Nothing less than sumptuous, the king sized bed features William-Sonoma’s faintly curving “Sutton” headboard, upholstered in sensuous “Mohair Dove.” The crimson, persimmon, black and cream stylized floral pattern bed covering is an antique Suzani. The slightly shimmering “Fiori” wallpaper is by Rose Tarlow

Using white throughout this home makes the dining room’s faint taupe walls pop with understated elegance. The beauty continues in the white and stainless kitchen, grounded on hand scraped flooring. Floor: 7” wide-plank Vintage French Oak | Rustic Character | Victorian Collection hand scraped | light distress | pillowed edge | color Bronze | Satin Hardwax Oil. For more information please email us at: sales@signaturehardwoods.com

Linea is pure white quartz with faint taupe detailing throughout. Its occasional pattern adds a slight layer of visual texture while lending to its understated elegance, and gives the appearance of natural marble.

Eclectic living room photo in Cleveland

This "jewel box" of a room was photographed for the book In with the Old, classic decor from A to Z by author Jennifer Boles -founder of www.thepeakofchic.blogspot.com. The room is featured in the chapter on Candlelight Hanging between the two mirrored windows is the portrait is of the Reverend Christopher Swainson circa 1799. Rev. Swainson was the private tutor to the second Earl of Powis, his brother Robert Clive, and their sister Charlotte Florentia Clive, the future Duchess of Northumberland -governess to Queen Victoria- The plant Clivia was named in her honor. Surprisingly the Reverend was found in a local thrift shop just outside of Atlanta. His identity was determined after deciphering faint writing on the back of the frame. The chinoiserie chippendale styled etageres, once owned by Eleanor Stout McRae, display an assortment of blue & white porcelain. While not of any great quality they never the less give great effect to the decor. The draperies -festoon blinds or ballon shades, depending on which side of the Atlantic you reside - were fashioned in the 18th century manner. The fabric is green silk & wool moreen, it was salvaged from draperies pulled down from the former home of Virginia Carroll Crawford. The random width american black walnut flooring was salvaged from "Boxwood" in Ansley Park, built in 1914 for Mr. & Mrs. James Swann Floyd. The flooring was originally installed in 1928 for the wedding of their daughter Frances to Emory Cocke. The Floyd's were great entertainers and held many lavish parties. If those floors could talk. Sadly Boxwood was demolished in 2014. Jonathan pulled up each board himself, chiseling out every walnut peg, and butterfly joint, behind which was a steel screw. After the screws were removed the boards. also nailed down, had to be pried up with a crowbar. It was a lengthy process, and all done in the early summer with no air conditioning. It was well worth it. The trimwork is all new but leftover from another job. The whole project is an example of being resourceful, some could even say being environmentally conscious. Photo by Jonathan LaCrosse

A very rare find, antique walnut has been used historically for furniture and only sporadically as barn beams, joists and girders. An extremely rich blend of coffee-colored browns with faint touches of caramel, walnut wide plank flooring will help you create a room of unparalleled elegance and sophistication.

Kitchen island refinished in BM 2129-20 Soot with a faint rub through. Island countertop replaced with Cambria Torquay, basin profile. Perimeter cabinets refinished in White Dove. Perimeter countertops replaced with Cambria Templeton, Ridgeline profile. Backsplash replaced with MSI Dove Gray glazed ceramic subway tile with White Dove grout.

