In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002. The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price. Overview Moose Lake Size 2 bedrooms, 3 bathrooms, recreation room Completion Date 2004 Services Architecture, Interior Design, Landscape Architecture

The exterior of the home was designed to feel as though it was a summer lodge from the 1930s or 1940s with the idea that it would feel like it's always been there. Careful attention was paid to the detailing of the exterior and the material and color pallet. Water oaks found on the site were inspirational to the color pallet. So the stain for the shingle siding was derived from the bark on the tree. Paint colors for the trim and shutters and doors were all developed from that pallet, including the dark mossy bronze green. Sarah Rossi, Photographer

The pool pavilion was constructed as a wood frame structure sheathed and roofed with cedar shake shingles. It was conceived as a new outbuilding to complement the existing structures on the property. Formal design cues were derived from a variety of sources; the existing New England shingle style main house, a Caribbean hut and the ubiquitous Connecticut tobacco barn.

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

The regal yet comfortable aesthetic of these two generously scaled antique Persian Serapi carpets forms the essential foundation for this expansive, high-ceilinged living and dining spaces of this contemporary, open-plan home. The time-softened patina and naturally-derived colors find resonance with every part of the space, from the rich leather upholstery and hardwoods to the fieldstone hearth. The animated, spontaneous design makes this vacuous space seem intimate and invites the eye to linger comfortably as it discovers new individual flourishes in the design. Currently published in Spring 2015 catalog, front cover. http://www.claremontrug.com/client-home-interiors-design/majestic-artistry-of-grand-19th-century-serapi-carpets-anchors-a-lofty-great-room/

The Watonga residence was commissioned by a woman with a big heart for animal fostering. She wanted a house that felt private from the street but visually and physically connected to the backyard. The house needed to consider the typology and scale of the existing neighborhood, and it needed durable materials to accommodate little paws. Finally, it had to support an environmentally conscientious life. The house was intentionally placed on the short end of an irregularly shaped lot, allowing the living spaces to open up to a large native landscape and adjacent lot containing a significant tree grove. This siting allowed for a passive orientation where window walls face north and exposure to the south and west is minimal. The interior is light-filled, capturing expansive landscape views of an established oak grove to the North and bayou views to the East. A carefully choreographed entry vestibule and screen shield create interior privacy from the street. A two-story volume fills the center of the home with warm, southern light. A palette of tile, Texas stone, and concrete are used for budget friendly durability. The house is derived from a simple diagram with utilitarian functions placed in the stone box and living in a minimal gabled roof that supports solar panel orientation and rainwater collection. At its core, this home is designed for family, foster dogs, well-curated music, and Aggie game days.

Shapiro & Company was pleased to be asked to design the 2019 Vesta Home for Johnny Williams. The Vesta Home is the most popular show home in the Memphis area and attracted more than 40,000 visitors. The home was designed in a similar fashion to a custom home where we design to accommodate the family that might live here. As with many properties that are 1/3 of an acre, homes are in fairly close proximity and therefore this house was designed to focus the majority of the views into a private courtyard with a pool as its accent. The home’s style was derived from English Cottage traditions that were transformed for modern taste. Interior Designers: Garrick Ealy - Conrad Designs Kim Williams - KSW Interiors Landscaper: Bud Gurley - Gurley’s Azalea Garden Photographer: Carroll Hoselton - Memphis Media Company

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

Ligne Roset Backpack Outdoor Seating softsquare.com The Backpack armchair derives its distinctive personality from the slim, elegant structure/base which is the perfect foil for the perfectly-designed silhouette of its welcomingly thick and ergonomically curved seat/back cushion. At the top of the back, the cushion rolls over on itself and is held in place by a strap on its back (red or black) which is evocative of the kind of backpack used by the explorers of yesteryear. Moving the Backpack seating is child's play: one is surprised by their lightness, which is not only visual but also real.

