The front elevation of this house consists of the original 1910 farmhouse. The rest of the house had been augmented incrementally over time and the roofline beyond the original structure had become convoluted and the flanking elevations nonsensical. The current owners preserved the original 1910 farmhouse portion of the home and took the rest of the structure down to the foundation. A simple modern black barn was designed to run perpendicular with the old farmhouse structure and painted black in stark contrast to its old, white counterpart. Siding runs vertically on the new section as opposed to the horizontal shiplapped siding on the old. The new structure houses the kitchen with 12’ cathedral ceilings, a pantry / mudroom and a study. The kitchen boasts a 1930’s island reclaimed from a commercial bakery and pendant lights from an old schoolhouse in Ohio as its nucleus, against a quiet backdrop of black stained oak cabinetry. Gently veined quartzite slabs serve as countertop, backsplash and wrap the stove hood to accentuate the ceiling height. The interior design of this home is a carefully balanced alchemy of antiquity and modernity. It has an overriding monochromatic theme with layers of pattern and texture for depth. The color interest is derived from the lush outside landscape, with the exception of their daughter’s bedroom which is a tasteful symphony of pink, landed by a hand painted mural. The theme of the home is framed around comfortable family living against curated backdrops of beloved collected items. The living room boasts no less than nineteen vintage crystal

This airy living room was conceived around the homeowners love of art and nature. A palette derived from sea and sand, natural elements were brought in both literally and figuratively. Warm wood and earthen accents are countered by sleek, modern accent chairs. The embroidered linen draperies draw the eye up and serve as a dramatic backdrop to the serene conversation area. Oversized mirrors transfer the ambient light throughout the room. The centerpiece of the room is a silk and copper aerial sculpture by artist Jan R. Carson (www.janrcarson.com) that is accented by a halogen spotlight. The lighting casts an ever-changing shadow, creating life and whimsy to the room. The homeowners have even been known to move the furniture back, spotlight the mobile, and use the room as a salsa dance floor! A reclaimed hand-carved door was repurposed as a coffee table. Modern elements such as the lucite "Ghost" chair, the Gus rocker, and impressionist original oil painting balance out the rustic elements of the room. Julie Austin Photography

