Our clients wanted to open up the wall between their kitchen and living areas to improve flow and continuity and they wanted to add a large island. They felt that although there were windows in both the kitchen and living area, it was still somewhat dark, so they wanted to brighten it up. There was a built-in wet bar in the corner of the family room that really wasn’t used much and they felt it was just wasted space. Their overall taste was clean, simple lines, white cabinets but still with a touch of style. They definitely wanted to lose all the gray cabinets and busy hardware. We demoed all kitchen cabinets, countertops and light fixtures in the kitchen and wet bar area. All flooring in the kitchen and throughout main common areas was also removed. Waypoint Shaker Door style cabinets were installed with Leyton satin nickel hardware. The cabinets along the wall were painted linen and java on the island for a cool contrast. Beautiful Vicostone Misterio countertops were installed. Shadow glass subway tile was installed as the backsplash with a Susan Joblon Silver White and Grey Metallic Glass accent tile behind the cooktop. A large single basin undermount stainless steel sink was installed in the island with a Genta Spot kitchen faucet. The single light over the kitchen table was Seagull Lighting “Nance” and the two hanging over the island are Kuzco Lighting Vanier LED Pendants. We removed the wet bar in the family room and added two large windows, creating a wall of windows to the backyard. This definitely helped bring more light in and open up the view to the pool. In addition to tearing out the wet bar and removing the wall between the kitchen, the fireplace was upgraded with an asymmetrical mantel finished in a modern Irving Park Gray 12x24” tile. To finish it all off and tie all the common areas together and really make it flow, the clients chose a 5” wide Java bamboo flooring. Our clients love their new spaces and the improved flow, efficiency and functionality of the kitchen and adjacent living spaces.

This client sought to update their recently purchased home in Alexandria. A gourmet kitchen that complemented the size of the home and property was a top priority. They wanted more light-filled and connected living spaces for their growing family. Updating the finishes throughout the home was also a necessity. Design challenges included an existing utility space that occupied a large portion of the kitchen footprint, making the kitchen cramped and narrow. In addition, the foyer was dark, confined and uninviting as a result of its organization and enclosed nature of the main stair. To overcome the challenges, we relocated the utilities, creating a more usable footprint for the kitchen. The aging furnace was replaced with a high efficiency furnace located in a newly insulated and conditioned crawl space. A new hot water heater was placed in the finished attic, and the electrical panel was also relocated. Then, we designed a portion of the kitchen to mask the need for dropped structural headers: the refrigerator, freezer and pantry were placed under the area that necessitated a drop bulkhead, creating a sleek built-in area for the appliances. Once the utilities were moved, the kitchen could be opened up to a large family room and designed with a much-improved layout. Two new four-panel exterior doors replaced small doors at the family room to connect the main living space with the beautiful yard. In addition, white bead board was added to the family room ceiling, creating more visual continuity with the adjacent white kitchen. To transform the foyer into a grand and welcoming entry, a small amount of space was taken from a large second floor bedroom, and the entire second floor structure was supported with a series of flush beams to allow the stair to be opened and expose the rail. New glass doors to the den, relocated at an angle from the main stair provide the foyer with more natural light and a wider, more inviting path to the kitchen. In the master suite, the bedroom and bathroom entry doors were relocated to improve the room’s layout and offer more bathroom privacy and space for a walk-in closet. A room forgotten by the previous owner was turned into a family mudroom with built-ins and wainscoting to keep the family organized in style. Photography by Greg Hadley

Keyes Road is a two-storey, semi-detached red brick house dating to around 1890-1910. The focus of our work was on the ground floor where we were asked to improve the layout and use of the main living areas of the house, for an active family of four. Important to the design was to maximise the quality and amount of light as well as connection to the garden and flow to the rest of the house. Our proposal introduces three single storey extensions, comprising a central, large space that extends the main outrigger of the house. To each side are smaller volumes, affording a full width kitchen. While defining a series of discrete volumes, it was important for us to ensure that the kitchen, living, family and dining rooms that are interconnecting and continuous. The result is a big space punctuated by a series of differently sized arches, defining spaces to ensure their intimacy. It was important for our client to have a sense of warmth and comfort - perhaps not dissimilar to the qualities of a hotel lobby. The colour scheme of the rooms are warm white painted plaster, natural wood flooring with black, bronze and brass accents. Indirect and carefully placed light fittings pulls together the atmosphere of the rooms - particularly in the evenings. Externally, we felt it important to differentiate the extensions from the main house by using a dark, charcoal grey brick. This sets up a contrasting yet complimentary relationship to the rich red coloured brick house. The facets of the brick play with light and depth as do the graduated brick arches. During the design process, we grappled with floor levels, the direction of sunlight, and care to not encroach on the neighbouring properties. As the house is in a conservation area, we worked closely with our trusted planning advisor. Throughout, we pursued a sensitive design strategy, using pitched roofs, matching materials and careful detailing. Internally, many of the original details are intact. This has enabled us to create an eclectic ensemble of elements, colours and materials varying in age and period.

