Search results for "Derived" in Home Design Ideas

A classicist with an artist’s vision, Carter Skinner ultimately derives his inspiration from the daily lives of his clients. Whether designing a coastal home, country estate, city home or historic home renovation, Carter pairs his architectural design expertise with the preferences of his clients to design a home that will truly enhance their lives.

Shapiro & Company was pleased to be asked to design the 2019 Vesta Home for Johnny Williams. The Vesta Home is the most popular show home in the Memphis area and attracted more than 40,000 visitors. The home was designed in a similar fashion to a custom home where we design to accommodate the family that might live here. As with many properties that are 1/3 of an acre, homes are in fairly close proximity and therefore this house was designed to focus the majority of the views into a private courtyard with a pool as its accent. The home’s style was derived from English Cottage traditions that were transformed for modern taste.
Interior Designers:
Garrick Ealy - Conrad Designs
Kim Williams - KSW Interiors
Landscaper:
Bud Gurley - Gurley’s Azalea Garden
Photographer:
Carroll Hoselton - Memphis Media Company

In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002.
The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price.
Overview
Moose Lake
Size
2 bedrooms, 3 bathrooms, recreation room
Completion Date
2004
Services
Architecture, Interior Design, Landscape Architecture
Find the right local pro for your project

Photo credit: Mirage Ceramiche
Koru is an Italian-produced porcelain tile used for walls and floors that interprets wood found in fruit trees. The name Koru derives from a Maori word and symbol representing new life, growth and peach. The colors of Koru are clean and crisp, creating a final look that creates a peaceful living space.
Tileshop
1005 Harrison Street
Berkeley, CA 94710
(510) 525-4312
Other California locations: San Jose and Van Nuys (Los Angeles)

This oceanfront resort and spa serves as a luxurious tranquil escape. The heavenly spa consists of 14,000 square feet for treatment and relaxation with an adjacent 2 story state of the art fitness center. The spa's interior was derived from its oceanside setting and incorporating those outdoor elements to the inside. Through the use of water, color, and natural elements we have created an ensemble of ten treatment rooms including a haleo-therapy salt steam room, Vichy shower, duet room for couples, and spa cafe with full ocean views.

The Craftsman's style inspiration derived from the Gamble House. The fireplace wall was decreased in size for an open-concept spacious grand room. The custom stained cabinetry graciously flows from the kitchen, laundry room, hall, and primary bathroom. Two new hutches were added to the dining room area for extra storage. The sizeable wet island serves as an entertaining hub. We spared no unused space to accommodate the families' needs. Two-tone quartz countertops provide a transitional design. The quartz white countertops serve as a grout-free backsplash.

*Spatial Composition & Architectural Volume**
This terrace operates as an outdoor room in the fullest architectural sense: a discrete volume carved from the open air of the upper Manhattan skyline, its perimeter defined not by masonry but by a disciplined green architecture of clipped boxwood parterre hedging and multi-stemmed dogwood standards. The plan is organized on a clear axial logic — the rectilinear dining table sits centered on the sightline that threads between the flanking specimen trees and terminates in the middle distance on the Central Park tree canopy and the Columbus Circle towers beyond. That deliberate framing device is the composition's essential move: the trees function as proscenium, the hedge line as a low balustrade wall, and the powder-coated metal railing as a nearly dematerialized threshold, so the borrowed landscape is enlisted as the room's fourth elevation. Vertical enclosure is calibrated in three tiers — ground-plane ivy at ankle height, hedge and planter coping at seated eye level, and the airy tracery of tree canopy overhead — producing a ceiling plane implied rather than built, dappled and permeable. To the left, the load-bearing buff brick of the building's flank grounds the scheme with genuine architectural mass and reads as a masonry pilaster anchoring an otherwise open-sided plan, while at right a low stone-topped service console with recessed pull hardware and a monumental orb planter provides an asymmetrical counterweight, terminating circulation and articulating a secondary zone without interrupting flow. Large-format square paving, laid in a regular grid, provides the module against which all furniture placement is measured.
**Materiality, Color & Texture**
The material palette is restrained to a narrow tonal band of warm neutrals, allowing chlorophyll green to carry the scheme's entire chromatic charge. Underfoot, honed grey-taupe stone pavers offer a matte, slightly granular surface with a cool undertone; adjacent, the brick wall introduces a sandy, oatmeal-toned masonry with visible mortar coursing whose horizontality and faint striation supply the composition's only decorative pattern. Furniture is executed in a matte white or bone powder-coated aluminum frame with woven cord or resin-strap seat backs — an open basketweave that reads as textile rather than metal and softens the geometry with a hand-crafted grain. Cushions in pale greige linen-weave add a further degree of tactile compliance. Planters are dark bronze-toned metal, deliberately recessive so that mass reads as foliage rather than container, while the pale cast-stone orb planter introduces a sculptural, slightly chalky, faceted surface that catches light like unglazed ceramic. The horticultural texture work is the true material sophistication here: the tight, fine-leaved matte density of boxwood set against the broad, glossy, lacquer-like foliage of the ivy, and both played against the dogwoods' larger leaves already turning bronze, oxblood, and citron at the edges. The single note of saturation — a low, tightly massed arrangement of coral, apricot, and chartreuse blooms in a white cachepot — functions as a deliberate chromatic accent, keyed precisely to the autumnal leaf-turn overhead.
**Lighting, Atmosphere & Style Profile**
Natural light is the primary design instrument. The photograph captures a high, diffuse, slightly overexposed sky that renders the skyline in soft atmospheric perspective while raking light filters through the canopy to scatter mobile dappling across the paving — a chiaroscuro that animates an otherwise static geometry and shifts the room's character hourly. Artificial lighting is intentionally understated and architectural in intent: a suspended conical pendant in dark matte metal, hung at the right beneath the canopy, signals evening use and provides a small, precise silhouette against the ivy screen, while low-level integrated fixtures within planters and hedging would supply the subdued wash appropriate to a terrace that must never compete with the ambient glow of the city. The resulting atmosphere is one of considered seclusion — a green-walled cloister suspended above the metropolis, contemplative rather than performative. Stylistically, the project reads as Soft Minimalism in dialogue with a distinctly European, formal-garden discipline: the axial planning, clipped topiary, and standard-trained trees derive from classical parterre tradition, but they are executed with contemporary restraint — no ornament, no historicist detail, a single furniture gesture, a monochrome envelope. The synthesis might be termed Tailored Naturalism: an aesthetic in which rigorous geometry and a near-silent material palette exist precisely to give primacy to living texture, seasonal change, and the framed view.

