This is an example of a large traditional partial sun backyard stone garden path in New York.

Example of an urban home design design in Milan

This lovely low-mounded rose delivers clouds of blooms that emerge peach and transform to cream. 1-3' (0.3-0.9 m) tall and wide. Full sun. USDA Zones 3-9

It’s fairly common for owners of older properties – especially houses those that are over 100 years old or more – to find original Victorian tiled flooring hidden underneath carpet. It can wait years for the tiles to be discovered, by which time they have amassed huge amounts of dirt and dust. Such was the case at this property in Bridlington, a Yorkshire town through which a stream known as the ‘Gypsey Race’ runs, before emptying in the North Sea at the Bridlington Harbour. Interestingly enough, folklore says that when the stream is flowing, bad fortune is at hand. The stream must not have been running on the day that we restored this Victorian hallway, as we managed to achieve some truly fantastic results!! The hallway had been severely dulled after going years without professional care. We set about giving it the thorough clean and fresh seal that I’d des partly needed. Here’s how we did it. Our first task was to remove any old, no longer effectual sealer. We did this by liberally applying a strong dilution of our alkaline-based Tile a Doctor Pro Clean, which doubles as a reliable cleaner and a stripper capable of stripping away old sealer. The product was worked into the tiles using a black stripping pad fitted to a 17″ rotary machine, and the process was repeated three times. I noticed that there was still some stubborn dirt and old sealer around the edges of the hallway, so I used some of our handheld diamond encrusted burnishing blocks to grind it away. To finish the cleaning process, we washed the floor with Tile Doctor pH Neutral Tile Cleaner, leaving it fresh and ready to be sealed once left to dry overnight. Upon our return to the property the next day, we ran some quick tests to check for any excess moisture (even a small amount could have damaged the performance of the new sealer). Once satisfied with the the condition of the floor, we proceeded to see it with an impregnating sealer, meaning a sealer that penetrates into the pores of the tile to fill them and therefore prevent trapped dirt and ingrained stains. Our impregnating sealer, Tile Doctor Colour Grow, has the added benefit of being colour intensifying, which really highlights the unique colourful patterns of the tiles. To give the floor a durable sheen finish, as requested by the customer, we also added a coat of Tile Doctor Seal and Go sealer. The result was a complete transformation of the condition and appearance of this great Victorian tiled hallway. Our customer is very pleased – the floor is now a complete asset to any property, and will now be easier to keep looking great in future. Ronnie Phipps East Yorkshire Tile Doctor

Matillija Poppy (Romneya coulteri) is a giant in the poppy family. Forms large white crepe papery flowers with a bright yellow center. Native to California. Grows upright to about 6-8 feet tall. Low water needs. Full sun. Often hard to establish. Shown with Lobelia laxiflora. A great companion plant.

Rhus trilobata / skunkbush sumac

This is an example of a craftsman drought-tolerant, rock and full sun front yard river rock landscaping in San Diego.

Inspiration for a traditional landscaping in New York.

Backyard fern garden with grass pathway.
Photo of a traditional landscaping in New York.

