San Ildefonso Dragon Pendant Lamp Art Glass Pendant Lamp Created by George Scott Limited Edition This dragon pattern is derived from a San Ildefonso Pueblo design. The fused and slumped aqua blue glass bowl features a deeply carved surface that reveals a lighter shade. The chandelier hangs by stainless steel aircraft cables from a simple stainless steel and brass hardware. The fixture is designed to be direct wired, and uses a 60 watt recommended (100 watt max.) standard incandescent or compact fluorescent light bulb (not included). Please contact our Customer Care department for pricing and availability of this shade in a different shape or color. Limited edition of 5. Dimensions: 25.5″ H x 5.5″ D x 21″ diameter $2,800

Where can a line lead you? The Surrealists believed automatically drawing one continuous line could take you into your subconscious. Many artists also use one unbroken line to create two-dimensional portraits or to limn recognizable forms. For Axis Mundi, one uninterrupted line leads to home. Or, more intriguingly, to the rhythmic underlying structure of this concept house for a successful digital entrepreneur in the Palm Springs desert. An homage to Austrian architect Frederick Kiesler’s 1950 “Endless House,” the basic footprint and floor plan derives from a single ribbon looped repeatedly in a single continuous line. The home is enclosed with rammed-earth exterior walls built up along the undulating contours formed by the ribbon, while interior walls are erected around selected voids defined by some of the loops. A faceted tent-like Cor-Ten steel roof—out of which the shape of the floor plan is cut out and replaced with glass—tops the structure. It is both a line of intellectual questioning posed by the designers and a line of continuity that brings fluidity to a living plan for the client in question. Size: 8,000 sq. ft. Design Team: John Beckmann, Audrey Leduc, Nastasia Giraud and Silvia Tosques Renderings and Diagrams: Audrey Leduc and Nastasia Giraud Interior Rendering: Silvia Tosques © Axis Mundi Design LLC

Where can a line lead you? The Surrealists believed automatically drawing one continuous line could take you into your subconscious. Many artists also use one unbroken line to create two-dimensional portraits or to limn recognizable forms. For Axis Mundi, one uninterrupted line leads to home. Or, more intriguingly, to the rhythmic underlying structure of this concept house for a successful digital entrepreneur in the Palm Springs desert. An homage to Austrian architect Frederick Kiesler’s 1950 “Endless House,” the basic footprint and floor plan derives from a single ribbon looped repeatedly in a single continuous line. The home is enclosed with rammed-earth exterior walls built up along the undulating contours formed by the ribbon, while interior walls are erected around selected voids defined by some of the loops. A faceted tent-like Cor-Ten steel roof—out of which the shape of the floor plan is cut out and replaced with glass—tops the structure. It is both a line of intellectual questioning posed by the designers and a line of continuity that brings fluidity to a living plan for the client in question. Size: 8,000 sq. ft. Design Team: John Beckmann, Audrey Leduc, Nastasia Giraud and Silvia Tosques Renderings and Diagrams: Audrey Leduc and Nastasia Giraud Interior Rendering: Silvia Tosques © Axis Mundi Design LLC

The Watonga residence was commissioned by a woman with a big heart for animal fostering. She wanted a house that felt private from the street but visually and physically connected to the backyard. The house needed to consider the typology and scale of the existing neighborhood, and it needed durable materials to accommodate little paws. Finally, it had to support an environmentally conscientious life. The house was intentionally placed on the short end of an irregularly shaped lot, allowing the living spaces to open up to a large native landscape and adjacent lot containing a significant tree grove. This siting allowed for a passive orientation where window walls face north and exposure to the south and west is minimal. The interior is light-filled, capturing expansive landscape views of an established oak grove to the North and bayou views to the East. A carefully choreographed entry vestibule and screen shield create interior privacy from the street. A two-story volume fills the center of the home with warm, southern light. A palette of tile, Texas stone, and concrete are used for budget friendly durability. The house is derived from a simple diagram with utilitarian functions placed in the stone box and living in a minimal gabled roof that supports solar panel orientation and rainwater collection. At its core, this home is designed for family, foster dogs, well-curated music, and Aggie game days.

