Living room - transitional living room idea in Chicago with white walls

The dominant colors of this beautiful and functional kitchen are gray, white and blue, which are perfectly combined with each other, creating a friendly, cozy and calm atmosphere and hinting at a good rest, a warm welcome of guests, and peaceful communication with the family. High-quality lighting adds not only light, but also shine to the interior of this amazing kitchen. Make your kitchen as beautiful, stylish, and fully functional as this one in the photo. The Grandeur Hills Group design studio is pleased to help you make your kitchen stand out!

High ceilings, wood floors and an arched mirror reflecting lanterns above the dining room make this compact living room feel airy. Flanking artwork makes the arrangement appealing and sophisticated. Wall paint Lattice Gray by Benjamin Moore, trim Dover White, Sherwin-Williams. Photo of a transitional living room in San Diego with gray walls and medium tone hardwood floors. Maximum light for small spaces: open windows, light fixtures, mirrors, light colors. Sand Kasl Imaging

MIRIAM MOORE has a Bachelor of Fine Arts degree in Interior Design from Miami International University of Art and Design. She has been responsible for numerous residential and commercial projects and her work is featured in design publications with national circulation. Before turning her attention to interior design, Miriam worked for many years in the fashion industry, owning several high-end boutiques. Miriam is an active member of the American Society of Interior Designers (ASID).

Photography by Dan Piassick
Bedroom - large eclectic master carpeted bedroom idea in Dallas with white walls and no fireplace

This high quality, 100% real wood full length mirror complements your decor without the need for unsightly "over the door" brackets. Our On The Door Mirror comes with two hooks to hang directly on your door without additional anchors or brackets. With a 14 x 48" viewing area, it gives you a full image either on the back of a door or on the wall as a standard full length mirror. It features a whitewashed 2" wide angled frame with distinctive ribbed surface accents. The white finish has tan distressing and weathered patches. It is perfect for shabby chic, coastal, or casual beach decor.

Builder: Watershed Builder Photography: Michael Blevins An all-white, double vanity master bath in Charlotte with black accent mirrors, undermount sinks, shiplap walls, herringbone porcelain tiles, shaker cabinets and gold hardware.

Large 6 x 18" white shower tile means fewer grout joints to clean, and the eggshell finish hides water spots between cleanings. Board and batten wainscoting continues the white from the shower across the window wall. An 8' high mirrored closet door is handy when getting dressed in the morning. Project Developer: Brad Little | Designer: Chelsea Allard | Project Manager: Tom O'Neil | © Deborah Scannell Photography

Lepere Studio
Inspiration for a mid-sized mediterranean master medium tone wood floor powder room remodel in Santa Barbara with a wall-mount sink and white walls

Eddy collection introduces contemporary design highlighted with high gloss white finish, ring accents on drawer fronts, and stainless steel feet. Includes bed, 2 large nightstands, double dresser and mirror. From www.thefurnituretoday.com Queen: W"60 x D"80 x H"34 King: W"76 x D"80 x H"344 Large Nightstand: W30" x D18" x H20" Double Dresser: L63" x D20" x H30" Mirror: W30" x D1" x H48"

Award-winning designs of Whole House Renovations and Additions by Glickman Design Build team of designers. Glickman Design Build has been doing renovations and additions in the MD, VA and DC area for the past 30 plus years. @John Cole Photography

Powder room - transitional powder room idea in New York

This gorgeous solid wood dresser has been enriched with extra wood grain effects and a faux finish that mimics granite. Golden metallic touches enhance the carved palm leaves on each corner as well as the beautiful beveled mirror. All 7 dovetail drawers glide smoothly, and effortlessly, and the top 3 are lined with dark brown velvet flocking. The quality craftsmanship is unmistakable. It could easily be used in any setting, providing you with a substantial amount of storage. Cabinet grade finishes ensure years of lasting beauty. We also do custom finishing on your Furniture or Kitchen and Bath Cabinetry. Message us anytime for more details. Measurements are: 68” Long, x 20 & ½ “ Deep, x 86” High to the top of the beveled mirror. Delivery/Shipping Options Available for an additional fee. We accept most major credit cards via our secure website. Winston Home Designs

Open concept Living/Dining/Kitchen with curved wood ceiling, pendant lighting array, billiard dining table, and skyline views - Interior Design: HAUS | Architecture + LEVEL Interiors - Furniture: Houseworks - Photography: Ryan Kurtz

Bedroom in downtown loft with NO windows! This was the challenge Interior Designer Rebecca Robeson faced when beginning this Denver Loft Remodel. Rebecca began by identifying the focal-point wall and addressing the overall dark feel of the room. She painted 3 walls a soft grey and one wall a dark navy blue. Rebecca applied her creative genius to the space by hanging nine beveled mirrors on the dark wall above the bed as a clever way to fool the eye into thinking the mirrors were windows. To further indulge the concept, Rebecca added crisp white linen panels to mimic window treatments on either side. This design idea created a dramatic symmetrical backdrop for the Bedroom furniture... A spectacular oversized blue and white rug (Aja Rugs) sets a perfect foundation for the queen size bed with two oversize nightstands in crisp white, the Bedroom was complete. Tech Lighting - Black Whale Lighting Photos by Ryan Garvin Photography

MICHELE LEE WILLSON PHOTOGRAPHY
Example of a trendy bedroom design in San Francisco