*Spatial Composition & Architectural Volume** This terrace operates as an outdoor room in the fullest architectural sense: a discrete volume carved from the open air of the upper Manhattan skyline, its perimeter defined not by masonry but by a disciplined green architecture of clipped boxwood parterre hedging and multi-stemmed dogwood standards. The plan is organized on a clear axial logic — the rectilinear dining table sits centered on the sightline that threads between the flanking specimen trees and terminates in the middle distance on the Central Park tree canopy and the Columbus Circle towers beyond. That deliberate framing device is the composition's essential move: the trees function as proscenium, the hedge line as a low balustrade wall, and the powder-coated metal railing as a nearly dematerialized threshold, so the borrowed landscape is enlisted as the room's fourth elevation. Vertical enclosure is calibrated in three tiers — ground-plane ivy at ankle height, hedge and planter coping at seated eye level, and the airy tracery of tree canopy overhead — producing a ceiling plane implied rather than built, dappled and permeable. To the left, the load-bearing buff brick of the building's flank grounds the scheme with genuine architectural mass and reads as a masonry pilaster anchoring an otherwise open-sided plan, while at right a low stone-topped service console with recessed pull hardware and a monumental orb planter provides an asymmetrical counterweight, terminating circulation and articulating a secondary zone without interrupting flow. Large-format square paving, laid in a regular grid, provides the module against which all furniture placement is measured. **Materiality, Color & Texture** The material palette is restrained to a narrow tonal band of warm neutrals, allowing chlorophyll green to carry the scheme's entire chromatic charge. Underfoot, honed grey-taupe stone pavers offer a matte, slightly granular surface with a cool undertone; adjacent, the brick wall introduces a sandy, oatmeal-toned masonry with visible mortar coursing whose horizontality and faint striation supply the composition's only decorative pattern. Furniture is executed in a matte white or bone powder-coated aluminum frame with woven cord or resin-strap seat backs — an open basketweave that reads as textile rather than metal and softens the geometry with a hand-crafted grain. Cushions in pale greige linen-weave add a further degree of tactile compliance. Planters are dark bronze-toned metal, deliberately recessive so that mass reads as foliage rather than container, while the pale cast-stone orb planter introduces a sculptural, slightly chalky, faceted surface that catches light like unglazed ceramic. The horticultural texture work is the true material sophistication here: the tight, fine-leaved matte density of boxwood set against the broad, glossy, lacquer-like foliage of the ivy, and both played against the dogwoods' larger leaves already turning bronze, oxblood, and citron at the edges. The single note of saturation — a low, tightly massed arrangement of coral, apricot, and chartreuse blooms in a white cachepot — functions as a deliberate chromatic accent, keyed precisely to the autumnal leaf-turn overhead. **Lighting, Atmosphere & Style Profile** Natural light is the primary design instrument. The photograph captures a high, diffuse, slightly overexposed sky that renders the skyline in soft atmospheric perspective while raking light filters through the canopy to scatter mobile dappling across the paving — a chiaroscuro that animates an otherwise static geometry and shifts the room's character hourly. Artificial lighting is intentionally understated and architectural in intent: a suspended conical pendant in dark matte metal, hung at the right beneath the canopy, signals evening use and provides a small, precise silhouette against the ivy screen, while low-level integrated fixtures within planters and hedging would supply the subdued wash appropriate to a terrace that must never compete with the ambient glow of the city. The resulting atmosphere is one of considered seclusion — a green-walled cloister suspended above the metropolis, contemplative rather than performative. Stylistically, the project reads as Soft Minimalism in dialogue with a distinctly European, formal-garden discipline: the axial planning, clipped topiary, and standard-trained trees derive from classical parterre tradition, but they are executed with contemporary restraint — no ornament, no historicist detail, a single furniture gesture, a monochrome envelope. The synthesis might be termed Tailored Naturalism: an aesthetic in which rigorous geometry and a near-silent material palette exist precisely to give primacy to living texture, seasonal change, and the framed view.

A master bath that exudes luxury and leisure is the cornerstone of a dream house. Here the neutral color palette with the faint use of a teal towel gives way to the fresh, lavish lifestyle that this home strives for. Photo Credit: Samantha Day

Example of a classic beige tile corner shower design in Philadelphia with purple walls

Skunkbush Sumac / Rhus trilobata Photo: Petrified Forest NPS, via Flickr, licensed under Creative Commons Attribution-2.0 Generic

Pretty in Pink. The color for this interior bathroom and cabinetry was inspired by a faint hue of pink that ran through the natural stone countertop.
Arts and crafts home design photo in Sacramento