The Watonga residence was commissioned by a woman with a big heart for animal fostering. She wanted a house that felt private from the street but visually and physically connected to the backyard. The house needed to consider the typology and scale of the existing neighborhood, and it needed durable materials to accommodate little paws. Finally, it had to support an environmentally conscientious life. The house was intentionally placed on the short end of an irregularly shaped lot, allowing the living spaces to open up to a large native landscape and adjacent lot containing a significant tree grove. This siting allowed for a passive orientation where window walls face north and exposure to the south and west is minimal. The interior is light-filled, capturing expansive landscape views of an established oak grove to the North and bayou views to the East. A carefully choreographed entry vestibule and screen shield create interior privacy from the street. A two-story volume fills the center of the home with warm, southern light. A palette of tile, Texas stone, and concrete are used for budget friendly durability. The house is derived from a simple diagram with utilitarian functions placed in the stone box and living in a minimal gabled roof that supports solar panel orientation and rainwater collection. At its core, this home is designed for family, foster dogs, well-curated music, and Aggie game days.

Naaya Origami series is inspired by origami shapes and forms. Most of the forms derived starts with a simple sketch of origami shapes, placing them at various heights and connecting the edges. Each piece is made of Brown stoneware, following which are finished with high quality matte paint and then hand polished using wax coat to give smooth satin finish from the above color you can choose any three color from any shade (add dark mid or light for identification). We can do custom color as per your requirement. Please note the custom color price is for single color of set of 3 lamps. Any combination of listed color in the set can be chosen with no extra cost. Dimension: 6" x 4.25" x 4.25"

The front elevation of this house consists of the original 1910 farmhouse. The rest of the house had been augmented incrementally over time and the roofline beyond the original structure had become convoluted and the flanking elevations nonsensical. The current owners preserved the original 1910 farmhouse portion of the home and took the rest of the structure down to the foundation. A simple modern black barn was designed to run perpendicular with the old farmhouse structure and painted black in stark contrast to its old, white counterpart. Siding runs vertically on the new section as opposed to the horizontal shiplapped siding on the old. The new structure houses the kitchen with 12’ cathedral ceilings, a pantry / mudroom and a study. The kitchen boasts a 1930’s island reclaimed from a commercial bakery and pendant lights from an old schoolhouse in Ohio as its nucleus, against a quiet backdrop of black stained oak cabinetry. Gently veined quartzite slabs serve as countertop, backsplash and wrap the stove hood to accentuate the ceiling height. The interior design of this home is a carefully balanced alchemy of antiquity and modernity. It has an overriding monochromatic theme with layers of pattern and texture for depth. The color interest is derived from the lush outside landscape, with the exception of their daughter’s bedroom which is a tasteful symphony of pink, landed by a hand painted mural. The theme of the home is framed around comfortable family living against curated backdrops of beloved collected items. The living room boasts no less than nineteen vintage crystal

Naaya Origami series is inspired by origami shapes and forms. Most of the forms derived starts with a simple sketch of origami shapes, placing them at various heights and connecting the edges. Each piece is made of Brown stoneware, following which are finished with high quality matte paint and then hand polished using wax coat to give smooth satin finish from the above color you can choose any three color from any shade (add dark mid or light for identification). We can do custom color as per your requirement. Please note the custom color price is for single color of set of 3 lamps. Any combination of listed color in the set can be chosen with no extra cost. Dimension: 6" x 4.25" x 4.25"

The Watonga residence was commissioned by a woman with a big heart for animal fostering. She wanted a house that felt private from the street but visually and physically connected to the backyard. The house needed to consider the typology and scale of the existing neighborhood, and it needed durable materials to accommodate little paws. Finally, it had to support an environmentally conscientious life. The house was intentionally placed on the short end of an irregularly shaped lot, allowing the living spaces to open up to a large native landscape and adjacent lot containing a significant tree grove. This siting allowed for a passive orientation where window walls face north and exposure to the south and west is minimal. The interior is light-filled, capturing expansive landscape views of an established oak grove to the North and bayou views to the East. A carefully choreographed entry vestibule and screen shield create interior privacy from the street. A two-story volume fills the center of the home with warm, southern light. A palette of tile, Texas stone, and concrete are used for budget friendly durability. The house is derived from a simple diagram with utilitarian functions placed in the stone box and living in a minimal gabled roof that supports solar panel orientation and rainwater collection. At its core, this home is designed for family, foster dogs, well-curated music, and Aggie game days.

