The Laurel was a project that required a rigorous lesson in southern architectural vernacular. The site being located in the hot climate of the Carolina shoreline, the client was eager to capture cross breezes and utilize outdoor entertainment spaces. The home was designed with three covered porches, one partially covered courtyard, and one screened porch, all accessed by way of French doors and extra tall double-hung windows. The open main level floor plan centers on common livings spaces, while still leaving room for a luxurious master suite. The upstairs loft includes two individual bed and bath suites, providing ample room for guests. Native materials were used in construction, including a metal roof and local timber.

In our busy lives, creating a peaceful and rejuvenating home environment is essential to a healthy lifestyle. Built less than five years ago, this Stinson Beach Modern home is your own private oasis. Surrounded by a butterfly preserve and unparalleled ocean views, the home will lead you to a sense of connection with nature. As you enter an open living room space that encompasses a kitchen, dining area, and living room, the inspiring contemporary interior invokes a sense of relaxation, that stimulates the senses. The open floor plan and modern finishes create a soothing, tranquil, and uplifting atmosphere. The house is approximately 2900 square feet, has three (to possibly five) bedrooms, four bathrooms, an outdoor shower and spa, a full office, and a media room. Its two levels blend into the hillside, creating privacy and quiet spaces within an open floor plan and feature spectacular views from every room. The expansive home, decks and patios presents the most beautiful sunsets as well as the most private and panoramic setting in all of Stinson Beach. One of the home's noteworthy design features is a peaked roof that uses Kalwall's translucent day-lighting system, the most highly insulating, diffuse light-transmitting, structural panel technology. This protected area on the hill provides a dramatic roar from the ocean waves but without any of the threats of oceanfront living. Built on one of the last remaining one-acre coastline lots on the west side of the hill at Stinson Beach, the design of the residence is site friendly, using materials and finishes that meld into the hillside. The landscaping features low-maintenance succulents and butterfly friendly plantings appropriate for the adjacent Monarch Butterfly Preserve. Recalibrate your dreams in this natural environment, and make the choice to live in complete privacy on this one acre retreat. This home includes Miele appliances, Thermadore refrigerator and freezer, an entire home water filtration system, kitchen and bathroom cabinetry by SieMatic, Ceasarstone kitchen counter tops, hardwood and Italian ceramic radiant tile floors using Warmboard technology, Electric blinds, Dornbracht faucets, Kalwall skylights throughout livingroom and garage, Jeldwen windows and sliding doors. Located 5-8 minute walk to the ocean, downtown Stinson and the community center. It is less than a five minute walk away from the trail heads such as Steep Ravine and Willow Camp.

Photos are of one of our customers' finished project. We did over 90 beams for use throughout their home :) When choosing beams for your project, there are many things to think about. One important consideration is the weight of the beam, especially if you want to affix it to your ceiling. Choosing a solid beam may not be the best choice since some of them can weigh upwards of 1000 lbs. Our craftsmen have several solutions for this common problem. One such solution is to fabricate a ceiling beam using veneer that is "sliced" from the outside of an existing beam. Our craftsmen then carefully miter the edges and create a lighter weight, 3 sided solution. Another common method is "hogging out" the beam. We hollow out the beam leaving the original outer character of three sides intact. (Hogging out is a good method to use when one side of the beam is less than attractive.) Our 3-sided and Hogged out beams are available in Reclaimed or Old Growth woods.

