The front elevation of this house consists of the original 1910 farmhouse. The rest of the house had been augmented incrementally over time and the roofline beyond the original structure had become convoluted and the flanking elevations nonsensical. The current owners preserved the original 1910 farmhouse portion of the home and took the rest of the structure down to the foundation. A simple modern black barn was designed to run perpendicular with the old farmhouse structure and painted black in stark contrast to its old, white counterpart. Siding runs vertically on the new section as opposed to the horizontal shiplapped siding on the old. The new structure houses the kitchen with 12’ cathedral ceilings, a pantry / mudroom and a study. The kitchen boasts a 1930’s island reclaimed from a commercial bakery and pendant lights from an old schoolhouse in Ohio as its nucleus, against a quiet backdrop of black stained oak cabinetry. Gently veined quartzite slabs serve as countertop, backsplash and wrap the stove hood to accentuate the ceiling height. The interior design of this home is a carefully balanced alchemy of antiquity and modernity. It has an overriding monochromatic theme with layers of pattern and texture for depth. The color interest is derived from the lush outside landscape, with the exception of their daughter’s bedroom which is a tasteful symphony of pink, landed by a hand painted mural. The theme of the home is framed around comfortable family living against curated backdrops of beloved collected items. The living room boasts no less than nineteen vintage crystal

The primary goal for this project was to craft a modernist derivation of pueblo architecture. Set into a heavily laden boulder hillside, the design also reflects the nature of the stacked boulder formations. The site, located near local landmark Pinnacle Peak, offered breathtaking views which were largely upward, making proximity an issue. Maintaining southwest fenestration protection and maximizing views created the primary design constraint. The views are maximized with careful orientation, exacting overhangs, and wing wall locations. The overhangs intertwine and undulate with alternating materials stacking to reinforce the boulder strewn backdrop. The elegant material palette and siting allow for great harmony with the native desert. The Elegant Modern at Estancia was the collaboration of many of the Valley's finest luxury home specialists. Interiors guru David Michael Miller contributed elegance and refinement in every detail. Landscape architect Russ Greey of Greey | Pickett contributed a landscape design that not only complimented the architecture, but nestled into the surrounding desert as if always a part of it. And contractor Manship Builders -- Jim Manship and project manager Mark Laidlaw -- brought precision and skill to the construction of what architect C.P. Drewett described as "a watch." Project Details | Elegant Modern at Estancia Architecture: CP Drewett, AIA, NCARB Builder: Manship Builders, Carefree, AZ Interiors: David Michael Miller, Scottsdale, AZ Landscape: Greey | Pickett, Scottsdale, AZ Photography: Dino Tonn, Scottsdale, AZ Publications: "On the Edge: The Rugged Desert Landscape Forms the Ideal Backdrop for an Estancia Home Distinguished by its Modernist Lines" Luxe Interiors + Design, Nov/Dec 2015. Awards: 2015 PCBC Grand Award: Best Custom Home over 8,000 sq. ft. 2015 PCBC Award of Merit: Best Custom Home over 8,000 sq. ft. The Nationals 2016 Silver Award: Best Architectural Design of a One of a Kind Home - Custom or Spec 2015 Excellence in Masonry Architectural Award - Merit Award Photography: Dino Tonn

Three generations have shared summers together at this very special place called Merry Hill. Recognizing their shifting needs and looking forward to future generations, the clients wanted to both drastically change their beloved family lake house and yet not change it at all. This new iteration of the cottage is nearly double the size of the original, transforming their summer home into a four-season getaway while evoking the character of the original house in a new and fresh way. The main cottage, boathouse and sleeping cabin all have broad, shallow-pitched roofs with generous overhangs that derive their form from their mid-century predecessor. Expansive openings, wood interiors, operable clerestories, and local stone double-stacked fireplaces are all familiar to the clients but rendered in different scales. Designed for resiliency and sustainability, the new retreat employs an integrated generator, geothermal heating, solar arrays, and battery storage as well as incorporates passive strategies such as sun orientation, earth sheltering, and cross ventilation to keep the interior at an ideal temperature all year round. The resulting form, detailing, and material selections of this new build allows for the seamless continuity of memory-making for a sentimental family.

