Good things come in small packages, as Tricklebrook proves. This compact yet charming design packs a lot of personality into an efficient plan that is perfect for a tight city or waterfront lot. Inspired by the Craftsman aesthetic and classic All-American bungalow design, the exterior features interesting roof lines with overhangs, stone and shingle accents and abundant windows designed both to let in maximum natural sunlight as well as take full advantage of the lakefront views. The covered front porch leads into a welcoming foyer and the first level’s 1,150-square foot floor plan, which is divided into both family and private areas for maximum convenience. Private spaces include a flexible first-floor bedroom or office on the left; family spaces include a living room with fireplace, an open plan kitchen with an unusual oval island and dining area on the right as well as a nearby handy mud room. At night, relax on the 150-square-foot screened porch or patio. Head upstairs and you’ll find an additional 1,025 square feet of living space, with two bedrooms, both with unusual sloped ceilings, walk-in closets and private baths. The second floor also includes a convenient laundry room and an office/reading area. Photographer: Dave Leale

The fact that this home is in a development called Providence now seems perfectly fitting. Chris, the owner, was merely considering the possibility of downsizing from a formal residence outside Atlanta when he happened on the small complex of luxury brownstones under construction in nearby Roswell. “I wandered into The Providence by chance and loved what I saw. The developer, his wife, and the agent were there and discussing how Cantoni was going to finish out one of the units, and so we all started talking,” Chris explains “They asked if I wanted to meet with the designer from Cantoni, and suggested I could customize the home as I saw fit, and that did it for me. I was sold.” Cantoni was originally approached by Mike and Joy Walsh, of Lehigh Homes, to create a contemporary model home to be featured on the Roswell Woman’s Club home tour. “Since Chris bought the brownstone right after we agreed to do the design work,” Lorna Hunter recalls, “we brought him in on the meetings with the architects to help finalize the layout.” From selecting tile and counter tops, to designing the kitchen and baths, to the furniture, art and even linens—Cantoni was involved with every phase of the project. “This home really represents the complete range of design and staging services we offer at Cantoni,” says Lorna. “Rooms were reconfigured to allow for changes Chris found appealing, and every tile and doorknob was thoughtfully chosen to complete the overall look.” Chris found an easy rapport with Lorna. “I have always been drawn to contemporary décor,” he explains, “ so Lorna and I hit it off immediately.” Among the custom design ideas the two conceived for the 2,600 sq. ft. 3/3 brownstone: creating a “wing wall” (open on both sides) to form a sitting area adjacent to the guest room downstairs, removing the elevator to enhance a sense of openness while leaving the 3-story shaft as a unique focal point, and choosing to expand the height of windows on the third level to maximize the flow of natural light. The Providence is ideally located near quaint shops, great restaurants, jogging trails and a scenic river—not to mention it’s just four miles from Chris’ office. The project represents the breadth and depth of Cantoni’s in-house creative resources, and proves again that GREAT DESIGN IS A WAY OF LIFE.

This thoughtfully renovated flip was designed with both beauty and longevity in mind, featuring an ADA-accessible private suite tailored for aging in place. The layout was fully re-imagined to improve flow and daily functionality—most notably by opening up the main living areas and removing an outdated corner brick fireplace, allowing for smoother circulation and a brighter, more connected home. The primary suite was significantly expanded to create a spacious bedroom, an oversized walk-in closet, and a serene master bathroom, transforming it into a true retreat. A new patio door was added to enhance indoor-outdoor connection and bring in natural light. The kitchen was refreshed with a timeless black-and-white palette, elevated by champagne bronze hardware, updated lighting, and charming shiplap accents. A dedicated coffee bar adds both function and personality, making the space perfect for everyday living and entertaining. Bathrooms were finished with extra-large format porcelain tile on both floors and walls, creating a clean, seamless, and spa-like feel while ensuring durability and easy maintenance. Throughout the main living areas, we installed rustic waterproof wood-look flooring in a mid-tone oak, offering warmth, texture, and long-term performance—ideal for multi-generational living. This renovation balances accessibility, comfort, and modern elegance, proving that a well-designed home can be both future-ready and beautifully timeless.