Photo by Jody Dole This charming farmhouse sits atop a grassy hill overlooking a serene Connecticut River Estuary. The new design reformulated the first floor plan making it much more functional and visually exciting. It encompassed the reorganization of multiple spaces including the Mudroom, Kitchen, Dining Room, Family Room, Sun Room, Laundry, Bathroom, and Master Closet. The design also added, deleted, and relocated windows and French doors to greatly enhance exterior views, draw in more natural light, and seamlessly upgrade the articulation of exterior elevations. Improvements to the plumbing and mechanical systems were also made. The overall feeling is both sophisticated and yet very much down to earth. John R. Schroeder, AIA is a professional design firm specializing in architecture, interiors, and planning. We have over 30 years experience with projects of all types, sizes, and levels of complexity. Because we love what we do, we approach our work with enthusiasm and dedication. We are committed to the highest level of design and service on each and every project. We engage our clients in positive and rewarding collaborations. We strive to exceed expectations through our attention to detail, our understanding of the “big picture”, and our ability to effectively manage a team of design professionals, industry representatives, and building contractors. We carefully analyze budgets and project objectives to assist clients with wise fund allocation. We continually monitor and research advances in technology, materials, and construction methods, both sustainable and otherwise, to provide a responsible, well-suited, and cost effective product. Our design solutions are highly functional using both innovative and traditional approaches. Our aesthetic style is flexible and open, blending cues from client desires, building function, site context, and material properties, making each project unique, personalized, and enduring.

These homeowners came to us wanting to upgrade the curb appeal of their home and improve the layout of the interior. They hoped for an entry that would welcome guests to their home both inside and out, while also creating more defined and purposeful space within the home. The main goals of the project were to add a covered wrap around porch, add more windows for natural light, create a formal entry that housed the client’s baby grand piano, and add a home office for the clients to work from home. With a dated exterior and facade that lacked dimension, there was little charm to be had. The front door was hidden from visitors and a lack of windows made the exterior unoriginal. We approached the exterior design pulling inspiration from the farmhouse style, southern porches, and craftsman style homes. Eventually we landed on a design that added numerous windows to the front façade, reminiscent of a farmhouse, and turned a Dutch hipped roof into an extended gable roof, creating a large front porch and adding curb appeal interest. By relocating the entry door to the front of the house and adding a gable accent over this new door, it created a focal point for guests and passersby. In addition to those design elements, we incorporated some exterior shutters rated for our northwest climate that echoed the southern style homes our client loved. A greige paint color (Benjamin Moore Cape May Cobblestone) accented with a white trim (Benjamin Moore Swiss Coffee) and a black front door, shutters, and window box (Sherwin Williams Black Magic) all work together to create a charming and welcoming façade. On the interior we removed a half wall and coat closet that separated the original cramped entryway from the front room. The front room was a multipurpose space that didn’t have a designated use for the family, it became a catch-all space that was easily cluttered. Through the design process we came up with a plan to split the spaces into 2 rooms, a large open semi-formal entryway and a home office. The semi-formal entryway was intentionally designed to house the homeowner’s baby grand piano – a real showstopper. The flow created by this entryway is welcoming and ushers you into a beautifully curated home. A new office now sits right off the entryway with beautiful French doors, built-in cabinetry, and an abundance of natural light – everything that one dreams of for their home office. The home office looks out to the front porch and front yard as well as the pastural side yard where the children frequently play. The office is an ideal location for a moment of inspiration, reflection, and focus. A warm white paint (Benjamin Moore Swiss Coffee) combined with the newly installed light oak luxury vinyl plank flooring runs throughout the home, creating continuity and a neutral canvas. Traditional and schoolhouse style statement light fixtures coordinate with the black door hardware for an added level of contrast. There is one more improvement that made a big difference to this family. In the family room, we added a built-in window seat. This created a cozy nook that is used by all for reading and extra seating. This relatively small improvement had a big impact on how the family uses and enjoys the space.

