Primary luxury bathroom with large floating vanity with white flush-panel cabinets and brass cabinet hardware, marble slab countertops with double under-mount porcelain sinks. Operable transom windows above the large mirror. White walls and ceiling along with white stone floor tile in a contemporary home in Berkeley/Oakland hills. Jonathan Mitchell Photography

Mid-Century Remodel on Tabor Hill This sensitively sited house was designed by Robert Coolidge, a renowned architect and grandson of President Calvin Coolidge. The house features a symmetrical gable roof and beautiful floor to ceiling glass facing due south, smartly oriented for passive solar heating. Situated on a steep lot, the house is primarily a single story that steps down to a family room. This lower level opens to a New England exterior. Our goals for this project were to maintain the integrity of the original design while creating more modern spaces. Our design team worked to envision what Coolidge himself might have designed if he'd had access to modern materials and fixtures. With the aim of creating a signature space that ties together the living, dining, and kitchen areas, we designed a variation on the 1950's "floating kitchen." In this inviting assembly, the kitchen is located away from exterior walls, which allows views from the floor-to-ceiling glass to remain uninterrupted by cabinetry. We updated rooms throughout the house; installing modern features that pay homage to the fine, sleek lines of the original design. Finally, we opened the family room to a terrace featuring a fire pit. Since a hallmark of our design is the diminishment of the hard line between interior and exterior, we were especially pleased for the opportunity to update this classic work.

Beautifully designed modern kitchen with a large central island made of white marble. The island features a sleek gold faucet, integrated sink, and seating for four with stylish black and white bar stools. Above the island, there are three black pendant lights with wide shades, giving the space a contemporary feel. The cabinetry is a soft, neutral tone, with upper cabinets featuring glass fronts. The design incorporates natural light from two large windows, and the brass accents on the lights and hardware complement the warm tones of the kitchen. A vase with fresh flowers adds a pop of color and liveliness to the space.

My customers came to me wanting a big change in their small colonial kitchen. They knew they had extra space from a previous addition and dining room. As far as layout they didn't give me any limitations. They asked for more counter space, storage, and something they can comfortably entertain in with their growing family. We knocked down the wall between the old kitchen and dining room and added another doorway to the front room. This allowed me to double the size of the kitchen and add an angled peninsula with seating. The kitchen is now open to the existing addition which serves as great room with a built in desk area. All new windows were put in throughout the house and the patio door was moved to the back wall of great room. This allows for a better flow to the in ground pool where we added new steps and decking. My customers love their new open concept living space. They especially enjoy it with the grandkids during the summer months. Photo By: Lindsey Markel

The Holloway blends the recent revival of mid-century aesthetics with the timelessness of a country farmhouse. Each façade features playfully arranged windows tucked under steeply pitched gables. Natural wood lapped siding emphasizes this homes more modern elements, while classic white board & batten covers the core of this house. A rustic stone water table wraps around the base and contours down into the rear view-out terrace. Inside, a wide hallway connects the foyer to the den and living spaces through smooth case-less openings. Featuring a grey stone fireplace, tall windows, and vaulted wood ceiling, the living room bridges between the kitchen and den. The kitchen picks up some mid-century through the use of flat-faced upper and lower cabinets with chrome pulls. Richly toned wood chairs and table cap off the dining room, which is surrounded by windows on three sides. The grand staircase, to the left, is viewable from the outside through a set of giant casement windows on the upper landing. A spacious master suite is situated off of this upper landing. Featuring separate closets, a tiled bath with tub and shower, this suite has a perfect view out to the rear yard through the bedroom's rear windows. All the way upstairs, and to the right of the staircase, is four separate bedrooms. Downstairs, under the master suite, is a gymnasium. This gymnasium is connected to the outdoors through an overhead door and is perfect for athletic activities or storing a boat during cold months. The lower level also features a living room with a view out windows and a private guest suite. Architect: Visbeen Architects Photographer: Ashley Avila Photography Builder: AVB Inc.

Kitchen The kitchen is anchored as a gathering space with its blue-accented entertaining island. The island has plenty of seating for visiting with the cooks and for serving informal meals. The clean-up sink faces toward the east and the back deck and yard. To its right is a paneled dishwasher, and a built-in fridge that's readily accessible to the breakfast table (out of view here) and outdoor deck. To the left of the sink is an appliance garage with a lift-up door. oak trim; new oak floors; Sub Zero refrigerator; Wolf range & hood; 3cm Brazilian Black granite counters with thumbnail edge detail; 3cm Verde Pavoa granite island with thumbnail edge; lower cabinets painted Seattle Mist by Benjamin Moore; upper cabinets painted Swiss Coffee by Benjamine Moore; island painted Dark Pewter by Benjamin Moore; 6" x 13" rhomboid glazed ceramic tile at backsplash by Walker Zanger. Construction by CG&S Design-Build. Photography by Tre Dunham, Fine focus Photography