Pima Pendant Lamp Art Glass Pendant Lamp Created by George Scott Limited Edition This geometric pattern is derived from a Pima design. The fused and slumped glass bowl features a deeply carved surface with warm amber and gold tones. The chandelier hangs by stainless steel aircraft cables from a simple stainless steel and brass hardware. The fixture is designed to be direct wired, and uses a 60 watt recommended (100 watt max.) standard incandescent or compact fluorescent light bulb (not included). Please contact our Customer Care department for pricing and availability of this shade in a different shape or color. Limited edition of 5. Dimensions: 25.5″ H x 5.5″ D x 21″ diameter $3,300

Take a look at the image of the living/dining space with doors opening to a pool beyond. This is an elegant, finely-appointed room with aged, hand-hewn beams, dormered clerestory windows, and radiant-heated limestone floors. But the real power of the space derives less from these handsome details and more from the wide opening centered on the pool. The occupants of the room feel like they’re poolside, even while inside. When they’re entertaining, it matters little whether guests are on the terrace or in the living room; it all feels like one great space. The four-wide bank of doors is designed so that the central two are hinged directly to the flanking ones. Thus, when opened, they are precisely aligned, it seems as if there are somehow only two doors, and the assembly appears less cluttered. A mechanized, roll-down screen descends from above to completely secure the opening against insects. When the screen is in use, the doors at the far ends are used for passage (a word of advice: make sure to devise a screening solution in any multi-door design). Two images from a seasonal lakefront cottage in East Haddam combine to make an even bolder statement. This three-story building has a master suite occupying the entire third floor.

The Grasslands home was born out of and celebrates the beautiful but fragile grassland ecology of the Carmel Valley. Our client’s desire to actively simplify his lifestyle to the most essential elements inclusive of space clearly drove sensibilities in the design. In addition the home features a precision, derived from the client’s love of flight, a grounded-ness from his love of books and the love of his horse. To meet the simplistic beauty of the scope, the home consists of three interconnected glass pavilions and a detached barn which wrap to the bowl shape of the land. The pavilions are comprised of a master suite, a library/living room, kitchen, and a meditation sanctuary; the barn, his horse and car. The design focuses on preserving the delicate ecosystem of the surrounding grasslands, while concurrently incorporate views and maximize solar orientation. In support, the pavilions sit on the perimeter of an existing bowl shaped depression in the hillside. Three primary landscape walls run parallel to the topography, emphasizing the shape and spatial definition of the land as well as providing locations to anchor the structures. Pulled up and out of the landscape, the buildings jut over the anchor walls, hovering above the native grasses. In section, the land appears to flow through the pavilions, undisturbed and collaborative to the architecture.

Three generations have shared summers together at this very special place called Merry Hill. Recognizing their shifting needs and looking forward to future generations, the clients wanted to both drastically change their beloved family lake house and yet not change it at all. This new iteration of the cottage is nearly double the size of the original, transforming their summer home into a four-season getaway while evoking the character of the original house in a new and fresh way. The main cottage, boathouse and sleeping cabin all have broad, shallow-pitched roofs with generous overhangs that derive their form from their mid-century predecessor. Expansive openings, wood interiors, operable clerestories, and local stone double-stacked fireplaces are all familiar to the clients but rendered in different scales. Designed for resiliency and sustainability, the new retreat employs an integrated generator, geothermal heating, solar arrays, and battery storage as well as incorporates passive strategies such as sun orientation, earth sheltering, and cross ventilation to keep the interior at an ideal temperature all year round. The resulting form, detailing, and material selections of this new build allows for the seamless continuity of memory-making for a sentimental family.