These homeowners came to us wanting to upgrade the curb appeal of their home and improve the layout of the interior. They hoped for an entry that would welcome guests to their home both inside and out, while also creating more defined and purposeful space within the home. The main goals of the project were to add a covered wrap around porch, add more windows for natural light, create a formal entry that housed the client’s baby grand piano, and add a home office for the clients to work from home. With a dated exterior and facade that lacked dimension, there was little charm to be had. The front door was hidden from visitors and a lack of windows made the exterior unoriginal. We approached the exterior design pulling inspiration from the farmhouse style, southern porches, and craftsman style homes. Eventually we landed on a design that added numerous windows to the front façade, reminiscent of a farmhouse, and turned a Dutch hipped roof into an extended gable roof, creating a large front porch and adding curb appeal interest. By relocating the entry door to the front of the house and adding a gable accent over this new door, it created a focal point for guests and passersby. In addition to those design elements, we incorporated some exterior shutters rated for our northwest climate that echoed the southern style homes our client loved. A greige paint color (Benjamin Moore Cape May Cobblestone) accented with a white trim (Benjamin Moore Swiss Coffee) and a black front door, shutters, and window box (Sherwin Williams Black Magic) all work together to create a charming and welcoming façade. On the interior we removed a half wall and coat closet that separated the original cramped entryway from the front room. The front room was a multipurpose space that didn’t have a designated use for the family, it became a catch-all space that was easily cluttered. Through the design process we came up with a plan to split the spaces into 2 rooms, a large open semi-formal entryway and a home office. The semi-formal entryway was intentionally designed to house the homeowner’s baby grand piano – a real showstopper. The flow created by this entryway is welcoming and ushers you into a beautifully curated home. A new office now sits right off the entryway with beautiful French doors, built-in cabinetry, and an abundance of natural light – everything that one dreams of for their home office. The home office looks out to the front porch and front yard as well as the pastural side yard where the children frequently play. The office is an ideal location for a moment of inspiration, reflection, and focus. A warm white paint (Benjamin Moore Swiss Coffee) combined with the newly installed light oak luxury vinyl plank flooring runs throughout the home, creating continuity and a neutral canvas. Traditional and schoolhouse style statement light fixtures coordinate with the black door hardware for an added level of contrast. There is one more improvement that made a big difference to this family. In the family room, we added a built-in window seat. This created a cozy nook that is used by all for reading and extra seating. This relatively small improvement had a big impact on how the family uses and enjoys the space.

These homeowners came to us wanting to upgrade the curb appeal of their home and improve the layout of the interior. They hoped for an entry that would welcome guests to their home both inside and out, while also creating more defined and purposeful space within the home. The main goals of the project were to add a covered wrap around porch, add more windows for natural light, create a formal entry that housed the client’s baby grand piano, and add a home office for the clients to work from home. With a dated exterior and facade that lacked dimension, there was little charm to be had. The front door was hidden from visitors and a lack of windows made the exterior unoriginal. We approached the exterior design pulling inspiration from the farmhouse style, southern porches, and craftsman style homes. Eventually we landed on a design that added numerous windows to the front façade, reminiscent of a farmhouse, and turned a Dutch hipped roof into an extended gable roof, creating a large front porch and adding curb appeal interest. By relocating the entry door to the front of the house and adding a gable accent over this new door, it created a focal point for guests and passersby. In addition to those design elements, we incorporated some exterior shutters rated for our northwest climate that echoed the southern style homes our client loved. A greige paint color (Benjamin Moore Cape May Cobblestone) accented with a white trim (Benjamin Moore Swiss Coffee) and a black front door, shutters, and window box (Sherwin Williams Black Magic) all work together to create a charming and welcoming façade. On the interior we removed a half wall and coat closet that separated the original cramped entryway from the front room. The front room was a multipurpose space that didn’t have a designated use for the family, it became a catch-all space that was easily cluttered. Through the design process we came up with a plan to split the spaces into 2 rooms, a large open semi-formal entryway and a home office. The semi-formal entryway was intentionally designed to house the homeowner’s baby grand piano – a real showstopper. The flow created by this entryway is welcoming and ushers you into a beautifully curated home. A new office now sits right off the entryway with beautiful French doors, built-in cabinetry, and an abundance of natural light – everything that one dreams of for their home office. The home office looks out to the front porch and front yard as well as the pastural side yard where the children frequently play. The office is an ideal location for a moment of inspiration, reflection, and focus. A warm white paint (Benjamin Moore Swiss Coffee) combined with the newly installed light oak luxury vinyl plank flooring runs throughout the home, creating continuity and a neutral canvas. Traditional and schoolhouse style statement light fixtures coordinate with the black door hardware for an added level of contrast. There is one more improvement that made a big difference to this family. In the family room, we added a built-in window seat. This created a cozy nook that is used by all for reading and extra seating. This relatively small improvement had a big impact on how the family uses and enjoys the space.

