Solid Mahogany Exterior doors with two sidelights- Model: N-200 & N-75 Sidelight Door size: 36” sidelight size: From 11” sidelights threw 16” sidelights Glass type: Iron Classic Glass – Iron sandwiched between smooth glass for easy clean Rough opening- Custom door size - Built to suit Wood Species: 100% Solid Brazilian Mahogany (no veneers) Door Thickness: 1 3/4" Jamb size: Custom jamb size. Call- 219-663-2279 for inquiries System is Pre-hung with Solid Mahogany Jambs, 2" Brick-molding, Adjustable Continuous Bronze Threshold, Our Pre-Hung Door Systems are "NOT" Kits! Shipped truly and completely pre-hung with hinges mortised to door and pre-installed in the Jamb for the easiest installation possible. This will save you Time and Money. No extra work needed for the carpenter. Ready to install into the doorway. Your Choice of Commercial Grade Ball-Bearing Hinge Color, Q-Lon compression Weather-stripping and Rubber Door Sweep. Lock Prep included. Left or Right Hand Door Swing. Single or Double Bored. 2 1/8" diameter hole(s), w/ 2 3/4" backset, 5 1/2" spread. Price is for Unfinished - Optional Exterior Grade UV Stain and UV Sealer Finishing Available

Solid Mahogany Exterior doors with two sidelights- Model: N-200 & N-75 Sidelight Door size: 36” sidelight size: From 11” sidelights threw 16” sidelights Glass type: Chateau Diamond shaped glass Rough opening- Custom door size - Built to suit Wood Species: 100% Solid Brazilian Mahogany (no veneers) Door Thickness: 1 3/4" Jamb size: Custom jamb size. Call- 219-663-2279 for inquiries System is Pre-hung with Solid Mahogany Jambs, 2" Brick-molding, Adjustable Continuous Bronze Threshold, Our Pre-Hung Door Systems are "NOT" Kits! Shipped truly and completely pre-hung with hinges mortised to door and pre-installed in the Jamb for the easiest installation possible. This will save you Time and Money. No extra work needed for the carpenter. Ready to install into the doorway. Your Choice of Commercial Grade Ball-Bearing Hinge Color, Q-Lon compression Weather-stripping and Rubber Door Sweep. Lock Prep included. Left or Right Hand Door Swing. Single or Double Bored. 2 1/8" diameter hole(s), w/ 2 3/4" backset, 5 1/2" spread. Price is for Unfinished - Optional Exterior Grade UV Stain and UV Sealer Finishing Available

Solid Mahogany Exterior doors with two sidelights- Craftsman- Mission Style Entry Door Model: AC501 & AC101 Sidelight Door width size: 36” Sidelight size: From 11” sidelights threw 16” sidelights Door Height: 6'8" Tall door 7'0" tall door & 8'0" Tall Door Glass type: Decorative Art Glass Rough opening- Custom door size - Built to suit Wood Species: 100% Solid Brazilian Mahogany (no veneers) Door Thickness: 1 3/4" Jamb size: Custom jamb size. Call- 219-663-2279 for inquiries System is Pre-hung with Solid Mahogany Jambs, 2" Brick-molding, Adjustable Continuous Bronze Threshold, Our Pre-Hung Door Systems are "NOT" Kits! Shipped truly and completely pre-hung with hinges mortised to door and pre-installed in the Jamb for the easiest installation possible. This will save you Time and Money. No extra work needed for the carpenter. Ready to install into the doorway. Your Choice of Commercial Grade Ball-Bearing Hinge Color, Q-Lon compression Weather-stripping and Rubber Door Sweep. Lock Prep included. Left or Right Hand Door Swing. Single or Double Bored. 2 1/8" diameter hole(s), w/ 2 3/4" backset, 5 1/2" spread.

