A slipper chair and ottoman are separated by an antique Regency side table with brass. Hand forged steel mirrors flank the fireplace, and offer an industrial contrast to the intricate carved fireplace they frame. On the right an antique Chofa from an Asian Monastery is displayed. Its form is derived from a mythical bird. Charcoal figure studies by Cynthia Knapp hang above the fireplace. Chris Little Photography

A classicist with an artist’s vision, Carter Skinner ultimately derives his inspiration from the daily lives of his clients. Whether designing a coastal home, country estate, city home or historic home renovation, Carter pairs his architectural design expertise with the preferences of his clients to design a home that will truly enhance their lives.

The front elevation of this house consists of the original 1910 farmhouse. The rest of the house had been augmented incrementally over time and the roofline beyond the original structure had become convoluted and the flanking elevations nonsensical. The current owners preserved the original 1910 farmhouse portion of the home and took the rest of the structure down to the foundation. A simple modern black barn was designed to run perpendicular with the old farmhouse structure and painted black in stark contrast to its old, white counterpart. Siding runs vertically on the new section as opposed to the horizontal shiplapped siding on the old. The new structure houses the kitchen with 12’ cathedral ceilings, a pantry / mudroom and a study. The kitchen boasts a 1930’s island reclaimed from a commercial bakery and pendant lights from an old schoolhouse in Ohio as its nucleus, against a quiet backdrop of black stained oak cabinetry. Gently veined quartzite slabs serve as countertop, backsplash and wrap the stove hood to accentuate the ceiling height. The interior design of this home is a carefully balanced alchemy of antiquity and modernity. It has an overriding monochromatic theme with layers of pattern and texture for depth. The color interest is derived from the lush outside landscape, with the exception of their daughter’s bedroom which is a tasteful symphony of pink, landed by a hand painted mural. The theme of the home is framed around comfortable family living against curated backdrops of beloved collected items. The living room boasts no less than nineteen vintage crystal

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002. The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price. Overview Moose Lake Size 2 bedrooms, 3 bathrooms, recreation room Completion Date 2004 Services Architecture, Interior Design, Landscape Architecture

This airy living room was conceived around the homeowners love of art and nature. A palette derived from sea and sand, natural elements were brought in both literally and figuratively. Warm wood and earthen accents are countered by sleek, modern accent chairs. The embroidered linen draperies draw the eye up and serve as a dramatic backdrop to the serene conversation area. Oversized mirrors transfer the ambient light throughout the room. The centerpiece of the room is a silk and copper aerial sculpture by artist Jan R. Carson (www.janrcarson.com) that is accented by a halogen spotlight. The lighting casts an ever-changing shadow, creating life and whimsy to the room. The homeowners have even been known to move the furniture back, spotlight the mobile, and use the room as a salsa dance floor! A reclaimed hand-carved door was repurposed as a coffee table. Modern elements such as the lucite "Ghost" chair, the Gus rocker, and impressionist original oil painting balance out the rustic elements of the room. Julie Austin Photography

When full-time Massachusetts residents contemplate building a second home in Telluride, Colorado the question immediately arises; does it make most sense to hire a regionally based Rocky Mountain architect or a sea level architect conveniently located for all of the rigorous collaboration required for successful bespoke home design. Determined to prove the latter true, Siemasko + Verbridge accompanied the potential client as they scoured the undulating Telluride landscape in search of the perfect house site. The selected site’s harmonious balance of untouched meadow rising up to meet the edge of an aspen grove and the opposing 180 degree view of Wilson’s Range spoke to everyone. A plateau just beyond a fork in the meadow provided a natural flatland, requiring little excavation and yet the right amount of upland slope to capture the views. The intrinsic character of the site was only enriched by an elk trail and snake-rail fence. Establishing the expanse of Wilson’s range would be best served by rejecting the notion of selected views, the central sweeping curve of the roof inverts a small saddle in the range with which it is perfectly aligned. The soaring wave of custom windows and the open floor plan make the relatively modest house feel sizable despite its footprint of just under 2,000 square feet. Officially a two bedroom home, the bunk room and loft allow the home to comfortably sleep ten, encouraging large gatherings of family and friends. The home is completely off the grid in response to the unique and fragile qualities of the landscape. Great care was taken to respect the regions vernacular through the use of mostly native materials and a palette derived from the terrain found at 9,820 feet above sea level. Photographer: Gibeon Photography

A tour-de-force, the CORDELIA freestanding soaking tub, has her name derived from ancient Welsh, meaning ''Jewel from the Sea''. UNIQUELY INDULGENT, as described by the Interior Designers for the ultra-luxury One Palm Residences in Dubai. When selecting this bath they wanted to create an 'inspiring sanctuary' that provided this unparalleled luxury both to the touch and visually. Silky smooth to the touch our unique and natural DADOquartz material ensures that the water retains it's temperature for longer.