The front elevation of this house consists of the original 1910 farmhouse. The rest of the house had been augmented incrementally over time and the roofline beyond the original structure had become convoluted and the flanking elevations nonsensical. The current owners preserved the original 1910 farmhouse portion of the home and took the rest of the structure down to the foundation. A simple modern black barn was designed to run perpendicular with the old farmhouse structure and painted black in stark contrast to its old, white counterpart. Siding runs vertically on the new section as opposed to the horizontal shiplapped siding on the old. The new structure houses the kitchen with 12’ cathedral ceilings, a pantry / mudroom and a study. The kitchen boasts a 1930’s island reclaimed from a commercial bakery and pendant lights from an old schoolhouse in Ohio as its nucleus, against a quiet backdrop of black stained oak cabinetry. Gently veined quartzite slabs serve as countertop, backsplash and wrap the stove hood to accentuate the ceiling height. The interior design of this home is a carefully balanced alchemy of antiquity and modernity. It has an overriding monochromatic theme with layers of pattern and texture for depth. The color interest is derived from the lush outside landscape, with the exception of their daughter’s bedroom which is a tasteful symphony of pink, landed by a hand painted mural. The theme of the home is framed around comfortable family living against curated backdrops of beloved collected items. The living room boasts no less than nineteen vintage crystal

The front elevation of this house consists of the original 1910 farmhouse. The rest of the house had been augmented incrementally over time and the roofline beyond the original structure had become convoluted and the flanking elevations nonsensical. The current owners preserved the original 1910 farmhouse portion of the home and took the rest of the structure down to the foundation. A simple modern black barn was designed to run perpendicular with the old farmhouse structure and painted black in stark contrast to its old, white counterpart. Siding runs vertically on the new section as opposed to the horizontal shiplapped siding on the old. The new structure houses the kitchen with 12’ cathedral ceilings, a pantry / mudroom and a study. The kitchen boasts a 1930’s island reclaimed from a commercial bakery and pendant lights from an old schoolhouse in Ohio as its nucleus, against a quiet backdrop of black stained oak cabinetry. Gently veined quartzite slabs serve as countertop, backsplash and wrap the stove hood to accentuate the ceiling height. The interior design of this home is a carefully balanced alchemy of antiquity and modernity. It has an overriding monochromatic theme with layers of pattern and texture for depth. The color interest is derived from the lush outside landscape, with the exception of their daughter’s bedroom which is a tasteful symphony of pink, landed by a hand painted mural. The theme of the home is framed around comfortable family living against curated backdrops of beloved collected items. The living room boasts no less than nineteen vintage crystal

In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002. The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price. Overview: Moose Lake Size: 2 bedrooms, 3 bathrooms, recreation room Completion Date: 2004 Services: Architecture, Interior Design, Landscape Architecture

The front elevation of this house consists of the original 1910 farmhouse. The rest of the house had been augmented incrementally over time and the roofline beyond the original structure had become convoluted and the flanking elevations nonsensical. The current owners preserved the original 1910 farmhouse portion of the home and took the rest of the structure down to the foundation. A simple modern black barn was designed to run perpendicular with the old farmhouse structure and painted black in stark contrast to its old, white counterpart. Siding runs vertically on the new section as opposed to the horizontal shiplapped siding on the old. The new structure houses the kitchen with 12’ cathedral ceilings, a pantry / mudroom and a study. The kitchen boasts a 1930’s island reclaimed from a commercial bakery and pendant lights from an old schoolhouse in Ohio as its nucleus, against a quiet backdrop of black stained oak cabinetry. Gently veined quartzite slabs serve as countertop, backsplash and wrap the stove hood to accentuate the ceiling height. The interior design of this home is a carefully balanced alchemy of antiquity and modernity. It has an overriding monochromatic theme with layers of pattern and texture for depth. The color interest is derived from the lush outside landscape, with the exception of their daughter’s bedroom which is a tasteful symphony of pink, landed by a hand painted mural. The theme of the home is framed around comfortable family living against curated backdrops of beloved collected items. The living room boasts no less than nineteen vintage crystal

In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002. The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price. Overview Moose Lake Size 2 bedrooms, 3 bathrooms, recreation room Completion Date 2004 Services Architecture, Interior Design, Landscape Architecture