Solid Mahogany Exterior doors with two sidelights- Model: N-250 & N-100 Sidelight .Full glass door with sidelights Door size: 36” Sidelight size: From 11” sidelights threw 16” sidelights Glass type: Iron Classic - Iron is sandwiched between glass for easy clean Rough opening- Custom door size - Built to suit Wood Species: 100% Solid Brazilian Mahogany (no veneers) Door Thickness: 1 3/4" Jamb size: Custom jamb size. Call- 219-663-2279 for inquiries System is Pre-hung with Solid Mahogany Jambs, 2" Brick-molding, Adjustable Continuous Bronze Threshold, Our Pre-Hung Door Systems are "NOT" Kits! Shipped truly and completely pre-hung with hinges mortised to door and pre-installed in the Jamb for the easiest installation possible. This will save you Time and Money. No extra work needed for the carpenter. Ready to install into the doorway. Your Choice of Commercial Grade Ball-Bearing Hinge Color, Q-Lon compression Weather-stripping and Rubber Door Sweep. Lock Prep included. Left or Right Hand Door Swing. Single or Double Bored. 2 1/8" diameter hole(s), w/ 2 3/4" backset, 5 1/2" spread. Real wood doors can be stained to be any color

Solid Mahogany Exterior doors with two sidelights- Model: N-200 & N-75 Sidelight Door size: 36” sidelight size: From 11” sidelights threw 16” sidelights Glass type: Builder Patina Came Rough opening- Custom door size - Built to suit Wood Species: 100% Solid Brazilian Mahogany (no veneers) Door Thickness: 1 3/4" Jamb size: Custom jamb size. Call- 219-663-2279 for inquiries System is Pre-hung with Solid Mahogany Jambs, 2" Brick-molding, Adjustable Continuous Bronze Threshold, Our Pre-Hung Door Systems are "NOT" Kits! Shipped truly and completely pre-hung with hinges mortised to door and pre-installed in the Jamb for the easiest installation possible. This will save you Time and Money. No extra work needed for the carpenter. Ready to install into the doorway. Your Choice of Commercial Grade Ball-Bearing Hinge Color, Q-Lon compression Weather-stripping and Rubber Door Sweep. Lock Prep included. Left or Right Hand Door Swing. Single or Double Bored. 2 1/8" diameter hole(s), w/ 2 3/4" backset, 5 1/2" spread. Price is for Unfinished - Optional Exterior Grade UV Stain and UV Sealer Finishing Available

Trendy exterior home photo in New York

Concrete can be made to look like any substance. Tile, stone, wood, brick, etc. With unlimited color options, Ky-Kan Coatings can transform any room in your home or business using lightweight, beautiful concrete.

Gorgeous master bath with dramatic retro "wave" tile. Peak Photography
Example of a 1950s bathroom design in Los Angeles

CAMBRIA QUARTZ - BERWYN, OLIMPIA TILE, AND POSEIDON BACKSPLASH

Dale was chosen to participate in the 2013 Hampton Designer Showhouse, sponsored by Traditional Home Magazine, because she has built a reputation for precise, elegant, and livable design work in Manhattan. The challenge of the showhouse, essentially a blank canvas with an imaginary client, was not beyond her. The room she was given is the Terrace Level Lounge; she chose a program to embrace a burgeoning art collection, and devise areas of repose to enjoy the work. And Ms. Cohen’s early training as a painter and photographer clearly are clearly a great asset in this particular room. Her method is to analyze the room as an architectural proposition. A Yale Architectural School graduate, she is able to cast a few intelligent moves to make the room a stage rather than a hallway. Creating a platform for her creative collaboration and designing the Monumental Lantern with artist John Houshmand. The seating areas are a series of compressed compositions with shapes and forms of chairs, a Minotti sofa, a Valerie Goodman Gallery coffee table, and the Holland and Sherry geometric throw pillows that evoke the early modernist paintings of Jean Arp. Accented by ceiling panels covered in a Maharam wallpaper. Her next big move was enrolling the work of artist and furniture maker John Houshmand. Ms. Cohen thrives on creative collaboration and designing the Monumental Lantern that with Houshmand, that she boldly placed in one entire corner of the room. Few designers would welcome a giant rough sawn luminaire but Ms. Cohen’s early apprenticeship with Richard Serra is evident in this wonderful juxtaposition of scale. Ms. Cohen’s reputation as a brave designer has been established with the inclusion of Houshmand’s piece. Ms. Cohen’s method is to analyze the room as an architectural proposition. A Yale Architectural School graduate, she is able to cast a few intelligent moves to make the room a stage rather than a hallway. The stairway was divided into two events, one behind a scrim and the other revealed. This gave the sitting area a theatrical backdrop as well as choreographing a Hollywood-style entrance for the visitor walking down the stairs. In fact Ms. Cohen uses a series of fabric backdrops throughout the space to denote different spatial conditions. The color palette, if said aloud, is the prototypical Hamptons beach house cheery; though Ms. Cohen’s take is altogether different. With a sea blue as her base, she treats the envelope of the space with tinted whites and grays, and just as you are comfortable with this resolve she infuses the space with drops of chartreuse. The optic shock of an electric green is a sign of strength in Ms. Cohen’s tool box. The result is a perfect balance of whimsy and sophistication. Whimsy, bravery, and compositional sophistication will not be evident or sufficient without Ms. Cohen’s razor sharp rigor. Her attention to detail is what makes one want to sit in the Fritz Hansen chair, under the reading light, with cashmere throw at its side. Ms. Cohen’s embrace of the luxury of detail is what makes for valuable moments in the design world and what sets her work apart.

