Yankee Barn Homes - Modern guest bedroom. Chris Foster Photographer
Large trendy light wood floor bedroom photo in Burlington with white walls

Friends and family will love to gather for a meal in an Asian-inspired Transitional dining room. Features such as the long wood dining table, arm-less dining chairs, crystal blown glass chandelier and over-sized photograph hanging on the wall create the perfect ambiance.

This gorgeous wood hood combines an arch, corbels, and scale that this kitchen demands. The accent tile behind the range coordinates with the rest of the backsplash but adds a special touch to this space. The six burner gas range offers flexibility for any home chef. Erica Weaver, Photographer

Gina Battaglia, Architect Myles Beeson, Photographer
Inspiration for a large timeless enclosed carpeted home theater remodel in Chicago with blue walls and a projector screen

Example of a medium tone wood floor kitchen/dining room combo design in Gothenburg with multicolored walls and no fireplace

Photographs provided by Ashley Sullivan, Exposurely
Living room - large traditional open concept light wood floor and vaulted ceiling living room idea in DC Metro with beige walls, no fireplace and a tv stand

Oversized photographs on either wall help to create a symetry in the room. Warm neutrals abound, in grey tones
Living room - large transitional formal and enclosed limestone floor and beige floor living room idea in Tampa with beige walls

A master bedroom with personality! This vacation home is set in the Canadian Rockies. There is much temptation to go "cliche" with mountain decor, so instead we opted for an oversized photograph of local birch trees with combination with subtle mountain and plan motifs in the textiles. Repetition of curvy shapes was used to create a feeling of comfort and relaxation in a space that celebrates bold colour. Canadian-made side tables (and dressers - not pictured) are constructed with solid wood. We added fun faceted drawer pulls in brass to give the classic pieces a touch of modernization. We really think this duvet cover from SchoolHouse Electric's Justina Blakeney collection steels the show!

A master bedroom with personality! This vacation home is set in the Canadian Rockies. There is much temptation to go "cliche" with mountain decor, so instead we opted for an oversized photograph of local birch trees with combination with subtle mountain and plan motifs in the textiles. Repetition of curvy shapes was used to create a feeling of comfort and relaxation in a space that celebrates bold colour. Canadian-made side tables (and dressers - not pictured) are constructed with solid wood. We added fun faceted drawer pulls in brass to give the classic pieces a touch of modernization. We really think this duvet cover from SchoolHouse Electric's Justina Blakeney collection steels the show!

Example of a trendy loft-style concrete floor bedroom design in Melbourne

Inspiration for a huge modern white two-story concrete exterior home remodel in Toronto with a metal roof

Designed by : TOC design – Tania Scardellato Construction by: TOC design & construction inc. Photographer: Guillaume Gorini - Studio Point de Vue On either side of the fireplace we installed simple white Ikea Besta cabinets, to tie the space together. An oversized ottoman does double duty

Photographer: Kevin Belanger Photography
Large trendy ceramic tile and gray floor entryway photo in Ottawa with gray walls and a black front door

Trendy bedroom photo in Toronto with white walls

Attractive living as an architectural experiment: a 136-year-old water tower, a listed building with a spectacular 360-degree panorama view over the City of London. The task, to transform it into a superior residence, initially seemed an absolute impossibility. But when the owners came across architect Mike Collier, they had found a partner who was to make the impossible possible. The tower, which had been empty for decades, underwent radical renovation work and was extended by a four-storey cube containing kitchen, dining and living room - connected by glazed tunnels and a lift shaft. The kitchen, realised by Enclosure Interiors in Tunbridge Wells, Kent, with furniture from LEICHT is the very heart of living in this new building. Shiny white matt-lacquered kitchen fronts (AVANCE-LR), tone-on-tone with the worktops, reflect the light in the room and thus create expanse and openness. The surface of the handle-less kitchen fronts has a horizontal relief embossing; depending on the light incidence, this results in a vitally structured surface. The free-standing preparation isle with its vertical side panels with a seamlessly integrated sink represents the transition between kitchen and living room. The fronts of the floor units facing the dining table were extended to the floor to do away with the plinth typical of most kitchens. Ceiling-high tall units on the wall provide plenty of storage space; the electrical appliances are integrated here invisible to the eye. Floor units on a high plinth which thus appear to be floating form the actual cooking centre within the kitchen, attached to the wall. A range of handle-less wall units concludes the glazed niche at the top. LEICHT international: “Architecture and kitchen” in the centre of London. www.LeichtUSA.com

