Search results for "Years without" in Home Design Ideas

Wiff Harmer
Inspiration for a transitional white brick exterior home remodel in Nashville
Inspiration for a transitional white brick exterior home remodel in Nashville

This sophisticated bathroom will grow with the ten year old for whom it was designed. Using a cream, and grey-green color palette, we added bronze and nickel to add sparkle. The girl's grandmother loved the green glass knobs we chose for the space. A framed arabesque tile accent on the shower wall ties together the color scheme.

This 5,200-square foot modern farmhouse is located on Manhattan Beach’s Fourth Street, which leads directly to the ocean. A raw stone facade and custom-built Dutch front-door greets guests, and customized millwork can be found throughout the home. The exposed beams, wooden furnishings, rustic-chic lighting, and soothing palette are inspired by Scandinavian farmhouses and breezy coastal living. The home’s understated elegance privileges comfort and vertical space. To this end, the 5-bed, 7-bath (counting halves) home has a 4-stop elevator and a basement theater with tiered seating and 13-foot ceilings. A third story porch is separated from the upstairs living area by a glass wall that disappears as desired, and its stone fireplace ensures that this panoramic ocean view can be enjoyed year-round.
This house is full of gorgeous materials, including a kitchen backsplash of Calacatta marble, mined from the Apuan mountains of Italy, and countertops of polished porcelain. The curved antique French limestone fireplace in the living room is a true statement piece, and the basement includes a temperature-controlled glass room-within-a-room for an aesthetic but functional take on wine storage. The takeaway? Efficiency and beauty are two sides of the same coin.
Find the right local pro for your project

Eichler in Marinwood - At the larger scale of the property existed a desire to soften and deepen the engagement between the house and the street frontage. As such, the landscaping palette consists of textures chosen for subtlety and granularity. Spaces are layered by way of planting, diaphanous fencing and lighting. The interior engages the front of the house by the insertion of a floor to ceiling glazing at the dining room.
Jog-in path from street to house maintains a sense of privacy and sequential unveiling of interior/private spaces. This non-atrium model is invested with the best aspects of the iconic eichler configuration without compromise to the sense of order and orientation.
photo: scott hargis

Photo: Kimberley Bryan © 2014 Houzz
Inspiration for a shabby-chic style bathroom remodel in Seattle with a console sink and blue walls
Inspiration for a shabby-chic style bathroom remodel in Seattle with a console sink and blue walls

Photo shows the interior of the Japanese Tea House. The four skylights have hand carved overlay screens. The open ceiling shows the beauty of the design. The structure is very sustainable in that the building can be left to age naturally or oiled every few years to retain the wood color.
Photo credits: Dan Drobnick

Jeri Koegel
Example of a beach style white three-story exterior home design in Orange County
Example of a beach style white three-story exterior home design in Orange County

The historic restoration of this First Period Ipswich, Massachusetts home (c. 1686) was an eighteen-month project that combined exterior and interior architectural work to preserve and revitalize this beautiful home. Structurally, work included restoring the summer beam, straightening the timber frame, and adding a lean-to section. The living space was expanded with the addition of a spacious gourmet kitchen featuring countertops made of reclaimed barn wood. As is always the case with our historic renovations, we took special care to maintain the beauty and integrity of the historic elements while bringing in the comfort and convenience of modern amenities. We were even able to uncover and restore much of the original fabric of the house (the chimney, fireplaces, paneling, trim, doors, hinges, etc.), which had been hidden for years under a renovation dating back to 1746.
Winner, 2012 Mary P. Conley Award for historic home restoration and preservation
You can read more about this restoration in the Boston Globe article by Regina Cole, “A First Period home gets a second life.” http://www.bostonglobe.com/magazine/2013/10/26/couple-rebuild-their-century-home-ipswich/r2yXE5yiKWYcamoFGmKVyL/story.html
Photo Credit: Eric Roth

