Atlanta with a standard fireplace

High Point Fall 2014- Fremarc Designs Showroom featuring the Beverly Cocktail Table ( 182754) Beverly End Table ( 182127) and Madison End Table ( 172228).

Virtual Tours orlando
Mid-sized transitional medium tone wood floor hallway photo in Orlando with beige walls
Mid-sized transitional medium tone wood floor hallway photo in Orlando with beige walls

Trendy dark wood floor and brown floor living room photo in Atlanta with white walls, a standard fireplace and a stone fireplace

Interior Design: Lola Interiors, Photo: East Coast Virtual Tours
Mid-sized transitional formal and open concept medium tone wood floor and brown floor living room photo in Jacksonville with gray walls, a two-sided fireplace, a tile fireplace and a wall-mounted tv
Mid-sized transitional formal and open concept medium tone wood floor and brown floor living room photo in Jacksonville with gray walls, a two-sided fireplace, a tile fireplace and a wall-mounted tv

The Marvin Ultimate Casement Window is an innovative, high-performing casement window, offering expert craftsmanship, a variety of customization options, and superior value. Designed to suit virtually any application, these state-of-the-art windows feature concealed multi-point locks, patented exclusive wash mode, and durable hardware that ensures easy opening and smooth operation even on larger-sized windows.

Kim Roberts, owner of Staging Beautifully, has a passion for creating beautiful spaces. From home staging to redecorating, Kim’s relaxed and friendly approach make even the most challenging project fun and enjoyable.
For those interested in refreshing their space, Staging Beautifully can assist a homeowner in decorating their home with the items they already own and love. Like staging, redesign may include color selection, rearranging furniture, hanging art and placing accessories. It is a cost effective design alternative which will give your home a facelift without the cost of an Interior Designer. Utilizing your furnishings and treasures, we will shop your home to find new and creative ways to display your family’s possessions. This will result in a complete interior transformation which will reflect your personality, style, comfort and functionality to your living space without having to buy anything.
Looking to sell your home, consider home staging to target a higher selling price. Home Staging aims to de-personalize your home and make it appealing to virtually all prospective buyers. The way you live in your home and the way you market your home are two very different things. Your home is competing with every other home on the market. A home that looks like it needs work or isn't move-in ready prompts buyers to low-ball their offers, or eliminate your home from consideration all together. Those homes that are staged to reflect current trends attract and appeal to more buyers, resulting in more offers, faster sales, and higher sale prices. Sometimes, an agent may even recommend your price be increased once your home is staged! A well-staged home can even start a bidding war with multiple offers!

Family room - large transitional open concept carpeted family room idea in New York with beige walls and no fireplace

