This custom residence exploits its southern exposure with a daylight basement that opens out to unencumbered mountain views. Interior finishes such as inlaid wood ceilings, Oklahoma sandstone masonry, and log wrapped steel columns, carry the ubiquitous natural tones of the site into the interior with a refined touch. Designed by Ward+Blake Architects in Jackson, Wyoming. Photo Credit: Douglas Kahn

This custom residence exploits its southern exposure with a daylight basement that opens out to unencumbered mountain views. Interior finishes such as inlaid wood ceilings, Oklahoma sandstone masonry, and log wrapped steel columns, carry the ubiquitous natural tones of the site into the interior with a refined touch. Designed by Ward+Blake Architects in Jackson, Wyoming. Photo Credit: Douglas Kahn

This custom residence exploits its southern exposure with a daylight basement that opens out to unencumbered mountain views. Interior finishes such as inlaid wood ceilings, Oklahoma sandstone masonry, and log wrapped steel columns, carry the ubiquitous natural tones of the site into the interior with a refined touch. Designed by Ward+Blake Architects in Jackson, Wyoming. Photo Credit: Douglas Kahn

Sunset Drive exploits a steeply sloping hillside site in order to take advantages of sweeping neighborhood views. This contemporary hillside home utilizes a stepped plan that offers multiple levels for entertaining.

This custom residence exploits its southern exposure with a daylight basement that opens out to unencumbered mountain views. Interior finishes such as inlaid wood ceilings, Oklahoma sandstone masonry, and log wrapped steel columns, carry the ubiquitous natural tones of the site into the interior with a refined touch. Designed by Ward+Blake Architects in Jackson, Wyoming. Photo Credit: Douglas Kahn

This custom residence exploits its southern exposure with a daylight basement that opens out to unencumbered mountain views. Interior finishes such as inlaid wood ceilings, Oklahoma sandstone masonry, and log wrapped steel columns, carry the ubiquitous natural tones of the site into the interior with a refined touch. Designed by Ward+Blake Architects in Jackson, Wyoming. Photo Credit: Douglas Kahn

**I. Spatial Composition & Architectural Volume** This is an exercise in the disciplined choreography of a constrained footprint — a narrow, rectilinear bathroom whose length is exploited rather than disguised. The composition unfolds along a single axis, the viewer's eye drawn from the foreground console lavatory, past the drop-in tub, to the terminal glazed aperture that anchors the far wall and releases the volume outward. The photograph's vantage, taken through a partially opened multi-paneled door with its cushioned rail-and-stile profile and beveled glazing, establishes a layered threshold condition: the room is framed, glimpsed, and entered simultaneously. Ceiling height is generous relative to plan dimension, and the architect has resisted the temptation to lower it; instead, a slender crown profile and a delicate picture-rail cornice terminate the field tile at a consistent datum, reinforcing the vertical proportion. Above the tub, a bank of recessed-panel cabinetry is set flush into the reveal of a soffit, borrowing the depth of the wall assembly to gain storage without protrusion — a deft piece of joinery logic. The window is treated as an architectural niche, its deep jambs and marble sill establishing a plinth that reads as inhabited rather than merely functional. Overhead, an exposed nickel-plated curtain rod traverses the ceiling plane in a single diagonal gesture, its cantilevered support rendering the drapery a movable spatial partition rather than a fixed enclosure. **II. Materiality, Color & Texture** The palette is a study in monochromatic gradation, calibrated almost entirely within the white spectrum yet richly differentiated by surface behavior. Hand-glazed subway tile in a running-bond pattern clads the wet walls, its subtle undulation and pooled glaze catching light unevenly to produce a soft, ceramic luminosity that no machine-pressed tile could replicate. Underfoot, a penny-round mosaic in matte porcelain introduces fine-grain granularity and a faintly warm grout line, its curvilinear tessellation providing tactile counterpoint to the orthogonal wall coursing. Marble — likely a Calacatta or lightly veined Carrara — appears strategically at the lavatory deck, the tub apron cap, and the window sill, its ochre-gold and cool grey veining supplying the room's only true figuration and its principal chromatic warmth. Polished nickel is the unifying metal, deployed with unusual generosity: the exposed console legs and cross-braced towel bar, the exposed riser and telephone-style handshower, the cross-handle fittings, and the rose-mounted door knob with its knurled backplate. Its cool, silvery reflectivity absorbs and redistributes ambient light, dissolving the hardware into the field. The single yielding material is the shower curtain — an unlined linen or cotton voile in pale butter-yellow — whose slubby weave, gravity-drawn folds, and warm undertone break the room's cool register and introduce the necessary note of domestic softness. **III. Lighting, Atmosphere & Style Profile** Illumination is overwhelmingly diurnal and unapologetically singular in source: the window at the terminus floods the space with diffuse, high-key daylight that blows toward pure white at the aperture and falls off gradually along the tile, modeling the wall's minute irregularities into a low-relief texture. The absence of visible decorative fixtures — save a discreet ceiling-recessed vent or downlight above the shower — is deliberate; artificial lighting is subordinated so that the material palette performs under natural light. The resulting atmosphere is serene, hygienic without sterility, and quietly luxurious: light behaves as a material in its own right, and the white-on-white scheme functions as a reflector rather than a void. Stylistically, the room synthesizes early-twentieth-century Anglo-American sanitary vernacular — the exposed-plumbing console lavatory, the exposed-riser shower, the metro tile and penny mosaic — with a contemporary editorial restraint that strips out ornament and pattern in favor of proportion and craft. It might be characterized as Refined Classicism, or more precisely, a Transitional Pre-War Revival: historically literate in its detailing, resolutely modern in its spatial economy and tonal discipline. The single pale-yellow textile is the design's signature move, a calibrated warm accent that prevents the achromatic scheme from tipping into clinical austerity and confirms the project's essential thesis — that restraint, correctly executed, reads as generosity.