7 mistakes in bedroom design and ways to avoid them. ERROR # 1 - Incorrect bed size. This is a problem with any furniture in principle. When, according to the plan and ergonomic calculations, it becomes size to size, but in fact, it looks cumbersome, visually overflowing the space or, on the contrary, turns out to be too small and looks awkward. How to avoid: Always be guided by the proportions of the size of the furniture in the room. Try to choose as big a bed as possible, but stay realistic. The main thing is that the width of the passageways in the bedroom should not be less than 70cm, and for comfortable movement, it is better to do everything 100cm. ERROR # 2 - Poor lighting and switches. Even in a small bedroom, you need multiple light sources. A single chandelier in the center of the ceiling is not enough, because it creates the effect of darkening the corners, and the room seems uncomfortable. How to avoid: Hang a sconce over your headboard. Don't forget to light up the space next to the mirror and wardrobe. And be sure to place switches close to the bed so that you don't have to go to the other end of the room after an evening with a book in bed. Do not forget about a sufficient number of outlets, this should be done even at the planning stage. ERROR # 3 - Few storage locations The fewer well-thought-out cabinets and shelving, the more things are visible. And the clutter spoils even the most stylish and expensive interior. How to avoid: In addition to bedside tables, a chest of drawers (for storing small things) and a built-in wardrobe can be placed in a small bedroom: unlike a usual one, it takes up space from floor to ceiling, thereby accommodating more items. In addition, the built-in structure looks more solid and often merges with the walls, making the setting complete. ERROR # 4 - Carpet of the wrong size. The carpet in the bedroom is a great addition, and sometimes the final touch of the whole composition. But often people choose the wrong size or do not use it at all. How to avoid: Choosing the right size can be guided by the unspoken rule, according to which the carpet should be 1 meter larger than the bed, both lengthwise and across. If the room is large, then it is recommended that the indentation of the carpet from the wall is 45-50 cm, if it is small, then 20-30 cm can be dispensed with. ERROR # 5 Typical design. If you buy a typical bed, bedside tables, and wardrobe from one manufacturer, then the interior will turn out to be formulaic and impersonal. No accessories and color schemes will help him. How to avoid: The interior should reflect the character of its owner, and the person living in it will feel comfortable. Explore different collections of furniture and try to assemble a capsule in the same color scheme, but at the same time different in texture and shape. ERROR # 6 Empty walls. Even if the bedroom is a room for relaxation, it would be a mistake to make a space out of it that is intended solely for sleeping. Ascetic furnishings, unadorned walls, boring furniture, and bed linen - all this does not improve the mood at all, but, on the contrary, creates a gloomy mood. How to avoid: The walls in the bedroom are a blank slate that you can transform into something original, beautiful, and unique to your liking. Even if you just paint one of the walls in a contrasting color, and decorate the other with several photos from the Internet, printed and inserted into frames, you can transform the atmosphere of the room as a whole. ERROR # 7 Too dark interior. One should not be deceived by the beauty of the thick dark tones of interior paint. It has long been known that dark blue, burgundy, blueberry, chocolate, and black for the bedroom should not be used in large quantities, since such an environment will have a tangible effect and interfere with a vigorous awakening in the morning. How to avoid: If you like a rich range, try choosing derived shades a few tones lighter, for example, instead of black or graphite, choose gray-brown, dove-gray for the walls, and blue can be replaced with cornflower blue or azure. Don't forget to combine dark tones with lots of whites, creams, complementing shimmery accessories, and vibrant décor. https://www.ferriss.co/ #ferriss #We_bring_objects_to_life #3drendering #architecture #San_Francisco

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

With nothing but a backpack and a few art pieces in hand, our client, with southern charm, was in dire need of furniture and fast. After liking our aesthetic style, Regan Baker Design was hired to help furnish and style his entire 1 bedroom apartment in Russian Hill. The overall color pallet was derived from his uncle’s large scale highway artwork, which is now displayed proudly above the custom sofa. From there we built the design around his love for modern spaces, his personal hobby of photography and his love for music. With the exception of a few great pieces of art, we worked hand in hand with our client to assure his bachelor pad was masculine, yet casual modern and in the end created a bachelor pad Ryan Gosling would be happy to bring his dates back to. Photography by Odessa

Bathroom - coastal bathroom idea in Boston

This is a private residence that was constructed primarily of “uncut sticks” which utilized the standard length framing members, i.e. stud wall lumber. What’s unique about this method is that they were designed and nailed into place without cutting them and were cut only to frame windows and doors. The dimensions of the framing members as found in the lumber yard determined the height, width and depth of this design. The design approach is derived from the project developer’s request to implement cost savings methodologies that would allow custom, modern architecture that competes in price with the neo-colonial builder grade homes in the surrounding suburban neighborhood. To do this, he needed to build at the same price point as the comparable builder grade homes. Another benefit to this approach saved a significant amount of time in constructing the home. By not requiring the carpenters to trim all the framing members to meet predetermined dimensions, they were able to complete their work by carrying in two arms all of the leftover lumber remaining on the house. By eliminating construction waste and reducing labor, the project was able to achieve significant savings.

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

First stunning villa captured for Dov Stark from Prestige Homes Construction To see more photos, http://www.thierrydehove.com/2016/08/24/luxury-home-architecture-fort-lauderdale/ © Thierry Dehove Photography. All rights reserved. These images, or derivative works, can not be used, published, distributed or sold without written permission of the owner.

