Perfectly settled in the shade of three majestic oak trees, this timeless homestead evokes a deep sense of belonging to the land. The Wilson Architects farmhouse design riffs on the agrarian history of the region while employing contemporary green technologies and methods. Honoring centuries-old artisan traditions and the rich local talent carrying those traditions today, the home is adorned with intricate handmade details including custom site-harvested millwork, forged iron hardware, and inventive stone masonry. Welcome family and guests comfortably in the detached garage apartment. Enjoy long range views of these ancient mountains with ample space, inside and out.

This is the second of three separate home remodels San Luis Kitchen provided for this client. We went for a refined elegant style using Wood-Mode cabinetry in an inset doorstyle with a vintage white finish. The kitchen features a built-in refrigerator, a wide roll-out shelf pantry, wood hood, wine refrigerator with carved trim details, refrigerated drawers, rope moulding, and large stacked crown. Also note the island with abundant display storage and turned post details. A monochromatic decorating scheme was employed throughout. You can see a display with similar styling at San Luis Kitchen's showroom. Wood-Mode Fine Custom Cabinetry

The original design of this late Mid-century Modern house featured a horrifically ugly entry which the owners needed our help to fix. In addition, they wanted to add a master suite, create a home theatre, and remodel the family room. Although they originally considered adding a second floor, our final design resulted in an extension of the house which accentuated its existing linear quality. Our solution to the entry problem included cutting back part of the vaulted roof to allow more light in and adding a cantilevered canopy instead. A new entry bridge crosses a koi pond, and new clerestory windows, stone planters and cedar trim complete the makeover of the previously bland plywood-clad box. The new master suite features 12 foot ceilings, clerestory windows, 8 foot high French doors and a fireplace. The exterior of the addition employs the same pallet of materials as the new façade but with a carefully composed composition of form and proportion. The new family room features the same stone cladding as we used on the exterior. Photo by Christopher Stark Photography.

Architect: Portuondo Perotti Architects Photography: Carlos Domenech “This is well detailed and consistent inside and out. It is a classic Mediterranean Revival in the Floridian tradition of Mizner.” This single-family residential home in Gables Estates, Coral Gables, Florida, successfully pays respect to the architecture of the Mediterranean and Renaissance Italian styles. From the use of courtyards to the high level of detailing, this project emphasizes the most picturesque and expressive qualities of these styles. The residence reflects the visions of two of Coral Gables’ first architects, who designed beautiful and timeless architecture in this garden city to become a lasting piece in the landscape. This project not only captures the breathtaking views of Biscayne Bay, but with timeless style and lush landscaping, it creates a centerpiece for the view from the bay to Coral Gables. The home is designed as a long gallery, with spaces connected by courtyards and public realms. Another large inspiration for this project was the idea of the garden and landscape. With Coral Gables as a garden city, landscape became an integral part of the conception and design. The durability of Marvin products, their ability to stand up to the South Florida climate, as well as the Marvin attention to detail and proportion, made them the perfect choice to employ in a project of such high standards. The range of products allowed the freedom of design to explore all possibilities and turn visions into reality. The result was a lasting piece of architecture that would reflect a level of detail in every part of its structure. MARVIN PRODUCTS USED: Marvin Round Top Window Marvin Ultimate Arch Top French Door Marvin Ultimate Swinging French Door Marvin Ultimate Venting Picture Window Marvin Casemaster

Hallmark Floors Ventura Marina. The Ventura Hardwood Floors Collection with our NuOil Finish from Hallmark Hardwoods is finished with NuOil® which employs a revolutionary new technology. The finish has unique performance characteristics and durability that make it a great choice for someone who wants the visual character that only oil can provide. Oil finishes have been used for centuries on floors and furniture. NuOil® uses proprietary technology in the application of numerous coats of oil finish in the factory that make it the industry leader in wear-ability and stain resistance in oil finish. Due to the unique hybrid multi-coat technology of NuOil®, it is not necessary to apply an additional coat of oil at time of installation. That can be reserved for a later date when it becomes desirable to refresh and renovate the floor. Simply Better…Discover Why. www.hallmarkfloors.com

Engineered hardwood flooring by Hallmark Floors. To see the rest of the colors in the collection visit HallmarkFloors.com or contact us to order your new floors today! Hallmark Floors Alta Vista engineered hardwood floors. ALTA VISTA COLLECTION URL http://hallmarkfloors.com/hallmark-hardwoods/alta-vista-hardwood-collection/ Alta Vista Hardwood Collection 7.5″ wide wood planks are beautifully hand sculpted & lightly wire brushed. The contemporary to traditional style comes in a wide range of modern colors that will suit any lifestyle. The Alta Vista hardwood floors collection is finished with Hallmark’s NuOil®, which employs a revolutionary new technology. The finish on our Alta Vista hardwood collection has a unique performance characteristics that make it a great choice for someone who wants the visuals that only oil can provide. Oil finishes have been used for centuries on floors and furniture. NuOil® uses proprietary technology in the application of numerous coats of oil finish in the factory that make it the industry leader in wear-ability and stain resistance in oil finish. Due to the unique hybrid multi-coat technology of NuOil®, it is not necessary to apply an additional coat of oil at time of installation. That can be reserved for a later date when it becomes desirable to refresh and renovate the floor. With NuOil® you get the best of all worlds: durability, amazing visuals, and a natural finish. Alta Vista hardwood collection is simply beautiful.

