Another update project we did in the same Townhome community in Culver city. This time more towards Modern Farmhouse / Transitional design. Kitchen cabinets were completely refinished with new hardware installed. The black island is a great center piece to the white / gold / brown color scheme. The Master bathroom was transformed from a plain contractor's bathroom to a true modern mid-century jewel of the house. The black floor and tub wall tiles are a fantastic way to accent the white tub and freestanding wooden vanity. Notice how the plumbing fixtures are almost hidden with the matte black finish on the black tile background. The shower was done in a more modern tile layout with aligned straight lines. The hallway Guest bathroom was partially updated with new fixtures, vanity, toilet, shower door and floor tile. that's what happens when older style white subway tile came back into fashion. They fit right in with the other updates.

Example of a mid-sized classic ceramic tile single front door design in Portland with beige walls

When these homeowners first approached me to help them update their kitchen, the first thing that came to mind was to open it up. The house was over 70 years old and the kitchen was a small boxed in area, that did not connect well to the large addition on the back of the house. Removing the former exterior, load bearinig, wall opened the space up dramatically. Then, I relocated the sink to the new peninsula and the range to the outside wall. New windows were added to flank the range. The homeowner is an architect and designed the stunning hood that is truly the focal point of the room. The shiplap island is a complex work that hides 3 drawers and spice storage. The original slate floors have radiant heat under them and needed to remain. The new greige cabinet color, with the accent of the dark grayish green on the custom furnuture piece and hutch, truly compiment the floor tones. Added features such as the wood beam that hides the support over the peninsula and doorway helped warm up the space. There is also a feature wall of stained shiplap that ties in the wood beam and ship lap details on the island.

Michael K. Wilkinson, Photographs
Mid-sized transitional master gray tile marble floor alcove shower photo in DC Metro with an undermount sink, flat-panel cabinets, white cabinets, marble countertops, a one-piece toilet and gray walls

Mid-sized transitional master gray tile and glass tile porcelain tile bathroom photo with an undermount sink, shaker cabinets, white cabinets, granite countertops, a two-piece toilet and gray walls

A light filled entry utilizing antique pieces with updated upholstery. Photography by Peter Rymwid.
Example of a mid-sized classic wooden l-shaped wood railing staircase design in New York with painted risers

Prachi Damle Photography
Trendy bedroom photo in Mumbai

Designing a whole home remodel for a client’s second home was an exciting opportunity to create a space that felt both welcoming and timeless. The clients wanted a space that felt light, bright, and timeless. We focused on an open-concept layout, maximizing natural light and incorporating soft, neutral tones that complemented the desert landscape. The main showstopper of the home was the kitchen, which the family considered the heart of the home. Featuring high-end finishes, the kitchen became a space for both cooking and gathering, designed for both functionality and elegance. Thoughtful touches, such as custom cabinetry, integrated appliances, and custom hood, helped elevate the entire space, making it a true focal point. With a thoughtful blend of modern design and classic touches, the remodel was tailored to ensure the space could grow with the family and become a place they would cherish and enjoy for years to come.

Example of a transitional u-shaped light wood floor and beige floor kitchen design in Los Angeles with shaker cabinets, light wood cabinets, an island, white countertops, an undermount sink, white backsplash, stone slab backsplash and stainless steel appliances

Design Team | Shift Interiors in collaboration with Motto Interior Design Photo | Tracy Ayton
Example of a mid-sized danish open concept and formal brown floor living room design in Vancouver with white walls

Mario Peixoto Photography
Example of a mid-sized classic u-shaped vinyl floor eat-in kitchen design in Los Angeles with an undermount sink, white cabinets, quartz countertops, multicolored backsplash, ceramic backsplash, stainless steel appliances, a peninsula and glass-front cabinets

Small transitional dark wood floor and brown floor powder room photo in Houston with a one-piece toilet, white walls, a console sink, quartz countertops and white countertops

When designer Rachel Peterson of Simply Baths, Inc. first met this young, stylish couple at their house they had a small handful of items they knew they really wanted in their master bathroom: a freestanding tub, a chandelier, a larger shower and more counter space. But the truth was, the bath needed a major face-lift. The space was outdated and lacked personality. It certainly didn't reflect the homeowners and their elegant aesthetic. The combination of stone and wood tiles lends just enough of a rustic flair to bring a little bit of the outdoors in and while helping to balance some of the feminine elements in the room with simple masculine touches.