This client sought to update their recently purchased home in Alexandria. A gourmet kitchen that complemented the size of the home and property was a top priority. They wanted more light-filled and connected living spaces for their growing family. Updating the finishes throughout the home was also a necessity. Design challenges included an existing utility space that occupied a large portion of the kitchen footprint, making the kitchen cramped and narrow. In addition, the foyer was dark, confined and uninviting as a result of its organization and enclosed nature of the main stair. To overcome the challenges, we relocated the utilities, creating a more usable footprint for the kitchen. The aging furnace was replaced with a high efficiency furnace located in a newly insulated and conditioned crawl space. A new hot water heater was placed in the finished attic, and the electrical panel was also relocated. Then, we designed a portion of the kitchen to mask the need for dropped structural headers: the refrigerator, freezer and pantry were placed under the area that necessitated a drop bulkhead, creating a sleek built-in area for the appliances. Once the utilities were moved, the kitchen could be opened up to a large family room and designed with a much-improved layout. Two new four-panel exterior doors replaced small doors at the family room to connect the main living space with the beautiful yard. In addition, white bead board was added to the family room ceiling, creating more visual continuity with the adjacent white kitchen. To transform the foyer into a grand and welcoming entry, a small amount of space was taken from a large second floor bedroom, and the entire second floor structure was supported with a series of flush beams to allow the stair to be opened and expose the rail. New glass doors to the den, relocated at an angle from the main stair provide the foyer with more natural light and a wider, more inviting path to the kitchen. In the master suite, the bedroom and bathroom entry doors were relocated to improve the room’s layout and offer more bathroom privacy and space for a walk-in closet. A room forgotten by the previous owner was turned into a family mudroom with built-ins and wainscoting to keep the family organized in style. Photography by Greg Hadley

Living the dream on their estate home, this couple wanted to improve their ability to the home they built 12 years ago in the quiet suburb of Nokesville, VA. Their vision for the master bathroom suite and adjacent closet space changed over the years. They wanted direct access from master bathroom into the closet, which was not possible due to the spiral staircase. We removed this spiral staircase and moved bathroom wall by a foot into the closet, then built a wrap-around staircase allowing access to the upper level closet space. We installed wood flooring to continue bedroom and adjacent hallway floor into closet space. The entire bathroom was gutted, redesigned to have a state of new art whirlpool tub which was placed under a new arch picture window facing scenery of the side yard. The tub was decked in solid marble and surrounded with matching wood paneling as used for custom vanities. All plumbing was moved to create L-shape vanity spaces and make up area, with hidden mirrors behind hanging artwork. A large multiple function shower with custom doors and floor to ceiling marble was placed on south side of this bathroom, and a closed water closet area was placed on the left end. Using large scale marble tile floors with decorative accent tiles, crown, chair rail and fancy high-end hardware make this master suite a serene place for retiring in. The cream and gold color combination serves as a classic symbol of luxury.

