Search results for "Employed" in Home Design Ideas

Our custom blown glass chandeliers are made totally custom to fit perfectly in your unique space. We work with you to capture the inner essence you wish to express.
Our client wished to add color to their sun room. This Deep Cobalt chandelier looks absolutely brilliant, as the outside sun and internal light of the chandelier converge in a kaleidoscope of blue. The glass dining room table and casual wooden chairs combined with the outside forestry make for a phenomenal combination.
This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. It looks stunning over this wooden kitchen island.
Our custom-made glass lighting fixtures are perfect for your foyer, entryway, stairwell, living room, dining room, kitchen, or any room in your home. All of our chandeliers and custom blown glass lighting is fully customizable and tailored to fit your unique space. No two works are the same, each piece is custom made exactly for you.
This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle.
This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle.
We are a three generation family business, with over 50 years of experience. We have installations all over the world, for governments, civic memorials, public works, interior designers, decorators, architects, engineers, museums, art galleries, hotels, restaurants, corporations, corporate clients, businesses, ranches, oceanfront properties, apartment buildings, condominiums, and numerous private clients.
This floral custom dining room chandelier chandelier looks like an upside down flower pot miraculously suspended in mid-air. The reds in the chandelier match the red painted walls, while the yellows bring out the bamboo floors and light wood dining room table and dining room chairs. There is also plenty of natural sunlight from big sky windows. This home is traditional with a touch of contemporary in the furniture.
For this particular client living in Malibu, we procured for them a chandelier to fit the ultra-contemporary decor of their interior, enhance their home's natural light, and compliment the sun-abundant environment in which they live.
48" high x 72" long x 48" wide Colors shown: Orange, Fire Red, Yellow This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing effect.
48" high x 72" long x 48" wide Colors shown: Aqua Blue, Lime, Emerald Green, Violet This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing.
48" high x 48" wide x 24" deep These Opal White sconces seem to work in any space, as their internal lights cast a soft, agreeable glow. This particular pair adds a subtle touch to a forest view, and softens the juxtaposition between inside and out. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs.
50" high x 46" wide x 26" deep This is a honey, wood, and grey sconce we produced for a client to accentuate a warm, wooden, yet contemporary feel. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs.
72" high x 60" wide x 24" deep This wall sconce is simply fun. Vibrant colors play with each other, yet match because they fall in the same color spectrum, as the client's sitting room is transformed into a display of modern art. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs.
We serve the entire United States and Canada. We service all 50 states, including Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Florida, Miami, Coral Gables, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, Wyoming. In California, we specifically service Orange County, Los Angeles, LA County, and Malibu. Zip code 90210. In the Washington D.C. area, we specifically serve Alexandria, Arlington, Loudon, Bethesda, Upper Marlboro, Kalorama, and the Palisades. In Connecticut, we specifically serve Greenwich. Zip codes 22314 and 2203.
Our custom made, blown glass chandeliers are functional glass art and can be customized for apartments, condos, a client’s foyer, living room, dining room, great room, family room, kitchen, kitchen island, even bathroom and bedroom.
Our fully custom glass art chandeliers are all blown here in the United States of America. We customize them to go with all furnishings, including one’s mahogany dining room table, wood dining room table, contemporary dining room table, traditional dining room table, and modern dining room table. They also match one’s marble kitchen island, skylight, coffee table, custom wallpaper, other lighting fixtures, custom wall sconces, dining room chairs, marble countertops. They look phenomenal in large or small homes, and seaside villas. Ocean front properties are a speciality of ours as well.
A closeup photo of the outdoor patio chandelier, displaying the incredible detail and craftsmanship in each individual piece. This picture is art unto itself.
We provide full personalized service, including Lighting Design, Lighting Manufacturer, Custom Lighting, Custom Chandeliers, Multi-story Chandeliers, Multi-level Chandeliers, Glass Lighting, Pendant Lighting, Commercial Lighting, Residential Lighting, Blown Glass, Fused Glass, Bubble Glass Lighting, Bubble Chandeliers, Dining Room Lighting, Kitchen Pendants, Lighting Design Consultation.
All chandeliers are hand crafted by our talented artists here in the USA. That’s right, all of our artists and craftsmen are here in the U.S. Each piece is a truly functional work of art. We like to think of it as art primarily, it just happens to be functional! It is true artistic creativity combined with engineering and architectural practicality. At Ethel A. Furman & Associates, the online gallery of GlassArt.net, you are the creator. We like to push the limits of light, color and texture, with our dramatic custom lighting and decor made from our exotic, fused & blown glass.
As a lighting and glass manufacturer, Ethel A. Furman & Associates, the online gallery of GlassArt.net is as unique as the products we offer. We're small enough to provide an unparalleled level of service and craftsmanship. That said, we are large enough to handle residential and commercial jobs of any size. Not found everywhere, you can see our exotic materials displayed around the globe.
Whether you have a vision or you're looking for one, or several, our artists can create something way beyond the expected.
Let us create something exceptional for you.
This is the chandelier in full of the previous closeup photo. We produced this vibrantly colored outdoor chandelier for a client's roofed patio area. Do not be deceived by the thin wires; we use taut, aircraft-strength cables that keep the chandelier stable in virtually any weather condition. Please again note the closeup photo of this chandelier, as it is exemplary of the world class quality we are so proud of in our glasswork.
This totally fun sculpture was created for a client's wine cellar. Your vision is our direction. You are only restricted by the contents of your imagination.
This client wished to have a tropical chandelier while also employing her favorite color: lavender. We played the opaque lavender horns with the transparent ruby and yellow, and green gourds for a wonderfully fun, tropical chandelier that also serve functions as the main dining room light.
This is a closeup of an individual platter sconce. These can be used in a large group, like the previous picture, yet are equally elegant hanging alone. These are backlit, just like our chandeliers and other sconces, with ultra long-lasting, dimmable LEDs.
Our custom glass art comes in any color and/or color combination imaginable, including purple, grey, clear, gold, silver, white, black, green, yellow, purple, taupe, turquoise, blue, baby blue, lavender, violet, red, and orange.
Organic, perforated glass spheres with a lace-like texture. Made from our unique blown glass. Available as individual pendants or multi-pendant chandeliers. Multiple sizes and colors are available.
Our modern Custom Glass Lighting perfect for your entryway, foyer, stairwell, living room, dining room, kitchen, and any room in your home. Our dramatic lighting that is fully customizable and tailored to fit your space perfectly. No two pieces are the same