The End of the Ultra-Slim Wedding Suit For several years, men’s formalwear was dominated by narrow lapels, short jackets and trousers cut close to the leg. The style created a sharp outline, but it often left little room for sitting, dancing or eating comfortably. Current tailoring is moving towards a more balanced shape, with cleaner shoulders, a defined waist and trousers that follow the leg without gripping it.This change does not mean that wedding suits have become oversized. The newer approach sits between skinny and loose. It keeps the structure expected of formal clothing while allowing the cloth to hang properly. For grooms, that balance is useful during a day that may involve a ceremony, photographs, dinner and several hours on the dance floor. Look For Shape Rather Than Tightness A well-fitted suit should create a clear outline without relying on tension. Collections of Marc Darcy suits include tailored three-piece designs, checks and textured fabrics that suit the current preference for visible structure and considered proportions. The jacket should sit close enough to define the waist, but the front button should fasten without pulling the cloth into an X-shaped crease. At the shoulders, the seam should finish close to the natural shoulder point. Extra width can make the jacket look borrowed, while a shoulder that is too narrow may cause the upper sleeve to collapse. Fit should be assessed while moving as well as standing. Reach forward, sit down and raise both arms. A tailored jacket will never feel like casual sportswear, but it should allow the groom to carry out ordinary movements without sharp restriction across the back or chest. Give The Jacket Enough Length Very short suit jackets became common alongside skinny trousers, but they can disrupt the proportions of a three-piece outfit. If the jacket finishes too high, the waistcoat may appear longer than the outer layer and the trousers may look as though they begin too low. A more traditional jacket length usually covers most of the seat and divides the body more evenly. This can make the legs appear longer without shortening the jacket excessively. The correct length depends on height and body proportions, so two men wearing the same chest size may still need different jacket lengths. View the suit from the back and side rather than relying on a front-facing mirror. The vents should lie flat, and the hem should not lift away from the body. A side photograph can reveal an unbalanced jacket more clearly than the changing-room mirror. Choose Trousers That Fall Cleanly The move away from very tight tailoring is most noticeable in suit trousers. A modern tailored leg can still be neat at the ankle, but it should provide enough room through the seat and thigh for the fabric to fall without horizontal lines. Trouser pockets offer a useful fit check. If they pull open while standing, the waist or hips may be too tight. The fly should lie flat, and the waistband should remain in place without depending on an overtightened belt. Higher-rise trousers can work particularly well with a waistcoat because they reduce the chance of shirt fabric appearing between the two pieces. The hem should make gentle contact with the shoe rather than gathering heavily around it. A short hem can work with narrow trousers but taking it too far may make the suit look dated once the current cropped style moves on. A slight break is easier to wear with different formal shoes and tends to look balanced in full-length wedding photographs. Let The Waistcoat Support the Silhouette A waistcoat adds structure through the centre of the outfit, but only when it fits correctly. It should lie flat against the shirt and cover the trouser waistband. Tightening the back strap cannot correct a waistcoat that is the wrong size or too short. Current three-piece styling often places greater emphasis on the waistcoat. Double-breasted designs, contrasting fabrics and wider openings can distinguish the groom without requiring a brightly coloured jacket. When the groom removes the jacket later, the waistcoat keeps the outfit looking complete. Allow room for a full meal and several hours of wear. A waistcoat that feels acceptably close during a brief fitting may become uncomfortable at dinner. Sit down with every button fastened and check whether the lower edge presses into the waist or causes the front to bow. Use Stronger Lapels Carefully Wider notch and peak lapels are returning after years of extremely narrow designs. A broader lapel can frame the shirt and tie, balance the shoulders and give the jacket a more formal character. Peak lapels create a particularly strong line on double-breasted jackets and evening suits. The lapel width should still suit the wearer. A very broad lapel can overwhelm a smaller frame, while an extremely narrow one may look out of proportion on a broad chest. The shirt collar, tie width and lapel should relate to one another without matching exactly. A wider lapel also leaves less need for decorative extras. A simple buttonhole flower or plain pocket square may be enough. Large lapel