Originally slated for demolition, this 1925 Tudor in Mission Hills was rescued and renovated, welcoming it into the 21st century with a complete gut of the interior and extensive rework of the grounds. Driven by 4 guiding words derived from Tudor design language—Obscure, Gilt, Directional, and Reveal—and after a careful study of photos from the original home, we crafted a sensitive, reverential, and gloriously warm home ready to welcome all who enter. Exterior lighting by Flambeaux. Exterior pavers are Phenix Fleuri marble. Exterior paint colors are SW 7570 Egret White and SW 7020 Black Fox. Doors and windows by Marvin. Custom walnut front door.

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

Photo credit: Mirage Ceramiche Koru is an Italian-produced porcelain tile used for walls and floors that interprets wood found in fruit trees. The name Koru derives from a Maori word and symbol representing new life, growth and peach. The colors of Koru are clean and crisp, creating a final look that creates a peaceful living space. Tileshop 1005 Harrison Street Berkeley, CA 94710 (510) 525-4312 Other California locations: San Jose and Van Nuys (Los Angeles)

Stuart Wade, Envision Virtual Tours Envision Virtual Tours and High Resolution Photography is your best choice to find just what you are looking for in the Ellijay, Ga. area .Ellijay, Georgia, known as the “Apple Capital” of Georgia, is located between the Ellijay and Cartecay Rivers where they join to make the Coosawattee River and is the county seat of Gilmer County, Georgia. The origin of the city’s name is not certain but thought to be the English derivative of an Indian word(s) meaning “many waters”, “place of green things” or “new ground”. Some histories say it may have been named for an Indian chief. Inhabited for countless years by the Cherokee people indigenous to the North Georgia, the area was first mentioned as a village and trade center before the onslaught of white settlers inhabited the region. During the 1830’s both white settlers and Indians occupied Ellijay. During the original land lottery in 1832, Martin Scalf acquired the 160 acre lot where the town now stands. In 1833, Clemonds Quinland bought 10 acres from Scalf, retained one acre for himself and donated the rest of the purchase to the County. A plan for twenty town lots, streets and a public square was created and the streets were oriented to allow maximum sunlight exposure to the buildings. Proceeds from lot sales were used to build a jail and courthouse and pay other city expenses. During this same year, Gilmer County was appropriated $800.00 from the State to build a school, and a three-acre lot was donated for the city cemetery. On December 29, l834, Ellijay was incorporated and designated as the County seat of Gilmer County. By 1837, the town had twenty dwellings, three stores and one attorney. Most of these early buildings were of log construction. Many roads led to Ellijay by 1849. The population had grown to 150 by 1850 and the town at five stores. Some wood-frame buildings were being constructed at this time and in 1854, a new courthouse was built in the center of the square, replacing the earlier building. The County’s first newspaper was the Ellijay Courier, started in 1875, and during this time period, Ellijay was a stop on the stagecoach line. The railroad bridge over the Cartecay River was completed in 1884 and the town now had rail service. With the arrival of the railroad and subsequent tracks to White Path, Ellijay began to grow much faster. Many hotels were constructed and land was donated for a depot east of town. More industries, such as a cheese factory and the Shippen Brothers Lumber Mill, located in Ellijay. By 1898, the city had expanded its limits in every direction and now included the depot. By 1900, all the buildings on the town square were brick. This included the recently completed Hyatt Hotel. Most of the other buildings in town were still of log construction, but new wood-frame buildings were being built. The Shippen Brothers Lumber Company production was expanding and exporting their lumber to Europe. Within the next few decades, this company grew to be one of the largest employers in Ellijay, often with five to six million feet of lumber in the yard at one time. The population of Ellijay grew to 659 by 1910, and began to acquire many new modern conveniences such as electric lights and power, a telephone company and many new businesses. Then in 1912, a fire ravaged the city, destroying 23 buildings. As a result, many new buildings were constructed under new and stricter fire and safety guidelines. The population, however, decreased slightly at this time to 632 in 1920. During the 1920’s the town’s population began to grow again and, by this time, apples were being shipped out of the county and new storage facilities were built. Chickens were also shipped to markets outside of Ellijay and Gilmer County. From the mid 1930’s to 1950, Ellijay received much assistance from the Federal WPA Programs. The old courthouse was removed from the center of town square and the Hyatt Hotel was remodeled to be the new courthouse. A park was created on the site of the old courthouse and the streets around the square were paved. A new street was built at this time entering town from the northeast. Other new roads, bridges, sidewalks and gutters were constructed to improve the city. A school and gymnasium were also built and other structures improved. This growth began to impact the city’s infrastructure and in the l950’s and l960’s, a period of upgrading water systems, roads, and power supplies began. New low-rent housing appeared in l960 and a new hospital was built in l957. Georgia Highway 5 was widened in l962, new buildings around the square replaced old ones and some were remodeled. In 1974, the hospital was enlarged. Currently, Ellijay attracts tourists who love the small-town feel and friendly atmosphere. Hotels and restaurants, unique shops, antiques and art galleries lend their charms to those who visit. A new courthouse constructed to resemble the old one, new streetscaping, family-oriented downtown events and the beautification of the square have stepped up the social and economic activity and have made Ellijay a popular destination.

