Search results for "Bothering" in Home Design Ideas

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

Before and afters at Susan's. I promise a complete story once the custom glass shower door is installed but it's nice to look at photos along with the video. Their is a lot here to talk about. The project started as part of a five year'ish plan to downsize. Susan wanted something that would help resale value without over-improving, but also wanted to enjoy her Bathroom while still there. That meant classic white. I noticed immediately that their was enough space to add a double vanity. That's huge in a Master Bath. The two, large, beveled frameless mirrors add depth and light, while larger floor tiles makes the space [though you can't tell from these photos] seem much larger. Susan really liked her original light gray walls so we kept them. They do harmonize with the marble finishes and that tiny toilet was replaced with a Koehler Cimarron comfort height with water sense technology. I like the Cimarron for its value and interchangeable style. It also has a great flush. The bathroom also had a tiny window at an odd height that bothered me, so I suggested replacing it with a larger window, which also adds more light and helps to make the bathroom appear larger. Susan wanted a simple shade for privacy. Here we used a Graber faux silk pleated shade with bottom up top down. Let's not forget the cherry on the top, the stunning Herringbone Marble Shower that replaced a dated and small, fiberglass shower surrounded. All in all we doubled the storage and added a lot more light, while updating to create a very classic Bathroom. -B Designs, "Creating beautiful livable spaces as unique as you!" #anotherbdesigns #bathroomdesigner #classicbathroomdesign #allnthedetails #Bdesignsbsthroomdesign #whitebathrooms #jackandjill #Kohler #grohe #grabercustomshades #saratogainteriordesigner #albanyinteriordesigner #loudonvilleinteriordesigner #niskayunainteriordesigner #bathroomdesign #albanymarble #whitebathroomvanities #vanitymirrors #herringbonebathrooms #herringbonetile #herringboneshower

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.
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Before and afters at Susan's. I promise a complete story once the custom glass shower door is installed but it's nice to look at photos along with the video. Their is a lot here to talk about. The project started as part of a five year'ish plan to downsize. Susan wanted something that would help resale value without over-improving, but also wanted to enjoy her Bathroom while still there. That meant classic white. I noticed immediately that their was enough space to add a double vanity. That's huge in a Master Bath. The two, large, beveled frameless mirrors add depth and light, while larger floor tiles makes the space [though you can't tell from these photos] seem much larger. Susan really liked her original light gray walls so we kept them. They do harmonize with the marble finishes and that tiny toilet was replaced with a Koehler Cimarron comfort height with water sense technology. I like the Cimarron for its value and interchangeable style. It also has a great flush. The bathroom also had a tiny window at an odd height that bothered me, so I suggested replacing it with a larger window, which also adds more light and helps to make the bathroom appear larger. Susan wanted a simple shade for privacy. Here we used a Graber faux silk pleated shade with bottom up top down. Let's not forget the cherry on the top, the stunning Herringbone Marble Shower that replaced a dated and small, fiberglass shower surrounded. All in all we doubled the storage and added a lot more light, while updating to create a very classic Bathroom. -B Designs, "Creating beautiful livable spaces as unique as you!" #anotherbdesigns #bathroomdesigner #classicbathroomdesign #allnthedetails #Bdesignsbsthroomdesign #whitebathrooms #jackandjill #Kohler #grohe #grabercustomshades #saratogainteriordesigner #albanyinteriordesigner #loudonvilleinteriordesigner #niskayunainteriordesigner #bathroomdesign #albanymarble #whitebathroomvanities #vanitymirrors #herringbonebathrooms #herringbonetile #herringboneshower

We fabricated and installed Black Forest Leather granite in a kitchen out in St. Matthews, and this is one of those stones that changes the whole feel of a room the second it goes in. It's a granite, but with a leathered finish instead of polished, so the surface has texture you can actually feel under your hand. That leathering knocks the shine down and brings out the depth of the stone, the blacks and dark grays shifting as the light moves across the counters through the day.
Black Forest works in a kitchen because it's granite through and through, hard, dense, and about as tough a countertop material as you're going to find. Heat off a pan straight from the stove isn't going to bother it. Knives, hot pots, everyday kitchen abuse, it shrugs all that off. The leathered texture actually helps hide the small stuff too, fingerprints and water spots don't show up the way they would on a polished slab, which matters in a kitchen that's getting used every single day.
Getting a leathered finish right takes some care in the shop. You can't rush the process or you end up with a surface that feels inconsistent from one section to the next. We templated the kitchen carefully, cut it to fit tight against the cabinets, and set the seams where they'd be least noticeable, matching the movement in the stone across the joints so it reads like one continuous surface instead of pieced-together slabs. We kept the edge eased, clean and simple, which is the right call on a stone with this much character. You don't need a fussy edge competing with what the granite's already doing.
Day to day, this countertop is going to hold up. Granite like this doesn't scratch easily, and with a leathered finish there's less concern about micro-scratching showing over time compared to a high polish. A sealer keeps it easy to wipe down and keeps stains from setting in, and beyond that it's low maintenance, just regular cleaning and it'll look the way it does now for years.
It's good to see stone like this going into a kitchen in St. Matthews. We do a lot of work across the Midlands, and every job's a little different, but a granite with this much texture and depth always makes an impression walking into the room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