Houston Interior Designer Lisha Maxey took this Museum District condo from the dated, mirrored walls of the 1980s to Mid Century Modern with a gallery look featuring the client’s art collection. The place was covered with glued-down, floor-to-ceiling mirrors,” says Lisha Maxey, senior designer for Homescapes of Houston and principal at LGH Design Services in Houston. “When we took them off the walls, the walls came apart. We ended up taking them down to the studs." The makeover took six months to complete, primarily because of strict condo association rules that only gave the Houston interior designers very limited access to the elevator – through which all materials and team members had to go. “Monday through Friday, we could only be noisy from 10 a.m. to 2 p.m., and if we had to do something extra loud, like sawing or drilling, we had to schedule it with the management and they had to communicate that to the condo owners. So it was just a lot of coordination. But a lot of Inner City Loopers live in these kinds of buildings, so we’re used to handling that kind of thing.” The client, a child psychiatrist in her 60s, recently moved to Houston from northeast Texas to be with friends. After being widowed three years ago, she decided it was time to let go of the traditionally styled estate that wasn’t really her style anyway. An avid diver who has traveled around the world to pursue her passion, she has amassed a large collection of art from her travels. Downsizing to 1,600 feet and wanting to go more contemporary, she wanted the display – and the look – more streamlined. “She wanted clean lines and muted colors, with the main focus being her artwork,” says Maxey. “So we made the space a palette for that.” Enter the white, gallery-grade paint she chose for the walls: “It’s halfway between satin and flat,” explains Maxey. “It’s not glossy and it’s not chalky – just very smooth and clean." Adding to the gallery theme is the satin nickel track lighting with lamps aimed to highlight pieces of art. “This lighting has no wires,” notes Maxey. “It’s powered by a positive and negative conduit.” The new flooring throughout is a blended-grey porcelain tile that looks like wood planks. “It’s gorgeous, natural-looking and combines all the beauty of wood with the durability of tile,” says Maxey. “We used it throughout the condo to unify the space.” After Maxey started looking at the client’s bright, vibrant, colorful artwork, she felt the palette couldn’t stay as muted anymore. Hence the Mid Century Modern orange leather sofas from West Elm and bright green chairs from Joybird, plus the throw pillows in different textures, patterns and shades of gold, orange and green. The concave lines of the Danish-inspired chairs, she notes, help them look beautiful from all the way around – a key to designing spaces for loft living. “The table in the living room is very interesting,” notes Maxey. “It was handmade for the client in 1974 and has a signature on it from the artist. She was adamant about including the piece, which has all these hand-painted black-and-white art tiles on the top. I took one look at it and said ‘It’s not really going to go.’” However, after cutting 6 inches off the bottom and making it look a little distressed, the table ended up being the perfect complement to the sofas. The dining room table – from Design Within Reach – is a solid piece of mahogany, the chair upholstery a mix of grey velvet and leather and the legs a shiny brass. “The side chairs are leather and the end ones are velvet,” says Maxey. “It’s a nice textural mix that lends depth and texture.”The galley kitchen, meanwhile, has been lightened and brightened, with new, white contemporary cabinetry, quartz countertops mimicking the look of Carrara marble, stainless steel appliances and a velvet green bench seat for a punch of color.The two bathrooms have been updated with contemporary white vanities and vessel sinks and the master bath now features a walk-in shower tiled in Dolomite white marble (the floor is Bianco Carrara marble mosaic, done in a herringbone pattern).In the master bedroom, Homescapes of Houston knocked down a wall between two smaller closets with swing doors to make one large walk-in closet with pocket doors. The closet in the guest bedroom also came out 13 more inches.The client’s artwork throughout personalizes the space and tells the story of a life. There’s a huge bowl of shells from the client’s diving adventures, framed art from her child psychiatry patients and a 16th century wood carving from a monastery that’s been in her family forever. “Her collection is quite impressive,” says Maxey. “There’s even a framed piece of autographed songs written by John Lennon.” (You can see this black-framed piece of art on the wall in the photo above of two green chairs). “We’re extremely happy with how the project turned out, and so is the client,” says Maxey. “No expense was spared for her. It was a labor of love and we were excited to do it.”

Great article on the Buena Vista Residence featured on Inhabitat.com http://inhabitat.com/george-bradleys-art-filled-buena-vista-house-is-wrapped-in-reclaimed-redwood/ Longtime art collectors George Bradley and Eddie Baba collaborated on the ‘Buena Vista’ house in San Francisco’s Upper Castro neighborhood. The home is situated on a steep triangular lot with breathtaking views towards Sutro Tower and Bernal Heights. The original house on the site was used as a bomb shelter in 1941, and architect George Bradley subtly carried on this theme with reclaimed old growth Redwood siding sourced nearby from Hanger One at Moffett Field, and decorative WWII era steel buoys placed within the landscaping. We had a chance to tour this beautiful home during last month's AIA SF House Tours The lower level of the house remains bunker-like, emerging from the site like a pedestal for the main upper level that is reached by an exterior steel and concrete staircase leading to the large-scale Redwood front door. An au pair unit with a separate entrance is located at the lowest level, still high above the street. On top the concrete plinth foundation, two solid wood-clad volumes are connected by a tall glass atrium at the center of the house. The two solid sides brace the house on what is a somewhat dizzyingly steep and sharp angled site. Inside the home, quiet bedrooms and a library are tucked below the kitchen, entry lobby and living room on the main level. The top level holds the master suite and outdoor roof deck, connected by a catwalk along the central atrium that cantilevers over the main entry. The south-facing central atrium also passively heats the house, along with radiant flooring. Expansive walls lining the side masses provide ample space for the homeowners’ carefully curated art collection amassed over the past 14 years. The artwork – playful, architectural, and delightful products of known designers and somewhat unknown local artisans – can be found throughout the home. A Zeppelin chandelier lamp by Flos hangs over the main door, illuminating the atrium at night. Locally sourced tile from Heath Ceramics lines the fireplace and kitchen backsplash. Several works came from Creativity Explored, a local nonprofit that provides artists with developmental disabilities the means to create, exhibit, and sell their art. A Jens Quistgaard Safari chair sits in the main living room and a collection of his colored pots accent the kitchen. Local glass artist Jonah Ward has two major works in the home – a three panel molten glass / burnt wood piece and a nine panel glass sculpture series. Several vintage Eames and Dansk furniture pieces were also spotted in the home. Perhaps the most entertaining works were the models of famous architecture, such as Le Corbusier’s Villa Savoye, constructed from LEGO bricks. We look forward to seeing more works, in LEGO and in full scale, by architect George Bradley. George Bradley’s Art-Filled Buena Vista House is Wrapped in Reclaimed Redwood Buena Vista Residence by George Bradley Architecture + Design – Inhabitat - Sustainable Design Innovation, Eco Architecture, Green Building

mayitadinosphotography.com
Design ideas for a tropical landscaping in Los Angeles.

