The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Peter Murdock
Deck container garden - contemporary rooftop rooftop deck container garden idea in New York with no cover

Gregg Willett Photography
Freestanding bathtub - traditional subway tile freestanding bathtub idea in San Francisco

Our client sought to modernize their classic 1970s home while preserving its original charm. This full-home renovation prioritized openness and functionality. We transformed the kitchen into a bright, welcoming space, leveled the sunken living room to expand the living area, and designed seamless indoor-outdoor connections to showcase breathtaking south-west facing golf course & ocean views. The result? A beautifully updated home that harmonizes mid-century character with contemporary comfort. The architecture was fun to work with, featuring dramatic roof pitches, a striking two-story double-sided fireplace, and thoughtfully designed room-to-room connections. Strategic wall cutouts and varying floor levels added interest and character, making this home a truly unique and dynamic space. The kitchen connects to the exterior, dining room, and living room, and features a peninsula and a cozy morning nook for gathering. Thoughtful flow was essential for this busy space, creating distinct yet harmonious spaces to enjoy throughout the home. Texture was thoughtfully incorporated using natural materials, including quartzite with cloud-like movement, woven light fixtures, and high-variation ceramic tile. The oak flooring, rich with knots and striking grain patterns, adds warmth and character to the space.

As a world traveler, Lesley has accumulated an extensive collection of personal treasures and artwork. As a lawyer, she has amassed a large library of books. Combine that with a 13-year-old daughter who is a competitive equestrian and you have a diverse assortment of personal and professional passions coming together under one Minneapolis roof. And yet after LiLu carefully listened, we expertly designed a different twist on what others might call Americana. Lesley simply calls it home, one that perfectly reflects everything she loves in life. ---- Project designed by Minneapolis interior design studio LiLu Interiors. They serve the Minneapolis-St. Paul area including Wayzata, Edina, and Rochester, and they travel to the far-flung destinations that their upscale clientele own second homes in. ----- For more about LiLu Interiors, click here: https://www.liluinteriors.com/ ---- To learn more about this project, click here: https://www.liluinteriors.com/blog/portfolio-items/americana-the-beautiful/

Transitional patio photo in Minneapolis

Example of a trendy built-in desk medium tone wood floor study room design in Seattle with white walls

This organic modern design is built in an area known for having notable issues with ground movement. After speaking with the developer and reviewing the soil report with our Structural Engineer, we made our recommendations to the client. Since the budget for a full-blown pier and beam structure with void boxes under the pool was well beyond the comfort level of our client, they elected to have us utilize a float shell construction method. For this, we over-excavated the hole and placed a 12" layer of gravel beneath the shell of the pool. Drain lines lead from the deepest point under the pool down into a culvert, placed off to the side of the pool. A sump pump removes any excess water from the culvert as it accumulates. For the shell of the pool, we utilized a double matt of steel and increased the wall thickness to a minimum of 12". This gave added strength to withstand the volatile soil. The elements of fire, water, wood and stone were very important in creating the organic modern feel of this design. The layered effect along the back wall creates a visual stimulation across the length of the yard, without overwhelming the senses. Rather than creating walls only of hard materials, we used Ipe wood to create horizontal screen walls of a more organic nature. At either end, the raised wall and the fire feature are finished in a large-scale porcelain tile, with the look of stained concrete. Custom stainless steel scuppers, made by a local fabricator, create a soothing sound of falling water. The low wall at the center of the project is faced in natural ledgestone, and carries a color palette that set the tone for the entire project. Behind this wall and in front of one of the Ipe screens are three Desert Steel Giant Agave sculptures. The unique fire feature isn't quite a fire place, nor is it a fire pit. It is a linear fire burner, surrounded by a 4" thick cantilevered Leuder limestone hearth, with a backdrop wall of blue glazed clay tile. Although the pool was initially planned as a plaster pool, as the project began to take shape, the client elected to go all the way and finish it in a beautiful blue glass mosaic. Custom fabricated stainless steel cannon jets send a delicate arch of water over this deep blue, and draw attention to the three square wok planters on the far side of the yard. For the decking on this project, we elected to work with Mother Nature rather than against her. Two and a half inch thick concrete pavers, set on a bed of compacted, decomposed granite allow for movement around the pool that is easily fixed. If an area of deck moves around, we can simply lift the affected areas, re-level with DG bed, and re-set the pavers.

Example of a small classic white tile and subway tile marble floor bathroom design in Boston with a pedestal sink

Bob Greenspan
Example of a small minimalist built-in desk home studio design in Kansas City with white walls

Metropolis Series - Framed Shower Enclosure Metropolis Series, influenced by Tudor window architecture, is fabricated with symmetrical, geometric, grid pattern. This European style from the late 18th Century offers Renaissance embellishments such as luxurious black metal finishes and hard-edge detailing. GlassCrafters’ Metropolis Series is intended to complement a broad range of interior décors including Traditional, Transitional and Art Deco. The Series combines historic styling with fine craftsmanship.

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Richard Leo Johnson Wall Color: Smokestack Gray - Regal Wall Satin, Flat Latex (Benjamin Moore) Cabinetry Color: Smokestack Gray - Regal Wall Satin, Flat Latex (Benjamin Moore) Cabinetry Hardware: 7" Brushed Brass - Lewis Dolin Counter Surface: Marble slab Window Treatment Fabric: Ikat Ocean - Laura Lienhard Desk Chair: Antique (reupholstered and repainted) Light Fixture: Circa Lighting

Sherri Johnson
Inspiration for a country concrete floor and gray floor hallway remodel in Los Angeles with blue walls

This is the kids bathroom and I wanted it to be playful. Adding geometry and pattern in the floor makes a bold fun statement. I used enhances subway tile with beautiful matte texture in two colors. I tiled the tub alcove dark blue with a full length niche for all the bath toys that accumulate. In the rest of the bathroom, I used white tiles. The custom Lacava vanity with a black open niche makes a strong statement here and jumps off against the white tiles. I converted this bathroom from a shower to a tub to make it a kids bathroom. One of my favourite details here is the niche running the full length of the tub for the unlimited toys kids need to bring with them. The black schluter detail makes it more defined and draws the eye in. When they grow up, this bathroom stays cool enough for teenagers and always fun for guests.

Inspiration for a contemporary 3/4 blue tile and white tile blue floor bathroom remodel in New York with flat-panel cabinets, white cabinets, blue walls and an integrated sink

Transitional multicolored tile and ceramic tile bathroom photo in Minneapolis with multicolored walls, a hinged shower door and a niche

Vinyl Window Wells
Inspiration for a timeless home design remodel in Boston