4,200 square foot home located in Siloam Springs, Arkansas. The house is sited along Sager Creek and is derivative of prairie style design.
MJP Architect

- YUME MIRROR. Yume mirrors can be hung horizontally, vertically, or in larger sizes, placed on the floor. Yume mirrors are presented with two frame versions, namely, polished aluminium and black oxidated, making the collection suitable for any environment, both domestic.
28''3/4W x 1''1/8D x 16''1/8H.
54''W x 1''1/8D x 16''1/8H.
79''1/8W x 1''1/8D x 16''1/8H.
28''3/4H x 1''1/8D x 28''3/4H.
41''3/8W x 1''1/8D x 28''3/4H.
54''W x 1''1/8D x 28''3/4H.
79''1/8W x 1''1/8D x 28''3/4H.
41''3/8W x 1''1/8D x 41''3/8H.
54''W x 1''1/8D x 54’’H.
http://ow.ly/3yAqre
- SUDOKU BOOKCASE. Sudoku is a puzzle of unequal elements that create a unique space when horizontally and vertically assembled. Its sides, easily coupled without overlap, allow for the creation of continuous walls by simply adding more modules. In the aluminium and black and white wood version, the reflective and striped surfaces play on the empty and full spaces to create a striking visual effect.
37''3/8W x 10''1/4D x 77''5/8D x 77''5/8H.
Other width: 74’’3/8.
http://ow.ly/3yzwqn
- ALBINO FAMILY COFFEE AND SIDE TABLE. Albino Family is a series derived from the Albino table, designed in 2010 by Salvatore Indriolo. It is available in different sizes and finishes to add elegance to both living and sleeping environments.
Ø 47''1/4 x 12''5/8H.
http://ow.ly/3yzvTt
- BIFRONTE SIDE TABLE. The Ripples bench by Toyo Ito, winner of the 2004 Golden Compass, has blossomed into a collection of different furniture complements. Amongst them, we may highlight the Bifronte side table, where a small portion of Ripples is framed in a shelf of extra clear glass, creating a ''trompe l'oeil'' effect of mid-air suspension. Bifronte becomes a nightstand with the addition of a capacious drawer on wheels. This presents white lacquered and walnut fronts, to better integrate with the overall chromatic disposition of the sleeping area.
19''5/8W x 20''1/2D x 18''1/8H.
http://ow.ly/3yzwjK

The knotty character of this reclaimed heart pine wide plank floor combined with the varying width of the planks adds a sense of warmth and comfort to this space.
Longleaf heart pine offers the traditional look of pine wide plank flooring with added durability.
“Long leaf” refers to the elongated grouped needles of this conifer, resembling more of a shaped leaf. The way that the tree is milled makes the knot become a prominent part of the planks. The “heart” part of the name refers to the fact that this flooring is derived from the heartwood of the tree, which results in an orange-red color in the flooring and relatively high durability.