72" high x 48" wide This eclectic and highly complex chandelier was designed to be reminiscent of a coral reef
96" high x 60" wide x 60" deep Absolutely humongous and stunning chandelier we produced for an javascript:;exceptionally large foyer. Appropriately dubbed "Autumn" because it reminds one of the leaves turning from green to red and slowly falling.
We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them.
Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood.
We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them. Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to your exact specifications.
We produced our spectacular "Miami Sunrise" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C.
This is one of 2 chandeliers we designed and produced for them.
Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood.
We produced our spectacular "Summer Fire" chandelier for The Park at Fourteenth, an exclusive restaurant & nightclub in Washington D.C. This is one of 2 chandeliers we designed and produced for them.
Like all of our chandeliers, these are internally lit with warm-colored, dimmable LED's, so the light lasts for many tens of thousands of hours and can be set to the exact brightness to fit any mood. Our blown glass chandeliers are made totally custom for your unique tastes and home. We work with you to not only capture the colors and style that fit your space perfectly, but also your unique desired “vibe.”
Our client wished to add color to their sun room. This Deep Cobalt chandelier looks absolutely brilliant, as the outside sun and internal light of the chandelier converge in a kaleidoscope of blue. The glass dining room table and casual wooden chairs combined with the outside forestry make for a phenomenal combination.
This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. This custom blown glass art platter chandelier is made from our golden topaz sconce flowers. This style of chandelier is wonderful for modern contemporary homes, and matches the wooden floors, grey rug, and white ceilings. It looks stunning over this wooden kitchen island.
Our custom-made glass lighting fixtures are perfect for your foyer, entryway, stairwell, living room, dining room, kitchen, or any room in your home. All of our chandeliers and custom blown glass lighting is fully customizable and tailored to fit your unique space. No two works are the same, each piece is custom made exactly for you.
This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle.
This is a totally unique, Elongated, all-clear Ribbon chandelier we produced for a client's dining room. This fits in with traditional decor but with a modern twist, It matches the wood flooring, oak table, and mahogany dresser, and the abundance of natural sunlight from large windows makes this custom lighting glass fixture sparkle.
This floral custom dining room chandelier chandelier looks like an upside down flower pot miraculously suspended in mid-air. The reds in the chandelier match the red painted walls, while the yellows bring out the bamboo floors and light wood dining room table and dining room chairs. There is also plenty of natural sunlight from big sky windows. This home is traditional with a touch of contemporary in the furniture.
For this particular client living in Malibu, we procured for them a chandelier to fit the ultra-contemporary decor of their interior, enhance their home's natural light, and compliment the sun-abundant environment in which they live.
48" high x 72" long x 48" wide Colors shown: Orange, Fire Red, Yellow This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing effect.
48" high x 72" long x 48" wide Colors shown: Aqua Blue, Lime, Emerald Green, Violet This blown-glass garden sculpture is designed to uniquely enhance your outdoor space. Dimensions and colors fully customizable, and sculpture can be lit from within for a nighttime glowing.
48" high x 48" wide x 24" deep These Opal White sconces seem to work in any space, as their internal lights cast a soft, agreeable glow. This particular pair adds a subtle touch to a forest view, and softens the juxtaposition between inside and out. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs.
50" high x 46" wide x 26" deep This is a honey, wood, and grey sconce we produced for a client to accentuate a warm, wooden, yet contemporary feel. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs.
72" high x 60" wide x 24" deep This wall sconce is simply fun. Vibrant colors play with each other, yet match because they fall in the same color spectrum, as the client's sitting room is transformed into a display of modern art. Just like our chandeliers, our sconces are internally lit with ultra long-lasting, dimmable LEDs.
We serve the entire United States and Canada. We service all 50 states, including Alabama, Alaska, Arizona, Arkansas, California, Colorado, Connecticut, Delaware, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, North Dakota, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Florida, Miami, Coral Gables, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, Wyoming. In California, we specifically service Orange County, Los Angeles, LA County, and Malibu. Zip code 90210. In the Washington D.C. area, we specifically serve Alexandria, Arlington, Loudon, Bethesda, Upper Marlboro, Kalorama, and the Palisades. In Connecticut, we specifically serve Greenwich. Zip codes 22314 and 2203.
Our custom made, blown glass chandeliers are functional glass art and can be customized for apartments, condos, a client’s foyer, living room, dining room, great room, family room, kitchen, kitchen island, even bathroom and bedroom.
Our fully custom glass art chandeliers are all blown here in the United States of America. We customize them to go with all furnishings, including one’s mahogany dining room table, wood dining room table, contemporary dining room table, traditional dining room table, and modern dining room table. They also match one’s marble kitchen island, skylight, coffee table, custom wallpaper, other lighting fixtures, custom wall sconces, dining room chairs, marble countertops. They look phenomenal in large or small homes, and seaside villas. Ocean front properties are a speciality of ours as well.
A closeup photo of the outdoor patio chandelier, displaying the incredible detail and craftsmanship in each individual piece. This picture is art unto itself.
We provide full personalized service, including Lighting Design, Lighting Manufacturer, Custom Lighting, Custom Chandeliers, Multi-story Chandeliers, Multi-level Chandeliers, Glass Lighting, Pendant Lighting, Commercial Lighting, Residential Lighting, Blown Glass, Fused Glass, Bubble Glass Lighting, Bubble Chandeliers, Dining Room Lighting, Kitchen Pendants, Lighting Design Consultation.
All chandeliers are hand crafted by our talented artists here in the USA. That’s right, all of our artists and craftsmen are here in the U.S. Each piece is a truly functional work of art. We like to think of it as art primarily, it just happens to be functional! It is true artistic creativity combined with engineering and architectural practicality. At Ethel A. Furman & Associates, the online gallery of GlassArt.net, you are the creator. We like to push the limits of light, color and texture, with our dramatic custom lighting and decor made from our exotic, fused & blown glass.
As a lighting and glass manufacturer, Ethel A. Furman & Associates, the online gallery of GlassArt.net is as unique as the products we offer. We're small enough to provide an unparalleled level of service and craftsmanship. That said, we are large enough to handle residential and commercial jobs of any size. Not found everywhere, you can see our exotic materials displayed around the globe.
Whether you have a vision or you're looking for one, or several, our artists can create something way beyond the expected.
Let us create something exceptional for you.
This is the chandelier in full of the previous closeup photo. We produced this vibrantly colored outdoor chandelier for a client's roofed patio area. Do not be deceived by the thin wires; we use taut, aircraft-strength cables that keep the chandelier stable, secure and safe.

