Living room - contemporary living room idea in Los Angeles

Per Se is a faucet collection that embodies slender, soft modern minimalism. Meaning "in itself," Per Se embraces its name with an aesthetic that has an intuitively beautiful base form and is welcoming with thoughtful composition. Pairing uncomplicated design with a thinness that challenges industry norms, Per Se is as individualistic as its name implies. Per Se on KALLISTA.com | http://bit.ly/1cShlT3

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter © Axis Mundi Design LLC

This plush chairs not only complement the contemporary style but is comfortable for guests.
Inspiration for a large contemporary formal and enclosed light wood floor living room remodel in New York with white walls, a standard fireplace, a stone fireplace and a wall-mounted tv

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

As the name implies, the Infinite is limitless in its design applications. The simple yet elegant shape will naturally draw attention for its style and inviting warmth. Perfect for both residential and commercial applications, Infinite can change appearance from modern to traditional by simply selecting the weathered & textured Travertine finish.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet Contractor: James Sappho © Axis Mundi Design LLC.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

Like many West Coast cities, Seattle is facing a severe housing shortage at a time when labor and material costs have skyrocketed. Combined with a lack of available dirt, housing vacancy rates stubbornly hover under 5%. A response to this housing perfect storm has been the evolution of a new housing prototype called a detached Auxiliary Dwelling Unit (DADU). This is commonly referred to as a Mother-in-Law (MIL) unit. As the name implies, this is a small, self-contained housing type that allows for additional housing to be built on an existing lot, creating greater density within our urban fabric. Generally thought of as either starter housing or aging-in-place concepts, these are extremely efficient floor plans that squeeze all the basic living functions into a compact space while envisioning the urban fabric as one's living room. In the case of our little DADU, our footprint is 20' x 20' and provides a ground level garage/music studio and an upper level apartment. The misconception of these structure - thanks in large part to the misinformation campaign of the Not-So-Big-House movement - is the smaller translates into cheaper. Since these are essentially small houses, the truth is these are very expensive structures on a cost/sf basis. We conceptualized this structure as inexpensively as we could think of and it still ended up costing more than $400,000 or around $500/sf.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

The temple design exudes a futuristic and organic appeal, featuring spherical domes that rise smoothly from the earth, suggesting a deep integration with the surrounding landscape. The curved lines and monolithic forms of the structure imply a modernist approach to sacred spaces, while the subdued color palette harmonizes with the natural setting. The simplicity of the design invites quiet reflection, making it a unique landmark that marries the ancient purpose of a temple with contemporary architectural expression.

Shade plantings add interest and texture as well implying a path through the space.
This is an example of a small traditional landscaping in Charleston.

As the hall bathroom name would imply, this bathroom is accessible to and used by multiple members of a residence, and it’s located on a hallway serving numerous bedrooms.

When the Gimbels department store chain closed in 1986, many of its selling floors were converted into luxury apartments, including those of this branch at 86th Street and Lexington Avenue. The retailer’s soaring ceilings allowed Axis Mundi to create bedroom mezzanine spaces overlooking the living and dining rooms. Defining them with translucent glass welcomed natural light while retaining privacy. Downstairs, spaces bleed one into another, their basic monochromatic black-and-white palette acting as a unifying leitmotif. Yet each space feels distinct, with its own programmatic purpose, a feat largely achieved by varying floor and wall treatments—a graphic tile pattern in the entry, a red wall in the hall leading to the master suite, a colorful area rug in the living room. In the retailer’s heyday, the then-common saying, “Would Macy’s tell Gimbels?” implied the strategies the competitors kept from each other to gain the upper hand. Here, a structure iconic in its day also conceals something: a handsome, wholly contemporary repurposing that represents just the sort of innovation that made Gimbels the celebrated name that it was. Project Team: John Beckmann, Nick Messerlian and Richard Rosenbloom Kitchen by Minimal USA Photography: Federica Carlet © Axis Mundi Design LLC