This bathroom proves that it's okay to mix metal finishes. The Agate Cezanne slabs with hand-applied gold leaf and the Stainless Steel Japanese Soaking Tub are both statement pieces, yet they don't compete with one another. Alternatively, the bathtub creates a sense of calm.

This 100-year-old farmhouse underwent a complete head-to-toe renovation. Partnering with Home Star BC we painstakingly modernized the crumbling farmhouse while maintaining its original west coast charm. The only new addition to the home was the kitchen eating area, with its swinging dutch door, patterned cement tile and antique brass lighting fixture. The wood-clad walls throughout the home were made using the walls of the dilapidated barn on the property. Incorporating a classic equestrian aesthetic within each room while still keeping the spaces bright and livable was one of the projects many challenges. The Master bath - formerly a storage room - is the most modern of the home's spaces. Herringbone white-washed floors are partnered with elements such as brick, marble, limestone and reclaimed timber to create a truly eclectic, sun-filled oasis. The gilded crystal sputnik inspired fixture above the bath as well as the sky blue cabinet keep the room fresh and full of personality. Overall, the project proves that bolder, more colorful strokes allow a home to possess what so many others lack: a personality!

Recently, TaskRabbit challenged a group of 10 Taskers to build a Tiny House in the middle of Manhattan in just 72 hours – all for a good cause. Building a fully outfitted tiny house in 3 days was a tall order – a build like this often takes months – but we set out to prove the power of collaboration, showing the kind of progress that can be made when people come together, bringing their best insights, skills and creativity to achieve something that seems impossible. It was quite a week. New York was wonderful (and quite lovely, despite a bit of rain), our Taskers were incredible, and TaskRabbit’s Tiny House came together in record time, due to the planning, dedication and hard work of all involved. A Symbol for Change The TaskRabbit Tiny House was auctioned off with 100% of the proceeds going to our partner, Community Solutions, a national nonprofit helping communities take on complex social challenges – issues like homelessness, unemployment and health inequity – through collaboration and creative problem solving. This Tiny House was envisioned as a small symbol of the change that is possible when people have the right tools and opportunities to work together. Through our three-day build, our Taskers proved that amazing things can happen when we put our hearts into creating substantive change in our communities. The Winning Bid We’re proud to report that we were able to raise $26,600 to support Community Solutions’ work. Sarah, a lovely woman from New Hampshire, placed the winning bid – and it’s nice to know our tiny home is in good hands. #ATinyTask: Behind the Scenes The Plans A lot of time and effort went into making sure this Tiny Home was as efficient, cozy and welcoming as possible. Our master planners, designer Lesley Morphy and TaskRabbit Creative Director Scott Smith, maximized every square inch in the little house with comfort and style in mind, utilizing a lofted bed, lofted storage, a floor-to-ceiling tiled shower, a compost toilet, and custom details throughout. There’s a surprising amount of built-in storage in the kitchen, while a conscious decision was made to keep the living space open so you could actually exist comfortably without feeling cramped. The Build Our Taskers worked long, hard shifts while our team made sure they were well fed, hydrated and in good spirits. The team brought amazing energy and we couldn’t be prouder of the way they worked together. Stay tuned, as we’ll be highlighting more of our Tiny House Taskers’ stories in coming days – they were so great that we want to make sure all of you get to know them better. The Final Product Behold, the completed Tiny House! For more photos, be sure to check out our Facebook page. This was an incredibly inspiring project, and we really enjoyed watching the Tiny House come to life right in the middle of Manhattan. It was amazing to see what our Taskers are capable of, and we’re so glad we were able to support Community Solutions and help fight homelessness, unemployment and health inequity with #ATinyTask.

Rather than starting with an outcome in mind, this 1,400 square foot residence began from a polemic place - exploring shared conviction regarding the concentrated power of living with a smaller footprint. From the gabled silhouette to passive ventilation, the home captures the nostalgia for the past with the sustainable practices of the future. While the exterior materials contrast a calm, minimal palette with the sleek lines of the gabled silhouette, the interior spaces embody a playful, artistic spirit. From the hand painted De Gournay wallpaper in the master bath to the rugged texture of the over-grouted limestone and Portuguese cobblestones, the home is an experience that encapsulates the unexpected and the timeless.