4,200 square foot home located in Siloam Springs, Arkansas. The house is sited along Sager Creek and is derivative of prairie style design. MJP Architect

In early 2002 Vetter Denk Architects undertook the challenge to create a highly designed affordable home. Working within the constraints of a narrow lake site, the Aperture House utilizes a regimented four-foot grid and factory prefabricated panels. Construction was completed on the home in the Fall of 2002. The Aperture House derives its name from the expansive walls of glass at each end framing specific outdoor views – much like the aperture of a camera. It was featured in the March 2003 issue of Milwaukee Magazine and received a 2003 Honor Award from the Wisconsin Chapter of the AIA. Vetter Denk Architects is pleased to present the Aperture House – an award-winning home of refined elegance at an affordable price. Overview Moose Lake Size 2 bedrooms, 3 bathrooms, recreation room Completion Date 2004 Services Architecture, Interior Design, Landscape Architecture

Photo credit: Mirage Ceramiche Koru is an Italian-produced porcelain tile used for walls and floors that interprets wood found in fruit trees. The name Koru derives from a Maori word and symbol representing new life, growth and peach. The colors of Koru are clean and crisp, creating a final look that creates a peaceful living space. Tileshop 1005 Harrison Street Berkeley, CA 94710 (510) 525-4312 Other California locations: San Jose and Van Nuys (Los Angeles)

The Residence, located on a birch covered mountain in Western Maine, is a response to the natural surroundings. Utilizing a rough palette of Deer Island Granite monoliths, local black slate, Red Cedar, and Eastern White Pine, the spaces derive directly from the local geology and woods. The movement of the sun throughout the seasons and day guide the orientation of the cabin, and the intricate placement of windows on the various exterior faces. The cabin is a vessel for light, crafted of natural materials, with a bright interior volume diffusing the sun's rays throughout the space.

Three generations have shared summers together at this very special place called Merry Hill. Recognizing their shifting needs and looking forward to future generations, the clients wanted to both drastically change their beloved family lake house and yet not change it at all. This new iteration of the cottage is nearly double the size of the original, transforming their summer home into a four-season getaway while evoking the character of the original house in a new and fresh way. The main cottage, boathouse and sleeping cabin all have broad, shallow-pitched roofs with generous overhangs that derive their form from their mid-century predecessor. Expansive openings, wood interiors, operable clerestories, and local stone double-stacked fireplaces are all familiar to the clients but rendered in different scales. Designed for resiliency and sustainability, the new retreat employs an integrated generator, geothermal heating, solar arrays, and battery storage as well as incorporates passive strategies such as sun orientation, earth sheltering, and cross ventilation to keep the interior at an ideal temperature all year round. The resulting form, detailing, and material selections of this new build allows for the seamless continuity of memory-making for a sentimental family.

Duo contrasting cabinets perfectly designed and laid out for this log cabin kitchen remodel. Choosing natural wood cabinets for the island with contrasting stark white cabinets for the perimeter of the kitchen is stunning! First, client came to showroom looking to make their kitchen more function. Being a log cabin and prior remodels made this a bit tricky from the previous owners. Next, we began working around support beams with the client. However, a solution from owner was derived to make the space more functional by bringing the wall out further. This allotted more space for the wall cabinets and made the space more appealing. Cabinet selection and designing was next in process. Island selection is natural hickory cabinets with a liquid toffee glaze. Which added richness to the island bringing warmth into the kitchen. Tying in the woods from the ceiling and various walls. Additionally, the painted alder cabinets with a glaze along the perimeter brighten up the cozy kitchen. Finally, adding beautiful desert beach granite countertops tops off the project. This kitchen will be enjoyable for years to come.

Inspiration for this bathroom remodel was derived from the captivating beauty of the ocean. The crisp white finishes and sleek design mark this remodel at the top of our list!