We fabricated and installed Black Forest Leather granite in a kitchen out in St. Matthews, and this is one of those stones that changes the whole feel of a room the second it goes in. It's a granite, but with a leathered finish instead of polished, so the surface has texture you can actually feel under your hand. That leathering knocks the shine down and brings out the depth of the stone, the blacks and dark grays shifting as the light moves across the counters through the day.
Black Forest works in a kitchen because it's granite through and through, hard, dense, and about as tough a countertop material as you're going to find. Heat off a pan straight from the stove isn't going to bother it. Knives, hot pots, everyday kitchen abuse, it shrugs all that off. The leathered texture actually helps hide the small stuff too, fingerprints and water spots don't show up the way they would on a polished slab, which matters in a kitchen that's getting used every single day.
Getting a leathered finish right takes some care in the shop. You can't rush the process or you end up with a surface that feels inconsistent from one section to the next. We templated the kitchen carefully, cut it to fit tight against the cabinets, and set the seams where they'd be least noticeable, matching the movement in the stone across the joints so it reads like one continuous surface instead of pieced-together slabs. We kept the edge eased, clean and simple, which is the right call on a stone with this much character. You don't need a fussy edge competing with what the granite's already doing.
Day to day, this countertop is going to hold up. Granite like this doesn't scratch easily, and with a leathered finish there's less concern about micro-scratching showing over time compared to a high polish. A sealer keeps it easy to wipe down and keeps stains from setting in, and beyond that it's low maintenance, just regular cleaning and it'll look the way it does now for years.
It's good to see stone like this going into a kitchen in St. Matthews. We do a lot of work across the Midlands, and every job's a little different, but a granite with this much texture and depth always makes an impression walking into the room.

Kirsten Hepburn
Living room - mid-sized 1960s formal and open concept concrete floor living room idea in Salt Lake City with white walls, no fireplace and no tv
Living room - mid-sized 1960s formal and open concept concrete floor living room idea in Salt Lake City with white walls, no fireplace and no tv

We fabricated and installed Black Forest Leather granite in a kitchen out in St. Matthews, and this is one of those stones that changes the whole feel of a room the second it goes in. It's a granite, but with a leathered finish instead of polished, so the surface has texture you can actually feel under your hand. That leathering knocks the shine down and brings out the depth of the stone, the blacks and dark grays shifting as the light moves across the counters through the day.
Black Forest works in a kitchen because it's granite through and through, hard, dense, and about as tough a countertop material as you're going to find. Heat off a pan straight from the stove isn't going to bother it. Knives, hot pots, everyday kitchen abuse, it shrugs all that off. The leathered texture actually helps hide the small stuff too, fingerprints and water spots don't show up the way they would on a polished slab, which matters in a kitchen that's getting used every single day.
Getting a leathered finish right takes some care in the shop. You can't rush the process or you end up with a surface that feels inconsistent from one section to the next. We templated the kitchen carefully, cut it to fit tight against the cabinets, and set the seams where they'd be least noticeable, matching the movement in the stone across the joints so it reads like one continuous surface instead of pieced-together slabs. We kept the edge eased, clean and simple, which is the right call on a stone with this much character. You don't need a fussy edge competing with what the granite's already doing.
Day to day, this countertop is going to hold up. Granite like this doesn't scratch easily, and with a leathered finish there's less concern about micro-scratching showing over time compared to a high polish. A sealer keeps it easy to wipe down and keeps stains from setting in, and beyond that it's low maintenance, just regular cleaning and it'll look the way it does now for years.
It's good to see stone like this going into a kitchen in St. Matthews. We do a lot of work across the Midlands, and every job's a little different, but a granite with this much texture and depth always makes an impression walking into the room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

This one covered the whole house, or close to it. A kitchen and the bathrooms all done in Fantasy Brown dolomite with a leathered finish, out near Orangeburg. The photos catch it mid-install with Lowe's floor protection still down, so you can see the tops going in before the space gets dressed up. There's an island, a farmhouse apron sink, some open shelving, and undermount bowls in the baths. It's the kind of job we like, where one stone carries through the whole home and ties everything together.
Fantasy Brown is a dolomite, and that matters. People see the soft browns and grays and the flowing veins and assume it's a marble, but dolomite sits a step harder and holds up better in a working kitchen. The movement in it runs long and watery, brown and taupe drifting through a lighter background. No two slabs are the same, so a big part of the job is laying out the material and deciding which piece goes where. On the island we want the veining to feel like it belongs, and across a corner we do our best to keep the flow moving instead of stopping cold at the seam.
The farmhouse apron sink is where the extra work shows. That kind of sink needs the front edge of the stone cut just right, and the reveal has to be even the whole way across. The undermount bowls in the bathrooms get polished on the inside edge so there's nothing rough to catch on. We template tight, cut to the template, and set the seams where they're least likely to bother you. An eased edge keeps it simple and easy to wipe down, which fits a house that's actually lived in.
Dolomite likes to be sealed and it likes to be wiped up after acidic things like lemon or wine, but treated with a little sense it wears beautifully for years. It takes heat better than a lot of people expect, though we still say use a trivet. In a kitchen and baths that get daily use, it's a stone that looks high-end without being fussy to the point of stress.
Orangeburg's a bit of a drive for us, but we go where the work is, and this was a repeat customer we think a lot of. Running the same dolomite through the kitchen and the bathrooms gave the whole place one voice. That's the payoff on a job like this, one material, careful layout, and a finish that reads the same room to room.

Kitchen transitioned into a modern space. From builder grade oak cabinets to a soft gray (Dover) Maple cabinets, with sparkling black Cambria quartz countertops, shiny ceramic subway tiles, lots of unique hidden storage gems to make the most out of this galley kitchen. Ted Glasgoe
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