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

This airy living room was conceived around the homeowners love of art and nature. A palette derived from sea and sand, natural elements were brought in both literally and figuratively. Warm wood and earthen accents are countered by sleek, modern accent chairs. The embroidered linen draperies draw the eye up and serve as a dramatic backdrop to the serene conversation area. Oversized mirrors transfer the ambient light throughout the room. The centerpiece of the room is a silk and copper aerial sculpture by artist Jan R. Carson (www.janrcarson.com) that is accented by a halogen spotlight. The lighting casts an ever-changing shadow, creating life and whimsy to the room. The homeowners have even been known to move the furniture back, spotlight the mobile, and use the room as a salsa dance floor! A reclaimed hand-carved door was repurposed as a coffee table. Modern elements such as the lucite "Ghost" chair, the Gus rocker, and impressionist original oil painting balance out the rustic elements of the room. Julie Austin Photography

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

The photograph is composed as a deliberate enfilade study, framing the dining room through a deep, mahogany-cased cased opening that functions as both proscenium and threshold. This heavy portal — with its substantial reveal, plinth-like jambs and crisply mitered head casing — establishes a strong rectilinear armature that compresses the foreground and, by contrast, releases the eye into the luminous volume beyond. The plan reads as a classic pre-war apartment sequence: an axial sightline runs from the gallery floor, across the field of the dining room, and terminates at the window wall, where a curtained bay borrows daylight from the street. The ceiling is articulated by shallow beam drops or applied soffits — a coffer-adjacent treatment that registers the building's structural grid while lending the room a subtle sense of enclosure and datum. Geometry is orchestrated around opposing figures: the orthogonal rigor of casings, valance, beam lines and picture frames set against the centralized circular table, whose radial symmetry anchors the room's midpoint directly beneath the chandelier. Furnishings are held in a loose, non-touching arrangement, with generous circulation clearance at the perimeter, so that the room's volume — rather than its contents — remains the primary subject. Secondary sightlines to the left, toward a mirrored console and gilt-framed panel, and to the right, toward a picture-lit artwork, quietly widen the perceived footprint and imply adjacent rooms beyond the frame. The material narrative is built on a controlled tonal ascent from dark to light. The foreground is dominated by richly figured, warm-red mahogany millwork and a chevron-laid oak parquet whose bleached, honeyed grain reads with a slight gray wash — a directional pattern that visually propels the viewer toward the interior. Within the dining room, the palette shifts to a low-saturation envelope of chalky off-white plaster walls and putty-toned textiles: floor-length linen or silk-blend drapery panels with a faint slubbed weave, gathered beneath a tailored, flat-front upholstered valance whose crisp horizontal band imparts an atelier precision. Underfoot, a natural sisal or seagrass rug with a linen tape border introduces a coarse, granular tactility that grounds the refined upholstery above; its woven, matte texture is deliberately calibrated against the smoother satin sheen of the dining chairs' subtly striped fabric. The room's tonal fulcrum is the antique carved pedestal table — a near-black, deeply modeled Anglo-Indian or Colonial Revival piece whose pierced apron, scrolled tripod base and paw feet supply the composition's only ornamental exuberance and its darkest value. Accents are chosen for restraint: silvered leaf on the console's fretwork facing, water-gilt on the framed panel, polished nickel or silver on the chandelier and the flower vessel, and the cool white of massed oriental lilies. Undertones remain uniformly warm — greige, ecru, taupe, oatmeal — with cool relief supplied only by the metals and the daylight itself. Lighting is layered with quiet discipline. Natural light enters as a diffused, north-facing wash through a sheer-veiled window, its intensity softened by roller or Roman shading so that the glazing reads as a luminous plane rather than a view; this creates a gentle contre-jour that silhouettes the chandelier and the table's carved base. The multi-arm chandelier — a silvered, pagoda-crested fixture with slender candle sleeves and faceted drops — serves as sculptural punctuation more than as a working source, its warm 2700K glow registering as ambient sparkle. Accent illumination is deployed with curatorial intent: a picture light grazes the framed work at right, while the recessed downlights and the darkened foreground casings produce a chiaroscuro that heightens the sense of arrival. The cumulative atmosphere is one of hushed formality — composed, aerated, and almost monastic in its refusal of visual noise. Stylistically, the room synthesizes into what might be termed Transitional Classicism, or Warm Neutral Modern Traditional: the bones and millwork are unmistakably pre-war Beaux-Arts-derived, yet the flat-front valances, unadorned wall planes, natural-fiber flooring and simplified parson-back chairs reflect a contemporary editorial sensibility. The single antique table operates as a considered anachronism — a note of patinated gravitas within an otherwise pared-back, texturally driven interior — demonstrating a designer's confidence in restraint punctuated by one authoritative gesture.