full [s3e1] Power Se.ason 3 Ep.isode 1 On.line Call Me James. Alright, everything looks perfect then, and let's getting started to watch for it finally, Power s03e01: Call Me James. As the premiere of season 3, what we could expect then? James gets ready to leave Ghost behind. Angela needs to choose between honor and love. A bit reminder from "Ghost Is Dead" Bodies from Ghost's organization drop left and right, each death inching closer to Ghost and Tommy. Tasha learns of Shawn's death, believing it to have been Ghost's work. Kanan and Ghost fight with Ghost the victor, leaving him for dead and burning the evidence. Tommy Learns of Ghost's involvement with Holly. Ghost reveals to Tommy that he was the one killing most of the members from the organization. Soon after, Tommy shows Ghost the fake ID of Holly and goes solo. Lobo's calls Tommy wanting him to work with him or lose everything. Angela and Ghost reconcile telling her Ghost is dead, but at the risk of her possibly losing her job. Greg threatens to put Angela and Ghost in jail. The police investigate a fire at Ghost's and Kanan's fight, revealing someone escaped, strongly implying Kanan is still alive. Know further of this show, Power is an American crime drama television series airing on Starz. The show was created by Courtney Kemp Agboh and is produced by the rapper Curtis "50 Cent" Jackson. It premiered on June 7, 2014. On June 11, 2014, Starz renewed Power for a ten-episode second season, which began on June 6, 2015 and ended on August 15, 2015. On June 10, 2015, after a very positive critical response to its season 2 premiere, Power was renewed for a ten-episode third season which is scheduled to premiere on July 17, 2016. Very fantastic, The series follows James St. Patrick, nicknamed "Ghost," owner of a popular New York City nightclub "Truth." In addition, he is a major player in one of the city's biggest illegal drug networks. He struggles to balance these two lives, and the balance topples when he realizes he wants to leave the drug ring in order to support his legitimate business, and commit to his mistress. He seems eerily unhappy with his life, Tommy calling it a mid-life crisis, therefore getting in a relationship with Angela. He also has to keep his marriage with Tasha (Naughton) and his relationship with AUSA agent Angela Valdez (Loren). With help from his partner in crime Tommy Egan (Sikora), he tries to manage a double life. In the second season James is thrown out of his penthouse after Tasha found out that James took Angela to Miami. 100% working here: http://tinyurl.com/ju79smw http://tinyurl.com/jejqwra Kanan (50 Cent) who spent 10 years in a drug related crime, also believes Ghost set him up. Kanan has a son Shawn, who drives Ghost around and Kanan uses him to get information on Ghost. In the season 2 finale, Ghost and Kanan indulge in an extremely dangerous fight in a dilapidated building. Ghost eventually stabs Kanan and burns him. But in the final minutes of the season finale "Ghost Is Dead", it is revealed that sprinklers had put the fire out, resulting in Kanan escaping and ends with the line "Nobody broke in, somebody broke out". Go and start watching for it after all, Power season 3, episode 1 : Call Me James.

This 1790 farmhouse had received an addition to the historic ell in the 1970s, with a more recent renovation encompassing the kitchen and adding a small mudroom & laundry room in the ’90s. Unfortunately, as happens all too often, it had been done in a way that was architecturally inappropriate style of the home. We worked within the available footprint to create “layers of implied time,” reinstating stylistic integrity and un-muddling the mistakes of more recent renovations.

"Revival” implies a retread of an old idea—not our interests at Axis Mundi. So when renovating an 1840s Greek Revival brownstone, subversion was on our minds. The landmarked exterior remains unchanged, as does the residence’s unalterable 19-foot width. Inside, however, a pristine white space forms a backdrop for art by Warhol, Basquiat and Haring, as well as intriguing furnishings drawn from the continuum of modern design—pieces by Dalí and Gaudí, Patrick Naggar and Poltrona Frau, Armani and Versace. The architectural envelope references iconic 20th-century figures and genres: Jean Prouvé-like shutters in the kitchen, an industrial-chic bronze staircase and a ground-floor screen employing cast glass salvaged from Gio Ponti’s 1950s design for Alitalia’s Fifth Avenue showroom (paired with mercury mirror and set within a bronze grid). Unable to resist a bit of our usual wit, Greek allusions appear in a dining room fireplace that reimagines classicism in a contemporary fashion and lampshades that slyly recall the drapery of Greek sculpture. Size: 2,550 sq. ft. Design Team: John Beckmann and Richard Rosenbloom Photography: Adriana Bufi, Andrew Garn, and Annie Schlecter Contractor: Stern Projects © Axis Mundi Design LLC.

"Cannello", Italian for candle, is much more than it's name implies. Cannello is a sleek new ethanol burning wall torch. Perfect by itself, but even better as a pair flanking a doorway or lining a hall, the Cannello is a beautiful way to add luxury and warmth. The colorful flames are accentuated against the classic black frame and the tempered glass windscreen is supported by stainless steel standoffs... beautiful and functional. Easily adjust the flame height or extinguish it completely with the provided dampener tool. This open ultra modern design allows the beauty and colors of the flames to be enjoyed by everyone. Relax and unwind as you watch the fascinating flames. Perfect for any setting. For indoor use only.