Dale was chosen to participate in the 2013 Hampton Designer Showhouse, sponsored by Traditional Home Magazine, because she has built a reputation for precise, elegant, and livable design work in Manhattan. The challenge of the showhouse, essentially a blank canvas with an imaginary client, was not beyond her. The room she was given is the Terrace Level Lounge; she chose a program to embrace a burgeoning art collection, and devise areas of repose to enjoy the work. And Ms. Cohen’s early training as a painter and photographer clearly are clearly a great asset in this particular room. Her method is to analyze the room as an architectural proposition. A Yale Architectural School graduate, she is able to cast a few intelligent moves to make the room a stage rather than a hallway. Creating a platform for her creative collaboration and designing the Monumental Lantern with artist John Houshmand. The seating areas are a series of compressed compositions with shapes and forms of chairs, a Minotti sofa, a Valerie Goodman Gallery coffee table, and the Holland and Sherry geometric throw pillows that evoke the early modernist paintings of Jean Arp. Accented by ceiling panels covered in a Maharam wallpaper. Her next big move was enrolling the work of artist and furniture maker John Houshmand. Ms. Cohen thrives on creative collaboration and designing the Monumental Lantern that with Houshmand, that she boldly placed in one entire corner of the room. Few designers would welcome a giant rough sawn luminaire but Ms. Cohen’s early apprenticeship with Richard Serra is evident in this wonderful juxtaposition of scale. Ms. Cohen’s reputation as a brave designer has been established with the inclusion of Houshmand’s piece. Ms. Cohen’s method is to analyze the room as an architectural proposition. A Yale Architectural School graduate, she is able to cast a few intelligent moves to make the room a stage rather than a hallway. The stairway was divided into two events, one behind a scrim and the other revealed. This gave the sitting area a theatrical backdrop as well as choreographing a Hollywood-style entrance for the visitor walking down the stairs. In fact Ms. Cohen uses a series of fabric backdrops throughout the space to denote different spatial conditions. The color palette, if said aloud, is the prototypical Hamptons beach house cheery; though Ms. Cohen’s take is altogether different. With a sea blue as her base, she treats the envelope of the space with tinted whites and grays, and just as you are comfortable with this resolve she infuses the space with drops of chartreuse. The optic shock of an electric green is a sign of strength in Ms. Cohen’s tool box. The result is a perfect balance of whimsy and sophistication. Whimsy, bravery, and compositional sophistication will not be evident or sufficient without Ms. Cohen’s razor sharp rigor. Her attention to detail is what makes one want to sit in the Fritz Hansen chair, under the reading light, with cashmere throw at its side. Ms. Cohen’s embrace of the luxury of detail is what makes for valuable moments in the design world and what sets her work apart.