Inspiration for this bathroom remodel was derived from the captivating beauty of the ocean. The crisp white finishes and sleek design mark this remodel at the top of our list!

Duo contrasting cabinets perfectly designed and laid out for this log cabin kitchen remodel. Choosing natural wood cabinets for the island with contrasting stark white cabinets for the perimeter of the kitchen is stunning! First, client came to showroom looking to make their kitchen more function. Being a log cabin and prior remodels made this a bit tricky from the previous owners. Next, we began working around support beams with the client. However, a solution from owner was derived to make the space more functional by bringing the wall out further. This allotted more space for the wall cabinets and made the space more appealing. Cabinet selection and designing was next in process. Island selection is natural hickory cabinets with a liquid toffee glaze. Which added richness to the island bringing warmth into the kitchen. Tying in the woods from the ceiling and various walls. Additionally, the painted alder cabinets with a glaze along the perimeter brighten up the cozy kitchen. Finally, adding beautiful desert beach granite countertops tops off the project. This kitchen will be enjoyable for years to come.

Shapiro & Company was pleased to be asked to design the 2019 Vesta Home for Johnny Williams. The Vesta Home is the most popular show home in the Memphis area and attracted more than 40,000 visitors. The home was designed in a similar fashion to a custom home where we design to accommodate the family that might live here. As with many properties that are 1/3 of an acre, homes are in fairly close proximity and therefore this house was designed to focus the majority of the views into a private courtyard with a pool as its accent. The home’s style was derived from English Cottage traditions that were transformed for modern taste. Interior Designers: Garrick Ealy - Conrad Designs Kim Williams - KSW Interiors Landscaper: Bud Gurley - Gurley’s Azalea Garden Photographer: Carroll Hoselton - Memphis Media Company

The walls of this entry are clad in a porcelain tile, layed horizontally with a brushed nickle strip between. The colour inspiration was derived from the forest and creek near by.

