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Stoner Architects
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Transitional galley medium tone wood floor and brown floor kitchen photo in San Francisco with shaker cabinets, white cabinets, white backsplash, subway tile backsplash, stainless steel appliances, an island and gray countertops

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Photo Credit - David Bader
Country 3/4 gray floor alcove shower photo in Milwaukee with shaker cabinets, white cabinets, a two-piece toilet, white walls, an undermount sink and white countertops

Discover modern elegance in this open-concept kitchen and living space, featuring sleek white cabinetry, luxurious quartz countertops, and contemporary black and gold pendant lights illuminating a spacious kitchen island. This inviting design seamlessly connects the kitchen with a vibrant dining area and comfortable living space, showcasing rich hardwood flooring and stylish accents like bright orange decorative bowls and warm leather bar stools. Ideal for modern living and entertaining.

Jacqueline Marquee Photography
Living room - small eclectic light wood floor living room idea in New Orleans with red walls

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

Bret Jelinek - Chicago Home Photos
Example of a trendy galley medium tone wood floor and brown floor open concept kitchen design in Chicago with paneled appliances, an island, an undermount sink, recessed-panel cabinets, white cabinets, gray backsplash and white countertops

Open concept kitchen - contemporary l-shaped dark wood floor and brown floor open concept kitchen idea in Tampa with an undermount sink, shaker cabinets, white cabinets, white backsplash, stone slab backsplash, an island and white countertops

It wasn’t necessary to overthink things when Axis Mundi designed interiors for an apartment at Brooklyn’s glass-sheathed 1 Grand Army Plaza, the luxury building by Richard Meier already endowed with all the “starchitect” bells and whistles, as well as drop-dead stunning views of Brooklyn, the harbor and Prospect Park. What did require considerable aptitude was to strike the right balance between respect for these assets, particularly the panoramas, and livability. The all-white scheme doesn’t just complement Meier’s own aesthetic devotion to this purest of pure hues; it serves as a cool backdrop for the views, affording comfortable vantage points from which to enjoy them, yet not drawing attention away from the splendors of one of the world’s most distinctive boroughs. Sleek, low-lying Italian seating avoids distracting interruptions on the horizon line. But minimal color accents and pattern also sidestep what could have been a potentially antiseptic environment, making it tactile, human and luxurious. 2,200 sf Design Team: John Beckmann, Richard Rosenbloom and Nick Messerlian Vintage photography courtesy of the Ubu Gallery, New York Photography: Adriana Buffi and Fran Parente © Axis Mundi Design LLC

This 400 s.f. studio apartment in NYC’s Greenwich Village serves as a pied-a-terre for clients whose primary residence is on the West Coast. Although the clients do not reside here full-time, this tiny space accommodates all the creature comforts of home. Bleached hardwood floors, crisp white walls, and high ceilings are the backdrop to a custom blackened steel and glass partition, layered with raw silk sheer draperies, to create a private sleeping area, replete with custom built-in closets. Simple headboard and crisp linens are balanced with a lightly-metallic glazed duvet and a vintage textile pillow. The living space boasts a custom Belgian linen sectional sofa that pulls out into a full-size bed for the couple’s young children who sometimes accompany them. Efficient and inexpensive dining furniture sits comfortably in the main living space and lends clean, Scandinavian functionality for sharing meals. The sculptural handcrafted metal ceiling mobile offsets the architecture’s clean lines, defining the space while accentuating the tall ceilings. The kitchenette combines custom cool grey lacquered cabinets with brass fittings, white beveled subway tile, and a warm brushed brass backsplash; an antique Boucherouite runner and textural woven stools that pull up to the kitchen’s coffee counter punctuate the clean palette with warmth and the human scale. The under-counter freezer and refrigerator, along with the 18” dishwasher, are all panelled to match the cabinets, and open shelving to the ceiling maximizes the feeling of the space’s volume. The entry closet doubles as home for a combination washer/dryer unit. The custom bathroom vanity, with open brass legs sitting against floor-to-ceiling marble subway tile, boasts a honed gray marble countertop, with an undermount sink offset to maximize precious counter space and highlight a pendant light. A tall narrow cabinet combines closed and open storage, and a recessed mirrored medicine cabinet conceals additional necessaries. The stand-up shower is kept minimal, with simple white beveled subway tile and frameless glass doors, and is large enough to host a teak and stainless bench for comfort; black sink and bath fittings ground the otherwise light palette. What had been a generic studio apartment became a rich landscape for living.