Erika Bierman Photography www.erikabiermanphotography.com
Kitchen - traditional kitchen idea in Los Angeles

Compact walk-in closet has plenty of roo for shoes. Very neat.
Example of a small transitional women's walk-in closet design in Manchester with open cabinets and white cabinets

Photo by Madeline Tolle
Inspiration for a coastal bathroom remodel in Los Angeles

Recently, TaskRabbit challenged a group of 10 Taskers to build a Tiny House in the middle of Manhattan in just 72 hours – all for a good cause. Building a fully outfitted tiny house in 3 days was a tall order – a build like this often takes months – but we set out to prove the power of collaboration, showing the kind of progress that can be made when people come together, bringing their best insights, skills and creativity to achieve something that seems impossible. It was quite a week. New York was wonderful (and quite lovely, despite a bit of rain), our Taskers were incredible, and TaskRabbit’s Tiny House came together in record time, due to the planning, dedication and hard work of all involved. A Symbol for Change The TaskRabbit Tiny House was auctioned off with 100% of the proceeds going to our partner, Community Solutions, a national nonprofit helping communities take on complex social challenges – issues like homelessness, unemployment and health inequity – through collaboration and creative problem solving. This Tiny House was envisioned as a small symbol of the change that is possible when people have the right tools and opportunities to work together. Through our three-day build, our Taskers proved that amazing things can happen when we put our hearts into creating substantive change in our communities. The Winning Bid We’re proud to report that we were able to raise $26,600 to support Community Solutions’ work. Sarah, a lovely woman from New Hampshire, placed the winning bid – and it’s nice to know our tiny home is in good hands. #ATinyTask: Behind the Scenes The Plans A lot of time and effort went into making sure this Tiny Home was as efficient, cozy and welcoming as possible. Our master planners, designer Lesley Morphy and TaskRabbit Creative Director Scott Smith, maximized every square inch in the little house with comfort and style in mind, utilizing a lofted bed, lofted storage, a floor-to-ceiling tiled shower, a compost toilet, and custom details throughout. There’s a surprising amount of built-in storage in the kitchen, while a conscious decision was made to keep the living space open so you could actually exist comfortably without feeling cramped. The Build Our Taskers worked long, hard shifts while our team made sure they were well fed, hydrated and in good spirits. The team brought amazing energy and we couldn’t be prouder of the way they worked together. Stay tuned, as we’ll be highlighting more of our Tiny House Taskers’ stories in coming days – they were so great that we want to make sure all of you get to know them better. The Final Product Behold, the completed Tiny House! For more photos, be sure to check out our Facebook page. This was an incredibly inspiring project, and we really enjoyed watching the Tiny House come to life right in the middle of Manhattan. It was amazing to see what our Taskers are capable of, and we’re so glad we were able to support Community Solutions and help fight homelessness, unemployment and health inequity with #ATinyTask.

Photo: Kimberley Bryan © 2016 Houzz
Mid-sized farmhouse guest medium tone wood floor bedroom photo in Seattle with brown walls