Moon Canyon is a 1930s hunting cabin in the Mount Washington neighbourhood of Los Angeles, restored by NoNo Studio with the careful, unhurried attention of someone re-potting an ancient tree. Original cedar panelling, a 1970s stained glass insert, and decades of layered character were preserved and built around rather than swept away. The project was featured in Architectural Digest, Leibal, and Vogue Australia. Three of our pieces found their place within it. The Oak Lamp — a floor lamp with a hand turned white oak base made by Surcle Wood in Los Angeles and an elephant grass shade woven by SWOPA in northern Ghana — brings two LA and Ghanaian craft traditions into a single object. The Casita Lamp, a table lamp whose ceramic base is formed by celebrated Oaxacan potter Eligio Zárate Blanco and whose palm shade is woven by award-winning weaver Belén Perez Garcia using a technique passed down through generations of her family, sits quietly in the space with the same material honesty that runs through the whole restoration. A small one-off bedside lamp completes the picture. Each piece was chosen for a home where nothing is incidental. That is precisely the kind of space our work is made for. Interior design: NoNo Studio, Los Angeles Photography: William Jess Laird

Product: Authentic Limestone for Exterior Living Spaces. Ancient Surfaces Contacts: (212) 461-0245 Email: Sales@ancientsurfaces.com Website: www.AncientSurfaces.com The design of external living spaces is known as the 'Al Fresco' design style as it is called in Italian. 'Al Fresco' translates into 'the open' or 'the cool/fresh exterior'. Customizing a fully functional outdoor kitchen, pizza oven, BBQ, fireplace or Jacuzzi pool spa all out of old reclaimed Mediterranean stone pieces is no easy task and shouldn’t be created out of the lowest common denominator of building materials such as concrete, Indian slates or Turkish travertine. The one thing you can bet the farmhouse on is that when the entire process unravels and when your outdoor living space materializes from the architects rendering to real life, you will be guaranteed a true Mediterranean living experience if your choice of construction material was as authentic and possible to the Southern Mediterranean regions. We believe that the coziness of your surroundings brought about by the creative usage of our antique stone elements will only amplify that authenticity. whether you are enjoying a relaxing time soaking the sun inside one of our Jacuzzi spa stone fountains or sharing unforgettable memories with family and friends while baking your own pizzas in one of our outdoor BBQ pizza ovens, our stone designs will always evoke in most a feeling of euphoria and exultation that one only gets while being on vacation is some exotic European island surrounded with the pristine beauty of indigenous nature and ancient architecture...

KitchenLab Interiors’ first, entirely new construction project in collaboration with GTH architects who designed the residence. KLI was responsible for all interior finishes, fixtures, furnishings, and design including the stairs, casework, interior doors, moldings and millwork. KLI also worked with the client on selecting the roof, exterior stucco and paint colors, stone, windows, and doors. The homeowners had purchased the existing home on a lakefront lot of the Valley Lo community in Glenview, thinking that it would be a gut renovation, but when they discovered a host of issues including mold, they decided to tear it down and start from scratch. The minute you look out the living room windows, you feel as though you're on a lakeside vacation in Wisconsin or Michigan. We wanted to help the homeowners achieve this feeling throughout the house - merging the causal vibe of a vacation home with the elegance desired for a primary residence. This project is unique and personal in many ways - Rebekah and the homeowner, Lorie, had grown up together in a small suburb of Columbus, Ohio. Lorie had been Rebekah's babysitter and was like an older sister growing up. They were both heavily influenced by the style of the late 70's and early 80's boho/hippy meets disco and 80's glam, and both credit their moms for an early interest in anything related to art, design, and style. One of the biggest challenges of doing a new construction project is that it takes so much longer to plan and execute and by the time tile and lighting is installed, you might be bored by the selections of feel like you've seen them everywhere already. “I really tried to pull myself, our team and the client away from the echo-chamber of Pinterest and Instagram. We fell in love with counter stools 3 years ago that I couldn't bring myself to pull the trigger on, thank god, because then they started showing up literally everywhere", Rebekah recalls. Lots of one of a kind vintage rugs and furnishings make the home feel less brand-spanking new. The best projects come from a team slightly outside their comfort zone. One of the funniest things Lorie says to Rebekah, "I gave you everything you wanted", which is pretty hilarious coming from a client to a designer.