pins can crowd the upper part of the jacket, especially when the cloth already contains a check. Avoid Buying According to the Size Label Alone The same labelled size can fit differently across designs because cut, fabric and construction affect the garment. Begin with accurate chest, waist, inside-leg and approximate jacket-length measurements. Compare those figures with the retailer’s size information rather than ordering the size worn in another brand without checking. If the jacket fits at the shoulders but needs slight shaping through the waist, a tailor can often make the adjustment. Sleeves and trouser hems are also commonly altered. Major changes to the shoulder line or jacket length are more difficult and may not be economical. Do not choose the smallest size that can be fastened. A suit that looks tight in the fitting room is unlikely to become more comfortable during a long wedding day. Cloth should skim the body and return to a clean position after movement. Balance a checked suit with simple styling Texture and checks remain popular in wedding tailoring, particularly for country houses, converted barns and traditional venues. These fabrics already add depth to the outfit, so the cut should remain controlled and the accessories relatively quiet. A plain white, pale blue or cream shirt gives a checked suit a clear foundation. Choose a tie from one of the secondary colours in the cloth rather than introducing another strong pattern. A white pocket square works when the suit contains several shades and does not need further decoration. Shoes should support the proportions of the trousers. A very slim shoe may appear too small beneath a fuller hem, while a heavy casual sole can pull attention away from the tailoring. Oxfords, Derbies and refined brogues usually provide enough visual weight without looking bulky. Coordinate the wedding party without forcing one fit Matching groomsmen suits can become difficult when every member of the party has a different build. Insisting on an identical close fit may leave some men comfortable and others visibly restricted. A better approach is to keep the cloth, colour and main design consistent while adjusting jacket and trouser sizes for each person. The groom can stand apart through a waistcoat, lapel shape or accessory rather than wearing a suit cut much tighter than everyone else. This creates a connection across the group without treating one silhouette as suitable for every body. Arrange fittings early enough to identify size and alteration issues. Group orders should be checked well before the wedding, particularly when trousers need hemming or jackets require sleeve adjustments. Each person should try the complete outfit with the intended shirt and shoes. Judge the suit by the whole day A wedding fitting often lasts less than half an hour, while the suit may be worn for twelve hours or more. Comfort should therefore be tested under realistic conditions. Sit for several minutes, walk upstairs and check the waistband after moving around. Pay attention to the parts that cannot be seen clearly in a mirror. The collar should remain close to the shirt at the back of the neck. Jacket vents should not pull apart, and the trouser seat should follow the body without sagging or strain. The current move towards balanced tailoring gives grooms more room to choose clothes that look formal without feeling restrictive. Clean shoulders, a shaped jacket and trousers with a natural fall will outlast extreme proportions. A suit that allows the groom to stand, sit and celebrate comfortably is also more likely to look composed in photographs taken throughout the day.

The thickness of the sapele wood kitchen countertop is expressed at the stone island counter. The existing ceilings were removed and replaced with exposed steel I-beam crossties and new cathedral ceilings, with the steel beams placed sideways to provide a cavity at the top and bottom for continuous linear light strips shining up and down. The full height windows go all the way to floor to take full advantage of the view angle down the hill. Photo by Lisa Shires.

Jim Bartsch
Example of a huge trendy open concept medium tone wood floor living room design in Santa Barbara with white walls, no fireplace and no tv

E-Design bathroom. Light and bright master bathroom with 48 inch wide double vanity from custom cabinet maker and marble-look engineered quartz top. Double mirrors and lighting sourced from Wayfair supply. We also added wainscoting to the walls for a high end look without adding additional tile to the room.

Picture Perfect House
Inspiration for a small transitional medium tone wood floor and brown floor powder room remodel in Chicago with recessed-panel cabinets, blue cabinets, a two-piece toilet, an undermount sink, quartzite countertops, white countertops and beige walls

David Fell Photography
Example of a mid-sized transitional master beige tile and porcelain tile porcelain tile bathroom design in Boston with an undermount sink, furniture-like cabinets, dark wood cabinets, quartz countertops, a one-piece toilet and beige walls