Cork flooring is a completely natural, self recurring, and eco-friendly material. It is derived from the bark of the Cork Oak tree, which can be harvested without harming the tree, grows back within a decade, and is completely sustainable. It is also biodegradable, and will break down into the environment at the end of its life cycle. With natural cork flooring you’ll bring a wonder of nature into your home without sacrificing the earth itself. Ever heard of a flooring material that can be soft and yielding beneath your feet but not come with the dust and dander of carpet. It’s cork. Natural cork flooring is a wood product feels nothing like hardwood, stone and vinyl, but something completely different altogether. www.icorkfloor.com

Nestled in a secluded mountaintop location is the captivating Contemporary Mountaintop Escape. Complementing its natural surroundings, the 2,955 square foot, four-bedroom, three-bathroom residence captures the panoramic view of the skyline and offers high-quality finishes with modern interior design. The exterior features a timber frame porch, standing seam metal roof, custom chimney cap, Barnwood siding, and a glass garage door. Reclaimed timber derived from the homeowner’s family farmhouse is incorporated throughout the structure. It is decoratively used on the exterior as well as on the interior accent walls and ceiling beams. Other central interior elements include recessed lighting, flush baseboards, and caseless windows and doors. Hickory engineered flooring is displayed upstairs, and exposed concrete slab and foundation walls complement the downstairs decor. The rustic and luxurious great room offers a wood-burning fireplace with an onsite extricated boulder hearth, reclaimed timber ceiling beams, a full reclaimed accent wall, and a charming stucco chimney. The main floor also exhibits a reclaimed, sliding barn door to enclose the in-home office space. The kitchen is situated near the great room and is defined by stainless steel appliances that include a Thermador refrigerator/freezer, an induction range, and a coordinating farmhouse sink. Other standout features are leathered granite countertops, floating reclaimed timber shelves, and stunning ebony-colored drawers. The home’s lower level provides ideal accommodations for hosting family and friends. It features a spacious living area with access to a multi-purpose mudroom complete with a kitchen. This level also includes two guest bedrooms, each with its own bathroom. All bedrooms, including the master bedroom, have caseless windows and doors, floating reclaimed shelves, and flush baseboards. The master bathroom showcases a modern floating vanity with boulder vessel sinks, wall-mounted faucets, and large format floor tile.