This 1970's home had a complete makeover! The goal of the project was to 1) open up the main floor living and gathering spaces and 2) create a more beautiful and functional kitchen. We took out the dividing wall between the front living room and the kitchen and dining room to create one large gathering space, perfect for a young family and for entertaining friends! Onto the exciting part - the kitchen! The existing kitchen was U-Shaped with not much room to have more than 1 person working at a time. We kept the appliances in the same locations, but really expanded the amount of workspace and cabinet storage by taking out the peninsula and adding a large island. The cabinetry, from Holiday Kitchens, is a blue-gray color on the lowers and classic white on the uppers. The countertops are walnut butcherblock on the perimeter and a marble looking quartz on the island. The backsplash, one of our favorites, is a diamond shaped mosaic in a rhombus pattern, which adds just the right amount of texture without overpowering all the gorgeous details of the cabinets and countertops. The hardware is a champagne bronze - one thing we love to do is mix and match our metals! The faucet is from Kohler and is in Matte Black, the sink is from Blanco and is white. The flooring is a luxury vinyl plank with a warm wood tone - which helps bring all the elements of the kitchen together we think! Overall - this is one of our favorite kitchens to date - so many beautiful details on their own, but put together create this gorgeous kitchen!

[Our Clients] We were so excited to help these new homeowners re-envision their split-level diamond in the rough. There was so much potential in those walls, and we couldn’t wait to delve in and start transforming spaces. Our primary goal was to re-imagine the main level of the home and create an open flow between the space. So, we started by converting the existing single car garage into their living room (complete with a new fireplace) and opening up the kitchen to the rest of the level. [Kitchen] The original kitchen had been on the small side and cut-off from the rest of the home, but after we removed the coat closet, this kitchen opened up beautifully. Our plan was to create an open and light filled kitchen with a design that translated well to the other spaces in this home, and a layout that offered plenty of space for multiple cooks. We utilized clean white cabinets around the perimeter of the kitchen and popped the island with a spunky shade of blue. To add a real element of fun, we jazzed it up with the colorful escher tile at the backsplash and brought in accents of brass in the hardware and light fixtures to tie it all together. Through out this home we brought in warm wood accents and the kitchen was no exception, with its custom floating shelves and graceful waterfall butcher block counter at the island. [Dining Room] The dining room had once been the home’s living room, but we had other plans in mind. With its dramatic vaulted ceiling and new custom steel railing, this room was just screaming for a dramatic light fixture and a large table to welcome one-and-all. [Living Room] We converted the original garage into a lovely little living room with a cozy fireplace. There is plenty of new storage in this space (that ties in with the kitchen finishes), but the real gem is the reading nook with two of the most comfortable armchairs you’ve ever sat in. [Master Suite] This home didn’t originally have a master suite, so we decided to convert one of the bedrooms and create a charming suite that you’d never want to leave. The master bathroom aesthetic quickly became all about the textures. With a sultry black hex on the floor and a dimensional geometric tile on the walls we set the stage for a calm space. The warm walnut vanity and touches of brass cozy up the space and relate with the feel of the rest of the home. We continued the warm wood touches into the master bedroom, but went for a rich accent wall that elevated the sophistication level and sets this space apart. [Hall Bathroom] The floor tile in this bathroom still makes our hearts skip a beat. We designed the rest of the space to be a clean and bright white, and really let the lovely blue of the floor tile pop. The walnut vanity cabinet (complete with hairpin legs) adds a lovely level of warmth to this bathroom, and the black and brass accents add the sophisticated touch we were looking for. [Office] We loved the original built-ins in this space, and knew they needed to always be a part of this house, but these 60-year-old beauties definitely needed a little help. We cleaned up the cabinets and brass hardware, switched out the formica counter for a new quartz top, and painted wall a cheery accent color to liven it up a bit. And voila! We have an office that is the envy of the neighborhood.

