Powder Room Tim Lee Photography
Inspiration for a transitional bathroom remodel in New York

The yoga studio was conceived as a modern interpretation of a Japanese Tea House perched at the edge of a dry pond amidst a traditional walking garden. Many of the design and construction elements abstractly reference traditional Japanese woodworking and construction techniques. The studio is lifted above the ground by two large carrying beams providing the sense that the structure is floating at the edge of the stone pond. The studio itself is designed as a glass lantern, wrapped by a wooden screen. The sliding glass doors extend the studio space onto a deck proportioned for yoga mats. The glass windows wrap the corners of the studio allowing uninterrupted views into the garden and highlight special existing trees at the periphery. The lantern effect is most evident at the rear of the studio where the Ipe screen passes in front of two operable windows that provide ventilation, and illuminate from within at night. The proportions of the wood screen itself change shape to allow more air and light into the rear of the studio. The western red cedar ceiling of the studio creates a plane that extends from the exterior to the interior of the glass wall. As the ceiling plane translates from the exterior to the interior, passing the glass wall, the plane shifts above the structure exposing the cedar joists and allowing us to install indirect lighting within the studio. The design of the gardens was carefully crafted and installed by Land Design Associates and the Owners to create this spectacular backyard oasis in the center of sub-urban Newton, Massachusetts.

Transitional kitchen photo in Austin

David Deitrich
Inspiration for a timeless open concept dark wood floor family room remodel in Other with beige walls, a standard fireplace and a stone fireplace

island counter cantilevered to form dining area. photo: scott hargis
Example of a mid-sized trendy u-shaped porcelain tile and gray floor kitchen design in San Francisco with an undermount sink, flat-panel cabinets, medium tone wood cabinets, stainless steel appliances, quartz countertops, white backsplash and an island

Like us on facebook at www.facebook.com/centresky Designed as a prominent display of Architecture, Elk Ridge Lodge stands firmly upon a ridge high atop the Spanish Peaks Club in Big Sky, Montana. Designed around a number of principles; sense of presence, quality of detail, and durability, the monumental home serves as a Montana Legacy home for the family. Throughout the design process, the height of the home to its relationship on the ridge it sits, was recognized the as one of the design challenges. Techniques such as terracing roof lines, stretching horizontal stone patios out and strategically placed landscaping; all were used to help tuck the mass into its setting. Earthy colored and rustic exterior materials were chosen to offer a western lodge like architectural aesthetic. Dry stack parkitecture stone bases that gradually decrease in scale as they rise up portray a firm foundation for the home to sit on. Historic wood planking with sanded chink joints, horizontal siding with exposed vertical studs on the exterior, and metal accents comprise the remainder of the structures skin. Wood timbers, outriggers and cedar logs work together to create diversity and focal points throughout the exterior elevations. Windows and doors were discussed in depth about type, species and texture and ultimately all wood, wire brushed cedar windows were the final selection to enhance the "elegant ranch" feel. A number of exterior decks and patios increase the connectivity of the interior to the exterior and take full advantage of the views that virtually surround this home. Upon entering the home you are encased by massive stone piers and angled cedar columns on either side that support an overhead rail bridge spanning the width of the great room, all framing the spectacular view to the Spanish Peaks Mountain Range in the distance. The layout of the home is an open concept with the Kitchen, Great Room, Den, and key circulation paths, as well as certain elements of the upper level open to the spaces below. The kitchen was designed to serve as an extension of the great room, constantly connecting users of both spaces, while the Dining room is still adjacent, it was preferred as a more dedicated space for more formal family meals. There are numerous detailed elements throughout the interior of the home such as the "rail" bridge ornamented with heavy peened black steel, wire brushed wood to match the windows and doors, and cannon ball newel post caps. Crossing the bridge offers a unique perspective of the Great Room with the massive cedar log columns, the truss work overhead bound by steel straps, and the large windows facing towards the Spanish Peaks. As you experience the spaces you will recognize massive timbers crowning the ceilings with wood planking or plaster between, Roman groin vaults, massive stones and fireboxes creating distinct center pieces for certain rooms, and clerestory windows that aid with natural lighting and create exciting movement throughout the space with light and shadow.