Architect: Portuondo Perotti Architects Photography: Carlos Domenech “This is well detailed and consistent inside and out. It is a classic Mediterranean Revival in the Floridian tradition of Mizner.” This single-family residential home in Gables Estates, Coral Gables, Florida, successfully pays respect to the architecture of the Mediterranean and Renaissance Italian styles. From the use of courtyards to the high level of detailing, this project emphasizes the most picturesque and expressive qualities of these styles. The residence reflects the visions of two of Coral Gables’ first architects, who designed beautiful and timeless architecture in this garden city to become a lasting piece in the landscape. This project not only captures the breathtaking views of Biscayne Bay, but with timeless style and lush landscaping, it creates a centerpiece for the view from the bay to Coral Gables. The home is designed as a long gallery, with spaces connected by courtyards and public realms. Another large inspiration for this project was the idea of the garden and landscape. With Coral Gables as a garden city, landscape became an integral part of the conception and design. The durability of Marvin products, their ability to stand up to the South Florida climate, as well as the Marvin attention to detail and proportion, made them the perfect choice to employ in a project of such high standards. The range of products allowed the freedom of design to explore all possibilities and turn visions into reality. The result was a lasting piece of architecture that would reflect a level of detail in every part of its structure. MARVIN PRODUCTS USED: Marvin Round Top Window Marvin Ultimate Arch Top French Door Marvin Ultimate Swinging French Door Marvin Ultimate Venting Picture Window Marvin Casemaster

1960s formal and open concept living room photo in San Francisco with gray walls

This is a quintessentially urban prewar-into-modern hybrid: a broad, laterally organized reception room whose principal architectural gesture is the corner glazing that dissolves two walls into a panoramic register of treetops and distant skyline. The plan reads as a series of soft, overlapping conversational precincts rather than a single axial arrangement — a pair of swivel-capable lounge chairs anchoring the window wall, a facing pair of high-backed tub chairs, and a deep tuxedo-profile sofa closing the composition toward the viewer — all orbiting an organically contoured cocktail table that performs as the room's centrifugal keystone. The ceiling is treated with a recessed reveal and shallow soffit that traces the perimeter, a device that both conceals drapery hardware and lifts the plane visually, granting the low-slung modern floor plate an unexpected sense of loft. A blade wall carrying a single framed canvas performs critical spatial work, terminating the living volume while permitting an enfilade sightline through to a secondary dining zone beyond, where a glazed wall of ivy-clad courtyard reads as a green tapestry. The geometry throughout is deliberately curvilinear — barrel-backed seating, amoeboid tabletops, splayed tapered legs — set against the orthogonal discipline of window mullions, drapery pleats, and rectilinear millwork, producing a productive tension between architectural rigor and furnishings that behave sculpturally. **II. Materiality, Color & Texture** The palette is a study in tonal restraint calibrated for maximum textural incident. Walls are finished in a matte, faintly striated plaster or grasscloth with a warm ecru undertone that absorbs rather than reflects light, establishing a neutral field against which every surface differential registers. Seating is upholstered in a lustrous chenille or crushed velvet of pale greige, whose short pile catches raking daylight and reads almost pearlescent, while the foreground sofa introduces a coarser boucle in an oatmeal register and the opposing sofa shifts decisively into a saturated tobacco-and-umber channel-tufted chenille, its French-polished rosewood or macassar ebony frame supplying the room's darkest, most reflective note. Stone is deployed with connoisseurial precision: the cocktail tables are honed alabaster or backlit-quality onyx, their translucent creamy strata and honey veining offering a warm mineral counterpoint to the cool, ink-washed abstraction of the hand-knotted area rug, which functions as a painterly ground — a gestural silver-and-charcoal wash pooling beneath the furniture. Bronze, patinated brass, and stainless accents appear in table bases, the vessel-form vase, and the sconce, providing metallic punctuation without gleam. Drapery in a heavy sand-toned linen, edged in a beaded or embroidered tape, softens the glazing perimeter and reinforces the room's tactile vocabulary of nap, weave, slub, and polish. **III. Lighting, Atmosphere & Style Profile** Natural light is the dominant luminous strategy: the corner glazing admits a soft, diffuse northern wash under overcast conditions, which the designer has intelligently accepted rather than resisted — the flat, shadowless quality flatters the velvet piles and plaster walls, and the drapery is stacked to admit maximum daylight while modulating glare at the jambs. Artificial sources are almost entirely concealed or decorative: a slim architectural sconce on the blade wall, a sculptural biomorphic table lamp in white lacquer or ceramic in the dining zone, and an extraordinary petal-form pendant in patinated metal that reads as an art object first and a fixture second. The resulting atmosphere is hushed, cerebral, and quietly patrician — a room of low chroma and high material intelligence, where drama is supplied by silhouette and surface rather than by color or ornament. Stylistically, the project synthesizes into what might best be termed **Modernist Salon** or **Warm Continental Minimalism**: the DNA of mid-century French decorative arts — Royère, Frank, Adnet — filtered through a contemporary sensibility of tonal layering and soft geometry, with an Art Deco undertow in the ebonized woods and channel tufting. It is a scheme of curatorial discipline: nothing is decorative for its own sake, the view is treated as the primary artwork, and every material is selected for how it behaves in light.