Built in 1925, this 15-story neo-Renaissance cooperative building is located on Fifth Avenue at East 93rd Street in Carnegie Hill. The corner penthouse unit has terraces on four sides, with views directly over Central Park and the city skyline beyond.
The project involved a gut renovation inside and out, down to the building structure, to transform the existing one bedroom/two bathroom layout into a two bedroom/three bathroom configuration which was facilitated by relocating the kitchen into the center of the apartment.
The new floor plan employs layers to organize space from living and lounge areas on the West side, through cooking and dining space in the heart of the layout, to sleeping quarters on the East side. A glazed entry foyer and steel clad “pod”, act as a threshold between the first two layers.
All exterior glazing, windows and doors were replaced with modern units to maximize light and thermal performance. This included erecting three new glass conservatories to create additional conditioned interior space for the Living Room, Dining Room and Master Bedroom respectively.
Materials for the living areas include bronzed steel, dark walnut cabinetry and travertine marble contrasted with whitewashed Oak floor boards, honed concrete tile, white painted walls and floating ceilings. The kitchen and bathrooms are formed from white satin lacquer cabinetry, marble, back-painted glass and Venetian plaster. Exterior terraces are unified with the conservatories by large format concrete paving and a continuous steel handrail at the parapet wall.
Photography by www.petermurdockphoto.com