Nestled in a secluded mountaintop location is the captivating Contemporary Mountaintop Escape. Complementing its natural surroundings, the 2,955 square foot, four-bedroom, three-bathroom residence captures the panoramic view of the skyline and offers high-quality finishes with modern interior design. The exterior features a timber frame porch, standing seam metal roof, custom chimney cap, Barnwood siding, and a glass garage door. Reclaimed timber derived from the homeowner’s family farmhouse is incorporated throughout the structure. It is decoratively used on the exterior as well as on the interior accent walls and ceiling beams. Other central interior elements include recessed lighting, flush baseboards, and caseless windows and doors. Hickory engineered flooring is displayed upstairs, and exposed concrete slab and foundation walls complement the downstairs decor. The rustic and luxurious great room offers a wood-burning fireplace with an onsite extricated boulder hearth, reclaimed timber ceiling beams, a full reclaimed accent wall, and a charming stucco chimney. The main floor also exhibits a reclaimed, sliding barn door to enclose the in-home office space. The kitchen is situated near the great room and is defined by stainless steel appliances that include a Thermador refrigerator/freezer, an induction range, and a coordinating farmhouse sink. Other standout features are leathered granite countertops, floating reclaimed timber shelves, and stunning ebony-colored drawers. The home’s lower level provides ideal accommodations for hosting family and friends. It features a spacious living area with access to a multi-purpose mudroom complete with a kitchen. This level also includes two guest bedrooms, each with its own bathroom. All bedrooms, including the master bedroom, have caseless windows and doors, floating reclaimed shelves, and flush baseboards. The master bathroom showcases a modern floating vanity with boulder vessel sinks, wall-mounted faucets, and large format floor tile.

Malleability and a linear pattern inspire the Travertino Grigio Venato Bocciardato. Italian travertine is characterised by a background in subtle shades of grey, featuring highly distinctive pale veining which leads the eye across the horizontal or vertical surface. And it is on surfaces, whether flooring or cladding for interiors or exteriors, that Laminam envisages formulas and technological processes deriving from the most precious resource available in nature: raw materials.

What amazing days spent with Teresa Roemer, owner of this Suburban Sanctuary in The Woodlands, Texas. The property is 17,315 SQF with 9 beds, 10 bathrooms on 2 acres, she did an stunning and delicious job to redesign this mansion, she built the biggest closet in USA, more than 3,000 SQF. Teresa is the ultimate real housewife in Houston, a fitness expert, a successful business woman, she charmed me and I would like to thanks her again so much for those 2 days. More photos: http://www.thierrydehove.com/2016/07/24/suburban-sanctuary-teresa-roemer/ © Thierry Dehove Photography. All rights reserved. These images, or derivative works, can not be used, published, distributed or sold without written permission of the owner.

St. Andrews Project — Primary Bedroom & Architectural Fireplace This St. Andrews primary bedroom is designed as a serene architectural retreat, balancing softness and warmth with the refined contemporary language established throughout the home. Rather than relying on decorative excess, the room derives its character from proportion, material continuity, natural light, and carefully integrated architectural details. The fireplace wall acts as a sculptural divider and focal point within the open bedroom suite. Framed in a softly veined stone, the fireplace introduces a natural, organic pattern against the otherwise restrained white interior. Its placement allows the architectural feature to define the sleeping area while maintaining visual connection to the adjoining spaces, creating a sense of openness without sacrificing intimacy. The vertical fluted treatment surrounding the fireplace adds texture and subtle rhythm to the wall plane. This detailing continues the language established elsewhere in the residence, creating a cohesive thread between the kitchen, living areas, and bedroom. The fine vertical lines catch the ambient light beautifully and give the architectural volume a sense of height and refinement. A restrained palette of warm whites, pale natural wood, soft taupe, charcoal, and black creates a calm and sophisticated atmosphere. The natural oak flooring brings warmth underfoot and prevents the predominantly white architecture from feeling cold. Black-framed windows provide a crisp architectural contrast while drawing the surrounding greenery into the composition, making the exterior landscape an important part of the bedroom's visual experience. Lighting is intentionally layered rather than decorative. Recessed fixtures provide functional illumination, while concealed perimeter lighting washes the ceiling with a soft warm glow. This indirect illumination emphasizes the room's architectural proportions and creates a more intimate atmosphere in the evening. The furnishings are deliberately understated, allowing texture and form to carry the design. Soft bedding, layered textiles, sculptural cushions, and organic neutral tones create a sense of comfort while maintaining the sophisticated visual discipline of the architecture. The patterned textiles introduce just enough graphic contrast to prevent the monochromatic palette from becoming flat. The overall concept is one of quiet luxury through architectural restraint. The room combines custom detailing, natural materials, integrated lighting, and carefully controlled contrast to create a retreat that feels contemporary yet timeless. Every element is considered as part of a larger architectural composition, resulting in a primary bedroom that is calm, elegant, highly livable, and seamlessly connected to the design language of the York Mills residence.