The Home While looking for space where their active family could expand, these homeowners turned to Black Forest, with trees that remind them of their Indiana years. A stunning Pikes Peak view underscores how fortunate they are to live in Colorado. This home features classic nods to the owner’s French heritage while embracing a thoroughly of-the-moment Colorado lifestyle. Priorities for these homeowners included blending outdoor and indoor spaces wherever possible with generously proportioned windows and doors, porches, patios and balconies. A gracious lime-washed brick entry punctuates a simplified white stucco and black-frame-windowed exterior with traditional rooflines. Dramatic open spaces on the main floor comfortably accommodate the everyday activities of this busy family of four, while providing for welcomed visits from family and friends. A functional, open kitchen is designed for serious cooking, a butler’s pantry for staples, and serveware storage and dining spaces that effortlessly host after-school snacking to multi-course meals. A main-level, Peak-view office comfortably supports working at home, complete with a beer cave and tasting nook for hosting fellow aficionados after work is done. Guests will find comfort and privacy in a ma in-level guestroom suite or sleepover fun in the built-in bunks of the expansive over-garage bonus room. This home is a true collaboration that blends the homeowner’s long-held vision of their ideal home brought to life by the builder’s vision and design/build process that achieves something truly…Warm and welcoming in the Forest. The Builder Stauffer & Sons Construction is a true Design-Build team creating some of the finest living spaces in the Pikes Peak region for over twenty years. We’ve developed an easy point-of-entry to the Design-Build process that begins with our very popular Conceptual Design and Budgeting Agreement. This affordable, low-commitment step provides answers to the early-stage questions of “what and how much?” With this critical information in place, a robust collaboration between client and builder ensues, resulting in a thoughtfully designed home that strikes a balance between size and scope and budget. The Interior Design Family, friends and soon-to-be friends are welcomed into this updated version of a French country farmhouse through a bricked archway and a solid arch-top entry door. Once inside, a sweeping gallery of windows adorned with flower-filled window boxes sets a nice foreground to the ponderosa pine forest. A great room with a two-story, lime-washed, brick fireplace sits juxtaposed to a cozy farm-styled kitchen with large island, plenty of storage and a Pikes Peak view. This family home features a simple, clean design with warm, wooden beams and solid, white-oak flooring. This home is designed to be lived in. Wherever you go, downstairs, upstairs or out on the porch, this home wraps around you and is a delightful place to enjoy.

New custom designed kitchen with both stainless steel cabinets and custom painted wood cabinets. Mitchell Shenker, Photographer
Eat-in kitchen - small contemporary galley medium tone wood floor and yellow floor eat-in kitchen idea in San Francisco with an undermount sink, glass-front cabinets, stainless steel cabinets, solid surface countertops, blue backsplash, ceramic backsplash, stainless steel appliances and a peninsula

Eat-in kitchen - large cottage u-shaped light wood floor, brown floor and exposed beam eat-in kitchen idea in Austin with a double-bowl sink, black cabinets, marble countertops, stainless steel appliances, an island and white countertops

Creating a space to entertain was the top priority in this Mukwonago kitchen remodel. The homeowners wanted seating and counter space for hosting parties and watching sports. By opening the dining room wall, we extended the kitchen area. We added an island and custom designed furniture-style bar cabinet with retractable pocket doors. A new awning window overlooks the backyard and brings in natural light. Many in-cabinet storage features keep this kitchen neat and organized. Bar Cabinet The furniture-style bar cabinet has retractable pocket doors and a drop-in quartz counter. The homeowners can entertain in style, leaving the doors open during parties. Guests can grab a glass of wine or make a cocktail right in the cabinet. Outlet Strips Outlet strips on the island and peninsula keeps the end panels of the island and peninsula clean. The outlet strips also gives them options for plugging in appliances during parties. Modern Farmhouse Design The design of this kitchen is modern farmhouse. The materials, patterns, color and texture define this space. We used shades of golds and grays in the cabinetry, backsplash and hardware. The chevron backsplash and shiplap island adds visual interest. Custom Cabinetry This kitchen features frameless custom cabinets with light rail molding. It’s designed to hide the under cabinet lighting and angled plug molding. Putting the outlets under the cabinets keeps the backsplash uninterrupted. Storage Features Efficient storage and organization was important to these homeowners. We opted for deep drawers to allow for easy access to stacks of dishes and bowls. Under the cooktop, we used custom drawer heights to meet the homeowners’ storage needs. A third drawer was added next to the spice drawer rollout. Narrow pullout cabinets on either side of the cooktop for spices and oils. The pantry rollout by the double oven rotates 90 degrees. Other Updates Staircase – We updated the staircase with a barn wood newel post and matte black balusters Fireplace – We whitewashed the fireplace and added a barn wood mantel and pilasters.