Home > Products Crystallized Glass,Crystallized stone 6 Crystallized Glass,Crystallized stone,Crystallized glass panel Marmoglass,Nanoglass,Marmoglass Composite Collectively referred to as Crystallized Glass Crystallized Glass Application: 1). Interior & external wall cladding 2). Flooring Tile, Stair, Column cladding 3). Basin, Countertop, Table, Bar 4). bath, Kitchen, any tops, round pillar and furniture decoration etc . Crystal white is a kind of artificial stone . It is made of glass ,which should be burned in the oven for two days under the more than 1000C temperature . It is much different from natural stone from all sides. 1. Natural and soft texture, 2. Varied colors such white, beige, carrara white 3. Good weather resisting property and durability 4. Zero percent of water absorption , not be polluted easily 5. Green environmental building material 6. High-intensity, light weight 7. Bending formation, economical, time saving 8. scratch resistant ,withstand high-heat . More details about it : 1. There are more than 10 colors of crystallized glass panel products available: Pure white, yellow, silver yellow, silver grey, grey in white, grey spot white, USA grey spot white, yellow in white…. 2. Panel thickness: 10-30MM 3. Normal specifications (mm): 1800*3000*18 1200*2400*18 600*600*18 1200*1200*18 1600*2400*18 1800*3000*30 800*800*18 1000*1000*18 Thin tiles: 305*305*12mm, 450*450*12mm 457*457*12mm, 400*400*12mm 600*600*12mm 1200*2400*12mm 4. Material: crystal quartz sand 5. Packaging: Fumigated wooden crates, Bundles,foam 6. Brand name: China Marmoglass / Nanoglass 7. Place of origin: Xiamen, Fujian ,China 8. Model NO.: GS001, SN002, NANO2009, NNAO2011 9. Supply ability: 20000M2/MONTH, 30TON/DAY 10. Delivery time: generally within 10 days, after the order confirmed and the deposit received 11. Arc panel specifications (mm): Thickness: 18-30mm Diameter : 30cm-120cm 1.What is crystallized glass stone(Marmoglass SN002 )? The micro crystal stone is an innovative product designed as a substitute for the rare natural white marble. It is superior to the natural white marble in terms of characteristics, where the micro crystal stone possesses extreme density making it anti-breakage, giving it zero water absorption qualities, and making it resistant to acidic and alkaline substances. at the pace that mankind is consuming the natural resources in today’s world, the micro crystal stone is the ultimate solution, the superior alternative for the external and internal applications. It is certainly a revolutionary product and the finest construction material of the 21st century. 2.Why choose crystallized glass stone(Marmoglass SN002)? The micro-crystal stone, also known as the micro-crystal glass, Marmoglass, is a new type of high-level decoration material. It is derived from natural inorganic material through a high temperature process, and it possesses excellent characteristics including the followings: 1. High Performance The micro-crystal stone has even texture and high density, which makes it crush resistant, anti-bending and high resistant resulting its performance being higher than natural stone. It can be used for long period with minimal damage. 2. Acid-proof alkalinity and anti-corrosion Not only does the micro-crystal stone posses special micro-crystal characteristics, it also has special glass features such as a fine texture, shiny surface and light reflection effect. 3. Fine Texture We have the flexibility to manufacture any colors as per customer requirements while also making up the defect of color differences, which exists in natural stone. While the product is widely used for interior and interior decoration of star-level hotels, subways, local landmark buildings, airports, and office building etc, it is more suitable for high-level home decoration. 4. Pollution-resistance and easy maintenance The micro-crystal is a kind of inorganic crystalline material with stable chemical characteristics. Its acid proof alkalinity and anti-corrosion nature are superior to nature stone, specifically its anti-weather characteristics whereby it is unaffected by the wind or sunlight. 5.A wide application range The water absorption rare of micro-crystal is quite low, close to zero. Several types of dirty pulps and dyed solution have difficulty in penetrating it. Any dirt on the surface is easily cleaned and it is convenient to mankind. 6. Heat-bend reformation With the heating method, the micro-crystal can be made into various arched profiles and arched slabs. the process is simple and it allows us to save time, cost, material and resources. 7. No radioactive elements In the process of manufacturing the micro-crystal stone, we have integrated the elimination of all the harmful radioactive elements that are found in natural stone from its components. It is therefore the safest and most environmentally friendly building material in our modern world. Crystallized glass can be processed into slab, tile, countertop, column and vanity top, wash basin and etc. It is applicable for flooring, interior and exterior wall cladding, stairs and table. Contributed to the character of no color difference, so it is widely used for top grade hotel, business building shopping mall and such great construction. Physical Parameter Density 2.70 g/cm Water Absorption 0.01% Compressive Strength 126 Mpa Radioactive Class A (Suitable for indoor and outdoor) Size Slabs 2400/2600/2800/3000 x 1800/1600/1400/1500mm Cut-to-size Tiles 30 / 40 / 50 / 60 / 80 / 100cm X 30 /40/50 /60/80 /100cm 12"x12", 24"X12", 24"x24" or