Houston Interior Designer Lisha Maxey took this Museum District condo from the dated, mirrored walls of the 1980s to Mid Century Modern with a gallery look featuring the client's art collection. "The place was covered with glued-down, floor-to-ceiling mirrors," says Lisha Maxey, senior designer for Homescapes of Houston and principal at LGH Design Services in Houston. "When we took them off the walls, the walls came apart. We ended up taking them down to the studs." The makeover took six months to complete, primarily because of strict condo association rules that only gave the Houston interior designers very limited access to the elevator - through which all materials and team members had to go. "Monday through Friday, we could only be noisy from 10 a.m. to 2 p.m., and if we had to do something extra loud, like sawing or drilling, we had to schedule it with the management and they had to communicate that to the condo owners. So it was just a lot of coordination. But a lot of Inner City Loopers live in these kinds of buildings, so we're used to handling that kind of thing." The client, a child psychiatrist in her 60s, recently moved to Houston from northeast Texas to be with friends. After being widowed three years ago, she decided it was time to let go of the traditionally styled estate that wasn't really her style anyway. An avid diver who has traveled around the world to pursue her passion, she has amassed a large collection of art from her travels. Downsizing to 1,600 feet and wanting to go more contemporary, she wanted the display - and the look - more streamlined. "She wanted clean lines and muted colors, with the main focus being her artwork," says Maxey. "So we made the space a palette for that." Enter the white, gallery-grade paint she chose for the walls: "It's halfway between satin and flat," explains Maxey. "It's not glossy and it's not chalky - just very smooth and clean." Adding to the gallery theme is the satin nickel track lighting with lamps aimed to highlight pieces of art. "This lighting has no wires," notes Maxey. "It's powered by a positive and negative conduit." The new flooring throughout is a blended-grey porcelain tile that looks like wood planks. "It's gorgeous, natural-looking and combines all the beauty of wood with the durability of tile," says Maxey. "We used it throughout the condo to unify the space." After Maxey started looking at the client's bright, vibrant, colorful artwork, she felt the palette couldn't stay as muted anymore. Hence the Mid Century Modern orange leather sofas from West Elm and bright green chairs from Joybird, plus the throw pillows in different textures, patterns and shades of gold, orange and green. The concave lines of the Danish-inspired chairs, she notes, help them look beautiful from all the way around - a key to designing spaces for loft living. "The table in the living room is very interesting," notes Maxey. "It was handmade for the client in 1974 and has a signature on it from the artist. She was adamant about including the piece, which has all these hand-painted black-and-white art tiles on the top. I took one look at it and said 'It's not really going to go.'" However, after cutting 6 inches off the bottom and making it look a little distressed, the table ended up being the perfect complement to the sofas. The dining room table - from Design Within Reach - is a solid piece of mahogany, the chair upholstery a mix of grey velvet and leather and the legs a shiny brass. "The side chairs are leather and the end ones are velvet," says Maxey. "It's a nice textural mix that lends depth and texture." The galley kitchen, meanwhile, has been lightened and brightened, with white quartz countertops and backsplashes mimicking the look of Carrara marble, stainless steel appliances and a velvet green bench seat for a punch of color. The cabinets are painted a cool grey color called "Silverplate." The two bathrooms have been updated with contemporary white vanities and vessel sinks and the master bath now features a walk-in shower tiled in Dolomite white marble (the floor is Bianco Carrara marble mosaic, done in a herringbone pattern. In the master bedroom, Homescapes of Houston knocked down a wall between two smaller closets with swing doors to make one large walk-in closet with pocket doors. The closet in the guest bedroom also came out 13 more inches. The client's artwork throughout personalizes the space and tells the story of a life. There's a huge bowl of shells from the client's diving adventures, framed art from her child psychiatry patients and a 16th century wood carving from a monastery that's been in her family forever. "Her collection is quite impressive," says Maxey. "There's even a framed piece of autographed songs written by John Lennon." (You can see this black-framed piece of art on the wall in the photo above of two green chairs). "We're extremely happy with how the project turned out, and so is the client," says Maxey. "No expense was spared for her. It was a labor of love and we were excited to do it."

In late November a Roger's Red California native grapevine flashes its brilliant color. Cathy Edger, Edger Landscape Design
Design ideas for a mid-sized rustic partial sun landscaping in San Francisco for fall.

Inspiration for a traditional landscaping in San Francisco.

copyright 2015 Virginia Rockwell
Photo of a huge traditional shade front yard formal garden in Richmond for spring.

Designer: Susan Thiel Coon Photo: Gina Gold
Trendy bathroom photo in Orange County