The home’s design carefully balances rustic comfort and traditional formality. As the clients desired to create a country home with an implied sense of a restored or renovated barn, they were naturally drawn to the workmanship of timber framing. Photo Credit: Tom Crane

Our wine cellar builders utilized the space under the table for additional wine storage. The result was a Dallas wine cellar design that is both aesthetically appealing and highly functional. Specifically, case storage was placed beneath the tabletop. Wine Cellar Specialists 1134 Commerce Drive Richardson (972)454-0480 75081 https://winecellarspec.com/

"Cannello", Italian for candle, is much more than it's name implies. Cannello is a sleek new ethanol burning wall torch. Perfect by itself, but even better as a pair flanking a doorway or lining a hall, the Cannello is a beautiful way to add luxury and warmth. The colorful flames are accentuated against the classic black frame and the tempered glass windscreen is supported by stainless steel standoffs... beautiful and functional. Easily adjust the flame height or extinguish it completely with the provided dampener tool. This open ultra modern design allows the beauty and colors of the flames to be enjoyed by everyone. Relax and unwind as you watch the fascinating flames. Perfect for any setting. For indoor use only.

This 1790 farmhouse had received an addition to the historic ell in the 1970s, with a more recent renovation encompassing the kitchen and adding a small mudroom & laundry room in the ’90s. Unfortunately, as happens all too often, it had been done in a way that was architecturally inappropriate style of the home. We worked within the available footprint to create “layers of implied time,” reinstating stylistic integrity and un-muddling the mistakes of more recent renovations.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter © Axis Mundi Design LLC

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

Welcome to the foyer at The French Chateau. This is the space I first fell in love with; as I have wanted a home with a curved staircase since I was a little girl. Immediately upon entering, you are greeted with the view of our round foyer table as seen here. The objects I have chosen to accentuate this area are meaningful to me. For example, the tall pink cherry blossoms put my favorite color, pink, on display. The gardenia candle is intended to welcome guests with a soft, pretty scent. The sculpture is called "Butterflies for Brains". My name, Vanessa, means butterfly. My maternal grandmother, Ruth, loved butterflies as well. So this sculpture not only visually reminds me of her, but it also is symbolic of who I am and how I view the world. At first blush the phrase 'butterflies for brains" may imply being flighty or whimsical...but to me instead it means being creative and living life as a creative, always looking for beauty.

Architect: Patrick Ahearn Architect LLC Construction: Rosbeck BuildersInteriors: Slifer Designs Photography By: Greg Premru “Rigorously symmetrical yet relaxed in shape and proportions, this house is very well executed inside and out. It feels appropriately sized for its site and is well detailed. It’s by far the best of the Shingle Style submittals.” The project is a new construction of a family compound consisting of two new houses and associated site development along South Beach. Due to the topography of the nearby dunes, the living spaces of the main and guest houses were located on the second floor in order to gain the panoramic views of the ocean and extended coastline beyond. The challenge was to create a shingle-style island vernacular architecture that did not reflect the upside-down nature of the primary living space. The inspiration was based on the desire to take a large program and break it into smaller architectural elements based on the idea that the homes could have originally been constructed in the 1920s or 1930s and then added onto over time. This concept of "implied history" is one that creates a legacy of a seaside architecture from the rich history of New England’s past, yet has evolved into how people want to live today. The Marvin products, with their hurricane-resistant capabilities, were a clear choice based on this locale. The use of the folding door systems allowed for the ease of flow from indoor to outdoor spaces in a timeless way.