Photo by: Mike P Kelley Styling by: Jennifer Maxcy, hoot n anny home -Custom roman shade fabric by Fabricut. -Custom vanity in Benjamin Moore Superwhite. -Calacatta marble countertops -Faux bois plank tile floor -Vintage platter wall decor -Custom wall paint

Wine cellar - traditional wine cellar idea in Columbus with storage racks

Stuart Wade, Envision Virtual Tours The second-largest and most developed of Georgia's barrier islands, St. Simons is approximately twelve miles long and nearly three miles wide at its widest stretch (roughly the size of Manhattan Island in New York). The island is located in Glynn County on Georgia's coast and lies east of Brunswick (the seat of Glynn County), south of Little St. Simons Island and the Hampton River, and north of Jekyll Island. The resort community of Sea Island is separated from St. Simons on the east by the Black Banks River. Known for its oak tree canopies and historic landmarks, St. Simons is both a tourist destination and, according to the 2010 U.S. census, home to 12,743 residents. Early History The earliest St. Simons Island Village record of human habitation on the island dates to the Late Archaic Period, about 5,000 to 3,000 years ago. Remnants of shell rings left behind by Native Americans from this era survive on many of the barrier islands, including St. Simons. Centuries later, during the period known by historians as the chiefdom era, the Guale Indians established a chiefdom centered on St. Catherines Island and used St. Simons as their hunting and fishing grounds. By 1500 the Guale had established a permanent village of about 200 people on St. Simons, which they called Guadalquini. Beginning in 1568, the Spanish attempted to create missions along the Georgia coast. Catholic missions were the primary means by which Georgia's indigenous Native American chiefdoms were assimilated into the Spanish colonial system along the northern frontier of greater Spanish Florida. In the 1600s St. Simons became home to two Spanish missions: San Buenaventura de Guadalquini, on the southern tip of the island, and Santo Domingo de Asao (or Asajo), on the northern tip. Located on the inland side of the island were the pagan refugee villages of San Simón, the island's namesake, and Ocotonico. In 1684 pirate raids left the missions and villages largely abandoned. Colonial History As Fort Frederica early as 1670, with Great Britain's establishment of the colony of Carolina and its expansion into Georgia territory, Spanish rule was threatened by the English. The Georgia coast was considered "debatable land" by England and Spain, even though Spain had fully retreated from St. Simons by 1702. Thirty-one years later General James Edward Oglethorpe founded the English settlement of Savannah. In 1736 he established Fort Frederica, named after the heir to the British throne, Frederick Louis, prince of Wales, on the west side of St. Simons Island to protect Savannah and the Carolinas from the Spanish threat. Between 1736 and 1749 Fort Frederica was the hub of British military operations along the Georgia frontier. A town of the same name grew up around the fort and was of great importance to the new colony. By 1740 Frederica's population was 1,000. In 1736 the congregation of what would become Christ Church was organized within Fort Frederica as a mission of the Church of England. Charles Wesley led the first services. In 1742 Britain's decisive victory over Spain in the Battle of Bloody Marsh, during the War of Jenkins' Ear, ended the Spanish threat to the Georgia coast. When the British regimen disbanded in 1749, most of the townspeople relocated to the mainland. Fort Frederica went into decline and, except for a short time of prosperity during the 1760s and 1770s under the leadership of merchant James Spalding, never fully recovered. Today the historic citadel's tabby ruins are maintained by the National Park Service. Plantation Era By the start of the American Revolution (1775-83), Fort Frederica was obsolete, and St. Simons was left largely uninhabited as most of its residents joined the patriot army. Besides hosting a small Georgia naval victory on the Fort Frederica River, providing guns from its famous fort for use at Fort Morris in Sunbury, and serving as an arena for pillaging by privateers and British soldiers, the island played almost no role in the war. Following the war, many of the townspeople, their businesses destroyed, turned to agriculture. The island was transformed into fourteen cotton plantations