Constructed in two phases, this renovation, with a few small additions, touched nearly every room in this late ‘50’s ranch house. The owners raised their family within the original walls and love the house’s location, which is not far from town and also borders conservation land. But they didn’t love how chopped up the house was and the lack of exposure to natural daylight and views of the lush rear woods. Plus, they were ready to de-clutter for a more stream-lined look. As a result, KHS collaborated with them to create a quiet, clean design to support the lifestyle they aspire to in retirement. To transform the original ranch house, KHS proposed several significant changes that would make way for a number of related improvements. Proposed changes included the removal of the attached enclosed breezeway (which had included a stair to the basement living space) and the two-car garage it partially wrapped, which had blocked vital eastern daylight from accessing the interior. Together the breezeway and garage had also contributed to a long, flush front façade. In its stead, KHS proposed a new two-car carport, attached storage shed, and exterior basement stair in a new location. The carport is bumped closer to the street to relieve the flush front facade and to allow access behind it to eastern daylight in a relocated rear kitchen. KHS also proposed a new, single, more prominent front entry, closer to the driveway to replace the former secondary entrance into the dark breezeway and a more formal main entrance that had been located much farther down the facade and curiously bordered the bedroom wing. Inside, low ceilings and soffits in the primary family common areas were removed to create a cathedral ceiling (with rod ties) over a reconfigured semi-open living, dining, and kitchen space. A new gas fireplace serving the relocated dining area -- defined by a new built-in banquette in a new bay window -- was designed to back up on the existing wood-burning fireplace that continues to serve the living area. A shared full bath, serving two guest bedrooms on the main level, was reconfigured, and additional square footage was captured for a reconfigured master bathroom off the existing master bedroom. A new whole-house color palette, including new finishes and new cabinetry, complete the transformation. Today, the owners enjoy a fresh and airy re-imagining of their familiar ranch house. Photos by Katie Hutchison

Expanding and updating the kitchen was our top priority – the new layout was designed to straddle the original house and the addition, creating work zones rather than the traditional work triangle. The modified galley layout more than doubled their countertop area and storage space. Extending the kitchen into the addition took full advantage of the vaulted ceilings and light-filled space. To improve flow and connectivity, we opened up a wall between the old kitchen and the front entry hall providing a straight path from front door to the new mudroom/drop zone and kitchen beyond. A door from the dining room into the kitchen was shifted to allow for a more generous kitchen. The beautifully veined Calacatta Eiffel quartz counters and backsplash provide visual contrast with the black cabinetry and keep the space from feeling too heavy. A continuous ledge and floating shelves replace traditional uppers for a more open and modern feel. Stained wood is used throughout, from the bench top, to shelving, trim and custom millwork; it brings in a natural element and helps unite all of the spaces. A hood with a custom Venetian plaster finish is flanked by vintage inspired sconces and provides a stunning focal point in the room. A deep nook is home to a ‘bubble box’ that dispenses cold sparkling or still water on demand – the marble tile backsplash further differentiates this beverage zone. The brushed brass hardware stands out against the dark cabinets and adds a touch of warmth. With seating for three at the counter and the inclusion of a breakfast area banquette (with drawers), the home is ideal for family time and relaxed gatherings with friends.

Expanding and updating the kitchen was our top priority – the new layout was designed to straddle the original house and the addition, creating work zones rather than the traditional work triangle. The modified galley layout more than doubled their countertop area and storage space. Extending the kitchen into the addition took full advantage of the vaulted ceilings and light-filled space. To improve flow and connectivity, we opened up a wall between the old kitchen and the front entry hall providing a straight path from front door to the new mudroom/drop zone and kitchen beyond. A door from the dining room into the kitchen was shifted to allow for a more generous kitchen. The beautifully veined Calacatta Eiffel quartz counters and backsplash provide visual contrast with the black cabinetry and keep the space from feeling too heavy. A continuous ledge and floating shelves replace traditional uppers for a more open and modern feel. Stained wood is used throughout, from the bench top, to shelving, trim and custom millwork; it brings in a natural element and helps unite all of the spaces. A hood with a custom Venetian plaster finish is flanked by vintage inspired sconces and provides a stunning focal point in the room. A deep nook is home to a ‘bubble box’ that dispenses cold sparkling or still water on demand – the marble tile backsplash further differentiates this beverage zone. The brushed brass hardware stands out against the dark cabinets and adds a touch of warmth. With seating for three at the counter and the inclusion of a breakfast area banquette (with drawers), the home is ideal for family time and relaxed gatherings with friends.