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Home design - mid-sized modern formal and open concept bamboo floor home design idea in Los Angeles with green walls, a corner fireplace, a wood fireplace surround and a tv stand

The primary goal for this project was to craft a modernist derivation of pueblo architecture. Set into a heavily laden boulder hillside, the design also reflects the nature of the stacked boulder formations. The site, located near local landmark Pinnacle Peak, offered breathtaking views which were largely upward, making proximity an issue. Maintaining southwest fenestration protection and maximizing views created the primary design constraint. The views are maximized with careful orientation, exacting overhangs, and wing wall locations. The overhangs intertwine and undulate with alternating materials stacking to reinforce the boulder strewn backdrop. The elegant material palette and siting allow for great harmony with the native desert. The Elegant Modern at Estancia was the collaboration of many of the Valley's finest luxury home specialists. Interiors guru David Michael Miller contributed elegance and refinement in every detail. Landscape architect Russ Greey of Greey | Pickett contributed a landscape design that not only complimented the architecture, but nestled into the surrounding desert as if always a part of it. And contractor Manship Builders -- Jim Manship and project manager Mark Laidlaw -- brought precision and skill to the construction of what architect C.P. Drewett described as "a watch." Project Details | Elegant Modern at Estancia Architecture: CP Drewett, AIA, NCARB Builder: Manship Builders, Carefree, AZ Interiors: David Michael Miller, Scottsdale, AZ Landscape: Greey | Pickett, Scottsdale, AZ Photography: Dino Tonn, Scottsdale, AZ Publications: "On the Edge: The Rugged Desert Landscape Forms the Ideal Backdrop for an Estancia Home Distinguished by its Modernist Lines" Luxe Interiors + Design, Nov/Dec 2015. Awards: 2015 PCBC Grand Award: Best Custom Home over 8,000 sq. ft. 2015 PCBC Award of Merit: Best Custom Home over 8,000 sq. ft. The Nationals 2016 Silver Award: Best Architectural Design of a One of a Kind Home - Custom or Spec 2015 Excellence in Masonry Architectural Award - Merit Award Photography: Dino Tonn

In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002. The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price. Overview Moose Lake Size 2 bedrooms, 3 bathrooms, recreation room Completion Date 2004 Services Architecture, Interior Design, Landscape Architecture

In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002. The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price. Overview Moose Lake Size 2 bedrooms, 3 bathrooms, recreation room Completion Date 2004 Services Architecture, Interior Design, Landscape Architecture

In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002. The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price. Overview Moose Lake Size 2 bedrooms, 3 bathrooms, recreation room Completion Date 2004 Services Architecture, Interior Design, Landscape Architecture

The front elevation of this house consists of the original 1910 farmhouse. The rest of the house had been augmented incrementally over time and the roofline beyond the original structure had become convoluted and the flanking elevations nonsensical. The current owners preserved the original 1910 farmhouse portion of the home and took the rest of the structure down to the foundation. A simple modern black barn was designed to run perpendicular with the old farmhouse structure and painted black in stark contrast to its old, white counterpart. Siding runs vertically on the new section as opposed to the horizontal shiplapped siding on the old. The new structure houses the kitchen with 12’ cathedral ceilings, a pantry / mudroom and a study. The kitchen boasts a 1930’s island reclaimed from a commercial bakery and pendant lights from an old schoolhouse in Ohio as its nucleus, against a quiet backdrop of black stained oak cabinetry. Gently veined quartzite slabs serve as countertop, backsplash and wrap the stove hood to accentuate the ceiling height. The interior design of this home is a carefully balanced alchemy of antiquity and modernity. It has an overriding monochromatic theme with layers of pattern and texture for depth. The color interest is derived from the lush outside landscape, with the exception of their daughter’s bedroom which is a tasteful symphony of pink, landed by a hand painted mural. The theme of the home is framed around comfortable family living against curated backdrops of beloved collected items. The living room boasts no less than nineteen vintage crystal

In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002. The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price. Overview Moose Lake Size 2 bedrooms, 3 bathrooms, recreation room Completion Date 2004 Services Architecture, Interior Design, Landscape Architecture