The client derived inspiration for her new shower from a photo featuring a multi-colored tile floor. Using this photo, Gayler Design Build custom-designed a shower pan that incorporated six different colors of 4-inch hexagon tiles by Lunada Bay. These tiles were beautifully combined and laid in a “dark to light” pattern effectively transforming the shower into a work of art. Contributing to the room’s classic and timeless bathroom design was the shower walls that were designed in cotton white 3x6 subway tiles with grey grout. An elongated, oversized shower niche completed the look providing just the right space for necessary soap and shampoo bottles.

Lisa Carroll
Entryway - large cottage entryway idea in Atlanta with white walls and a dark wood front door

Functional and design kitchens With 3.1, copatlife continues its march into the creation of definite relations between function and form, derived from a culture of industrial design. It uses elements and materials able to create an idea of kitchen space suited for its lifestyle, where design and technology give to the project security and contemporary solutions. copatlife designs solutions and forms in order to help to live this space as unique and special. A continuous research to find formal and aesthetic solutions capable of resolving and characterizing. Contents and forms to interpret at best the multiple needs of our daily lives.

When full-time Massachusetts residents contemplate building a second home in Telluride, Colorado the question immediately arises; does it make most sense to hire a regionally based Rocky Mountain architect or a sea level architect conveniently located for all of the rigorous collaboration required for successful bespoke home design. Determined to prove the latter true, Siemasko + Verbridge accompanied the potential client as they scoured the undulating Telluride landscape in search of the perfect house site. The selected site’s harmonious balance of untouched meadow rising up to meet the edge of an aspen grove and the opposing 180 degree view of Wilson’s Range spoke to everyone. A plateau just beyond a fork in the meadow provided a natural flatland, requiring little excavation and yet the right amount of upland slope to capture the views. The intrinsic character of the site was only enriched by an elk trail and snake-rail fence. Establishing the expanse of Wilson’s range would be best served by rejecting the notion of selected views, the central sweeping curve of the roof inverts a small saddle in the range with which it is perfectly aligned. The soaring wave of custom windows and the open floor plan make the relatively modest house feel sizable despite its footprint of just under 2,000 square feet. Officially a two bedroom home, the bunk room and loft allow the home to comfortably sleep ten, encouraging large gatherings of family and friends. The home is completely off the grid in response to the unique and fragile qualities of the landscape. Great care was taken to respect the regions vernacular through the use of mostly native materials and a palette derived from the terrain found at 9,820 feet above sea level. Photographer: Gibeon Photography

The front elevation of this house consists of the original 1910 farmhouse. The rest of the house had been augmented incrementally over time and the roofline beyond the original structure had become convoluted and the flanking elevations nonsensical. The current owners preserved the original 1910 farmhouse portion of the home and took the rest of the structure down to the foundation. A simple modern black barn was designed to run perpendicular with the old farmhouse structure and painted black in stark contrast to its old, white counterpart. Siding runs vertically on the new section as opposed to the horizontal shiplapped siding on the old. The new structure houses the kitchen with 12’ cathedral ceilings, a pantry / mudroom and a study. The kitchen boasts a 1930’s island reclaimed from a commercial bakery and pendant lights from an old schoolhouse in Ohio as its nucleus, against a quiet backdrop of black stained oak cabinetry. Gently veined quartzite slabs serve as countertop, backsplash and wrap the stove hood to accentuate the ceiling height. The interior design of this home is a carefully balanced alchemy of antiquity and modernity. It has an overriding monochromatic theme with layers of pattern and texture for depth. The color interest is derived from the lush outside landscape, with the exception of their daughter’s bedroom which is a tasteful symphony of pink, landed by a hand painted mural. The theme of the home is framed around comfortable family living against curated backdrops of beloved collected items. The living room boasts no less than nineteen vintage crystal

The primary goal for this project was to craft a modernist derivation of pueblo architecture. Set into a heavily laden boulder hillside, the design also reflects the nature of the stacked boulder formations. The site, located near local landmark Pinnacle Peak, offered breathtaking views which were largely upward, making proximity an issue. Maintaining southwest fenestration protection and maximizing views created the primary design constraint. The views are maximized with careful orientation, exacting overhangs, and wing wall locations. The overhangs intertwine and undulate with alternating materials stacking to reinforce the boulder strewn backdrop. The elegant material palette and siting allow for great harmony with the native desert. The Elegant Modern at Estancia was the collaboration of many of the Valley's finest luxury home specialists. Interiors guru David Michael Miller contributed elegance and refinement in every detail. Landscape architect Russ Greey of Greey | Pickett contributed a landscape design that not only complimented the architecture, but nestled into the surrounding desert as if always a part of it. And contractor Manship Builders -- Jim Manship and project manager Mark Laidlaw -- brought precision and skill to the construction of what architect C.P. Drewett described as "a watch." Project Details | Elegant Modern at Estancia Architecture: CP Drewett, AIA, NCARB Builder: Manship Builders, Carefree, AZ Interiors: David Michael Miller, Scottsdale, AZ Landscape: Greey | Pickett, Scottsdale, AZ Photography: Dino Tonn, Scottsdale, AZ Publications: "On the Edge: The Rugged Desert Landscape Forms the Ideal Backdrop for an Estancia Home Distinguished by its Modernist Lines" Luxe Interiors + Design, Nov/Dec 2015. Awards: 2015 PCBC Grand Award: Best Custom Home over 8,000 sq. ft. 2015 PCBC Award of Merit: Best Custom Home over 8,000 sq. ft. The Nationals 2016 Silver Award: Best Architectural Design of a One of a Kind Home - Custom or Spec 2015 Excellence in Masonry Architectural Award - Merit Award Photography: Dino Tonn