Living the dream on their estate home, this couple wanted to improve their ability to the home they built 12 years ago in the quiet suburb of Nokesville, VA. Their vision for the master bathroom suite and adjacent closet space changed over the years. They wanted direct access from master bathroom into the closet, which was not possible due to the spiral staircase. We removed this spiral staircase and moved bathroom wall by a foot into the closet, then built a wrap-around staircase allowing access to the upper level closet space. We installed wood flooring to continue bedroom and adjacent hallway floor into closet space. The entire bathroom was gutted, redesigned to have a state of new art whirlpool tub which was placed under a new arch picture window facing scenery of the side yard. The tub was decked in solid marble and surrounded with matching wood paneling as used for custom vanities. All plumbing was moved to create L-shape vanity spaces and make up area, with hidden mirrors behind hanging artwork. A large multiple function shower with custom doors and floor to ceiling marble was placed on south side of this bathroom, and a closed water closet area was placed on the left end. Using large scale marble tile floors with decorative accent tiles, crown, chair rail and fancy high-end hardware make this master suite a serene place for retiring in. The cream and gold color combination serves as a classic symbol of luxury.

Living the dream on their estate home, this couple wanted to improve their ability to the home they built 12 years ago in the quiet suburb of Nokesville, VA. Their vision for the master bathroom suite and adjacent closet space changed over the years. They wanted direct access from master bathroom into the closet, which was not possible due to the spiral staircase. We removed this spiral staircase and moved bathroom wall by a foot into the closet, then built a wrap-around staircase allowing access to the upper level closet space. We installed wood flooring to continue bedroom and adjacent hallway floor into closet space. The entire bathroom was gutted, redesigned to have a state of new art whirlpool tub which was placed under a new arch picture window facing scenery of the side yard. The tub was decked in solid marble and surrounded with matching wood paneling as used for custom vanities. All plumbing was moved to create L-shape vanity spaces and make up area, with hidden mirrors behind hanging artwork. A large multiple function shower with custom doors and floor to ceiling marble was placed on south side of this bathroom, and a closed water closet area was placed on the left end. Using large scale marble tile floors with decorative accent tiles, crown, chair rail and fancy high-end hardware make this master suite a serene place for retiring in. The cream and gold color combination serves as a classic symbol of luxury.

Living the dream on their estate home, this couple wanted to improve their ability to the home they built 12 years ago in the quiet suburb of Nokesville, VA. Their vision for the master bathroom suite and adjacent closet space changed over the years. They wanted direct access from master bathroom into the closet, which was not possible due to the spiral staircase. We removed this spiral staircase and moved bathroom wall by a foot into the closet, then built a wrap-around staircase allowing access to the upper level closet space. We installed wood flooring to continue bedroom and adjacent hallway floor into closet space. The entire bathroom was gutted, redesigned to have a state of new art whirlpool tub which was placed under a new arch picture window facing scenery of the side yard. The tub was decked in solid marble and surrounded with matching wood paneling as used for custom vanities. All plumbing was moved to create L-shape vanity spaces and make up area, with hidden mirrors behind hanging artwork. A large multiple function shower with custom doors and floor to ceiling marble was placed on south side of this bathroom, and a closed water closet area was placed on the left end. Using large scale marble tile floors with decorative accent tiles, crown, chair rail and fancy high-end hardware make this master suite a serene place for retiring in. The cream and gold color combination serves as a classic symbol of luxury.

Rising amidst the grand homes of North Howe Street, this stately house has more than 6,600 SF. In total, the home has seven bedrooms, six full bathrooms and three powder rooms. Designed with an extra-wide floor plan (21'-2"), achieved through side-yard relief, and an attached garage achieved through rear-yard relief, it is a truly unique home in a truly stunning environment. The centerpiece of the home is its dramatic, 11-foot-diameter circular stair that ascends four floors from the lower level to the roof decks where panoramic windows (and views) infuse the staircase and lower levels with natural light. Public areas include classically-proportioned living and dining rooms, designed in an open-plan concept with architectural distinction enabling them to function individually. A gourmet, eat-in kitchen opens to the home's great room and rear gardens and is connected via its own staircase to the lower level family room, mud room and attached 2-1/2 car, heated garage. The second floor is a dedicated master floor, accessed by the main stair or the home's elevator. Features include a groin-vaulted ceiling; attached sun-room; private balcony; lavishly appointed master bath; tremendous closet space, including a 120 SF walk-in closet, and; an en-suite office. Four family bedrooms and three bathrooms are located on the third floor. This home was sold early in its construction process. Nathan Kirkman