after acres of live oak trees were cleared for farm land and used for building American warships, including the famous USS Constitution, or "Old Ironsides." Although rice was the predominant crop along the neighboring Altamaha River, St. Simons was known for its production of long-staple cotton, which soon came to be known as Sea Island cotton. Between Ebos Landing the 1780s and the outbreak of the Civil War (1861-65), St. Simons's plantation culture flourished. The saline atmosphere and the availability of cheap slave labor proved an ideal combination for the cultivation of Sea Island cotton. In 1803 a group of Ebo slaves who survived the Middle Passage and arrived on the west side of St. Simons staged a rebellion and drowned themselves. The sacred site is known today as Ebos Landing. One of the largest owners of land and slaves on St. Simons was Pierce Butler, master of Hampton Point Plantation, located on the northern end of the island. By 1793 Butler owned more than 500 slaves, who cultivated 800 acres of cotton on St. Simons and 300 acres of rice on Butler's Island in the Altamaha River delta. Butler's grandson, Pierce Mease Butler, who at the age of sixteen inherited a share of his grandfather's estate in 1826, was responsible for the largest sale of human beings in the history of the United States: in 1859, to restore his squandered fortune, he sold 429 slaves in Savannah for more than $300,000. The British actress and writer Fanny Kemble, whose tumultuous marriage to Pierce ended in divorce in 1849, published an eyewitness account of the evils of slavery on St. Simons in her book Journal of a Residence on a Georgian Plantation in 1838-1839 (1863). Another Retreat Plantation large owner of land and slaves on St. Simons was Major William Page, a friend and employee of Pierce Butler Sr. Before purchasing Retreat Plantation on the southwestern tip of the island in 1804, Page managed the Hampton plantation and Butler's Island. Upon Page's death in 1827, Thomas Butler King inherited the land together with his wife, Page's daughter, Anna Matilda Page King. King expanded his father-in-law's planting empire on St. Simons as well as on the mainland, and by 1835 Retreat Plantation alone was home to as many as 355 slaves. The center of life during the island's plantation era was Christ Church, Frederica. Organized in 1807 by a group of island planters, the Episcopal church is the second oldest in the Diocese of Georgia. Embargoes imposed by the War of 1812 (1812-15) prevented the parishioners from building a church structure, so they worshiped in the home of John Beck, which stood on the site of Oglethorpe's only St. Simons residence, Orange Hall. The first Christ Church building, finished on the present site in 1820, was ruined by occupying Union troops during the Civil War. In 1884 the Reverend Anson Dodge Jr. rebuilt the church as a memorial to his first wife, Ellen. The cruciform building with a trussed gothic roof and stained-glass windows remains active today as Christ Church. Civil War and Beyond The St. Simons Island Lighthouse outbreak of the Civil War in 1861 put a sudden end to St. Simons's lucrative plantation era. In January of that year, Confederate troops were stationed at the south end of the island to guard the entrance to Brunswick Harbor. Slaves from Retreat Plantation, owned by Thomas Butler King, built earthworks and batteries. Plantation residents were scattered—the men joined the Confederate army and their families moved to the mainland. Cannon fire was heard on the island in December 1861, and Confederate troops retreated in February 1862, after dynamiting the lighthouse to keep its beacon from aiding Union troops. Soon thereafter, Union troops occupied the island, which was used as a camp for freed slaves. By August 1862 more than 500 former slaves lived on St. Simons, including Susie King Taylor, who organized a school for freed slave children. But in November the ex-slaves were taken to Hilton Head, South Carolina, and Fernandina, Florida, leaving the island abandoned. After the Civil War the island never returned to its status as an agricultural community. The plantations lay dormant because there were no slaves to work the fields. After Union general William T. Sherman's January 1865 Special Field Order No. 15 —a demand that former plantations be divided and distributed to former slaves—was overturned by U.S. president Andrew Johnson less than a year later, freedmen and women were forced to work as sharecroppers