Three generations have shared summers together at this very special place called Merry Hill. Recognizing their shifting needs and looking forward to future generations, the clients wanted to both drastically change their beloved family lake house and yet not change it at all. This new iteration of the cottage is nearly double the size of the original, transforming their summer home into a four-season getaway while evoking the character of the original house in a new and fresh way. The main cottage, boathouse and sleeping cabin all have broad, shallow-pitched roofs with generous overhangs that derive their form from their mid-century predecessor. Expansive openings, wood interiors, operable clerestories, and local stone double-stacked fireplaces are all familiar to the clients but rendered in different scales. Designed for resiliency and sustainability, the new retreat employs an integrated generator, geothermal heating, solar arrays, and battery storage as well as incorporates passive strategies such as sun orientation, earth sheltering, and cross ventilation to keep the interior at an ideal temperature all year round. The resulting form, detailing, and material selections of this new build allows for the seamless continuity of memory-making for a sentimental family.

Where can a line lead you? The Surrealists believed automatically drawing one continuous line could take you into your subconscious. Many artists also use one unbroken line to create two-dimensional portraits or to limn recognizable forms. For Axis Mundi, one uninterrupted line leads to home. Or, more intriguingly, to the rhythmic underlying structure of this concept house for a successful digital entrepreneur in the Palm Springs desert. An homage to Austrian architect Frederick Kiesler’s 1950 “Endless House,” the basic footprint and floor plan derives from a single ribbon looped repeatedly in a single continuous line. The home is enclosed with rammed-earth exterior walls built up along the undulating contours formed by the ribbon, while interior walls are erected around selected voids defined by some of the loops. A faceted tent-like Cor-Ten steel roof—out of which the shape of the floor plan is cut out and replaced with glass—tops the structure. It is both a line of intellectual questioning posed by the designers and a line of continuity that brings fluidity to a living plan for the client in question. Size: 8,000 sq. ft. Design Team: John Beckmann, Audrey Leduc, Nastasia Giraud and Silvia Tosques Renderings and Diagrams: Audrey Leduc and Nastasia Giraud Interior Rendering: Silvia Tosques © Axis Mundi Design LLC

Naaya Origami series is inspired by origami shapes and forms. Most of the forms derived starts with a simple sketch of origami shapes, placing them at various heights and connecting the edges. Each piece is made of Brown stoneware, following which are finished with high quality matte paint and then hand polished using wax coat to give smooth satin finish from the above color you can choose any three color from any shade (add dark mid or light for identification). We can do custom color as per your requirement. Please note the custom color price is for single color of set of 3 lamps. Any combination of listed color in the set can be chosen with no extra cost. Dimension: 6" x 4.25" x 4.25"

Pima Pendant Lamp Art Glass Pendant Lamp Created by George Scott Limited Edition This geometric pattern is derived from a Pima design. The fused and slumped glass bowl features a deeply carved surface with warm amber and gold tones. The chandelier hangs by stainless steel aircraft cables from a simple stainless steel and brass hardware. The fixture is designed to be direct wired, and uses a 60 watt recommended (100 watt max.) standard incandescent or compact fluorescent light bulb (not included). Please contact our Customer Care department for pricing and availability of this shade in a different shape or color. Limited edition of 5. Dimensions: 25.5″ H x 5.5″ D x 21″ diameter $3,300

Three generations have shared summers together at this very special place called Merry Hill. Recognizing their shifting needs and looking forward to future generations, the clients wanted to both drastically change their beloved family lake house and yet not change it at all. This new iteration of the cottage is nearly double the size of the original, transforming their summer home into a four-season getaway while evoking the character of the original house in a new and fresh way. The main cottage, boathouse and sleeping cabin all have broad, shallow-pitched roofs with generous overhangs that derive their form from their mid-century predecessor. Expansive openings, wood interiors, operable clerestories, and local stone double-stacked fireplaces are all familiar to the clients but rendered in different scales. Designed for resiliency and sustainability, the new retreat employs an integrated generator, geothermal heating, solar arrays, and battery storage as well as incorporates passive strategies such as sun orientation, earth sheltering, and cross ventilation to keep the interior at an ideal temperature all year round. The resulting form, detailing, and material selections of this new build allows for the seamless continuity of memory-making for a sentimental family.