The photograph is composed as a deliberate enfilade study, framing the dining room through a deep, mahogany-cased cased opening that functions as both proscenium and threshold. This heavy portal — with its substantial reveal, plinth-like jambs and crisply mitered head casing — establishes a strong rectilinear armature that compresses the foreground and, by contrast, releases the eye into the luminous volume beyond. The plan reads as a classic pre-war apartment sequence: an axial sightline runs from the gallery floor, across the field of the dining room, and terminates at the window wall, where a curtained bay borrows daylight from the street. The ceiling is articulated by shallow beam drops or applied soffits — a coffer-adjacent treatment that registers the building's structural grid while lending the room a subtle sense of enclosure and datum. Geometry is orchestrated around opposing figures: the orthogonal rigor of casings, valance, beam lines and picture frames set against the centralized circular table, whose radial symmetry anchors the room's midpoint directly beneath the chandelier. Furnishings are held in a loose, non-touching arrangement, with generous circulation clearance at the perimeter, so that the room's volume — rather than its contents — remains the primary subject. Secondary sightlines to the left, toward a mirrored console and gilt-framed panel, and to the right, toward a picture-lit artwork, quietly widen the perceived footprint and imply adjacent rooms beyond the frame. The material narrative is built on a controlled tonal ascent from dark to light. The foreground is dominated by richly figured, warm-red mahogany millwork and a chevron-laid oak parquet whose bleached, honeyed grain reads with a slight gray wash — a directional pattern that visually propels the viewer toward the interior. Within the dining room, the palette shifts to a low-saturation envelope of chalky off-white plaster walls and putty-toned textiles: floor-length linen or silk-blend drapery panels with a faint slubbed weave, gathered beneath a tailored, flat-front upholstered valance whose crisp horizontal band imparts an atelier precision. Underfoot, a natural sisal or seagrass rug with a linen tape border introduces a coarse, granular tactility that grounds the refined upholstery above; its woven, matte texture is deliberately calibrated against the smoother satin sheen of the dining chairs' subtly striped fabric. The room's tonal fulcrum is the antique carved pedestal table — a near-black, deeply modeled Anglo-Indian or Colonial Revival piece whose pierced apron, scrolled tripod base and paw feet supply the composition's only ornamental exuberance and its darkest value. Accents are chosen for restraint: silvered leaf on the console's fretwork facing, water-gilt on the framed panel, polished nickel or silver on the chandelier and the flower vessel, and the cool white of massed oriental lilies. Undertones remain uniformly warm — greige, ecru, taupe, oatmeal — with cool relief supplied only by the metals and the daylight itself. Lighting is layered with quiet discipline. Natural light enters as a diffused, north-facing wash through a sheer-veiled window, its intensity softened by roller or Roman shading so that the glazing reads as a luminous plane rather than a view; this creates a gentle contre-jour that silhouettes the chandelier and the table's carved base. The multi-arm chandelier — a silvered, pagoda-crested fixture with slender candle sleeves and faceted drops — serves as sculptural punctuation more than as a working source, its warm 2700K glow registering as ambient sparkle. Accent illumination is deployed with curatorial intent: a picture light grazes the framed work at right, while the recessed downlights and the darkened foreground casings produce a chiaroscuro that heightens the sense of arrival. The cumulative atmosphere is one of hushed formality — composed, aerated, and almost monastic in its refusal of visual noise. Stylistically, the room synthesizes into what might be termed Transitional Classicism, or Warm Neutral Modern Traditional: the bones and millwork are unmistakably pre-war Beaux-Arts-derived, yet the flat-front valances, unadorned wall planes, natural-fiber flooring and simplified parson-back chairs reflect a contemporary editorial sensibility. The single antique table operates as a considered anachronism — a note of patinated gravitas within an otherwise pared-back, texturally driven interior — demonstrating a designer's confidence in restraint punctuated by one authoritative gesture.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

Republished by permission of The News-Gazette 2017. Permission does not imply endorsement. The gingerbread trim on the front porch matched that on the front of the home originally.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet © Axis Mundi Design LLC

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

New kitchen space — bright and open to the living area.
Enclosed kitchen - large transitional u-shaped ceramic tile and gray floor enclosed kitchen idea in DC Metro with a double-bowl sink, recessed-panel cabinets, medium tone wood cabinets, stainless steel appliances, granite countertops, metallic backsplash, mosaic tile backsplash and no island