When you first walk into this dressing room, it’s the lighting that jumps out at you first. Each shelf is illuminated to show the brilliant colors and texture of the clothing. Light even pours through the big windows and draws your eye across the rooftops of Brooklyn to see the NYC skyline. It creates a feeling of brightness and positivity that energizes and enlivens. It’s a dressing room where you can look and feel your best as you begin your day. Featured in a modern Italian Melamine and tastefully accented with complementing Matte Nickel hardware and Clear Acrylic handle pulls, this Chic Brooklyn Dressing Room proves to be not only stylish, but functional too. This custom closet combines both high and low hanging sections, which afford you enough room to organize items based on size. This type of mechanism offers more depth than a standard hanging system. The open shelving offers a substantial amount of depth, so you have plenty of space to personalize your room with mementos, collectibles and home decor. Adjustable shelves also give you the freedom to store items of all sizes from large shoe and boot boxes to smaller collectibles and scarves. A functional key to closet design is being able to visualize and conveniently access items. There’s also something very appealing about having your items neatly displayed - especially when it comes to shoes. Our wide shoe shelves were purposely installed on a slant for easy access, allowing you to identify and grab your favorite footwear quickly and easily. A spacious center island provides a place to relax while spreading out accessories and visualizing more possibilities. This center island was designed with extra drawer storage that includes a velvet lined jewelry drawer. Double jewelry drawers can add a sleek and useful dimension to any dressing room. An organized system will prevent tarnishing and with a designated spot for every piece, your jewelry stays organized and in perfect condition. The space is maximized with smart storage features like an Elite Belt Rack and hook as well as Elite Valet Rods and a pull-out mirror. The unit also includes a Deluxe Pant Rack in a Matte Nickel finish. Thanks to the full-extension ball-bearing slides, everything is in complete view. This means you no longer have to waste time desperately hunting for something you know is hiding somewhere in your closet. Lighting played a huge role in the design of this dressing room. In order to make the contents of the closet fully visible, we integrated a combination of energy efficient lighting options, including LED strip lights and touch dimmers as well as under-mounted shelf lights and sensor activated drawer lights. Efficient lighting options will put your wardrobe in full view early in the mornings and in the evenings when dressing rooms are used most. Dressing rooms act as a personal sanctuary for mixing and matching the perfect ensemble. Your closet should cater to your personal needs, whether it’s top shelving or extra boot and hat storage. A well designed space can make dressing much easier - even on rushed mornings.

This remodeled bathroom combines luxury, functionality, and timeless design to create a serene and spa-like retreat. Sleek cabinetry pairs perfectly with natural stone countertops, shower tiles, and flooring, creating a clean and modern aesthetic. Custom metal accents and hardware add a touch of sophistication, while thoughtfully designed storage solutions keep the space organized and clutter-free. Large mirrors and strategic lighting enhance the bright, airy feel, making the bathroom both practical for daily routines and visually stunning. Whether it’s a master bath or guest space, this design emphasizes elegance, durable materials, and functional layout, proving that neutral palettes can feel bold and luxurious when paired with natural textures and high-quality finishes.

This moody lounge and front sitting room (old home office!) is a masterful exercise in boutique hotel-inspired glamour, designed specifically for intimate evenings of cards, cocktails, and conversation. The space is enveloped in a deep, saturated charcoal that creates a sophisticated "envelope" effect, allowing the plush cobalt blue velvet club chairs to pop with jewel-toned brilliance. This high-drama palette is balanced by a striking gold-leaf floor mirror and sleek brass sconces that provide a warm, ambient glow reminiscent of a high-end metropolitan cocktail bar. At the center of the seating arrangement, a burled wood cylindrical coffee table adds a layer of organic texture and mid-century flair, serving as the perfect surface for curated art books and drinkware. The room's "artsy" persona is further solidified by a gallery-style wall of high-fashion black-and-white photography, which reinforces the home's overarching theme of curated, lived-in luxury. The transition from the bright, open-concept kitchen into this moody retreat proves that bold color choices can transform a traditional front room into a destination of pure architectural coolness.

This partially wooded, acre and a half lot in West Dundee presented many challenges. The clients began working with a Landscape Architect in the early spring, but after not getting the innovative ideas they were seeking, the home builder and Architect suggested the client contact our landscape design/build firm. We immediately hit it off with the charismatic clients. They had a tall order for us: complete the design and implement the construction within a three month period. For many projects this would be a reasonable time frame. However construction delays and the coordination of multiple trades left a very short window to complete the work. Beyond the tight time frame the site required specific care in preserving the many mature surrounding trees, as well as addressing a vast grade change. Over fifteen feet of grade change occurs from one end of this woodland property to the other. All of these constraints proved to be an enormous challenge as we worked to include and coordinate the following elements: the drive layout, a dramatic front entry, various gardens, landscape lighting, irrigation, and a plan for a backyard pool and entertainment space that already had been started without a clear plan. Fortunately, the client loved our design ideas and attention to detail and we were able to mobilize and begin construction. With the seamless coordination between our firm and the builder we implemented all the elements of this grand project. In total eight different crews and five separate trades worked together to complete the landscape. The completed project resulted in a rewarding experience for our firm, the builder and architect, as well as the client. Together we were able to create and construct a perfect oasis for the client that suited the beautiful property and the architecture of this dream home.

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

http://bostonrep.com/
Example of an arts and crafts exterior home design in Boston

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.