The planning phase of this modern retreat was an intense collaboration that took place over the course of more than two years. While the initial design concept exceeded the clients' expectations, it also exceeded their budget beyond the point of comfort.
The next several months were spent modifying the design, in attempts to lower the budget. Ultimately, the decision was made that they would hold off on the project until they could budget for the original design, rather than compromising the vision.
About a year later, we repeated that same process, which resulted in the same outcome. After another year-long hiatus, we met once again. We revisited design thoughts, each of us bringing to the table new ideas and options.
Each thought simply solidified the fact that the initial vision was absolutely what we all wanted to see come to fruition, and the decision was finally made to move forward.
The main challenge of the site was elevation. The Southeast corner of the lot stands 5'6" above the threshold of the rear door, while the Northeast corner dropped a full 2' below the threshold of the door.
The backyard was also long and narrow, sloping side-to-side and toward the house. The key to the design concept was to deftly place the project into the slope and utilize the elevation changes, without allowing them to dominate the yard, or overwhelm the senses.
The unseen challenge on this project came in the form of hitting every underground issue possible. We had to relocate the sewer main, the gas line, and the electrical service; and since rock was sitting about 6" below the surface, all of these had to be chiseled through many feet of dense rock, adding to our projected timeline and budget.
As you enter the space, your first stop is an outdoor living area. Smooth finished concrete, colored to match the 'Leuder' limestone coping, has a subtle saw-cut pattern aligned with the edges of the recessed fire pit.
In small spaces, it is important to consider a multi-purpose approach. So, the recessed fire pit has been fitted with an aluminum cover that allows our client to set up tables and chairs for entertaining, right over the top of the fire pit.
From here, it;s two steps up to the pool elevation, and the floating 'Leuder' limestone stepper pads that lead across the pool and hide the dam wall of the flush spa.
The main retaining wall to the Southeast is a poured concrete wall with an integrated sheer descent waterfall into the spa. To bring in some depth and texture, a 'Brownstone' ledgestone was used to face both the dropped beam on the pool, and the raised beam of the water feature wall.
The main water feature is comprised of five custom made stainless steel scuppers, supplied by a dedicated booster pump.
Colored concrete stepper pads lead to the 'Ipe' wood deck at the far end of the pool. The placement of this wood deck allowed us to minimize our use of retaining walls on the Northeast end of the yard, since it drops off over three feet below the elevation of the pool beam.
One of the most unique features on this project has to be the structure over the dining area. With a unique combination of steel and wood, the clean modern aesthetic of this structure creates a visual stamp in the space that standard structure could not accomplish.
4" steel posts, painted charcoal grey, are set on an angle, 4' into the bedrock, to anchor the structure. Steel I-beams painted in green-yellow color--aptly called "frolic"--act as the base to the hefty cedar rafters of the roof structure, which has a slight pitch toward the rear.
A hidden gutter on the back of the roof sends water down a copper rain chain, and into the drainage system. The backdrop for both this dining area , as well as the living area, is the horizontal screen panel, created with alternating sizes of cedar planks, stained to a calm hue of dove grey.

ASID Design Excellence First Place Residential – Kitchen and Bathroom: Michael Merrill Design Studio was approached three years ago by the homeowner to redesign her kitchen. Although she was dissatisfied with some aspects of her home, she still loved it dearly. As we discovered her passion for design, we began to rework her entire home--room by room, top to bottom.

Living room - contemporary formal and enclosed medium tone wood floor living room idea in New York with gray walls

Attractive living as an architectural experiment: a 136-year-old water tower, a listed building with a spectacular 360-degree panorama view over the City of London. The task, to transform it into a superior residence, initially seemed an absolute impossibility. But when the owners came across architect Mike Collier, they had found a partner who was to make the impossible possible. The tower, which had been empty for decades, underwent radical renovation work and was extended by a four-storey cube containing kitchen, dining and living room - connected by glazed tunnels and a lift shaft. The kitchen, realised by Enclosure Interiors in Tunbridge Wells, Kent, with furniture from LEICHT is the very heart of living in this new building.
Shiny white matt-lacquered kitchen fronts (AVANCE-LR), tone-on-tone with the worktops, reflect the light in the room and thus create expanse and openness. The surface of the handle-less kitchen fronts has a horizontal relief embossing; depending on the light incidence, this results in a vitally structured surface. The free-standing preparation isle with its vertical side panels with a seamlessly integrated sink represents the transition between kitchen and living room. The fronts of the floor units facing the dining table were extended to the floor to do away with the plinth typical of most kitchens. Ceiling-high tall units on the wall provide plenty of storage space; the electrical appliances are integrated here invisible to the eye. Floor units on a high plinth which thus appear to be floating form the actual cooking centre within the kitchen, attached to the wall. A range of handle-less wall units concludes the glazed niche at the top.
LEICHT international: “Architecture and kitchen” in the centre of London. www.LeichtUSA.com

Meghan Bob Photography
Huge transitional master dark wood floor and brown floor bedroom photo in Los Angeles with black walls and no fireplace
Huge transitional master dark wood floor and brown floor bedroom photo in Los Angeles with black walls and no fireplace

Eat-in kitchen - transitional single-wall medium tone wood floor and brown floor eat-in kitchen idea in New York with white cabinets, quartzite countertops, stainless steel appliances, an island, yellow countertops, an undermount sink, shaker cabinets, multicolored backsplash and metal backsplash

Michael J. Lee Photography
Example of a small transitional formal and enclosed dark wood floor living room design in Boston with beige walls, a tile fireplace and no tv
Example of a small transitional formal and enclosed dark wood floor living room design in Boston with beige walls, a tile fireplace and no tv

Sponsored
Sunbury, OH
J.Holderby - Renovations
Franklin County's Leading General Contractors - 2X Best of Houzz!