Designed while employed at RTA Studio; Photography by Jamee Parish Architects, LLC.
Inspiration for a mid-sized timeless master bathroom remodel in Columbus with shaker cabinets, white cabinets, beige walls, an undermount sink and granite countertops

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Andrew Pogue Photography Located on one of the highest hilltops in Lakeway, this contemporary home enjoys panoramas of the Texas Hill Country. The home employs it’s unique position, surrounded by nature preserve, to integrate views with a variety of interior and outdoor spaces. The all stone entry features two massive pivot doors, front and back to view across the all negative edge pool, and on to the 15 mile view.

Secret Gardens has been developing this stunning harbourside garden over a number of years. A simple layout at water level provides a subtle foreground to the harbour view beyond. Simple, modern plant combinations draw from a simple but consistent colour palette. The main courtyard space is the highlight . A five metre high green wall and water wall provide the backdrop to a large banquet seat. The built in bbq, retractable ceiling, customised firepit and coffee table provide options for year round entertainment. Extensive soundproofing was incorporated into the boundary wall as well as behind the green wall to absorb noise from a neighbouring property.

Photo: Laura Garner Design & Realty © 2016 Houzz
Inspiration for a contemporary home office remodel in Montreal

The goal of this master suite remodel was to design a luxurious yet simple environment that was not only beautiful but also comfortable, and designer Lori Wiles brought the transformation to life. The remodel was a transformation of the unused storage area in the bottom level of the clients’ home. Wiles' creative problem solving did more than just hide basement remodel problems like low ductwork and poorly located pipes. Instead, these obstacles served as a source of inspiration for some of the most interesting aspects of her design, such as the angular wood-paneled headboard wall with built-in nightstands. Following a stone, fire, water, and wood theme, the materials used in this master suite strongly relate to nature. Water flows to the tub from the stone accent wall in the bathroom, and an opposing stone wall in the bedroom creates a dramatic backdrop for a seating area. Both walls contain candle-filled niches and Cherry wood is employed throughout, creating warmth and continuity. To further achieve the natural look and feel of the bathroom, Wiles incorporated a variety of stones. The shower and immediate area around the freestanding tub feature pebble accent flooring that complement the surrounding large, rectangular tile floors. Eldorado Stone’s Black River Stacked Stone was chosen because it offered different textures and dimensions of the black, rugged, stacked stone, resulting in an organic environment that provides relief from the flat surfaces. By using quality materials such as Eldorado Stone, designer Lori Wiles was able to create a zen-like space that exceeded her client’s expectations. Eldorado Stone Profile Featured: Black River Stacked Stone installed with a Dry-Stack grout technique Designer: Lori Wiles Design Website: www.loriwilesdesign.com Phone: (319) 310-6214 Contact Lori Wiles Design Houzz: www.houzz.com/pro/loriwiles/lori-wiles-design Facebook: www.facebook.com/pages/Lori-Wiles-Design Pinterest: www.pinterest.com/loriwilesdesign/ Photography: Lori Wiles Design Mason: Iowa Stone Supply Website: www.iowastonesupply.com Phone: (319) 533-4299 Contact Iowa Stone Supply Eastern Iowa Showroom (Monday-Friday 7:30-4:00 or by appointment) 1530 Stamy Road Hiawatha, IA 52233 Central Iowa Showroom (by appointment) 2913 99th Street Urbandale, IA 50322 Facebook: www.facebook.com/pages/Iowa-Stone-Supply

Perfectly settled in the shade of three majestic oak trees, this timeless homestead evokes a deep sense of belonging to the land. The Wilson Architects farmhouse design riffs on the agrarian history of the region while employing contemporary green technologies and methods. Honoring centuries-old artisan traditions and the rich local talent carrying those traditions today, the home is adorned with intricate handmade details including custom site-harvested millwork, forged iron hardware, and inventive stone masonry. Welcome family and guests comfortably in the detached garage apartment. Enjoy long range views of these ancient mountains with ample space, inside and out.

Southern California homeowners know that the value of a pool on a hot summer day is truly priceless. Whether you are looking to build a new pool, or renovate an existing pool, Western Outdoor Design & Build employs some of the most innovative pool builders and pool designers in Southern California. Working with a design & build company means that you will never be pitched a cookie-cutter pool. We will sit down with you and help you choose the right style and features to enhance your outdoor lifestyle and make this pool a powerful focal point of your backyard.

Designed for a prominent interior designer, classical principals of form and space were employed in this Chevy Chase home expansion. The solution establishes two symmetrical wings flanking the central classical revival structure adding much needed space while remaining loyal to the existing architectural language.

For this home in Austin, TX, we created a completely new landscape look for the owners. This is a Xeriscape landscape. Xeriscape means employing a type of drought-resistant landscaping. The river rocks help to keep the moisture in the ground. They are teamed with drought-resistant plants. The river rock pathway is gently curved to provide a sense of a meandering river. The owner’s cat still isn’t quite sure if he approves of the new layout.

Michael Abrams employs the Fontainbleu from Chesney's French Collection
Living room photo in New York

In this project we employed colorful foliage with texture to invoke a quiet elegance. Photos all jeff dunas
Design ideas for a small asian backyard landscaping in Los Angeles with decking.

Working with a long time resident, creating a unified look out of the varied styles found in the space while increasing the size of the home was the goal of this project. Both of the home’s bathrooms were renovated to further the contemporary style of the space, adding elements of color as well as modern bathroom fixtures. Further additions to the master bathroom include a frameless glass door enclosure, green wall tiles, and a stone bar countertop with wall-mounted faucets. The guest bathroom uses a more minimalistic design style, employing a white color scheme, free standing sink and a modern enclosed glass shower. The kitchen maintains a traditional style with custom white kitchen cabinets, a Carrera marble countertop, banquet seats and a table with blue accent walls that add a splash of color to the space.