The Watonga residence was commissioned by a woman with a big heart for animal fostering. She wanted a house that felt private from the street but visually and physically connected to the backyard. The house needed to consider the typology and scale of the existing neighborhood, and it needed durable materials to accommodate little paws. Finally, it had to support an environmentally conscientious life. The house was intentionally placed on the short end of an irregularly shaped lot, allowing the living spaces to open up to a large native landscape and adjacent lot containing a significant tree grove. This siting allowed for a passive orientation where window walls face north and exposure to the south and west is minimal. The interior is light-filled, capturing expansive landscape views of an established oak grove to the North and bayou views to the East. A carefully choreographed entry vestibule and screen shield create interior privacy from the street. A two-story volume fills the center of the home with warm, southern light. A palette of tile, Texas stone, and concrete are used for budget friendly durability. The house is derived from a simple diagram with utilitarian functions placed in the stone box and living in a minimal gabled roof that supports solar panel orientation and rainwater collection. At its core, this home is designed for family, foster dogs, well-curated music, and Aggie game days.

The Watonga residence was commissioned by a woman with a big heart for animal fostering. She wanted a house that felt private from the street but visually and physically connected to the backyard. The house needed to consider the typology and scale of the existing neighborhood, and it needed durable materials to accommodate little paws. Finally, it had to support an environmentally conscientious life. The house was intentionally placed on the short end of an irregularly shaped lot, allowing the living spaces to open up to a large native landscape and adjacent lot containing a significant tree grove. This siting allowed for a passive orientation where window walls face north and exposure to the south and west is minimal. The interior is light-filled, capturing expansive landscape views of an established oak grove to the North and bayou views to the East. A carefully choreographed entry vestibule and screen shield create interior privacy from the street. A two-story volume fills the center of the home with warm, southern light. A palette of tile, Texas stone, and concrete are used for budget friendly durability. The house is derived from a simple diagram with utilitarian functions placed in the stone box and living in a minimal gabled roof that supports solar panel orientation and rainwater collection. At its core, this home is designed for family, foster dogs, well-curated music, and Aggie game days.

Art deco inspired hollywood console features a black porcelain top and polished nickel legs. Perfect for powder or master bath. Other colors and finishes available. Rococo mirror and black and white striped sconces complete this perfect ensemble.

Originally slated for demolition, this 1925 Tudor in Mission Hills was rescued and renovated, welcoming it into the 21st century with a complete gut of the interior and extensive rework of the grounds. Driven by 4 guiding words derived from Tudor design language—Obscure, Gilt, Directional, and Reveal—and after a careful study of photos from the original home, we crafted a sensitive, reverential, and gloriously warm home ready to welcome all who enter. Exterior lighting by Flambeaux. Exterior pavers are Phenix Fleuri marble. Exterior paint colors are SW 7570 Egret White and SW 7020 Black Fox. Doors and windows by Marvin. Custom walnut front door.

The front elevation of this house consists of the original 1910 farmhouse. The rest of the house had been augmented incrementally over time and the roofline beyond the original structure had become convoluted and the flanking elevations nonsensical. The current owners preserved the original 1910 farmhouse portion of the home and took the rest of the structure down to the foundation. A simple modern black barn was designed to run perpendicular with the old farmhouse structure and painted black in stark contrast to its old, white counterpart. Siding runs vertically on the new section as opposed to the horizontal shiplapped siding on the old. The new structure houses the kitchen with 12’ cathedral ceilings, a pantry / mudroom and a study. The kitchen boasts a 1930’s island reclaimed from a commercial bakery and pendant lights from an old schoolhouse in Ohio as its nucleus, against a quiet backdrop of black stained oak cabinetry. Gently veined quartzite slabs serve as countertop, backsplash and wrap the stove hood to accentuate the ceiling height. The interior design of this home is a carefully balanced alchemy of antiquity and modernity. It has an overriding monochromatic theme with layers of pattern and texture for depth. The color interest is derived from the lush outside landscape, with the exception of their daughter’s bedroom which is a tasteful symphony of pink, landed by a hand painted mural. The theme of the home is framed around comfortable family living against curated backdrops of beloved collected items. The living room boasts no less than nineteen vintage crystal