on the small farms that dotted the land previously occupied by the sprawling plantations. By St. Simons Lumber Mills 1870 real economic recovery began with the reestablishment of the timber industry. Norman Dodge and Titus G. Meigs of New York set up lumber mill operations at Gascoigne Bluff, formerly Hamilton Plantation. The lumber mills provided welcome employment for both blacks and whites and also provided mail and passenger boats to the mainland. Such water traffic, together with the construction of a new lighthouse in 1872, designed by architect Charles B. Cluskey, marked the beginning of St. Simons's tourism industry. The keeper of the lighthouse created a small amusement park, which drew many visitors, as did the seemingly miraculous light that traveled from the top of the lighthouse tower to the bottom. The island became a summer retreat for families from the mainland, particularly from Baxley, Brunswick, and Waycross. The island's resort industry was thriving by the 1880s. Beachfront structures, such as a new pier and grand hotel, were built on the southeastern end of the island and could be accessed by ferry. Around this time wealthy northerners began vacationing on the island. Twentieth Century The St. Simons Island Pier and Village opening in 1924 of the Brunswick–St. Simons Highway, today known as the Torras Causeway, was a milestone in the development of resorts in the area. St. Simons's beaches were now easily accessible to locals and tourists alike. More than 5,000 automobiles took the short drive from Brunswick to St. Simons via the causeway on its opening day, paving the way for convenient residential and resort development. In 1926 automotive pioneer Howard Coffin of Detroit, Michigan, bought large tracts of land on St. Simons, including the former Retreat Plantation, and constructed a golf course, yacht club, paved roads, and a residential subdivision. Although the causeway had brought large numbers of summer people to the island, St. Simons remained a small community with only a few hundred permanent residents until the 1940s. The St. Simons Island outbreak of World War II (1941-45) brought more visitors and residents to St. Simons. Troops stationed at Jacksonville, Florida; Savannah; and nearby Camp Stewart took weekend vacations on the island, and a new naval air base and radar school became home to even more officers and soldiers. The increased wartime population brought the island its first public school. With a major shipyard for the production of Liberty ships in nearby Brunswick, the waters of St. Simons became active with German U-boats. In April 1942, just off the coast, the Texas Company oil tanker S. S. Oklahoma and the S. S. Esso Baton Rouge were torpedoed by the Germans, bringing the war very close to home for island residents. Due in large part to the military's improvement of the island's infrastructure during the war, development on the island boomed in the 1950s and 1960s. More permanent homes and subdivisions were built, and the island was no longer just a summer resort but also a thriving community. In 1950 the Methodist conference and retreat center Epworth by the Sea opened on Gascoigne Bluff. In 1961 novelist Eugenia Price visited St. Simons and began work on her first works of fiction, known as the St. Simons Trilogy. Inspired by real events on the island, Price's trilogy renewed interest in the history of Georgia's coast, and the novelist herself relocated to the island in 1965 and lived there for thirty-one years. St. Simons is also home to contemporary Georgia writer Tina McElroy Ansa. Since Epworth by the Sea 1980 St. Simons's population has doubled. The island's continued status as a vacation destination and its ongoing development boom have put historic landmarks and natural areas at risk. While such landmarks as the Fort Frederica ruins and the Battle of Bloody Marsh site are preserved and maintained by the National Park Service, and while the historic lighthouse is maintained by the Coastal Georgia Historical Society, historic Ebos Landing has been taken over by a sewage treatment plant. Several coastal organizations have formed in recent years to save natural areas on the island. The St. Simons Land Trust, for example, has received donations of large tracts of land and plans to protect property in the island's three traditional African American neighborhoods. Despite its rapid growth and development, St. Simons remains one of the most beautiful and important islands on the Georgia coast.