Nestled amidst a neighborhood of single story bungalows in Venice, California, the Solar Umbrella Residence boldly establishes a precedent for the next generation of California modernist architecture. Located on a 41’ wide x 100’-0” long through lot, the Solar Umbrella addition transforms the architects’ existing 650 square foot bungalow into a 1900 square foot residence equipped for responsible living in the twenty-first century. Inspired by Paul Rudolph’s Umbrella House of 1953, the Solar Umbrella provides a contemporary reinvention of the solar canopy—a strategy that provides thermal protection in climates with intense exposures. In establishing the program for their residence, which accommodates the couple and their one child chose to integrate into the design, principles of sustainability that they strive to achieve in their own practice. The architects carefully considered the entire site, taking advantage of as many opportunities for sustainable living as possible. Passive and active solar design strategies render the residence 100% energy neutral. Recycled, renewable, and high performance materials and products are specified throughout. Hardscape and landscape treatments are considered for their aesthetic and actual impact on the land. The Brooks Scarpa Residence elegantly crafts each of these strategies and materials, exploiting the potential for performance and sensibility while achieving a rich and interesting sensory and aesthetic experience.

Located on a marsh in the upper reaches of the Lieutenant River in Old Lyme, the existing house was well-sited and well-built, but the design failed to exploit the views and more importantly was a confused combination of contemporary and traditional elements. The new homeowners, a successful businesswoman and an accomplished artist and photographer, were interested in creating a fully-contemporary environment to open up space, connect indoors with outdoors, display artwork and showcase the husband’s distinctive photographs. One glaring deficiency was the curb appeal and approach sequence: the grade sloped down and the path to the house followed, but this led to an uncomfortable dip and abrupt rise to the front door. By creating a virtual “moat,” occupied by a grid of raised-bed grasses contained in aluminum-clad boxes, and spanning the moat with an ipe bridge, the approach becomes level and engaging. The façade of the existing house was blank and bland, and with no cover. Adding a deep overhang with a wide porch creates a welcoming, covered condition, accentuated by a 6’ wide pivoting front door that feels more like a moving piece of wall. Another deficiency was the connection to the outdoors. By adding glass to the front and back of the house, and removing interior walls selectively, the house takes on a diaphanous quality that allows one to see through to the marsh beyond, even when in the driveway. The raised-bed grasses act as abstract, geometric versions of the marsh beyond. A large, pyramidal skylight establishes a spatial hierarchy around which the rooms revolve. The house featured several tray-ceilinged spaces – living room, kitchen, and master bedroom – that were poorly-proportioned and with panels at the top that resembled inset flat panel doors. The solution was to use a different strategy for each: the bedroom turns the ceiling into an eggshell through the use of a creative trim detail; the living room has an oversized sculptural, backlit lighting element; and the kitchen has a collage of painted rectangular forms that support or include lighting pieces. A palette of concrete, blackened steel, stainless steel and colors carefully chosen by homeowner and architect create an interior and exterior environment punctuated by moments that are as artistic as the featured works in the black-ceilinged gallery.

