The Rainshower™ F-Series combines freedom with the flexibility to create a customized shower that incorporates minimalism design, a comfortable experience and is functional and enticing to use. The super-flat panels blend seamlessly into any décor.

Master bathroom design & build in Houston Texas. This master bathroom was custom designed specifically for our client. She wanted a luxurious bathroom with lots of detail, down to the last finish. Our original design had satin brass sink and shower fixtures. The client loved the satin brass plumbing fixtures, but was a bit apprehensive going with the satin brass plumbing fixtures. Feeling it would lock her down for a long commitment. So we worked a design out that allowed us to mix metal finishes. This way our client could have the satin brass look without the commitment of the plumbing fixtures. We started mixing metals by presenting a chandelier made by Curry & Company, the "Zenda Orb Chandelier" that has a mix of silver and gold. From there we added the satin brass, large round bar pulls, by "Lewis Dolin" and the satin brass door knobs from Emtek. We also suspended a gold mirror in the window of the makeup station. We used a waterjet marble from Tilebar, called "Abernethy Marble." The cobalt blue interior doors leading into the Master Bath set the gold fixtures just right.

Photo: Margot Hartford © 2014 Houzz Design: Natural Flow Interiors http://www.houzz.com/ideabooks/25418674/list/My-Houzz--Casual--Organic-Elegance-in-California

Photographer: Ryan Gamma
Photo of a mid-sized modern full sun front yard concrete paver driveway in Tampa for winter.

Washington DC Wardman Refined Industrial Kitchen Design by #MeghanBrowne4JenniferGilmer http://www.gilmerkitchens.com/ Photography by John Cole

Haris Kenjar
Inspiration for a mid-sized 1960s formal and enclosed light wood floor and beige floor living room remodel in Seattle with white walls, a standard fireplace, a brick fireplace and a wall-mounted tv

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Oyster - Cut Coarse Stone Cut Coarse Stone is reminiscent of a saw-cut Turkish Limestone. The highly textural and yet contemporary linear-style installs with a clean, dry-stack application. This stone is the perfect scale for an efficient installation, appealing to both commercial and residential exteriors and interiors. The stones include three different heights of 3″, 6″ and 9″ and various lengths from 12″ to 24″. The muted color palette is indicative of natural limestone. Get a Sample of Cut Coarse Stone: https://shop.eldoradostone.com/products/cut-coarse-stone-sample

Photo By Adza
Inspiration for a mid-sized modern master light wood floor bedroom remodel in San Francisco with gray walls and no fireplace

Meghan Bob Photography
Inspiration for a large transitional medium tone wood floor and brown floor great room remodel in Los Angeles with white walls

Large beach style u-shaped ceramic tile open concept kitchen photo in Los Angeles with a farmhouse sink, recessed-panel cabinets, white cabinets, marble countertops, white backsplash, subway tile backsplash and a peninsula

Bette Walker Photography
Kitchen - large farmhouse l-shaped bamboo floor kitchen idea in Charleston with a farmhouse sink, shaker cabinets, white cabinets, granite countertops, stainless steel appliances and an island

David Duncan Livingston
Open concept kitchen - transitional u-shaped medium tone wood floor open concept kitchen idea in San Francisco with an undermount sink, glass-front cabinets, white cabinets, gray backsplash, ceramic backsplash, two islands and stainless steel appliances

The Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle. The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley. To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer. The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century. The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet. Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years! Photo by Benjamin Benschneider

Large elegant detached two-car garage photo in Bridgeport

Emily Minton Redfield
Kitchen - large traditional l-shaped dark wood floor kitchen idea in St Louis with an undermount sink, shaker cabinets, white cabinets, marble countertops, gray backsplash, porcelain backsplash, stainless steel appliances and an island

Photo: Alexandra Crafton © 2017 Houzz
Inspiration for a transitional kitchen remodel in Other

Inspiration for a coastal dining room remodel in Miami

Q Avenue Photo
Eclectic living room photo in Nashville with a music area