bethsingerphotographer.com
Example of a trendy master multicolored tile and glass tile porcelain tile alcove bathtub design in Detroit with a trough sink, flat-panel cabinets, beige cabinets, quartz countertops, a two-piece toilet, gray walls and gray countertops

Slanted walls Custom front door Frosted panel garage door #buildboswell
Inspiration for a large contemporary beige two-story stucco flat roof remodel in Los Angeles

This newly built Old Mission style home gave little in concessions in regards to historical accuracies. To create a usable space for the family, Obelisk Home provided finish work and furnishings but in needed to keep with the feeling of the home. The coffee tables bunched together allow flexibility and hard surfaces for the girls to play games on. New paint in historical sage, window treatments in crushed velvet with hand-forged rods, leather swivel chairs to allow “bird watching” and conversation, clean lined sofa, rug and classic carved chairs in a heavy tapestry to bring out the love of the American Indian style and tradition. Original Artwork by Jane Troup Photos by Jeremy Mason McGraw

Contemporary townhouse centrally situated on one of Hoboken’s finest blocks. Meticulously renovated 2 years ago, this circa 1889 brick row house has been thoughtfully designed for today’s urban family. Currently configured as a 2 family home, the owner’s triplex features 3 bedrooms, den and 2½ bathrooms. Keeping future expansion in mind, the oversized 1 bedroom garden apartment can easily be recaptured to integrate with the main residence for a total of 3,000+ square feet of living space across 4 floors. The bright open parlor level features contemporary clean lines, working gas fireplace, half bath and a designer Scavolini kitchen with a Wolf and SubZero appliance suite, waterfall island and LaCantina doors opening the rear of the home to a stunning Ipe deck and private yard below – perfect for seamless indoor/outdoor entertaining. The second floor master suite features a step out balcony, large walk in closet and stunning bath with dual vanity, free standing soaking tub and steam shower. Completing the 2nd level is the den with working gas fireplace – perfect for a home office, nursery or fourth bedroom. The top floor features 2 bedrooms, a central family/playroom and bath. New EPDM rubber roof, Marvin windows, hardwood floors, central HVAC system and pre-wiring for sound and cable. Centrally located near NYC transportation, parks, schools and dining/nightlife. Sophisticated urban living at its best!

Modern bathroom featuring marble by Ciot. / Salle de bain moderne mettant en vedette le marbre de Ciot. Photo: Evan Joseph
Huge trendy master white tile and stone tile marble floor bathroom photo in New York with flat-panel cabinets, white walls and marble countertops

Product: Authentic Limestone for Exterior Living Spaces. Ancient Surfaces Contacts: (212) 461-0245 Email: Sales@ancientsurfaces.com Website: www.AncientSurfaces.com The design of external living spaces is known as the 'Al Fresco' design style as it is called in Italian. 'Al Fresco' translates into 'the open' or 'the cool/fresh exterior'. Customizing a fully functional outdoor kitchen, pizza oven, BBQ, fireplace or Jacuzzi pool spa all out of old reclaimed Mediterranean stone pieces is no easy task and shouldn’t be created out of the lowest common denominator of building materials such as concrete, Indian slates or Turkish travertine. The one thing you can bet the farmhouse on is that when the entire process unravels and when your outdoor living space materializes from the architects rendering to real life, you will be guaranteed a true Mediterranean living experience if your choice of construction material was as authentic and possible to the Southern Mediterranean regions. We believe that the coziness of your surroundings brought about by the creative usage of our antique stone elements will only amplify that authenticity. whether you are enjoying a relaxing time soaking the sun inside one of our Jacuzzi spa stone fountains or sharing unforgettable memories with family and friends while baking your own pizzas in one of our outdoor BBQ pizza ovens, our stone designs will always evoke in most a feeling of euphoria and exultation that one only gets while being on vacation is some exotic European island surrounded with the pristine beauty of indigenous nature and ancient architecture...

Our spacious, 9" deep XL Single Bowl is ready for everyday life. Its large capacity makes it perfect for prepping, stacking and cleaning. See our website for more information on additional finishes, dimensions, specifications, installation requirements, and more. To see all the custom accessories: http://www.blanco-germany.com/en_us/en_us/sinks/sink_accessories/one_acc/kits.html

Paul Crosby Architectural Photography
Inspiration for a transitional powder room remodel in Minneapolis with a console sink