Nestled amidst a neighborhood of single story bungalows in Venice, California, the Solar Umbrella Residence boldly establishes a precedent for the next generation of California modernist architecture. Located on a 41’ wide x 100’-0” long through lot, the Solar Umbrella addition transforms the architects’ existing 650 square foot bungalow into a 1900 square foot residence equipped for responsible living in the twenty-first century. Inspired by Paul Rudolph’s Umbrella House of 1953, the Solar Umbrella provides a contemporary reinvention of the solar canopy—a strategy that provides thermal protection in climates with intense exposures. In establishing the program for their residence, which accommodates the couple and their one child chose to integrate into the design, principles of sustainability that they strive to achieve in their own practice. The architects carefully considered the entire site, taking advantage of as many opportunities for sustainable living as possible. Passive and active solar design strategies render the residence 100% energy neutral. Recycled, renewable, and high performance materials and products are specified throughout. Hardscape and landscape treatments are considered for their aesthetic and actual impact on the land. The Brooks Scarpa Residence elegantly crafts each of these strategies and materials, exploiting the potential for performance and sensibility while achieving a rich and interesting sensory and aesthetic experience.

This custom residence exploits its southern exposure with a daylight basement that opens out to unencumbered mountain views. Interior finishes such as inlaid wood ceilings, Oklahoma sandstone masonry, and log wrapped steel columns, carry the ubiquitous natural tones of the site into the interior with a refined touch. Designed by Ward+Blake Architects in Jackson, Wyoming. Photo Credit: Douglas Kahn

Located on a marsh in the upper reaches of the Lieutenant River in Old Lyme, the existing house was well-sited and well-built, but the design failed to exploit the views and more importantly was a confused combination of contemporary and traditional elements. The new homeowners, a successful businesswoman and an accomplished artist and photographer, were interested in creating a fully-contemporary environment to open up space, connect indoors with outdoors, display artwork and showcase the husband’s distinctive photographs. One glaring deficiency was the curb appeal and approach sequence: the grade sloped down and the path to the house followed, but this led to an uncomfortable dip and abrupt rise to the front door. By creating a virtual “moat,” occupied by a grid of raised-bed grasses contained in aluminum-clad boxes, and spanning the moat with an ipe bridge, the approach becomes level and engaging. The façade of the existing house was blank and bland, and with no cover. Adding a deep overhang with a wide porch creates a welcoming, covered condition, accentuated by a 6’ wide pivoting front door that feels more like a moving piece of wall. Another deficiency was the connection to the outdoors. By adding glass to the front and back of the house, and removing interior walls selectively, the house takes on a diaphanous quality that allows one to see through to the marsh beyond, even when in the driveway. The raised-bed grasses act as abstract, geometric versions of the marsh beyond. A large, pyramidal skylight establishes a spatial hierarchy around which the rooms revolve. The house featured several tray-ceilinged spaces – living room, kitchen, and master bedroom – that were poorly-proportioned and with panels at the top that resembled inset flat panel doors. The solution was to use a different strategy for each: the bedroom turns the ceiling into an eggshell through the use of a creative trim detail; the living room has an oversized sculptural, backlit lighting element; and the kitchen has a collage of painted rectangular forms that support or include lighting pieces. A palette of concrete, blackened steel, stainless steel and colors carefully chosen by homeowner and architect create an interior and exterior environment punctuated by moments that are as artistic as the featured works in the black-ceilinged gallery.

Located on a marsh in the upper reaches of the Lieutenant River in Old Lyme, the existing house was well-sited and well-built, but the design failed to exploit the views and more importantly was a confused combination of contemporary and traditional elements. The new homeowners, a successful businesswoman and an accomplished artist and photographer, were interested in creating a fully-contemporary environment to open up space, connect indoors with outdoors, display artwork and showcase the husband’s distinctive photographs. One glaring deficiency was the curb appeal and approach sequence: the grade sloped down and the path to the house followed, but this led to an uncomfortable dip and abrupt rise to the front door. By creating a virtual “moat,” occupied by a grid of raised-bed grasses contained in aluminum-clad boxes, and spanning the moat with an ipe bridge, the approach becomes level and engaging. The façade of the existing house was blank and bland, and with no cover. Adding a deep overhang with a wide porch creates a welcoming, covered condition, accentuated by a 6’ wide pivoting front door that feels more like a moving piece of wall. Another deficiency was the connection to the outdoors. By adding glass to the front and back of the house, and removing interior walls selectively, the house takes on a diaphanous quality that allows one to see through to the marsh beyond, even when in the driveway. The raised-bed grasses act as abstract, geometric versions of the marsh beyond. A large, pyramidal skylight establishes a spatial hierarchy around which the rooms revolve. The house featured several tray-ceilinged spaces – living room, kitchen, and master bedroom – that were poorly-proportioned and with panels at the top that resembled inset flat panel doors. The solution was to use a different strategy for each: the bedroom turns the ceiling into an eggshell through the use of a creative trim detail; the living room has an oversized sculptural, backlit lighting element; and the kitchen has a collage of painted rectangular forms that support or include lighting pieces. A palette of concrete, blackened steel, stainless steel and colors carefully chosen by homeowner and architect create an interior and exterior environment punctuated by moments that are as artistic as the featured works in the black-ceilinged gallery.