Colleen F.
Colleen and Don F. of Palm Desert, California are thinking about doing another mural in their home as the first one turned out so well. While chatting about their future needs with us, Colleen asked if we had displayed the photos she sent of their first installation. Shame on us -- we hadn't. And they're FABULOUS.
Not just the mural, mind you... but look at the whole room. We're not sure if Colleen had help or not, but this is definitely one professionally designed room. Many thanks to them for letting us be part of it.
BTW -- Colleen and Don had originally been thinking about putting up a desert scene. As they live in the desert, I guess they eventually decided upon a beautifully cooling water scene. The mural they chose is actually a photo of Monet's Gardens in France, where he did much of his most famous work (including his Water Lilies collection). In this mural, from a photograph by the National Geographic, you can see exactly where Monet derived his inspiration.
Many, many thanks to you, Colleen, for sharing your fantastic room with us. And for making it a bit of a "how-to." As you can see, Colleen shows the stages of installation from just the mural, to custom built shelves on the sides, to completed. We just love customers like you !!!!

This new 3,000 sq. ft. four bedroom vacation home is designed for multi-generational family usage and flexibility. The unique u-shaped plan organizes the house into two bedroom wings connected by the central great room and kitchen/dining areas. All of the homes main living spaces enjoy exterior views and access to the courtyard/swimming pool areas. The home’s exterior material palette is derived from the local traditions of using stucco and metal roofing.

Three generations have shared summers together at this very special place called Merry Hill. Recognizing their shifting needs and looking forward to future generations, the clients wanted to both drastically change their beloved family lake house and yet not change it at all. This new iteration of the cottage is nearly double the size of the original, transforming their summer home into a four-season getaway while evoking the character of the original house in a new and fresh way.
The main cottage, boathouse and sleeping cabin all have broad, shallow-pitched roofs with generous overhangs that derive their form from their mid-century predecessor. Expansive openings, wood interiors, operable clerestories, and local stone double-stacked fireplaces are all familiar to the clients but rendered in different scales. Designed for resiliency and sustainability, the new retreat employs an integrated generator, geothermal heating, solar arrays, and battery storage as well as incorporates passive strategies such as sun orientation, earth sheltering, and cross ventilation to keep the interior at an ideal temperature all year round. The resulting form, detailing, and material selections of this new build allows for the seamless continuity of memory-making for a sentimental family.

San Ildefonso Dragon Pendant Lamp
Art Glass Pendant Lamp
Created by George Scott
Limited Edition
This dragon pattern is derived from a San Ildefonso Pueblo design. The fused and slumped aqua blue glass bowl features a deeply carved surface that reveals a lighter shade. The chandelier hangs by stainless steel aircraft cables from a simple stainless steel and brass hardware. The fixture is designed to be direct wired, and uses a 60 watt recommended (100 watt max.) standard incandescent or compact fluorescent light bulb (not included). Please contact our Customer Care department for pricing and availability of this shade in a different shape or color. Limited edition of 5.
Dimensions: 25.5″ H x 5.5″ D x 21″ diameter
$2,800

Nestled in a secluded mountaintop location is the captivating Contemporary Mountaintop Escape. Complementing its natural surroundings, the 2,955 square foot, four-bedroom, three-bathroom residence captures the panoramic view of the skyline and offers high-quality finishes with modern interior design.
The exterior features a timber frame porch, standing seam metal roof, custom chimney cap, Barnwood siding, and a glass garage door. Reclaimed timber derived from the homeowner’s family farmhouse is incorporated throughout the structure. It is decoratively used on the exterior as well as on the interior accent walls and ceiling beams. Other central interior elements include recessed lighting, flush baseboards, and caseless windows and doors. Hickory engineered flooring is displayed upstairs, and exposed concrete slab and foundation walls complement the downstairs decor.
The rustic and luxurious great room offers a wood-burning fireplace with an onsite extricated boulder hearth, reclaimed timber ceiling beams, a full reclaimed accent wall, and a charming stucco chimney. The main floor also exhibits a reclaimed, sliding barn door to enclose the in-home office space.
The kitchen is situated near the great room and is defined by stainless steel appliances that include a Thermador refrigerator/freezer, an induction range, and a coordinating farmhouse sink. Other standout features are leathered granite countertops, floating reclaimed timber shelves, and stunning ebony-colored drawers.
The home’s lower level provides ideal accommodations for hosting family and friends. It features a spacious living area with access to a multi-purpose mudroom complete with a kitchen. This level also includes two guest bedrooms, each with its own bathroom.
All bedrooms, including the master bedroom, have caseless windows and doors, floating reclaimed shelves, and flush baseboards. The master bathroom showcases a modern floating vanity with boulder vessel sinks, wall-mounted faucets, and large format floor tile.