Set in Montana's tranquil Shields River Valley, the Shilo Ranch Compound is a collection of structures that were specifically built on a relatively smaller scale, to maximize efficiency. The main house has two bedrooms, a living area, dining and kitchen, bath and adjacent greenhouse, while two guest homes within the compound can sleep a total of 12 friends and family. There's also a common gathering hall, for dinners, games, and time together. The overall feel here is of sophisticated simplicity, with plaster walls, concrete and wood floors, and weathered boards for exteriors. The placement of each building was considered closely when envisioning how people would move through the property, based on anticipated needs and interests. Sustainability and consumption was also taken into consideration, as evidenced by the photovoltaic panels on roof of the garage, and the capability to shut down any of the compound's buildings when not in use.

Excavation of this Gunite swimming pool in Roslyn, NY is started by marking up and laying out the pool according to town setbacks. We proceed with framing and establishing the pool shell’s rough height. Then the excavator will dig and shape the hole, preparing it for rebar installation. After the # 4 rebar is installed, creating a cage that outlines what will be the final shape of the Gunite swimming pool. The Gunite cement shell is installed by applying a mix of sand and Portland cement through a pump system which is pushed through a nozzle with the force of compressed air. As the cement comes out from the nozzle, water is sprayed simultaneously to create a bond between the sand and cement, forming the Gunite pool shell. In this particular pool, we also molded an autocover box on the deep end of the pool, and swim out bench with the same Gunite cement process. On the shallow end of the pool steps were also shaped in Gunite expanding across the width of the pool. At this stage the Gunite pool shell will be left to cure for 28 days, and water will be sprayed on the concrete shell daily to help the shell petrify. Stub plumbing is installed through the Gunite walls for future connection of plumbing pipes. The skimmers are also placed in the pool before Gunite is sprayed, which encases them in concrete. Plumbing for the bottom drains, and pressure relief valve are placed in the floor, in case in the future the pool needs to be emptied and ground hydraulic pressure is under the pool due to high water tables. On top of the pool shell, along the length of the pool a groove is left in the shell for future installation of the Auto Cover track. The pool shell was constructed 10″ wide for the wall and 8″ wide for the deep end bowl and shallow area floor. Gappsi provides Gunite, Vinyl, Fiberglass Swimming pools and Hot Tubs for Residential and commercial application in Suffolk and Nassau County Long Island NY, http://gappsi.com/long-island-swimming-pool-companies-designs-builders-construction-ny.html Gappsi also provideDesign and installation of Landscape and Masonry for all Suffolk and Nassau County Long Island NY. http://gappsi.com/landscape-design-long-island-ny-landscaping-companies.html Gappsi also provides Home Remodeling Kitchens and Baths Roofing and siding for residence of Suffolk and Nassau County Long Island NY. http://gappsi.com/long-island-home-improvement-remodeling-general-contractor-ny.html If in need of Lawn and garden irrigation, in Suffolk and Nassau Gappsi can provide these services http://gappsi.com/irrigation/ along with PVC, wood aluminum and lop-loc fences installation. http://gappsi.com/fences/ To preserve and beautify yournatural Paving stones in Suffolk and Nassau County Long Island NY Gappsi offers cleaning and sealing of patios Driveways and retaining walls. For commercial and residential Applications in Suffolk and Nassau County Long Island NY. http://gappsi.com/patio-cleaning-and-sealing/ Our Showroom displays the most unique Travertine, Porphyry, Granite, Marble, Limestone and Sandstone pavers along with pool copings and veneers. Ready to be picked up at our Yard at 1015 West Jericho Turnpike Smithtown NY or delivered to your Location in Suffolk and Nassau County Long Island NY http://pavingstoneselect.com/ To complete your landscapes outdoor Sports and recreations Gappsi offers Bocce Courts, Putting greens, Sports and Tennis Courts also supply and installation of Synthetic Turf. http://deckandpationaturalstones.com/artificial-grass-synthetic-turf-installation-long-island-ny.html+

This image is a detail of the exposed aggregate concrete driveway. The aggregate used is a granite that matches the granite stone wall at the front of the home.