Leona Mozes Photography for Judi Fried Interiors
Mid-sized transitional dark wood floor kitchen photo in Montreal with beaded inset cabinets, mosaic tile backsplash, an island, an undermount sink, gray cabinets and paneled appliances

© Leslie Goodwin Photography Design + Architecture by Strickland Mateljan, http://smda.ca Interior Design by One Three Design, http://www.onethreedesign.ca

Inspiration for a timeless carpeted living room remodel in Toronto with a music area, gray walls, a standard fireplace and a wall-mounted tv

The End of the Ultra-Slim Wedding Suit For several years, men’s formalwear was dominated by narrow lapels, short jackets and trousers cut close to the leg. The style created a sharp outline, but it often left little room for sitting, dancing or eating comfortably. Current tailoring is moving towards a more balanced shape, with cleaner shoulders, a defined waist and trousers that follow the leg without gripping it.This change does not mean that wedding suits have become oversized. The newer approach sits between skinny and loose. It keeps the structure expected of formal clothing while allowing the cloth to hang properly. For grooms, that balance is useful during a day that may involve a ceremony, photographs, dinner and several hours on the dance floor. Look For Shape Rather Than Tightness A well-fitted suit should create a clear outline without relying on tension. Collections of Marc Darcy suits include tailored three-piece designs, checks and textured fabrics that suit the current preference for visible structure and considered proportions. The jacket should sit close enough to define the waist, but the front button should fasten without pulling the cloth into an X-shaped crease. At the shoulders, the seam should finish close to the natural shoulder point. Extra width can make the jacket look borrowed, while a shoulder that is too narrow may cause the upper sleeve to collapse. Fit should be assessed while moving as well as standing. Reach forward, sit down and raise both arms. A tailored jacket will never feel like casual sportswear, but it should allow the groom to carry out ordinary movements without sharp restriction across the back or chest. Give The Jacket Enough Length Very short suit jackets became common alongside skinny trousers, but they can disrupt the proportions of a three-piece outfit. If the jacket finishes too high, the waistcoat may appear longer than the outer layer and the trousers may look as though they begin too low. A more traditional jacket length usually covers most of the seat and divides the body more evenly. This can make the legs appear longer without shortening the jacket excessively. The correct length depends on height and body proportions, so two men wearing the same chest size may still need different jacket lengths. View the suit from the back and side rather than relying on a front-facing mirror. The vents should lie flat, and the hem should not lift away from the body. A side photograph can reveal an unbalanced jacket more clearly than the changing-room mirror. Choose Trousers That Fall Cleanly The move away from very tight tailoring is most noticeable in suit trousers. A modern tailored leg can still be neat at the ankle, but it should provide enough room through the seat and thigh for the fabric to fall without horizontal lines. Trouser pockets offer a useful fit check. If they pull open while standing, the waist or hips may be too tight. The fly should lie flat, and the waistband should remain in place without depending on an overtightened belt. Higher-rise trousers can work particularly well with a waistcoat because they reduce the chance of shirt fabric appearing between the two pieces. The hem should make gentle contact with the shoe rather than gathering heavily around it. A short hem can work with narrow trousers but taking it too far may make the suit look dated once the current cropped style moves on. A slight break is easier to wear with different formal shoes and tends to look balanced in full-length wedding photographs. Let The Waistcoat Support the Silhouette A waistcoat adds structure through the centre of the outfit, but only when it fits correctly. It should lie flat against the shirt and cover the trouser waistband. Tightening the back strap cannot correct a waistcoat that is the wrong size or too short. Current three-piece styling often places greater emphasis on the waistcoat. Double-breasted designs, contrasting fabrics and wider openings can distinguish the groom without requiring a brightly coloured jacket. When the groom removes the jacket later, the waistcoat keeps the outfit looking