Paul Despenas: Homeowners in Belmond, Iowa choose Everlast Polymeric Plank Siding over James Hardie Fiber Cement for one simple reason, The Warranty Everlast Polymeric Plank Siding has a lifetime Non-Fade Protection! It holds its color! No more painting and the fiber cement siding warranty did not make that guarantee. Here is a before and after photo from our customers and their comments! First photo taken last summer, and the second was last week right after MWC. Crew got finished. Much thanks to Chino, and his right hand man. We love it! Thanks again, Bill & Kathy W. Belmond, Ia. Why Choose Everlast: Everlast Advanced Composite Siding is unlike any other siding you’ve considered, and the moment you see it, you’ll know why. Solid construction means the planks don’t bend or bow, and align perfectly against the outer walls of your home. Everlast offers two trim collections – Premium Everlast Color-Matched Trim which is available in all 14 deep, rich colors and white cellular PVC trim* which cuts and installs just like wood. Unlike other solid siding products, Everlast is lightweight and stackable for easy installation, yet durable enough to withstand fierce wind, scorching summer temperatures and subzero winter temperatures. Finally, ease of care comes naturally with Everlast products. Easy-to-clean warm, low-gloss surface returns to original luster with a simple hose-down; stains like crayon, paint, and oil are removed easily with standard household cleaners (see warranty for complete cleaning instructions) Whether you choose Everlast for its beauty, strength or ease of care, it’s a choice you can make with confidence. Guaranteed to last, Period! We’re proud of our product and stand behind it for life. Everlast Advanced Composite Siding is backed by a transferrable, Limited Lifetime Warranty*. In addition, Everlast is warranted against hail damage where your homeowner’s insurance may not cover. The look of fresh-cut cedar comes from our CedarTouch® texture, and 14 beautiful colors are protected with our UV-stable acrylic polymer and backed by a Limited Lifetime Warranty*. Everlast Advanced Composite Siding will never peel; chip or blister, and it will never need to be scraped, sanded and painted. *see warranty for details We've been providing comprehensive exterior remodeling solutions since 1958, offering "Quality Products & Quality Installation" just like our motto implies... Whether you're in the market for: Windows Doors Siding Sun rooms Gutters ...the pros at Midwest can deliver on-time and on-budget service. Call us today for your free consultation and no-obligation quote! To ensure we're providing safe service that is up-to-code, we have all of our production managers get VSI-certified – not to mention that all of our team members are factory trained! For a more in-depth at our offering, visit our showroom right here in Mason City. It features full-size sun rooms and fully functional window displays. If you decide on us, we'll be sure to walk you through the entire process – from beginning to end – and our team members will be there throughout to ensure a smooth and streamlined process.

Stacked stone implies rapidly moving, churning water in the dry creek bed. Photo by Jay Sifford.
Photo of a large asian full sun front yard stone garden path in Charlotte.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet © Axis Mundi Design LLC

Proper wine storage almost always requires a wine cellar cooling unit Atlanta. Because wines cannot tolerate temperature fluctuations, heat, or dryness of the air, a wine cellar cooling system is necessary to keep the precious beverages safe. It must be chosen based on the size of the room, the number of bottles to be stored, and budget of the owner. For this Atlanta Georgia wine cellar project, our wine cellar builders installed a WhisperKool XLT3000 wine cellar refrigeration unit. It is ideal for the small wine storage space, and functions quietly and efficiently. WhisperKool has been one of the trusted manufacturers of cooling equipment. Learn more about this project: http://www.winecellarspec.com/custom-wine-cellars-atlanta-georgia-rr/ Wine Cellar Specialists Take a video tour of this project: http://www.youtube.com/watch?v=hlaDBV0m5P0 +1 (972) 454-0480 info@winecellarspec.com

Shashwat Stainless Inc. is the largest Round Bar Manufacturer in India. Round bars are essential components in various industries due to their strength, versatility, and durability. Round Bars are used in various parts in India. Our Company is a name that people trust. Our brand name implies fast delivery, affordable prices, and superior quality of Round Bars. These bars are widely used in construction, engineering, manufacturing, and fabrication industries, owing to their excellent resistance to corrosion, superior finish, and high tensile strength. Also, go through the Sheet and Plate Weight Chart in kg, mm PDF.

As a recognized Round Bar Supplier in India, we assure that our goods satisfy worldwide quality and specific requirements. Our round bars come in a variety of diameters, grades, and finishes to suit a wide range of industrial applications. We provide round bars for structural or specialized engineering applications that ensure performance and long-term durability. We are also a leading Duplex Steel F53 Round Bars Manufacturer in India. We have supplied Round Bars in various cities and different industries in India. As one of the leading Round Bar Manufacturers, we offer high-quality bars made from premium-grade raw materials such as stainless steel, carbon steel, alloy steel, and more. Therefore we are known as one of the top-rated Round Bars Suppliers.  Other Products: Pipes and Tubes Manufacturers in India