Nautical Compass Wall Art: "Compass Rose" Pencil Sketch Drawing - Digital Artwork Loose Print. https://pipafineart.com/products/compass-rose-pencil-sketch-drawing-digital-artwork-loose-art-print. Embark on a journey of imagination with "Compass Rose," a captivating art print that evokes the spirit of exploration and the allure of the unknown. This mesmerizing piece showcases a meticulously detailed compass rendered in delicate graphite, its intricate lines and shading capturing the timeless beauty of this navigational instrument. The artist's masterful technique brings the compass to life, highlighting the precise markings and delicate flourishes that adorn its face. Set against a backdrop of faint cartographic lines, hinting at distant lands and uncharted territories, the compass becomes a symbol of endless possibility and the pursuit of adventure. Printed on high-quality photo paper with premium inks, "Compass Rose" faithfully captures the rich textures and subtle nuances of the original charcoal drawing. This art print is a perfect addition to any living room, bedroom, dining room, or office, bringing a touch of vintage charm and adventurous spirit to your space. Hang it on your wall and let this timeless symbol inspire you to chart your own course, embrace the unknown, and discover the wonders that await.

This amazing Nano wall completely opens up to create an unobstructed view of Apple Valley lake from this customer's home. The two story living room is accented with faintly nautical touches and gorgeous distressed wood beams that add rustic warmth.

Drop-in bathtub - large transitional master beige tile and ceramic tile ceramic tile drop-in bathtub idea in Boston with raised-panel cabinets, medium tone wood cabinets, a two-piece toilet, yellow walls, a drop-in sink and granite countertops

Casablanca Limestone is a warm, sun-washed stone with cream, beige, and pale sand tones. Its faint veining, subtle speckling, matte texture, and eased edges create a calm, lived-in look suited to hallways, kitchens, great rooms, bathrooms, patios, and garden steps. For inquiries, contact us at (310) 289-0414 or info@neolithicmaterials.com

The homeowners of this condo sought our assistance when downsizing from a large family home on Howe Sound to a small urban condo in Lower Lonsdale, North Vancouver. They asked us to incorporate many of their precious antiques and art pieces into the new design. Our challenges here were twofold; first, how to deal with the unconventional curved floor plan with vast South facing windows that provide a 180 degree view of downtown Vancouver, and second, how to successfully merge an eclectic collection of antique pieces into a modern setting. We began by updating most of their artwork with new matting and framing. We created a gallery effect by grouping like artwork together and displaying larger pieces on the sections of wall between the windows, lighting them with black wall sconces for a graphic effect. We re-upholstered their antique seating with more contemporary fabrics choices - a gray flannel on their Victorian fainting couch and a fun orange chenille animal print on their Louis style chairs. We selected black as an accent colour for many of the accessories as well as the dining room wall to give the space a sophisticated modern edge. The new pieces that we added, including the sofa, coffee table and dining light fixture are mid century inspired, bridging the gap between old and new. White walls and understated wallpaper provide the perfect backdrop for the colourful mix of antique pieces. Interior Design by Lori Steeves, Simply Home Decorating. Photos by Tracey Ayton Photography

The homeowners of this condo sought our assistance when downsizing from a large family home on Howe Sound to a small urban condo in Lower Lonsdale, North Vancouver. They asked us to incorporate many of their precious antiques and art pieces into the new design. Our challenges here were twofold; first, how to deal with the unconventional curved floor plan with vast South facing windows that provide a 180 degree view of downtown Vancouver, and second, how to successfully merge an eclectic collection of antique pieces into a modern setting. We began by updating most of their artwork with new matting and framing. We created a gallery effect by grouping like artwork together and displaying larger pieces on the sections of wall between the windows, lighting them with black wall sconces for a graphic effect. We re-upholstered their antique seating with more contemporary fabrics choices - a gray flannel on their Victorian fainting couch and a fun orange chenille animal print on their Louis style chairs. We selected black as an accent colour for many of the accessories as well as the dining room wall to give the space a sophisticated modern edge. The new pieces that we added, including the sofa, coffee table and dining light fixture are mid century inspired, bridging the gap between old and new. White walls and understated wallpaper provide the perfect backdrop for the colourful mix of antique pieces. Interior Design by Lori Steeves, Simply Home Decorating. Photos by Tracey Ayton Photography