complete. Allow room for a full meal and several hours of wear. A waistcoat that feels acceptably close during a brief fitting may become uncomfortable at dinner. Sit down with every button fastened and check whether the lower edge presses into the waist or causes the front to bow. Use Stronger Lapels Carefully Wider notch and peak lapels are returning after years of extremely narrow designs. A broader lapel can frame the shirt and tie, balance the shoulders and give the jacket a more formal character. Peak lapels create a particularly strong line on double-breasted jackets and evening suits. The lapel width should still suit the wearer. A very broad lapel can overwhelm a smaller frame, while an extremely narrow one may look out of proportion on a broad chest. The shirt collar, tie width and lapel should relate to one another without matching exactly. A wider lapel also leaves less need for decorative extras. A simple buttonhole flower or plain pocket square may be enough. Large lapel pins can crowd the upper part of the jacket, especially when the cloth already contains a check. Avoid Buying According to the Size Label Alone The same labelled size can fit differently across designs because cut, fabric and construction affect the garment. Begin with accurate chest, waist, inside-leg and approximate jacket-length measurements. Compare those figures with the retailer’s size information rather than ordering the size worn in another brand without checking. If the jacket fits at the shoulders but needs slight shaping through the waist, a tailor can often make the adjustment. Sleeves and trouser hems are also commonly altered. Major changes to the shoulder line or jacket length are more difficult and may not be economical. Do not choose the smallest size that can be fastened. A suit that looks tight in the fitting room is unlikely to become more comfortable during a long wedding day. Cloth should skim the body and return to a clean position after movement. Balance a checked suit with simple styling Texture and checks remain popular in wedding tailoring, particularly for country houses, converted barns and traditional venues. These fabrics already add depth to the outfit, so the cut should remain controlled and the accessories relatively quiet. A plain white, pale blue or cream shirt gives a checked suit a clear foundation. Choose a tie from one of the secondary colours in the cloth rather than introducing another strong pattern. A white pocket square works when the suit contains several shades and does not need further decoration. Shoes should support the proportions of the trousers. A very slim shoe may appear too small beneath a fuller hem, while a heavy casual sole can pull attention away from the tailoring. Oxfords, Derbies and refined brogues usually provide enough visual weight without looking bulky. Coordinate the wedding party without forcing one fit Matching groomsmen suits can become difficult when every member of the party has a different build. Insisting on an identical close fit may leave some men comfortable and others visibly restricted. A better approach is to keep the cloth, colour and main design consistent while adjusting jacket and trouser sizes for each person. The groom can stand apart through a waistcoat, lapel shape or accessory rather than wearing a suit cut much tighter than everyone else. This creates a connection across the group without treating one silhouette as suitable for every body. Arrange fittings early enough to identify size and alteration issues. Group orders should be checked well before the wedding, particularly when trousers need hemming or jackets require sleeve adjustments. Each person should try the complete outfit with the intended shirt and shoes. Judge the suit by the whole day A wedding fitting often lasts less than half an hour, while the suit may be worn for twelve hours or more. Comfort should therefore be tested under realistic conditions. Sit for several minutes, walk upstairs and check the waistband after moving around. Pay attention to the parts that cannot be seen clearly in a mirror. The collar should remain close to the shirt at the back of the neck. Jacket vents should not pull apart, and the trouser seat should follow the body without sagging or strain. The current move towards balanced tailoring gives grooms more room to choose clothes that look formal without feeling restrictive. Clean shoulders, a shaped jacket and trousers with a natural fall will outlast extreme proportions. A suit that allows the groom to stand, sit and celebrate comfortably is also more likely to look composed in photographs taken throughout the day.