Transitional u-shaped medium tone wood floor and brown floor kitchen photo in Dallas with an undermount sink, shaker cabinets, blue cabinets, gray backsplash, paneled appliances, an island and black countertops

Suggested products do not represent the products used in this image. Design featured is proprietary and contains custom work. (Stephen Karlisch, Photographer)

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

North Star Kitchen and Bath (760) 846-2284 NorthStarbath.com
Inspiration for a small timeless u-shaped porcelain tile eat-in kitchen remodel in San Diego with an undermount sink, raised-panel cabinets, medium tone wood cabinets, granite countertops, beige backsplash, stone tile backsplash, stainless steel appliances and no island

Miller + Miller Real Estate Sun-filled kitchen + breakfast room. Large windows galore offer views of waterfalls trees + wildlife (including backless china cabinet + window over range to maintain view of gardens). Distressed white oak floor. Skylights. Faux finish walls/ceiling. Kitchen with expansive Island with 13-foot hardwood counter-top and second prep sink. Two dishwashers in Island, Two Subzero 36 inch fridge/freezers, plus Two refrigerator drawers. Fully Renovated. All indoor and outdoor appliances are new in ’09.

A tile and glass shower features a shower head rail system that is flanked by windows on both sides. The glass door swings out and in. The wall visible from the door when you walk in is a one inch glass mosaic tile that pulls all the colors from the room together. Brass plumbing fixtures and brass hardware add warmth. Limestone tile floors add texture. Pendants were used on each side of the vanity and reflect in the framed mirror.

This mid-century modern kitchen was developed with the original architectural elements of its mid-century shell at the heart of its design. Throughout the space, the kitchen’s repetition of alternating dark walnut and light wood uses in the cabinetry and framework reflect the contrast of the dark wooden beams running along the white ceiling. The playful use of two tones intentionally develops unified work zones using all modern day elements and conveniences. For instance, the 5’ galley workstation stands apart with grain-matched walnut cabinetry and stone wrap detail for a furniture-like feeling. The mid-century architecture continued to be an emphasis through design details such as a flush venting system within a drywall structure that conscientiously disappears into the ceiling affording the existing post-and-beams structures and clerestory windows to stand in the forefront. Along with celebrating the characteristic of the mid-century home the clients wanted to bring the outdoors in. We chose to emphasis the view even more by incorporating a large window centered over the galley kitchen sink. The final result produced a translucent wall that provokes a dialog between the outdoor elements and the natural color tones and materials used throughout the kitchen. While the natural light and views are visible because of the spacious windows, the contemporary kitchens clean geometric lines emphasize the newly introduced natural materials and further integrate the outdoors within the space. The clients desired to have a designated area for hot drinks such as coffee and tea. To create a station that could house all the small appliances & accessories and was easily accessible we incorporated two aluminum tambours together with integrated power lift doors. One tambour acting as the hot drink station and the other acting as an appliance garage. Overall, this minimalistic kitchen is nothing short of functionality and mid-century character. Photo Credit: Fred Donham of PhotographerLink

The original kitchen in this stunning home was L-shaped and had a small island and peninsula seating. We expanded the kitchen by enclosing an existing screen porch and adding a new porch to the rear of the house with breathtaking lake views. Large picture windows replaced existing double hung windows for open views and unencumbered sight lines. The kitchen was relocated and expanded with a new and improved layout featuring an oversized island with ample seating and a warm wood countertop. The Thermador range takes center stage between the large picture windows and has a boxed hood with vent. Cabinet panels were added to the built-in refrigerator for a clean and sophisticated look. The white cabinets and marble look quartz are balanced by the warm wood floors and stained countertops. Lantern style pendant lights and strategically placed can lights add to the warmth and brightness of this spectacularly renovated kitchen. A keeping room was added where the kitchen used to be. A cozy fireplace and reworked windows provide a relaxing space for entertaining. A built-in bar and beverage station was designed for this casual, yet elegant space. A sliding barn door leads to a large walk-through pantry. The new kitchen placement allowed us to provide a connection to the existing living room with an oversized cased opening. The spaces are now perfectly aligned for daily living and entertaining. The client is thrilled with the design and is in awe of the results. Kustom Home Design provided the perfect solution for this luxury kitchen renovation.

photo cred: tessa neustadt
Example of a large country u-shaped ceramic tile open concept kitchen design in Los Angeles with a farmhouse sink, recessed-panel cabinets, white cabinets, marble countertops, white backsplash, subway tile backsplash, white appliances and a peninsula