Tuscan Stone Mantels uses a centuries old process to produce fine architectural stonework. By using this process, our stone is completely formed and finished by hand reflecting the beauty of natural quarried stone. By employing modern gypsums and techniques, we are able to offer products of strength and durability for numerous architectural applications such as mantels & over-mantels, entertainment centers, cladding, niches, shelving, corbels/brackets, molding, kitchen hoods, columns, pediments, and more.
Tuscan Stone Mantels provides architects, builders, designers and homeowners with hand crafted stone products of exceptional beauty and durability.
Find the right local pro for your project

A minimal insertion into a densely wooded landscape, the Collector’s Pavilion provides the owners with an 8,000 sf private fitness space and vintage automobile gallery. On a gently sloping site in amongst a grove of trees, the pavilion slides into the topography - mimicking and contrasting the surrounding landscape with a folded roof plane that hovers over a board formed concrete base.
The clients’ requirement for a nearby room to display a growing car collection as well as provide a remote area for personal fitness carries with it a series of challenges related to privacy and security. The pavilion nestles into the wooded site - finding a home in a small clearing - and merges with the sloping landscape. The building has dual personalities, serving as a private and secure bunker from the exterior, while transforming into a warm and inviting space on the interior. The use of indirect light and the need to obscure direct views from the public right away provides the client with adequate day light for day-to-day use while ensuring that strict privacy is maintained. This shifting personality is also dramatically affected by the seasons - contrasting and merging with the surrounding environment depending on the time of year.
The Collector’s Pavilion employs meticulous detailing of its concrete to steel to wood connections, exploring the grounded nature of poured concrete in conjunction with a delicate wood roof system that floats above a grid of steel. Above all, the Pavilion harmonizes with it’s natural surroundings through it’s materiality, formal language, and siting.
Overview
Chenequa, WI
Size
8,000 sf
Completion Date
May 2013
Services
Architecture, Landscape Architecture, Interior Design

mid century modern living space characterized by accent colors, brass strokes, minimalistic modern arched built-ins, and a sleek modern fireplace design.
A perfect combination of a distressed brown leather sofa a neutral lounge chair a colorful rug and a brass-legged coffee table.
this color palette adds sophistication, elegance, and modernism to any living space.

Perfectly settled in the shade of three majestic oak trees, this timeless homestead evokes a deep sense of belonging to the land. The Wilson Architects farmhouse design riffs on the agrarian history of the region while employing contemporary green technologies and methods. Honoring centuries-old artisan traditions and the rich local talent carrying those traditions today, the home is adorned with intricate handmade details including custom site-harvested millwork, forged iron hardware, and inventive stone masonry. Welcome family and guests comfortably in the detached garage apartment. Enjoy long range views of these ancient mountains with ample space, inside and out.

The Bertazzoni Professional Series Built-In Wall Ovens employ the sleek continuous style of synchronicity. These beautiful cooking machines work together both physically and visually in perfect harmony.
Paired with the built-in ovens is the segmented cooktop that offers maximum versitility through its combination of burners and induction cooking surfaces. The seemlessness of these Bertazzoni appliances adds a sharp modern statement to the kitchen.

Hip, stylish couple wanted to update a newly purchased traditional home (built 2007) utilizing mostly cosmetic, decorative improvements - not structural alterations. The residence needs to empower the family and support the owner’s professional, creative pursuits. They frequently entertain, so requested both large and small environments for social gatherings and dance parties. Our primary palette is bright orange and deep blue, and we employ the deep, saturated hues on sizeable areas like walls and large furniture pieces. We soften and balance the intense hues with creamy off-whites, and introduce contemporary light fixtures throughout the house. We incorporate textured wall coverings inside display cabinets, above wainscoting, on fireplace surround, on select accent walls, and on the coffered living room ceiling.
Scott Moore Photography