Gorgeous master bath finished with Dal-Tile's Fabrique porcelain tile in the color Noir Linen polished. Tile size is 12"x24" installed in a brick joint pattern. The floor boasts underfloor heating on a timed thermostat.

Bremer-Sellens
Eclectic home design photo in Portland

Chris Golden
Inspiration for a transitional carpeted living room remodel in Phoenix with beige walls, a standard fireplace and a tile fireplace

Peter Clarke
Staircase - small contemporary metal straight metal railing staircase idea in Melbourne with metal risers

**Paragraph 1: Spatial Composition & Architectural Volume** This terrace operates as an outdoor room in the fullest architectural sense — a compressed foreground plane opening onto one of the most consequential borrowed landscapes in the world. The composition is organized along a strong diagonal: an L-shaped seating arrangement anchors the lower left and right quadrants, its low-slung horizontality deliberately calibrated to sit beneath the sightline of the parapet rail so that the vista remains uninterrupted from a seated position. The spatial logic is one of layered thresholds. First, the intimate zone of the furniture group; second, the clipped boxwood hedge set within a matte-dark planter, functioning as a green datum line and soft balustrade; third, the slender vertical picket railing, whose rhythmic cadence reads as a fine-grained screen rather than a barrier; and finally the middle-ground canopy of Central Park and the distant supergraphic of the Billionaires' Row skyline. To the left, a mature juniper mass performs as a living pilaster, terminating the composition and screening the adjacent stone masonry wall — a rough-hewn ashlar remnant of the prewar building envelope that grounds the scheme in its architectural provenance. The stepped stone paving and the raked geometry of the railing as it descends to the right introduce a subtle asymmetry, preventing the picturesque from becoming static. **Paragraph 2: Materiality, Color & Texture** The material palette is disciplined to the point of austerity, precisely so the horticulture and the skyline may carry the chromatic load. Powder-coated aluminum in a deep graphite-bronze forms the furniture armature — slender, squared-section framing with an almost Miesian restraint — paired with performance-grade upholstery in a warm dove grey whose greige undertone reads neither cold nor sallow against the surrounding foliage. The single decorative gesture, ikat-patterned scatter cushions in charcoal and ecru, introduces a hand-loomed irregularity that humanizes the machined frames. Underfoot, large-format bluestone or cast-stone pavers in a cool grey provide a matte, granular ground plane, echoed in the honed surface of the low cocktail table. Against this monochrome scaffolding, the botanical register supplies saturation: the dense, glossy, small-leaf texture of the boxwood; the feathery, blue-green needling of the juniper; trailing ivy softening the planter edge; and, in the near foreground, the blowsy, dessicating panicles of hydrangea in blush, sage and antique rose. A ceramic vessel of coral-and-butter garden roses and a pair of banded stoneware cups on a rimmed tray introduce warm terracotta accents — small, deliberate points of chromatic heat within an otherwise tonal field. **Paragraph 3: Lighting, Atmosphere & Style Profile** The scheme is lit almost entirely by ambient, high-latitude daylight, diffused through a stratus-laced sky that acts as an enormous softbox. The result is shadowless modeling: the upholstery reads as luminous rather than glaring, the foliage retains full chromatic depth without specular hotspots, and the pale limestone and glass towers beyond are rendered in atmospheric perspective, receding into a silvered haze. No artificial fixtures assert themselves in the frame — a confident editorial choice that keeps the scheme legible as a daytime sanctuary and defers entirely to the natural theatre of the site. The prevailing mood is one of cultivated repose: urbane but unhurried, private without being hermetic. Stylistically, the project synthesizes into what might be termed **Refined Metropolitan Naturalism** — a hybrid of Soft Minimalism's tonal restraint and reductive geometry with the structured horticultural formality of a classical English terrace garden. The vocabulary is contemporary and materially honest, yet it observes the compositional manners of the prewar building it inhabits, treating the skyline not as backdrop but as the primary work of art around which the entire interior architecture of the terrace has been quietly framed.