DESIGN: Hatch Works Austin // PHOTOS: Robert Gomez Photography
Eat-in kitchen - mid-sized transitional l-shaped medium tone wood floor and brown floor eat-in kitchen idea in Austin with an undermount sink, yellow cabinets, marble countertops, white backsplash, ceramic backsplash, white appliances, white countertops, shaker cabinets and a peninsula

knoll landscape design miami designer brent knoll hummingbird nectaring on red flower
Design ideas for a tropical landscaping in Miami.

A traditional Georgian home receives an incredible transformation with an addition to expand the originally compact kitchen and create a pathway into the family room and dining area, opening the flow of the spaces that allow for fluid movement from each living space for the young family of four. Taking the lead from the client's desire to have a contemporary and edgier feel to their home's very classic facade, House of L worked with the architect's addition to the existing kitchen to design a kitchen that was incredibly functional and gorgeously dramatic, beckoning people to grab a barstool and hang out. Glossy macassar ebony wood is complimented with lacquered white cabinets for an amazing study in contrast. An oversized brushed nickel hood with polished nickel banding makes a presence on the feature wall of the kitchen. Brushed and polished nickel details are peppered in the landscape of this room, including the cabinets in the second island, a storage cabinet and automated hopper doors by Hafele on the refrigeration wall and all of the cabinet hardware, supplied and custom sized by Rajack. White quartz countertops by Hanstone in the Bianco Canvas colorway float on all the perimeter cabinets and the secondary island and creates a floating frame for the Palomino Quartzite that is a highlight in the kitchen and lends an organic feel to the clean lines of the millwork. The backsplash area behind the rangetop is a brick patterned mosaic blend of stone and glass, while surrounding walls have a layered sandstone tile that lend an incredible texture to the room. The light fixture hanging above the second island is by Wells Long and features faceted metal polygons with an amber gold interior. Woven linen drapes at window winks at the warmer tones in the room with a lustrous sheen that catches the natural light filtering in. The rift and sawn cut white oak floors are 8" planks that were fitted and finished on site to match the existing floor in the family and dining rooms. The clients were very clear on the appliances they needed the kitchen to accommodate. In addition to the vast expanses of wall space that were gained with the kitchen addition the larger footprint allowed for two sizeable islands and a host of cooking amenities, including a 48" rangetop, two double ovens, a warming drawer, and a built-in coffee maker by Miele and a 36" Refrigerator and Freezer and a beverage drawer by Subzero. A fabulous stainless steel Kallista sink by Mick De Giulio's series for the company is fitted in the first island which serves as a prep area, flanked by an Asko dishwasher to the right. A Dorenbracht faucet is a strong compliment to the scale of the sink. A smaller Kallista stainless sink is centered in the second island which has a secondary burner by Miele for overflow cooking. Jason Miller, Pixelate

The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house. The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day. The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core. Photography: Charles Davis Smith

This elegant master bedroom suite derives a sense of lushness. The beaded crystal sconces serve as a glamorous focal point against the satin tufted headboard. The rose gold night stand is an eye catcher as natural sunlight illuminates the room. The master suite was designed as a romantic retreat for the husband to spoil his fashionista wife.

photo by grant wilds
This is an example of a modern landscaping in Seattle.

Inspiration for a timeless home office remodel in Los Angeles

©2014 Maxine Schnitzer Photography
Mid-sized danish light wood floor dining room photo in DC Metro with white walls

Inspiration for a landscaping in Minneapolis.

This custom home is derived from Chinese symbolism. The color red symbolizes luck, happiness and joy in the Chinese culture. The number 8 is the most prosperous number in Chinese culture. A custom 8 branch tree is showcased on an island in the pool and a red wall serves as the background for this piece of art. The home was designed in a L-shape to take advantage of the lake view from all areas of the home. The open floor plan features indoor/outdoor living with a generous lanai, three balconies and sliding glass walls that transform the home into a single indoor/outdoor space. An ARDA for Custom Home Design goes to Phil Kean Design Group Designer: Phil Kean Design Group From: Winter Park, Florida

Art deco inspired hollywood console features a black porcelain top and polished nickel legs. Perfect for powder or master bath. Other colors and finishes available. Rococo mirror and black and white striped sconces complete this perfect ensemble.

Joseph G Popper III
Powder room - shabby-chic style white tile powder room idea in Philadelphia with an undermount sink, furniture-like cabinets and white walls

Jordan Kokel
Example of a mid-sized trendy open concept medium tone wood floor and brown floor family room design in Dallas with white walls, a standard fireplace and a wall-mounted tv