Completed in 2011 this 4 BR, 3 1/2 bath custom home is situated on a very tight urban infill lot in Northern, Virginia. Our clients were relocating to the D.C. area from New England and wanted to retain some of the New England vernacular they were familiar with in their new home. Due to heavy zoning restrictions, stylistic CCR's and a large program of almost 7000 sf, our design response is a modern take on a traditional hipped 4-square.
We intentionally kept the skin and form of the building simple in order to contain cost and allow for a higher level of interior finish. The main level employs our favorite Great Room scheme that merges cooking, eating and entertaining into one seamless space that flows onto an expansive deck overlooking the rear yard. The entry elevation welcomes guests with a traditional front porch and stone path that passes by a small rain garden. The basement accommodates a guest room, media room, exercise area, and full shop while the upper level orients 2 kid's bedrooms, a Jack-n-Jill bath and the master suite toward a territorial view of the rear yard. All of this program is housed beneath a hipped roof that minimizes the scale of the house while presenting a thoughtful appearance toward the street and neighbors.

Milwaukee, Wi Sitting Room / Master Bedroom Retreat
Sazama Design Build Remodel LLC
Bedroom - transitional bedroom idea in Milwaukee
Bedroom - transitional bedroom idea in Milwaukee

This tiny home is located on a treelined street in the Kitsilano neighborhood of Vancouver. We helped our client create a living and dining space with a beach vibe in this small front room that comfortably accommodates their growing family of four. The starting point for the decor was the client's treasured antique chaise (positioned under the large window) and the scheme grew from there. We employed a few important space saving techniques in this room... One is building seating into a corner that doubles as storage, the other is tucking a footstool, which can double as an extra seat, under the custom wood coffee table. The TV is carefully concealed in the custom millwork above the fireplace. Finally, we personalized this space by designing a family gallery wall that combines family photos and shadow boxes of treasured keepsakes. Interior Decorating by Lori Steeves of Simply Home Decorating. Photos by Tracey Ayton Photography

Architect: Portuondo Perotti Architects
Photography: Carlos Domenech
“This is well detailed and consistent inside and out. It is a classic Mediterranean Revival in the Floridian tradition of Mizner.”
This single-family residential home in Gables Estates, Coral Gables, Florida, successfully pays respect to the architecture of the Mediterranean and Renaissance Italian styles. From the use of courtyards to the high level of detailing, this project emphasizes the most picturesque and expressive qualities of these styles. The residence reflects the visions of two of Coral Gables’ first architects, who designed beautiful and timeless architecture in this garden city to become a lasting piece in the landscape. This project not only captures the breathtaking views of Biscayne Bay, but with timeless style and lush landscaping, it creates a centerpiece for the view from the bay to Coral Gables.
The home is designed as a long gallery, with spaces connected by courtyards and public realms. Another large inspiration for this project was the idea of the garden and landscape. With Coral Gables as a garden city, landscape became an integral part of the conception and design.
The durability of Marvin products, their ability to stand up to the South Florida climate, as well as the Marvin attention to detail and proportion, made them the perfect choice to employ in a project of such high standards. The range of products allowed the freedom of design to explore all possibilities and turn visions into reality. The result was a lasting piece of architecture that would reflect a level of detail in every part of its structure.
MARVIN PRODUCTS USED:
Marvin Round Top Window
Marvin Ultimate Arch Top French Door
Marvin Ultimate Swinging French Door
Marvin Ultimate Venting Picture Window
Marvin Casemaster

Perfectly settled in the shade of three majestic oak trees, this timeless homestead evokes a deep sense of belonging to the land. The Wilson Architects farmhouse design riffs on the agrarian history of the region while employing contemporary green technologies and methods. Honoring centuries-old artisan traditions and the rich local talent carrying those traditions today, the home is adorned with intricate handmade details including custom site-harvested millwork, forged iron hardware, and inventive stone masonry. Welcome family and guests comfortably in the detached garage apartment. Enjoy long range views of these ancient mountains with ample space, inside and out.

Stuart Wade, Envision Virtual Tours
The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents.
Early History
The earliest
St. Simons Island Village
record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini.
Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned.
Colonial History
As
Fort Frederica
early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat.
Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service.
Plantation Era
By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war.
Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton.
Between
Ebos Landing
the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing.
One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863).
Another
Retreat Plantation
large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves.
The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall.
The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church.
Civil War and Beyond
The
St. Simons Island Lighthouse
outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned.
After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations.
By
St. Simons Lumber Mills
1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross.
The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island.
Twentieth Century
The
St. Simons Island Pier and Village
opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development.
In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s.
The
St. Simons Island
outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents.
Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa.
Since
Epworth by the Sea
1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant.
Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

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