The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

The unique design concept of A139 is rooted in the basic geometric idea of two interlocking rectangles. This distinctive feature, along with the incorporation of rectangular geometries into the natural environment, sets it apart. The deliberate placement of a few windows in the front enhances privacy, while the addition of wooded and water elements to the facade creates a sober and elegant aesthetic. The project maintains a common language in its materiality: apparent concrete, steel, and wood. The three materials are presented sincerely from the outside of the house and continue on a constant journey through the interior. A139 is adjacent to the spring forest, privileged in its geographical position. We considered that the project’s purpose was that from any point of the house, we would have panoramic views that would serve as ambiance for itself and thus generate “natural pictures.” Our design philosophy for A139 was to seamlessly integrate the forest into the house. To achieve this, we created interior courtyards and spaces, blurring the boundary between the exterior and the interior. This approach not only enhances the living experience but also fosters a harmonious relationship with the natural surroundings. The house’s program is characterized by its social areas on the first floor, which can be combined to generate larger spaces if necessary. On the first floor are four bedrooms, each with a dressing room, bathroom, and terraces overlooking the spring forest. Casa A139 speaks for itself and presents itself honestly, subtly setting the views and ample spaces in the hierarchy by the natural textures of the materials.

A unique 2-level pool-house-pavilion and storage-shed project we built onto a hillside at a client's pool in Loudoun County Va. We built our pavilion part to join seamlessly with the "newly poured" concrete pad surrounding the new pool. Provides a space for entertaining pool-side & getting out of the sun, AND an elegant place for the client to store his farm equipment & tractor & misc equipment on the lower level storage shed side. Built unique cross-buck stable doors for the shed side, and matched the cedar shake gable with an cedar covered awning over the stable doors.

Example of a transitional home design design in Toronto

This is an example of a traditional front yard driveway in New York.

Front patio from Amelia Island project
Beach style back porch idea in Jacksonville with a roof extension

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

We met these clients through a referral from a previous client. We renovated several rooms in their traditional-style farmhouse in Abington. The kitchen is farmhouse chic, with white cabinetry, black granite counters, Carrara marble subway tile backsplash, and a beverage center. The large island, with its white quartz counter, is multi-functional, with seating for five at the counter and a bench on the end with more seating, a microwave door, a prep sink and a large area for prep work, and loads of storage. The kitchen includes a large sitting area with a corner fireplace and wall mounted television. The multi-purpose mud room has custom built lockers for coats, shoes and bags, a built-in desk and shelving, and even space for kids to play! All three bathrooms use black and white in varied materials to create clean, classic spaces. RUDLOFF Custom Builders has won Best of Houzz for Customer Service in 2014, 2015 2016 and 2017. We also were voted Best of Design in 2016, 2017 and 2018, which only 2% of professionals receive. Rudloff Custom Builders has been featured on Houzz in their Kitchen of the Week, What to Know About Using Reclaimed Wood in the Kitchen as well as included in their Bathroom WorkBook article. We are a full service, certified remodeling company that covers all of the Philadelphia suburban area. This business, like most others, developed from a friendship of young entrepreneurs who wanted to make a difference in their clients’ lives, one household at a time. This relationship between partners is much more than a friendship. Edward and Stephen Rudloff are brothers who have renovated and built custom homes together paying close attention to detail. They are carpenters by trade and understand concept and execution. RUDLOFF CUSTOM BUILDERS will provide services for you with the highest level of professionalism, quality, detail, punctuality and craftsmanship, every step of the way along our journey together. Specializing in residential construction allows us to connect with our clients early in the design phase to ensure that every detail is captured as you imagined. One stop shopping is essentially what you will receive with RUDLOFF CUSTOM BUILDERS from design of your project to the construction of your dreams, executed by on-site project managers and skilled craftsmen. Our concept: envision our client’s ideas and make them a reality. Our mission: CREATING LIFETIME RELATIONSHIPS BUILT ON TRUST AND INTEGRITY. Photo Credit: JMB Photoworks

Inspiration for a large contemporary built-in desk dark wood floor and brown floor craft room remodel in Houston with gray walls

Bedroom - large transitional master carpeted and beige floor bedroom idea in Toronto with beige walls

Produced By: PrecisionCraft Log & Timber Homes Heidi Long, Longview Studios
Eat-in kitchen - rustic u-shaped eat-in kitchen idea in Boise with a double-bowl sink