This Houston outdoor kitchen and entertaining area offers a modern take on Mediterranean style.
Designed and built by Outdoor Homescapes of Houston, this fully loaded family and entertaining space echoes the stucco, travertine tile patio and Mediterranean style of the existing home while exuding a more modern, transitional style.
“This was a high-profile client – both VPs of different oil and gas companies who entertain affluent guests on a regular basis – so they wanted to make sure they had high-end appliances and all the latest amenities they could order,” says Lisha Maxey, senior designer for Outdoor Homescapes and owner of LGH Design Services in Houston. “They also have two kids, ages 7 and 10, and wanted a family gathering space that better accompanied their new, luxurious pool.”
What really sets apart this outside kitchen design idea, however, is the way the elements are used throughout the space.
“Usually, outdoor kitchen designs for a backyard are grouped into one island or cabinet,” explains Outdoor Homescapes of Houston owner Wayne Franks. “But here, the patio, roof and fireplace were all in place, separated by stucco columns, and the outdoor kitchen elements had to work around them.”
A 14-foot-long cooking island houses a built-in Fire Magic grill with a Magic View Window (allows the chef to check on food without lifting the lid and losing valuable heat). The island, the countertop of which is "Carnaval" granite from Lackstone, also features a Fire Magic power burner, warming drawer and trash drawer. On one side of the fireplace, forming an “L” with the cooking island, sits a built-in Primo ceramic grill.
On the other side of the fireplace is a 3-foot-long cabinet housing a bar with a wine cooler, ice maker and upper cabinet. And finally, just outside the patio door is a 7-foot-long cabinet with a modern Kohler sink with a high-arc Moen faucet (sink and faucet from Faucets Direct), a trash drawer and another upper cabinet.
Outdoor Homescapes of Houston, by the way, outfitted both cabinets with glass inserts, custom pulls and three-way sensor lighting.
“At the beginning, this was basically a blank space with a fireplace in the middle,” says Maxey. So Outdoor Homescapes upgraded the fireplace with Austin Stack Stone in white (No. 401) from Colorstonescreenshot vickers mosaic tile rectangle. "The stone added that pop,” notes Maxey.
The fireplace’s espresso-colored, distressed wood mantel (from Mantels.com) and upper wood cabinets were both stained with the Minwax color Jacobean. The ceiling fans were also updated with ones featuring similarly espresso-colored, wooden fan blades, to match.
The table in the middle - a cast-iron, Mediterranean style gem with hand-forged scrollwork designs from Patio 1 in Houston – seats 10.
“We wanted this kind of Mediterranean feel,” says Maxey. “We wanted rustic, but the appliance package was so new, with all its stainless steel, so we kept a the cabinets and the columns stucco instead of stone for a more clean, modern look and then did the custom tile backsplash and mosaic in more of a rustic, Mediterranean look."
The backsplash is a 1-inch travertine tile background with 4-inch square metallic insets, both from Floor & Decor. The tile for the 18-by-24-inch rectangle mosaic came from Great Britain Tile Co. and included a Dianno Reale tumbled border and background. The bronze, diamond-shaped insets are tumbled Dark Emperdor tile and the scrolls are tumbled Noce tile.
The client, who admits they have high standards, was more than pleased with the project – especially browsing through Outdoor Homescapes’ vast library of patio kitchen design ideas, the 3D virtual video tour that let them preview the project from every angle before construction. They also liked the personalized design consultation.
"OH provides a very neat service where one of their designers will either shop/buy for you or shop with you for the more detailed pieces that will finish your home," reads the client's review on Houzz. "This was a very positive, personalized feature ... Lisha helped narrow down an enormous marketplace of materials and finishes to a few we could choose from."

“Greensboro’s Grandest House” was recently selected as the 2013 ShowHouse presented by the Junior League of Greensboro and national media sponsor Traditional Home. Among the local and national design talent featured in this special fundraising event was design duo Patti Allen and Stephanie James of Furnitureland South, who transformed the estate’s patio into a classic, colorful and cozy space.
Built in the early 1920s, the Adamsleigh estate is more than 15,000 square feet and covers 13.5 acres that include pools, a lake, tennis courts, a stone gazebo and a five-car garage. The 30×60 patio presented a special design challenge – the space was in disrepair and sat unevenly on a downward slope. Rising to the challenge, Patti and Stephanie partnered with Outer Space Landscapes to change the elevation of the patio in order to draw attention to the focal point and inspiration of the project: a beautiful canopy sofa by Century Furniture.
The addition of 6 tons of landscaping material included Pennsylvania blue stone, pebbles, sand, cherry trees, azaleas and geraniums all blooming in the colors of the latest Sunbrella fabrics featured in the outdoor furnishings: crisp, sandy white, fuchsia and tangerine. Patti and Stephanie wanted to showcase clean and classic outdoor style with an edge of color and unexpected elements. Playful ottomans by Baker float in the space for multiple functions, adding an extra pop of color to the sophisticated setting which includes a dining table by Oscar de la Renta, organic spot tables from Phillips Collection, and daybeds and seating from Century Furniture.
Combining their passion for interior spaces with signature designs, Allen and James Designs gave this outdoor space the comfort, color and style it deserved.
Patti and Stephanie, co-founders of Allen and James Designs, are committed to inspire and influence unique spaces for home, work, play and relaxation. With over 25 years of experience and a dedication to client relationships, their infusion of international inspiration with style, color, texture and vision make Patti and Stephanie a creative duo capable of exceeding the expectations of any client’s design project. By forming over 400 connections with key manufactures such as Henredon, Century, Lillian August, Dovetail, Maitland Smith and Huntington House, Allen and James Designs can provide a broad range of options that virtually meet any need a client has to create their dream home.