customized size Thickness 1.2cm,1.8cm (3/4'), 2.0cm, 2.5cm, 3.0cm, Finishing Polished, honed Usage Flooring, Walls, Stairs / Steps, Counter tops, Vanity, Paving / Curbstone, Pillar, Column, Border, Skirting, Window Sills Quality Control Thickness Tolerance +- 1mm; Polishing Grade above 100 degree Crack / Spot EU / US Standard: zero QC Standard AQL2.5/4.0 ITS Certificate CE, ISO, GB/T19001-2008 Advantage 1. Own factory with stable supply; 2. Factory direct with good price and prompt delivery; 3. Good Management System for good quality; 4. Value-added service. large glass white artificial stone of Packing Inner Packing Cover with foam and plastic film, corner paper board protection Individual Carton Individual carton packing with trademark is available upon request Outer Packing Plastic tapes in 6 sides, further strengthened with iron sheet in the corner Shipping Mark OEM Port of Loading Xiamen Port of China Delivery Lead Time Normally 10-15 days for one 20’ GP, faster delivery is available upon confirmation Trade Term FOB, CFR, CIF, etc. Loading Info. Thickness Qty per pallet Pallets per 20ft container QTY per 20ft container Square Meter per 20ft container Weight per 20ft container Big slab size 3000*1200mm 12mm 25pcs 7 175pcs 600-900 m2 21000kgs 3000*1400mm 15mm 20pcs 7 175pcs 500-700 m2 21000kgs 3000*1600mm 20mm 15pcs 7 105pcs 350-500 m2 21000kgs 3200*1600mm 30mm 10pcs 7 70pcs 250-358 m2 21000kgs Installation Recommendations Wall Cladding 1.Wall should be leveled and cleaned, 2.Fix the panel on the wall with wire and expansion screw tightly, 3.Fill the space between the panel and the wall with cement mortar of ratio 1:3, 4.Clean the extra mortar and dirt on the surface. Floor Installation 1.Mark out the baseline of gound level, 2.Mix the mortar with ratio of 1 cement to 4 sand to have semi-day mortar, 3.Lay the mixed mortar in level with a layer of 3-4cm thickness,place the tile over the mortar and adjust the height properly to be leveled, 4.Remove the tile after level adjustment.Put a thin layer of cement powder on the mortar and add water on it to become wet, 5.Put the tile on top and gently knock with rubber hammer until it sealed with the mortar properly. Make sure the tile is leveled and has the same space between each other. Those tiles which are not leveled with others should be removed and repeat the leveling procedure in step 4.Genetally,the space between two tiles should be 2mm for water evaporation and normal expansion. Daily maintenance of Micro Crystal Stone 1.The laying area of micro crystal stone can only be opened for use or stacking any item on top after at least 24 hours of filling the gap, 2.The ground must be covered with plywood or carpet for protection in case of doing other decoration work after the installation of micro crystal stone floor, 3.In areas like exit and entrance, the surface of micro crystal stone floor should be covered by carpet or plywood to protect it from the damage of abrasion of sand or other hard material. 4.Do not use general floor wax on micro crystal stone,General floor wax is an oil-based wax which is easily stuck to dust. 5.Please use rubber wheels for shopping cart and trolley on micro crystal stone floor, for the hard wheel may scratch and damage the surface, 6.Regular care and maintenance is the key for long lasting of micro crystal stone’s high glossy and reflection. Important Notice 1.Make sure the ground of laying area is dry and clean before laying mortar. The ratio 1:3(volume ratio) must be strictly followed and no extra water added during the installation progress 2.In the choice of using white cement as the filling material, the strength and quality of the cement must be checked properly. 3.It is not recommended to store micro crystal stone outdoor for long time. It should be covered with rock wool in winter and moved into indoor 2 hours in advance before installation. It also needs to be covered with waterproof cloth when installing during the rainy days outdoor, 4.When using micro crystal stone as ground floor,2mm wild gap must be left between the joints for the benefit of the water vaporization and physical expansion. In the case of large-scale installation, it is recommended to leave an 8mm expansion joint, 5.It is recommended that the area of micro crystal stone to remain-not used-for at least 24 hours and kept 2-3 days before passing or storing items on top. Marmoglass Polished Edge, Shining ! China Marmoglass SN002 Slabs Packing and Ready for ship We not only make Slabs, we also can make: - Project Tiles - Countertop - Tabletop - Vanitytop - Column Tags: Marmoglass, Crystallized glass panel, nano crystallized glass panel, pore marmoglass, pore crystallized glass panel, Artificial Stone, Hole-Free Micro Crystal Stone, Pure white stone, Crystallized glass tile, Crystal glass tile, pure white artificial white marble, Marmo Glass, Glass Marble, White Marble, Marmoglass, nano marmoglass, no pore marmoglass, non-pore crystallized glass panel, glass marble, white marble, crystal white marble, white stone, white marble tile, Micro-crystal stone, Crystallized glass, Crystallized White Stone, Crystallized White Stone, Micro-crystallized composite tile, Hole-Free Micro Crystal Stone, Micro-crystallized composite tile, White Marble Tiles, pure white marble China Marmoglass SN002 Strong Packing Crates China Marmoglass SN002 and Nanoglass NANO3 Container Loading Welcome to our product page of China Marmoglass, in which you can find detailed information of Marmoglass. 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