Situated in rural east Templeton is the Santa Barbara style estate that is the Castillo Residence. It exemplifies the classic nature of old world Spain, sporting massive timber trusses, authentic terra cotta tile flooring and pristine white washed walls. The entry to the residence is suitably grand, with a sweeping stair case up to a landing that overlooks the antique wood front door. The house boasts lofty ceilings in the great room, and a two story library complete with spiral stair case. This house was not only designed to suit its human residents but also its canine residents, and they have their own room off of the 5-car garage at the lower level. The master suite occupies a full wing of the residence, at a mere 1,700 square feet, providing space for a master sitting room, bedroom, bathroom, and sprawling walk in closets with laundry facilities. There are a plethora of outdoor living spaces, including a full outdoor kitchen, reflecting pool water feature and massive covered porches overlooking the Templeton countryside.

THE DOOR NAME ORIGIN - "SHAKER STYLE 1 PANEL" How many panels should your interior door have? Well! If you’re looking for a truly no-frills product that is nonetheless elegant, this is an interior door you should consider first. This one-panel model is a truly minimal shaker-style design. While just as reliable as the interior doors in our other collections, these interior doors cost less. A lot less, in fact. Again, if simplicity is your thing, do consider this model. The original Shakers (or Shaking Quackers, as they were styled back in the Nineteenth Century) would be immensely pleased to have this product, as it most certainly adheres to their principle of utter simplicity combined with reliability. In its heyday, the community was highly influential when it came to matters of taste, not just in the United States, but in many other countries. The Baroque period that emphasized and worshipped unapologetic, insolent luxury had come to an end. Austere clas... Show more! FINISH: WHITE This is a bit tricky. Isn’t White the default finish that would look great on any interior door? Well, not quite. W. is the color most often associated with perfection, honesty, cleanliness, newness, neutrality, and exactitude. The pigment has been known and used by humans since prehistoric times. In ancient Egypt, W. symbolized purity. Roman patricians paraded around in W. togas to distinguish themselves from the common folk. It was the color of choice of French monarchs. Architects of all epochs used W., with considerable enthusiasm, in various projects and for various reasons. In the United States, architects favored it when designing churches, capitols, and municipal buildings – which is, in fact, a tradition they inherited from classical and Renaissance architecture. According to some experts, most of the buildings in the celebrated Forum were either made of, or clad in, W. marble. In Taoism, it represents the yang or masculine energy, one of the two complementary natures of the universe. Many authors, both classical and contemporary, have referred to W. as a sign of purity, either physical (like William Shakespeare, whose treacherous usurper monarch wishes a heavenly rain would cleanse his blood-stained hand, washing it “white as snow”) or spiritual (like Tennessee Williams, who named his lead character Blanche (derived, incidentally, from the Germanic word blanc)) as a symbol of her innocent child-like spirit, perceptible from the moment she makes her first entrance (through the interior door stage-left). Back in the Seventeenth Century, Sir Isaac Newton discovered that sunlight is composed of light with wavelengths across the visible spectrum which the human eye perceives as W. It is the lightest of the spectrum, and achromatic (hue-less) to boot, because it fully reflects and scatters all visible wavelengths of light, absorbing none. W. objects stand out in the dark. Depending on the surroundings, an interior door with W. finish might come off as emphatic or tactful, dominant or complementary. It blends seamlessly into most types of decor and, once the owner’s needs and disposition are taken into account, can symbolize - oh, so many different things, while bringing back a myriad memories: from those glorious snowy Alpine slopes and peaks to the fluffy tops of the wayward herd of cumulus cloud heap over the horizon on a balmy afternoon in the Caribbean. Tropical sand beaches are W. due to the high quantity of calcium carbonate they get from tiny bits of seashells ground to powder by the waves. In a number of cultures W. can also symbolize festivity, and be used lavishly to brighten up weddings, birthdays, and anniversaries. It is beautiful. Make sure it goes well with your interior door model, though.

Inspiration for a small eclectic one-story vinyl exterior home remodel in New Orleans with a shingle roof

This NoHo apartment, in a landmarked circa 1870 building designed by Stephen Decatur Hatch and converted to lofts in 1987, had been interestingly renovated by a rock musician before being purchased by a young hedge fund manager and his gallery director girlfriend. Naturally, the couple brought to the project their collection of painting, photography and sculpture, mostly by young emerging artists. Axis Mundi accommodated these pieces within a neutral palette accented with occasional flashes of bright color that referenced the various artworks. Major furniture pieces – a sectional in the library, a 12-foot-long dining table–along with a rich blend of textures such as leather, linen, fur and warm woods, helped bring the sprawling dimensions of the loft down to human scale. Photography: Mark Roskams