Walls; Fireplace Surrounds, Partition and Structural Walls, Concrete Bottle Nook beneath kitchen countertop: We wanted to recreate a wall that had fissures, cracks and veins that would resemble the cliffs that the house was constructed on. It should be noted that we were not so concerned with exactly replicating the surrounds, but only to give the feel/impression of the surrounds. The technique used to pour the walls was to randomly pour the concrete in the formed walls and lightly vibrate them as we wanted to keep some random air pockets to produce a bug holed rock look (too much vibration would limit the fissure effect). Once we made a first pass with the concrete in the wall…sometimes pouring a third at a time (or even two-thirds at a time depending where we wanted the fissure/fissures) we would stop and move the concrete pump to a different location and then we placed stones, shells etc onto the top of the irregular tops of the wall. In 30-45 minutes, after the initially poured concrete in the wall took a slight set, we would pour concrete again over the first pour which we dropped/placed rocks and shells on the top of the partially set up wall.

Master Bedroom - Residence along the Hudson - John B. Murray Architect - Interior Design by Sam Blount - Martha Baker Landscape Design - Photography by Durston Saylor

George Oakley
Trendy open concept concrete floor living room photo in Salt Lake City with white walls and a hanging fireplace

Martin King
Large transitional master gray tile, white tile and mosaic tile gray floor and ceramic tile alcove shower photo in Orange County with an undermount sink, gray cabinets, gray walls, shaker cabinets, a two-piece toilet, quartz countertops and a hinged shower door

Faux/Glazed Walls, Antiqued Mantle, Marbelized Hearth, Painted Moldings, Faux Wood Doors & Trim Entry Staircase, Lido Island, Newport Beach, CA Interior Designer, the late Steve Stein, SLS Designs, Inc. of Laguna Beach, CA I always loved working with Steve Stein. His designs were impeccable. He loved to add subtle glazings and details in oh-so-natural tones and shades as to light the room with an ambience that said "comfortable" Wall Glazing can be quite nice and subtle. In this home, with the exception of sofas and chairs, there wasn't much of anything in terms of art & antiquities under 400 years old. My clients wanted something richer than basic wall color as a backdrop to their lifestyle and artistic choices. I tend to love the elegance of the very movement in this suede-like finish. The newly fabricated fireplace mantle & hearth were antiqued and marbleized to suit the strong, solid feel of the vintage pieces. The crown moldings were treated with a mult-layer painted furniture technique to help juxtapose the old with the new. Please visit our project files for more views into what can be done in the backdrops of fine design with special finishes, faux painting, wall glazing, trompe l'oeil artwork, gilding, venetian plasters and so much more. Conscious design - visit Jackie Coburn's Interior Art for our award-winning artistic creations. We hope to inspire you through conscious design!

An Organic Southwestern master bathroom with slate and snail shower. Architect: Urban Design Associates, Lee Hutchison Interior Designer: Bess Jones Interiors Builder: R-Net Custom Homes Photography: Dino Tonn

Glass is tempered and frosted, approximately 3/4" thick, Glazing installer set panels on steel tabs welded to steel columns, added gaskets; then steel column is skinned with wood.

Jay Greene Photography, Kass and Associates Architects, Interior Design Carlisle Y Nostrame
Eclectic underground ceramic tile and multicolored floor basement photo in Philadelphia with white walls and no fireplace

The stainless steel double oven and range hood compliment the white cabinetry and metal hardware. Warm tones in the stonewood granite backsplash and island countertop add interest and depth. Dark hardwood floors ground the space. The island features an integrated cutting board and trash bins creating a functional workspace. Ilir Rizaj

Design ideas for a small traditional full sun backyard landscaping in St Louis.

Dean J. Birinyi Photography
Kitchen - transitional kitchen idea in San Francisco

This guest bathroom features white subway tile with black marble accents and a leaded glass window. Black trim and crown molding set off a dark, antique William and Mary highboy and a Calcutta gold and black marble basketweave tile floor. Faux gray and light blue walls lend a clean, crisp feel to the room, compounded by a white pedestal tub and polished nickel faucet.

Custom shower shelves were integrated into the stall. The very, sloped, bottom "shelf" is at a good height, slope, and depth to support a foot while washing or shaving. A custom design feature that many customers have been thrilled with. James C Schell jim@jcschell.com