This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

Kitchen remodel project where the homeowners decided to paint their cabinets and have us handle the redooring. The new doors were done in a shaker style and the lower cabinets were done in an artichoke color while the upper cabinets were done in Bar Harbor Beige. To make the island really pop, the island was done in an Arresting Auburn color. To finish this new look, we also installed a new Radianz Volga quartz countertop and a Calacatta Venecia Polished backsplash. Now this is a stunning transformation.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choregraphed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture and architecture. A new interior plaster, steel and bronze stair carves through a space occupied by two small Clement sculptures in niches, a Page Kempner sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

Kitchen remodel project where the homeowners decided to paint their cabinets and have us handle the redooring. The new doors were done in a shaker style and the lower cabinets were done in an artichoke color while the upper cabinets were done in Bar Harbor Beige. To make the island really pop, the island was done in an Arresting Auburn color. To finish this new look, we also installed a new Radianz Volga quartz countertop and a Calacatta Venecia Polished backsplash. Now this is a stunning transformation.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

Robert Allen presents Drenched Color, a color-soaked collage of crushed reds and inky blues inspired by the intense, saturated hues achieved through natural dyeing methods. The fabric line embodies the concentrated colors present in organic materials like berries, bark, and roots. These rich tones bloom into painterly designs influenced by manual production processes, such as resist dyeing and batik. Patterns range from the globally inspired, like ikat and ogee motifs, to the geometrically influenced, such as interlocking latticework and graphic chevrons—all with the common thread of arresting color and unstudied beauty.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

The client came to us looking to update their kitchen and kitchenette in order to match recent changes made to the rest of their 1905 Cow Hollow home. Their goal? Build a space that was impressive and grand. We chose classic luxury cues—golds and marbles—for the two kitchens and consulted on colors, light fixtures, and furniture throughout the rest of their home to marry the various spaces. In the main kitchen, we created a focal point using a faux marble Calacatta Neolith bookmatch backsplash, an impactful piece that created that arresting effect the client sought at half the cost of real marble. We paired that with simple, understated but rich accessories, like a sleek and simple oven hood that wouldn’t obstruct the backsplash and glossy, sterling grey cabinets with polished nickel accents. For a final touch of flair, we hung two ochre NYC 3-Tier Pear Chandeliers. Together, these pieces cemented the look. High-Chic. Simple. Modern. Iconic.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choregraphed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture and architecture. A new interior plaster, steel and bronze stair carves through a space occupied by two small Clement sculptures in niches, a Page Kempner sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choregraphed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture and architecture. A new interior plaster, steel and bronze stair carves through a space occupied by two small Clement sculptures in niches, a Page Kempner sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.

This extensive remodel overlooking Lake Austin is a paean to the powerful art it enfolds. Rigorous editing of every distracting, inconsequential element of the original house was critical. So too was the insertion of new complementary components that provide artful ways to move through both interior and exterior rooms. The collection of modern art is arresting. Ranging from a Turrell hologram to a pair of Agnes Martins, the art is framed by the architecture and lighting so that it is experienced in a choreographed, curated way that encourages wandering and an intimate connection to each piece. The mood is set in the entry courtyard. A floating walkway curves down and around a brilliant spiraling blue Clement sculpture. It pauses once, at a moment of surprise, when the first view through the house is filled with the blue water of the lake beyond. Inside, the saturated color of many of the pieces of art are balanced by an absence of other visual clutter in the color palette, furniture, and architecture. A new interior plaster, steel, and bronze stair carves through a space occupied by two small Clement sculptures in niches, a McKay Otto sculpture on a landing and a glass cylinder elevator. This is a very specific place, designed for specific art and for a collector who has a close relationship with each piece.