The decision to either renovate the upper and lower units of a duplex or convert them into a single-family home was a no-brainer. Situated on a quiet street in Montreal, the home was the childhood residence of the homeowner, where many memories were made and relationships formed within the neighbourhood. The prospect of living elsewhere wasn’t an option. A complete overhaul included the re-configuration of three levels to accommodate the dynamic lifestyle of the empty nesters. The potential to create a luminous volume was evident from the onset. With the home backing onto a park, westerly views were exploited by oversized windows and doors. A massive window in the stairwell allows morning sunlight to filter in and create stunning reflections in the open concept living area below. The staircase is an architectural statement combining two styles of steps, with the extended width of the lower staircase creating a destination to read, while making use of an otherwise awkward space. White oak dominates the entire home to create a cohesive and natural context. Clean lines, minimal furnishings and white walls allow the small space to breathe.

The decision to either renovate the upper and lower units of a duplex or convert them into a single-family home was a no-brainer. Situated on a quiet street in Montreal, the home was the childhood residence of the homeowner, where many memories were made and relationships formed within the neighbourhood. The prospect of living elsewhere wasn’t an option. A complete overhaul included the re-configuration of three levels to accommodate the dynamic lifestyle of the empty nesters. The potential to create a luminous volume was evident from the onset. With the home backing onto a park, westerly views were exploited by oversized windows and doors. A massive window in the stairwell allows morning sunlight to filter in and create stunning reflections in the open concept living area below. The staircase is an architectural statement combining two styles of steps, with the extended width of the lower staircase creating a destination to read, while making use of an otherwise awkward space. White oak dominates the entire home to create a cohesive and natural context. Clean lines, minimal furnishings and white walls allow the small space to breathe.

Dalston revamp: Hackney, London: 1000sqft Flat renovation and new dormer loft conversion. Beautiful materials, bespoke detailing and clever use of space exploit the maximum potential of this compact 1960’s 1st floor flat and roof space. Approval for the layout was achieved with the introduction of a sprinkler system allowing a new staircase to rise from the living room and form an under-stairs wardrobe space in the bedroom below, further allowing two new bedrooms, an en-suite, walk-in wardrobe and eves storage areas to be created in the loft space.

Vitality contemporary wardrobes and walk in wardrobes with new finishes and colours created to make each project unique and perfect, starting from the customization of the interior. The accessories offer a new way of containing and exploiting space, giving the wardrobe a new look. Let us design your wardrobes today by booking your appointment on www.the-design.gallery We are located on 09 Parklands road, at Victoria courts on 2nd floor. #colombinicasa #vitalitywardrobes #thedesigngalleryea #madeinitaly #availableinkenya #interiordesign #italianluxuryliving

The decision to either renovate the upper and lower units of a duplex or convert them into a single-family home was a no-brainer. Situated on a quiet street in Montreal, the home was the childhood residence of the homeowner, where many memories were made and relationships formed within the neighbourhood. The prospect of living elsewhere wasn’t an option. A complete overhaul included the re-configuration of three levels to accommodate the dynamic lifestyle of the empty nesters. The potential to create a luminous volume was evident from the onset. With the home backing onto a park, westerly views were exploited by oversized windows and doors. A massive window in the stairwell allows morning sunlight to filter in and create stunning reflections in the open concept living area below. The staircase is an architectural statement combining two styles of steps, with the extended width of the lower staircase creating a destination to read, while making use of an otherwise awkward space. White oak dominates the entire home to create a cohesive and natural context. Clean lines, minimal furnishings and white walls allow the small space to breathe.