AK4002: "The Pour" Skinny Rain
DESCRIPTION:
The light installation is a teardrop-shaped chandelier with deliciously unique lights that celebrate the fascinating nature of raindrops, where no drop is the same as the next. Each drop is hand-blown by artisans and intricately engineered to house the lighting strategy for the chandelier. When you see a light sculpture designed to increase the visual appeal of a room and define its luminous character, you stop on your way to admire it. It’s the case of the Raindrop chandelier known as “The Pour”, a modern light sculpture meant to illuminate and beautify its chosen location to create an architectural relationship with space. The drop itself is constructed of two parts: the brass screw cap, which houses the light, and the hand-blown crystal reflecting the light to create puddles on the floor below. To replicate the nature of raindrops, no two drops are blown identical. The name “The Pour” derives from the distinctive shape that the chandelier forms: an exaggeration of the dramatic motion of water pouring out of a carafe. Designed by forming a grid mimicking how puddles ripple outward in concentric circles, each teardrop is hung to brass pipes of varying lengths. Placed strategically on the grid, the teardrops lock into the mirrored base that fits seamlessly between the two existing columns. The mirrored base reflects the teardrops endlessly into the sky above and when lit. The chandelier echoes rain frozen in time with ephemeral puddles overlaid on the floor below.
SPECIFICATIONS:
Collection: Organic
Size: 58” Long x 13” Width x 72” Height (112 Lights)
Shape: Rectangular
Frame Finish: Patina Dark Bronze
Materials: Metal, Glass
Extension: 12' feet adjustable wiring available in black or silver
Glass: Hand-blown glass
Bulbs: 112 Bulbs 110V USA/220V Europe 40 W candelabra bulbs (included)
Weight: 135 lbs. (for the 58" L)
Assembly: Some Assembly
Dimmer Switch Compatible: Optional
Rush Order: 4-6 Weeks; 15% added to the total
Regular Lead Time: 8-12 Weeks
Warranty: 5 Years Full Coverage (includes parts replacement)
SIZE OPTIONS:
Size: Price:
30” Long x 13” Width x 66” Height (69 Lights) $3,360.00
36” Long x 13” Width x 66” Height (79 Lights) $4,660.00
42” Long x 13” Width x 66” Height (89 Lights) $6,470.00
58” Long x 16” Width x 72” Height (112 Lights) $7,670.00
71” Long x 20" Width x 82” Height (242 Lights) $9,820.00
Custom Sizes, Finishes, Colors Available Upon Request
Additional Info- Handblown Glass: 2" Width x 4" Height

Where can a line lead you? The Surrealists believed automatically drawing one continuous line could take you into your subconscious. Many artists also use one unbroken line to create two-dimensional portraits or to limn recognizable forms. For Axis Mundi, one uninterrupted line leads to home. Or, more intriguingly, to the rhythmic underlying structure of this concept house for a successful digital entrepreneur in the Palm Springs desert. An homage to Austrian architect Frederick Kiesler’s 1950 “Endless House,” the basic footprint and floor plan derives from a single ribbon looped repeatedly in a single continuous line. The home is enclosed with rammed-earth exterior walls built up along the undulating contours formed by the ribbon, while interior walls are erected around selected voids defined by some of the loops. A faceted tent-like Cor-Ten steel roof—out of which the shape of the floor plan is cut out and replaced with glass—tops the structure. It is both a line of intellectual questioning posed by the designers and a line of continuity that brings fluidity to a living plan for the client in question.
Size: 8,000 sq. ft.
Design Team: John Beckmann, Audrey Leduc, Nastasia Giraud and Silvia Tosques
Renderings and Diagrams: Audrey Leduc and Nastasia Giraud
Interior Rendering: Silvia Tosques
© Axis Mundi Design LLC

The ceaseless surface wall with proportionate divisions marks the first step to crafting a large, expansive living area. In order to complement the existing flooring, the mood board has been derived using a neutral palette with blinks of colour. A touch of modern leather over the ottoman sits perfectly on a royal rug, speaking of the contradicting design overlaps within this home. In addition, a gorgeous travertine marble wall behind the television adds civil character to the living room. Breaking the fluidity with its boldness, impactful artwork and strategic lighting add freshness to the experience.

The setting was to create a bar, a greenhouse, on the roof of a supermarket.
The building is designed with reference to the classic barn architecture and its shape with a sloping roof shape, black wooden frame and glazed construction. The terrace is design complemented by a derivative frame of building shapes, which creates a sense of condition on the roof.
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