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Columbus, OH
Wannemacher Interiors
Customized Award-Winning Interior Design Solutions in Franklin Cnty OH

Virtually Here Studios
Inspiration for a scandinavian master light wood floor bedroom remodel in Los Angeles with white walls and no fireplace
Inspiration for a scandinavian master light wood floor bedroom remodel in Los Angeles with white walls and no fireplace

Lola Interiors, Interior Design | East Coast Virtual Tours, Photography
Example of a mid-sized transitional open concept dark wood floor living room design in Jacksonville with gray walls, a standard fireplace, a stone fireplace and a wall-mounted tv
Example of a mid-sized transitional open concept dark wood floor living room design in Jacksonville with gray walls, a standard fireplace, a stone fireplace and a wall-mounted tv

We are so excited about this stylish Houston patio addition!
It's one of our most recent outdoor living space design projects - and one of our new favorites!
We particularly love the rustic corner fireplace, the beautiful, vaulted pine ceiling and the Restoration Hardware furniture and accessories.
"Even though this space has an outdoor kitchen - often the highlight of our projects - the focus here is beautiful, comfortable outdoor living," says Outdoor Homescapes of Houston owner Wayne Franks. "And I have to say, I think this is one of the most gorgeous spaces we've created for doing that - in style."
"This project was special from the start, as we were creating this space for a friend of Wayne’s who had been a long time mentor to his boys growing up," adds Lisha Maxey, owner of LGH Designs in Houston (she coordinated furniture and finishes for the project). "This client was the principal of their high school and knew all of them very well and Wayne, too. This made it very personal, indeed, and we wanted everything to be perfect!"
The 23- by 16-foot addition, located at the back of the house in Cypress, looks out onto a manmade lake in the homeowners' subdivision. The focal point? A 9-foot-8-inch-high-by-7-foot-wide corner fireplace in Earth Grey rustic ledgestone from Colorstone in Houston. The fireplace features a custom wooden mantel, stone bench seating and a 52-inch Sunbrite outdoor TV.
Another highlight is the flooring - silver travertine tile laid out in a Versailles pattern. "We chose silver travertine in a 'Tumbled' color palette with variations of cream and brown," says Lisha. "So we had those two colors, plus grey, to pull from."
The 7-foot-long, stucco outdoor kitchen island's countertops are also noteworthy - Absolute Black granite in a leathered finish offering a modern look and a dark grey hue that works perfectly with the color palette. The kitchen island also houses an RCS 30-inch grill and fridge.
The seating area includes a sectional couch, coffee table, two swivel chairs and two ottomans - all from Restoration Hardware.
"We used Restoration Hardware's Biscayne sectional, swivel chairs and ottomans in gray, with textured linen weave in Sand and cushions and peacock accent pillows in gray," says Lisha. The coffee table is made of solid teak with a concrete top - as is the matching side table.
"We added a console table, also in teak, behind the sofa. And for accents, we added three Amalfi lanterns from Restoration Hardware in weathered zinc."
A Sunbrella® Heathered area rug (in Gray) was added to anchor the space and visually tie it together.
"The space as a whole leans towards a transitional style, in that it has many traditional cozy comforts and colors, but the furniture gives it a more contemporary look," says Lisha. "The idea from the beginning was to marry these two styles, as our clients wanted a look that would not age and be in vogue for years to come."
On the exterior, you can see how we worked to make the addition blend with the existing home - matching the shingles and stucco and continuing the landscaping.
3D graphic renderings and a virtual video tour allowed the clients to know exactly what the space would look like beforehand.
"It takes a lot of the guesswork out of the process," says Outdoor Homescapes' graphic designer, Kristy Buell Franks. "Floor plans and elevation drawings are good for giving an idea of the overall scope of the project, but it's the 3D renderings that really show what the space is going to look like."
The 3D graphics and video tours also help immensely when choosing finishing materials and furniture, she says: "The clients' choices can be put into the design to allow the clients to see how the materials will work with the existing materials on the house and how the furniture will look in the space."
What do you like about this space? Post a comment and let us know!
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