Constructed in two phases, this renovation, with a few small additions, touched nearly every room in this late ‘50’s ranch house. The owners raised their family within the original walls and love the house’s location, which is not far from town and also borders conservation land. But they didn’t love how chopped up the house was and the lack of exposure to natural daylight and views of the lush rear woods. Plus, they were ready to de-clutter for a more stream-lined look. As a result, KHS collaborated with them to create a quiet, clean design to support the lifestyle they aspire to in retirement. To transform the original ranch house, KHS proposed several significant changes that would make way for a number of related improvements. Proposed changes included the removal of the attached enclosed breezeway (which had included a stair to the basement living space) and the two-car garage it partially wrapped, which had blocked vital eastern daylight from accessing the interior. Together the breezeway and garage had also contributed to a long, flush front façade. In its stead, KHS proposed a new two-car carport, attached storage shed, and exterior basement stair in a new location. The carport is bumped closer to the street to relieve the flush front facade and to allow access behind it to eastern daylight in a relocated rear kitchen. KHS also proposed a new, single, more prominent front entry, closer to the driveway to replace the former secondary entrance into the dark breezeway and a more formal main entrance that had been located much farther down the facade and curiously bordered the bedroom wing. Inside, low ceilings and soffits in the primary family common areas were removed to create a cathedral ceiling (with rod ties) over a reconfigured semi-open living, dining, and kitchen space. A new gas fireplace serving the relocated dining area -- defined by a new built-in banquette in a new bay window -- was designed to back up on the existing wood-burning fireplace that continues to serve the living area. A shared full bath, serving two guest bedrooms on the main level, was reconfigured, and additional square footage was captured for a reconfigured master bathroom off the existing master bedroom. A new whole-house color palette, including new finishes and new cabinetry, complete the transformation. Today, the owners enjoy a fresh and airy re-imagining of their familiar ranch house. Photos by Katie Hutchison

These homeowners came to us wanting to upgrade the curb appeal of their home and improve the layout of the interior. They hoped for an entry that would welcome guests to their home both inside and out, while also creating more defined and purposeful space within the home. The main goals of the project were to add a covered wrap around porch, add more windows for natural light, create a formal entry that housed the client’s baby grand piano, and add a home office for the clients to work from home. With a dated exterior and facade that lacked dimension, there was little charm to be had. The front door was hidden from visitors and a lack of windows made the exterior unoriginal. We approached the exterior design pulling inspiration from the farmhouse style, southern porches, and craftsman style homes. Eventually we landed on a design that added numerous windows to the front façade, reminiscent of a farmhouse, and turned a Dutch hipped roof into an extended gable roof, creating a large front porch and adding curb appeal interest. By relocating the entry door to the front of the house and adding a gable accent over this new door, it created a focal point for guests and passersby. In addition to those design elements, we incorporated some exterior shutters rated for our northwest climate that echoed the southern style homes our client loved. A greige paint color (Benjamin Moore Cape May Cobblestone) accented with a white trim (Benjamin Moore Swiss Coffee) and a black front door, shutters, and window box (Sherwin Williams Black Magic) all work together to create a charming and welcoming façade. On the interior we removed a half wall and coat closet that separated the original cramped entryway from the front room. The front room was a multipurpose space that didn’t have a designated use for the family, it became a catch-all space that was easily cluttered. Through the design process we came up with a plan to split the spaces into 2 rooms, a large open semi-formal entryway and a home office. The semi-formal entryway was intentionally designed to house the homeowner’s baby grand piano – a real showstopper. The flow created by this entryway is welcoming and ushers you into a beautifully curated home. A new office now sits right off the entryway with beautiful French doors, built-in cabinetry, and an abundance of natural light – everything that one dreams of for their home office. The home office looks out to the front porch and front yard as well as the pastural side yard where the children frequently play. The office is an ideal location for a moment of inspiration, reflection, and focus. A warm white paint (Benjamin Moore Swiss Coffee) combined with the newly installed light oak luxury vinyl plank flooring runs throughout the home, creating continuity and a neutral canvas. Traditional and schoolhouse style statement light fixtures coordinate with the black door hardware for an added level of contrast. There is one more improvement that made a big difference to this family. In the family room, we added a built-in window seat. This created a cozy nook that is used by all for reading and extra seating. This relatively small improvement had a big impact on how the family uses and enjoys the space.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.