Photography Robin Hill & Chance Stillman The renovation of this contemporary residence and garden is deeply inspired by its subtropical context, utilizing horizontal lines to ground the home and connect its occupants to nature. When considering how to make the most impactful intervention, the design team focused mainly on horizontal roof planes, subtropical landscaping and an abundance of clerestory windows that would all contribute to the home’s integration with its site. In contrast to the tropes of a Palm Beach traditional vernacular, this home seeks to re-establish itself within nature as a place for a young family. Architectural strategies included dematerializing the surrounding walls and expanding the roof eaves to connect the interior spaces with the surrounding gardens of the home. The site plan is organized around four main pavilions: A bedroom pavilion to the south, a cabana pavilion to the west, a garage pavilion to the north, and a central living pavilion. Each of the three pavilions engage with the central living space while still allowing nature to flow between them. The pavilions are organized around the pool deck, equipped with zero-edge detailing and layered subtropical landscaping. In this way the swimming pool doubles as a recreational component to the program but also as a mirror to expand views and reflect the surrounding landscape. A glass bridge serves as the garden threshold between the garage and the home. The renovated home and garden departs from its former Bahamian style and stands out within the community as a symbol for the future of architecture and landscape architecture within this quiet, ocean-front community. A residence derived from, and in response to, its user and environmental context; thus, re-establishing it with place. Scale 1 ACRE Scope HARDSCAPE, SWIMMING POOL + PLANTING DESIGN Year 2022 Architecture KODA Landscape Architecture LandFluent General Contractor PB Built Landscape Contractor Rood Landscape

Casual yet elegant, the Etra Collection by Modern Outdoor offers a modern aesthetic that is constructed for outdoor use while being suitable for indoor settings. Etra’s visual inspiration is derived from its architectural-based frame system. Designed using structural angle steel that is mitered and ground, a clean and seamless surface gives Etra its pure appeal. Frame Options: • 304 stainless steel that is brushed and electropolished • marine-grade 316 stainless steel that is brushed and electropolished for use within one mile of salt air, available for an upcharge • powder coated carbon steel in our standard silver finish • custom powder coat colors, available for an upcharge Surface Options: • sustainably harvested ipe – a beautiful South American hardwood that is three times as dense as teak — naturally resistant to rot, insects, UV exposure, ice, salt, abrasion and splintering – all without the need for toxic chemicals — considered a 25+ year wood • marine-grade polyboard – a UV stabilized high-density polyethylene material that is non-corrosive and chip resistant – available in six colors for expanded design choices Fabric Options: • six standard colors of 100% solution dyed acrylic treated for outdoor use are offered • custom fabrics and COM service are also available Cushion Options: • our standard foam cushions are made from outdoor appropriate high-resiliency (HR) foam • for clients that prefer less maintenance, a flow-through foam that allows water and moisture to escape the cushion is also available for an upcharge Etra is a full-breadth line with dining, bar height, lounge, cafe, patio and pool setting pieces included. The pieces are readily customizable for individual client needs.

This bay side bathrooms elegance is a derivative of light grey cabinet and tile tones, light blue wall color, expresso vanity, and oil rubbed bronze plumbing fixtures. A linen cabinet wall was also incorporated for useful storage of additional toiletries. New porcelain tile to gives the look of marble at a fraction of the cost. We included lighting in every section of the bathroom including above the bathtub, above the toilet, and the unique pendants above the double marble vanity.

The Magpies are delighted! This stunning project is nestled in the South Australian country township of Willunga, whose name is derived from the Aboriginal word meaning “The locality of green trees”. During the course of the renovations a family of 11 magpies swooped in and now call this abundantly treed property ‘Home’. The clever design frames the natural views to the north, uninhibited by the alfresco structure. Passive solar design methodology is employed by utilising optimal eaves overhang allowing warming winter sun to penetrate into the interior of the building, whilst excluding the harsh rays during summer. A blending of the old and new help to keep a sense of history whilst combining a modern, natural feel with a semi industrial working space. Bringing the outdoors in by maximising the views of the abundant vegetation and birdlife is a feature of this addition. Well known local identities, and the owners of this spectacular building, are now enjoying their lifestyle passion for preparing food and entertaining in this enlarged, purpose built space…. As are their fine feathered friends.