Like most of our projects, we can't gush about this reno—a new kitchen and mudroom, ensuite closet and pantry—without gushing about the people who live there. The best projects, we always say, are the ones in which client, contractor and design team are all present throughout, conception to completion, each bringing their particular expertise to the table and forming a cohesive, trustworthy team that is mutually invested in a smooth and successful process. They listen to each other, give the benefit of the doubt to each other, do what they say they'll do. This project exemplified that kind of team, and it shows in the results. Most obvious is the opening up of the kitchen to the dining room, decompartmentalizing somewhat a century-old bungalow that was originally quite purposefully compartmentalized. As a result, the kitchen had to become a place one wanted to see clear through from the front door. Inset cabinets and carefully selected details make the functional heart of the house equal in elegance to the more "public" gathering spaces, with their craftsman depth and detail. An old back porch was converted to interior space, creating a mudroom and a much-needed ensuite walk-in closet. A new, larger deck went on: Phase One of an extensive design for outdoor living, that we all hope will be realized over the next few years. Finally, a duplicative back stairwell was repurposed into a walk-in pantry. Modernizing often means opening spaces up for more casual living and entertaining, and/or making better use of dead space. In this re-conceptualized old house, we did all of that, creating a back-of-the-house that is now bright and cheerful and new, while carefully incorporating meaningful vintage and personal elements. The best result of all: the clients are thrilled. And everyone who went in to the project came out of it friends. Contractor: Stumpner Building Services Cabinetry: Stoll’s Woodworking Photographer: Gina Rogers

Richard Herman is in the hospitality business and owns several upscale hotels in Florida and in other states as well as cattle ranches in both Florida and Missouri. Their farm in Ocala is by farm their most unique. The property serves as a 4-H demonstration project for the purpose of children’s education. They have been working with the Academy Prep of St. Pete which is dedicated to inner-city youths that are selected on the basis of need and achievement. Wife Diane spends her time on the farm raising Gypsy Vanners, a diminutive draft horse named after the job they did in Eastern Europe, pulling the wagons (vans) for gypsies that wandered across the continent. On the Ocala farm, there are several mules with a unique profession. Richard had visited the Hearthstone display at a Log & Timber Home Shows at the Orlando Convention Center many years ago. He was impressed that Hearthstone had stayed in touch with him over the years by mailings, invitations to shows, and periodic phone calls. When the time came to start serious consideration of the design of barn, Hearthstone responded promptly and professionally to Richard and Diane’s requests for information and a review of their ideas for their barn, which would serve as the centerpiece for their new farm. They wanted a multipurpose facility that could accommodate an educational environment and a large hall suitable for the fundraising events for his charities. Richard wanted a barn that reflected the look and feel of barns built at the dawn of the 20th century. Besides the rustic chicken houses and vegetable gardens, they have completely renovated a 1020’s era farmhouse to be as historically correct as possible and serves as the entry to the farm. “They very careful to feel us out, get comfortable with our capabilities, and be convinced that we could perform as promised,” said Project Manager John Ricketson of Hearthstone. Design Process There were some initial drawings that gave us a start on the basic shape and size of the barn. From there, it was a process of narrowing down the uses of each area and the spans that could be achieved. The barn was going to have the traditional “board & batten” exterior siding and a metal roof. There is a cantilevered ‘hay hood” on the north gable end above the large sliding barn doors that open into the foyer and horse stalls. The wings house a combination of areas, beginning with the large restrooms to accommodate crowds for events. Other parts of the wings have garage areas for the farm vehicles, feed room, tack room, wash rack, storage, offices, and smaller restrooms. Keeping with the look and feel of the turn of the century, Hearthstone developed a process for giving the timbers a surface texture that mimicked the circular cuts of timbers that had just come out of an old sawmill. This was easier said than done. Randy Giles guided his millwright (Wolfgang) in designing a machine that would do this effectively. The barn was delivered in October of 2014 and was erected over the course of two weeks, thanks to a hardworking crew (Eric Foster) and near-perfect weather. After the Hearthstone crew completed the erection and roof dry-in, it was time for the local carpenters to step up and install some light conventional framing on the gable ends before applying the roof fascia and exterior board & batten siding. Next came the big sliding barn doors, plumbing, electrical, heating, and cooling. Large rustic fixtures were hung from the great hall roof timbers. Exterior The board & batten siding was cypress and allowed to turn color naturally as rain hit it and the sun started working on it with UV rays. This method causes a much grayer look closer to the ground and less so where the roof overhang provides protection. The North end has some large limestone boulders and planters arranged around the pad with tall pampas grass. The planters provide casual seating before events and during outside receptions. The entire area was sodded with lush St. Augustine grass and split rail fences were added to enclose the barn area. The corrugated metal roof was a special order material that immediately rusted after being exposed to moisture. The layer of rust protects the metal from the elements. Interior The board & batten theme was carried throughout most of the interior with the timbers left natural to show off the circular saw texture. All of the tongue & groove decking was shipped in advance to allow the local painter to pre-stain it with a dark brown transparent stain that is a beautiful background to the light color Eastern White Pine timbers. “Everything was unique in this project” said Project Manager John Ricketson. “The setting on a small demonstration farm close to Ocala, the multipurpose design, the circular saw texture on the timbers.” The Hermans are very proud of their farm’s outcome. Richard sent a note to Randy Giles, owner of Hearthstone: “The Barn is fantastic, not a single problem, period. Next month, we have Jo Dee Messina coming in to help with a fundraiser for a local center for abused kids. Folks love the farm, ...... but that barn gets all of the attention. I would encourage you to use me as a reference for your sales team, feel free to extend my cell phone to any prospective purchasers.”

Peter Hyatt
Mid-sized trendy staircase photo in Melbourne

Example of a large backyard deck design in Minneapolis