Klopf Architecture, Arterra Landscape Architects and Henry Calvert of Calvert Ventures Designed and built a new warm, modern, Eichler-inspired, open, indoor-outdoor home on a deeper-than-usual San Mateo Highlands property where an original Eichler house had burned to the ground.
The owners wanted multi-generational living and larger spaces than the original home offered, but all parties agreed that the house should respect the neighborhood and blend in stylistically with the other Eichlers. At first the Klopf team considered re-using what little was left of the original home and expanding on it. But after discussions with the owner and builder, all parties agreed that the last few remaining elements of the house were not practical to re-use, so Klopf Architecture designed a new home that pushes the Eichler approach in new directions.
One disadvantage of Eichler production homes is that the house designs were not optimized for each specific lot. A new custom home offered the team a chance to start over. In this case, a longer house that opens up sideways to the south fit the lot better than the original square-ish house that used to open to the rear (west). Accordingly, the Klopf team designed an L-shaped “bar” house with a large glass wall with large sliding glass doors that faces sideways instead of to the rear like a typical Eichler. This glass wall opens to a pool and landscaped yard designed by Arterra Landscape Architects.
Driving by the house, one might assume at first glance it is an Eichler because of the horizontality, the overhanging flat roof eaves, the dark gray vertical siding, and orange solid panel front door, but the house is designed for the 21st Century and is not meant to be a “Likeler.” You won't see any posts and beams in this home. Instead, the ceiling decking is a western red cedar that covers over all the beams. Like Eichlers, this cedar runs continuously from inside to out, enhancing the indoor / outdoor feeling of the house, but unlike Eichlers it conceals a cavity for lighting, wiring, and insulation. Ceilings are higher, rooms are larger and more open, the master bathroom is light-filled and more generous, with a separate tub and shower and a separate toilet compartment, and there is plenty of storage. The garage even easily fits two of today's vehicles with room to spare.
A massive 49-foot by 12-foot wall of glass and the continuity of materials from inside to outside enhance the inside-outside living concept, so the owners and their guests can flow freely from house to pool deck to BBQ to pool and back.
During construction in the rough framing stage, Klopf thought the front of the house appeared too tall even though the house had looked right in the design renderings (probably because the house is uphill from the street). So Klopf Architecture paid the framer to change the roofline from how we had designed it to be lower along the front, allowing the home to blend in better with the neighborhood. One project goal was for people driving up the street to pass the home without immediately noticing there is an "imposter" on this lot, and making that change was essential to achieve that goal.
This 2,606 square foot, 3 bedroom, 3 bathroom Eichler-inspired new house is located in San Mateo in the heart of the Silicon Valley.
Klopf Architecture Project Team: John Klopf, AIA, Klara Kevane
Landscape Architect: Arterra Landscape Architects
Contractor: Henry Calvert of Calvert Ventures
Photography ©2016 Mariko Reed
Location: San Mateo, CA
Year completed: 2016

INVINCIBLE™ HARDWOOD from Carpet One Floor & Home utilizes the most advanced milling and finishing techniques, bringing the authentic distinction of hardwood to your home in a product designed to withstand years of use.
The dark flooring and light décor elements in this traditional dining room creates striking contrast.

Douglas VanderHorn Architects
From grand estates, to exquisite country homes, to whole house renovations, the quality and attention to detail of a "Significant Homes" custom home is immediately apparent. Full time on-site supervision, a dedicated office staff and hand picked professional craftsmen are the team that take you from groundbreaking to occupancy. Every "Significant Homes" project represents 45 years of luxury homebuilding experience, and a commitment to quality widely recognized by architects, the press and, most of all....thoroughly satisfied homeowners. Our projects have been published in Architectural Digest 6 times along with many other publications and books. Though the lion share of our work has been in Fairfield and Westchester counties, we have built homes in Palm Beach, Aspen, Maine, Nantucket and Long Island.
9



